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Asylum and Conversion to Christianity in Europe: Interdisciplinary Approaches
by Lena Rose and Ebru ÖztürkDrawing together previously disjointed scholarship on the topic of asylum and conversion from Islam to Christianity, this book shows how boundaries of belonging are negotiated between Middle Eastern ex-Muslim asylum seekers, church representatives, lawyers, legal decision-makers and policymakers. With case studies from European countries such as Germany, Austria, Finland and Sweden, the book takes an interdisciplinary approach including ethnographic and other qualitative research, discourse analysis and case law analysis, to explore the complexities of the phenomenon of asylum and conversion from Islam to Christianity.This book is an authoritative resource for academic scholars in fields as diverse as migration and refugee studies, anthropology, sociology, religious studies, law and socio-legal studies, as well as legal and religious practitioners.
Reappraising Cult Horror Films: From Carnival of Souls to Last Night in Soho
Identifies key – and in some cases previously overlooked – cult horror films from around the world and reappraises them by approaching and interrogating them in new ways.New productions in the horror genre occupy a prominent space within the cinematic landscape of the 21st century, but the genre's back catalogue of older films refuses to be consigned to the motion picture graveyard just yet. Interest in older horror films remains high, and an ever-increasing number of these films have enjoyed an afterlife as cult movies thanks to regular film festival screenings, television broadcasts and home video releases. Similarly, academic interest in the horror genre has remained high. The frameworks applied by contributors to the collection include genre studies, narrative theory, socio-political readings, aspects of cultural studies, gendered readings, archival research, fan culture work, interviews with filmmakers, aspects of film historiography, spatial theory and cult film theory. Covering a corpus of films that ranges from recognised cult horror classics such as The Wicker Man, The Shining and Candyman to more obscure films like Daughters of Darkness, The Legend of the 7 Golden Vampires, Shivers, Howling III: The Marsupials and Inside, Broughton has curated an international selection of case studies that show the diverse nature of the cult horror subgenre. Be they star-laden, stylish, violent, bizarre or simply little heard-of obscurities, this book offers a multitude of new critical insights into a truly eclectic selection of cult horror films.
Applied Cognitive Ecostylistics: From Ego to Eco
This book offers an up-to-date account of one of the most influential strands of eco-research: cognitive ecostylistics. The onset of the 1970s saw a global shift in scholarly perspective upon the relation between egocentric and ecocentric views of the world. The so-called eco-turn was not only linguistic at its roots, but engaged the bulk of academic thought in social sciences and humanities. Cognitive ecostylistics invites a multidisciplinary approach to the study of the conceptual relations between oral or written texts and their impact on the environment. This volume is a collection of the latest research that seeks to apply the theory and methodology developed over the last 40 years to both literary and real-life texts, engaging with a wealth of examples from First World War poetry and Anne of Green Gables through to Condé Nast Traveller hotel descriptions. Exploring the cultural effects of the eco-turn, the collection engages the reader in the problem of the present-day Anthropocene, manifested as Ego-Eco tensions at the level of communicating self-needs and the needs of the Other. Divided into two parts, it considers first the human-angled semiotic interplay contained within the universe of people, before examining the problem of semiotic engagement of texts as extraneous to the human, highlighting crucial aspects of nature, culture, and beyond.
Applied Cognitive Ecostylistics: From Ego to Eco
by Malgorzata Drewniok, Marek Kuźniak, andThis book offers an up-to-date account of one of the most influential strands of eco-research: cognitive ecostylistics. The onset of the 1970s saw a global shift in scholarly perspective upon the relation between egocentric and ecocentric views of the world. The so-called eco-turn was not only linguistic at its roots, but engaged the bulk of academic thought in social sciences and humanities. Cognitive ecostylistics invites a multidisciplinary approach to the study of the conceptual relations between oral or written texts and their impact on the environment. This volume is a collection of the latest research that seeks to apply the theory and methodology developed over the last 40 years to both literary and real-life texts, engaging with a wealth of examples from First World War poetry and Anne of Green Gables through to Condé Nast Traveller hotel descriptions. Exploring the cultural effects of the eco-turn, the collection engages the reader in the problem of the present-day Anthropocene, manifested as Ego-Eco tensions at the level of communicating self-needs and the needs of the Other. Divided into two parts, it considers first the human-angled semiotic interplay contained within the universe of people, before examining the problem of semiotic engagement of texts as extraneous to the human, highlighting crucial aspects of nature, culture, and beyond.
Barbara Kingsolver's World: Nature, Art, and the Twenty-First Century, Revised Edition
by Prof Linda Wagner-MartinA revised edition of Linda Wagner-Martin's comprehensive study of the novels, stories, essays and poetry of American author Barbara Kingsolver. Now updated so that coverage runs from Kingsolver's first novel, The Bean Trees, through to her most recent, Demon Copperhead. Author of the only biography of Barbara Kingsolver and of a reader's guide to The Poisonwood Bible, Wagner-Martin has become the leading authority on this Pulitzer-prize-wining author. Here she covers every work in Kingsolver's oeuvre, emphasizing the writer's blend of the scientific method in which she was formally trained with her convincing understanding of the human characters that fill her books. What Kingsolver achieves throughout all her writing is a seamless blending of the various parts of human existence. She melds important themes through parts and pieces of the natural world-the African snakes, the Monarch butterflies, the coyotes in Deanna Wolfe's existence. Repeatedly Kingsolver writes to create both characters and the characters' worlds, bringing all these pieces into masterful, and whole, realities.This edition includes two new chapters - one on her 2018 novel, Unsheltered, and the second on her 2022 novel, Demon Copperhead - and is the first study of Kingsolver to publish since she was awarded the Pulitzer Prize for Fiction in 2023.
Voice and Nation in Plurinational Bolivia: Aymara Radio and Song in an Age of Pachakuti (Bloomsbury Studies in Linguistic Anthropology)
by Karl SwinehartThis book offers ethnographic accounts of Aymara language media activism in Bolivia during the presidency of Evo Morales (2006–2019). It draws on research conducted among Aymara language radio broadcasters, hip hop artists, and community members during a period of radical social change and Indigenous political resurgence (pachakuti) in South America's most Indigenous republic. The Plurinational Republic of Bolivia counts Aymara among its official languages, but Aymara's social status and transmission to newer generations raise concerns about whether, despite being one of the most widely spoken Indigenous languages of the Americas, the threat of language obsolescence persists. This ethnographic account of Indigenous language activism shows how Aymara media and cultural workers combat this threat by making the language audible in diverse corners of Aymara life and examines the role Indigenous multilingualism plays in Bolivian politics. Through interviews and analysis of Aymara media texts, this study shows how language professionals determine how “the voice of the people” should sound. By introducing neologisms and archaicisms to avoid mixing Aymara with Spanish, Aymara language professionals disseminate a register of dehispanicized Aymara over the airwaves. The study reveals how these language professionals approach cultivating Aymara as more than a question of linguistic competence, but also of political commitment and anti-racist practice. Organized into two sections, one on radio and one on song, and including clear explanations and illustrations of key concepts in linguistic anthropology, this book listens to Aymara language advocacy from devout Catholics, union militants, and hip hop artists and fans, who hear in their language both the past and the future of Bolivia's Aymaras.
Barbara Kingsolver's World: Nature, Art, and the Twenty-First Century, Revised Edition
by Prof Linda Wagner-MartinA revised edition of Linda Wagner-Martin's comprehensive study of the novels, stories, essays and poetry of American author Barbara Kingsolver. Now updated so that coverage runs from Kingsolver's first novel, The Bean Trees, through to her most recent, Demon Copperhead. Author of the only biography of Barbara Kingsolver and of a reader's guide to The Poisonwood Bible, Wagner-Martin has become the leading authority on this Pulitzer-prize-wining author. Here she covers every work in Kingsolver's oeuvre, emphasizing the writer's blend of the scientific method in which she was formally trained with her convincing understanding of the human characters that fill her books. What Kingsolver achieves throughout all her writing is a seamless blending of the various parts of human existence. She melds important themes through parts and pieces of the natural world-the African snakes, the Monarch butterflies, the coyotes in Deanna Wolfe's existence. Repeatedly Kingsolver writes to create both characters and the characters' worlds, bringing all these pieces into masterful, and whole, realities.This edition includes two new chapters - one on her 2018 novel, Unsheltered, and the second on her 2022 novel, Demon Copperhead - and is the first study of Kingsolver to publish since she was awarded the Pulitzer Prize for Fiction in 2023.
Voice and Nation in Plurinational Bolivia: Aymara Radio and Song in an Age of Pachakuti (Bloomsbury Studies in Linguistic Anthropology)
by Karl SwinehartThis book offers ethnographic accounts of Aymara language media activism in Bolivia during the presidency of Evo Morales (2006–2019). It draws on research conducted among Aymara language radio broadcasters, hip hop artists, and community members during a period of radical social change and Indigenous political resurgence (pachakuti) in South America's most Indigenous republic. The Plurinational Republic of Bolivia counts Aymara among its official languages, but Aymara's social status and transmission to newer generations raise concerns about whether, despite being one of the most widely spoken Indigenous languages of the Americas, the threat of language obsolescence persists. This ethnographic account of Indigenous language activism shows how Aymara media and cultural workers combat this threat by making the language audible in diverse corners of Aymara life and examines the role Indigenous multilingualism plays in Bolivian politics. Through interviews and analysis of Aymara media texts, this study shows how language professionals determine how “the voice of the people” should sound. By introducing neologisms and archaicisms to avoid mixing Aymara with Spanish, Aymara language professionals disseminate a register of dehispanicized Aymara over the airwaves. The study reveals how these language professionals approach cultivating Aymara as more than a question of linguistic competence, but also of political commitment and anti-racist practice. Organized into two sections, one on radio and one on song, and including clear explanations and illustrations of key concepts in linguistic anthropology, this book listens to Aymara language advocacy from devout Catholics, union militants, and hip hop artists and fans, who hear in their language both the past and the future of Bolivia's Aymaras.
Translation, Interpreting and Technological Change: Innovations in Research, Practice and Training (Bloomsbury Advances in Translation)
by Marion Winters, Sharon Deane-Cox and Ursula BöserThe digital era is characterised by technological advances that increase the speed and breadth of knowledge turnover within the economy and society. This book examines the impact of these technological advances on translation and interpreting and how new technologies are changing the very nature of language and communication. Reflecting on the innovations in research, practice and training that are associated with this turbulent landscape, chapters consider what these shifts mean for translators and interpreters. Technological changes interact in increasingly complex and pivotal ways with demographic shifts, caused by war, economic globalisation, changing social structures and patterns of mobility, environmental crises, and other factors. As such, researchers face new and often cross-disciplinary fields of inquiry, practitioners face the need to acquire and adopt novel skills and approaches, and trainers face the need to train students for working in a rapidly changing landscape of communication technology. This book brings together advances and challenges from the different but intertwined perspectives of translation and interpreting to examine how the field is changing in this rapidly evolving environment.
Translation, Interpreting and Technological Change: Innovations in Research, Practice and Training (Bloomsbury Advances in Translation)
The digital era is characterised by technological advances that increase the speed and breadth of knowledge turnover within the economy and society. This book examines the impact of these technological advances on translation and interpreting and how new technologies are changing the very nature of language and communication. Reflecting on the innovations in research, practice and training that are associated with this turbulent landscape, chapters consider what these shifts mean for translators and interpreters. Technological changes interact in increasingly complex and pivotal ways with demographic shifts, caused by war, economic globalisation, changing social structures and patterns of mobility, environmental crises, and other factors. As such, researchers face new and often cross-disciplinary fields of inquiry, practitioners face the need to acquire and adopt novel skills and approaches, and trainers face the need to train students for working in a rapidly changing landscape of communication technology. This book brings together advances and challenges from the different but intertwined perspectives of translation and interpreting to examine how the field is changing in this rapidly evolving environment.
Education, Affect, and Film: Visual Imaginings and Global Explorations Through a Comparative Lens (New Directions in Comparative and International Education)
by Irving EpsteinWhat can a study of international film contribute to our understanding of education in a globalized context? How can such an exploration further push the boundaries of comparative and international education (CIE) as an academic field? In addressing these questions, Irving Epstein brings together insights from film theory, affect theory and CIE to explore the ways in which educational meanings are mediated through globalization processes. Some of the many films discussed in detail in the book include Parasite, Small Axe, My Octopus Teacher, The Pearl Button, and A Separation. Epstein shows how films can speak broadly to issues involving social class privilege, racism, colonialism and indigeneity, and environmental justice regarding educational concerns.
Education, Affect, and Film: Visual Imaginings and Global Explorations Through a Comparative Lens (New Directions in Comparative and International Education)
by Irving EpsteinWhat can a study of international film contribute to our understanding of education in a globalized context? How can such an exploration further push the boundaries of comparative and international education (CIE) as an academic field? In addressing these questions, Irving Epstein brings together insights from film theory, affect theory and CIE to explore the ways in which educational meanings are mediated through globalization processes. Some of the many films discussed in detail in the book include Parasite, Small Axe, My Octopus Teacher, The Pearl Button, and A Separation. Epstein shows how films can speak broadly to issues involving social class privilege, racism, colonialism and indigeneity, and environmental justice regarding educational concerns.
The Bible in the Age of Empire: A Cultural History
The nineteenth century was a time of titanic change. At the very heart of that change – driving it, confounding it, complicating it – was a singular book reputed to be utterly unchanging in its true and perfect expression. This book was the Bible. No other book could rival its ubiquity or cultural potency. Neither was any other book quite so divisive. Many revered it. Others deplored it. Still others used it for creative inspiration or borrowed its authority to bring about particular economic or political ends. But whatever status it enjoyed, whatever purpose it served, it was never far from the centre of Victorian discourse. The essays in this book explore how the Bible shaped and was shaped by the social and cultural forces at work during the nineteenth century -- forces that drove both scientific discovery and the colonial project, provoked unprecedented economic gain and condemned countless workers to urban poverty, gave birth to women's rights movements and reinforced traditional gender norms. Ultimately, all the essays in this book demonstrate one thing: that the nineteenth century emerges in its greatest clarity only when we approach it as the Victorians themselves approached it: through the lens of the Bible.
The Bible in the Age of Empire: A Cultural History
by Scott McLarenThe nineteenth century was a time of titanic change. At the very heart of that change – driving it, confounding it, complicating it – was a singular book reputed to be utterly unchanging in its true and perfect expression. This book was the Bible. No other book could rival its ubiquity or cultural potency. Neither was any other book quite so divisive. Many revered it. Others deplored it. Still others used it for creative inspiration or borrowed its authority to bring about particular economic or political ends. But whatever status it enjoyed, whatever purpose it served, it was never far from the centre of Victorian discourse. The essays in this book explore how the Bible shaped and was shaped by the social and cultural forces at work during the nineteenth century -- forces that drove both scientific discovery and the colonial project, provoked unprecedented economic gain and condemned countless workers to urban poverty, gave birth to women's rights movements and reinforced traditional gender norms. Ultimately, all the essays in this book demonstrate one thing: that the nineteenth century emerges in its greatest clarity only when we approach it as the Victorians themselves approached it: through the lens of the Bible.
Artificial Intelligence in Greek and Roman Epic
This is the first scholarly exploration of concepts and representations of Artificial Intelligence in ancient Greek and Roman epic, including their reception in later literature and culture. Contributors look at how Hesiod, Homer, Apollonius of Rhodes, Moschus, Ovid and Valerius Flaccus crafted the first literary concepts concerned with automata and the quest for artificial life, as well as technological intervention improving human life.Parts one and two consider, respectively, archaic Greek, and Hellenistic and Roman, epics. Contributors explore the representations of Pandora in Hesiod, and Homeric automata such as Hephaestus' wheeled tripods, the Phaeacian king Alcinous' golden and silver guard dogs, and even the Trojan Horse. Later examples cover Artificial Intelligence and automation (including Talos) in the Argonautica of Apollonius and Valerius Flaccus, and Pygmalion's ivory woman in Ovid's Metamorphoses. Part three underlines how these concepts benefit from analysis of the ekphrasis device, within which they often feature. These chapters investigate the cyborg potential of the epic hero and the literary implications of ancient technology. Moving into contemporary examples, the final chapters consider the reception of ancient literary Artificial Intelligence in contemporary film and literature, such as the Czech science-fiction epic Starvoyage, or Small Cosmic Odyssey by Jan Kr?esadlo (1995) and the British science-fiction novel The Holy Machine by Chris Beckett (2004).
Artificial Intelligence in Greek and Roman Epic
by Andriana Domouzi and Silvio BärThis is the first scholarly exploration of concepts and representations of Artificial Intelligence in ancient Greek and Roman epic, including their reception in later literature and culture. Contributors look at how Hesiod, Homer, Apollonius of Rhodes, Moschus, Ovid and Valerius Flaccus crafted the first literary concepts concerned with automata and the quest for artificial life, as well as technological intervention improving human life.Parts one and two consider, respectively, archaic Greek, and Hellenistic and Roman, epics. Contributors explore the representations of Pandora in Hesiod, and Homeric automata such as Hephaestus' wheeled tripods, the Phaeacian king Alcinous' golden and silver guard dogs, and even the Trojan Horse. Later examples cover Artificial Intelligence and automation (including Talos) in the Argonautica of Apollonius and Valerius Flaccus, and Pygmalion's ivory woman in Ovid's Metamorphoses. Part three underlines how these concepts benefit from analysis of the ekphrasis device, within which they often feature. These chapters investigate the cyborg potential of the epic hero and the literary implications of ancient technology. Moving into contemporary examples, the final chapters consider the reception of ancient literary Artificial Intelligence in contemporary film and literature, such as the Czech science-fiction epic Starvoyage, or Small Cosmic Odyssey by Jan Kr?esadlo (1995) and the British science-fiction novel The Holy Machine by Chris Beckett (2004).
Borges's Creative Infidelities: Translating Joyce, Woolf and Faulkner
by Dr. Leah Leone AndersonUsing comparative analyses of source and target texts, Leone Anderson examines Jorge Luis Borges's residual presence in his Spanish-language translations of works by James Joyce, Virginia Woolf, and William Faulkner.Argentine writer and critic Jorge Luis Borges did not see translation as an inferior form of artistic production to be defined primarily in terms of loss or unfaithfulness, but rather as a vast and rich source for literary innovation and aesthetic inquiry. Borges's Creative Infidelities: Translating Joyce, Woolf and Faulkner explores what this view may have implied for his translations of Anglophone Modernist fiction: the last two pages of James Joyce's Ulysses; Virginia Woolf's A Room of One's Own and Orlando; and William Faulkner's If I Forget Thee, Jerusalem [The Wild Palms]. Through full-length, manual comparisons of the English and Spanish texts, this book reveals the ways Borges inscribed his tastes, values and judgments–both about the individual works and about Modernist literature in general–onto his translations and how in doing so, he altered the identities of their characters, the ethical and rhetorical positioning of their narrators, their plots and even their genres. This book is driven by storytelling: the stories of each texts' origin and reception in English; of how they ended up in Borges's hands and of his translation processes; of how, through his translations, the texts' narratives were made to tell new stories; and of the extraordinary legacies of Borges's Spanish translations of Joyce, Woolf and Faulkner.
Borges's Creative Infidelities: Translating Joyce, Woolf and Faulkner
by Dr. Leah Leone AndersonUsing comparative analyses of source and target texts, Leone Anderson examines Jorge Luis Borges's residual presence in his Spanish-language translations of works by James Joyce, Virginia Woolf, and William Faulkner.Argentine writer and critic Jorge Luis Borges did not see translation as an inferior form of artistic production to be defined primarily in terms of loss or unfaithfulness, but rather as a vast and rich source for literary innovation and aesthetic inquiry. Borges's Creative Infidelities: Translating Joyce, Woolf and Faulkner explores what this view may have implied for his translations of Anglophone Modernist fiction: the last two pages of James Joyce's Ulysses; Virginia Woolf's A Room of One's Own and Orlando; and William Faulkner's If I Forget Thee, Jerusalem [The Wild Palms]. Through full-length, manual comparisons of the English and Spanish texts, this book reveals the ways Borges inscribed his tastes, values and judgments–both about the individual works and about Modernist literature in general–onto his translations and how in doing so, he altered the identities of their characters, the ethical and rhetorical positioning of their narrators, their plots and even their genres. This book is driven by storytelling: the stories of each texts' origin and reception in English; of how they ended up in Borges's hands and of his translation processes; of how, through his translations, the texts' narratives were made to tell new stories; and of the extraordinary legacies of Borges's Spanish translations of Joyce, Woolf and Faulkner.
Affect Ethnography: Exploring Performance and Narrative in the Creation of Unstories
by Dr Cristiana Giordano Dr Greg PierottiPlaying with the relation between truth and representation in the stories we tell as ethnographers and theater makers, this book contributes to the current debates around experimental research methodologies and ethnographically grounded theatrical forms. It departs from other studies by proposing a unique and accessible methodology that brings together theatrical devising practices and anthropology. Through its theoretical exploration and performative script, the book bridges the relation between ethnographic writing and performativity, and simultaneously troubles conventional narrative practices in theater and anthropology. The practice described in the book, Affect Theater, also emphasizes embodied and affective approaches to empirical research and defines a process for rendering this type of material into imaginative academic writing, collaborative performance, and other inventive forms, applicable across a range of academic disciplines.
Defeating the Evil-God Challenge: In Defence of God’s Goodness
by Jack SymesThe evil-god challenge is one of the most popular topics in contemporary philosophy of religion. In this landmark text, Jack Symes offers the most detailed examination of the challenge to date. Exploring the nature of god through the leading schools of philosophical theology, Symes argues that it is significantly more reasonable to attribute goodness to god than evil. Drawing from a breadth of ground-breaking material – in metaphysics, ethics, aesthetics and epistemology – Symes claims to defeat the evil-god challenge on behalf of traditional theism.Is it any more reasonable to believe in a good god than an evil god? Not according to proponents of the evil-god challenge. After all, the world contains a significant amount of good and evil for which either god could be held responsible. However, if belief in both gods is equally as reasonable, then religious believers are unjustified in favouring one hypothesis over the other. Therefore, in order to defend their faith, theists must respond to the evil-god challenge: the question of what justifies belief in good god over evil god.
Defeating the Evil-God Challenge: In Defence of God’s Goodness
by Jack SymesThe evil-god challenge is one of the most popular topics in contemporary philosophy of religion. In this landmark text, Jack Symes offers the most detailed examination of the challenge to date. Exploring the nature of god through the leading schools of philosophical theology, Symes argues that it is significantly more reasonable to attribute goodness to god than evil. Drawing from a breadth of ground-breaking material – in metaphysics, ethics, aesthetics and epistemology – Symes claims to defeat the evil-god challenge on behalf of traditional theism.Is it any more reasonable to believe in a good god than an evil god? Not according to proponents of the evil-god challenge. After all, the world contains a significant amount of good and evil for which either god could be held responsible. However, if belief in both gods is equally as reasonable, then religious believers are unjustified in favouring one hypothesis over the other. Therefore, in order to defend their faith, theists must respond to the evil-god challenge: the question of what justifies belief in good god over evil god.
God and the Little Grey Cells: Religion in Agatha Christie's Poirot Stories
by Dan W. Clanton, Jr.Dan W. Clanton, Jr. examines the presence and use of religion and Bible in Agatha Christie's Hercule Poirot novels and stories and their later interpretations. Clanton begins by situating Christie in her literary, historical, and religious contexts by discussing “Golden Age” crime fiction and Christianity in England in the late 19th-early 20th centuries. He then explores the ways in which Bible is used in Christie's Poirot novels as well as how Christie constructs a religious identity for her little Belgian sleuth. Clanton concludes by asking how non-majority religious cultures are treated in the Poirot canon, including a heterodox Christian movement, Spiritualism, Judaism, and Islam. Throughout, Clanton acknowledges that many people do not encounter Poirot in his original literary contexts. That is, far more people have been exposed to Poirot via “mediated” renderings and interpretations of the stories and novels in various other genres, including radio, films, and TV. As such, the book engages the reception of the stories in these various genres, since the process of adapting the original narrative plots involves, at times, meaningful changes. Capitalizing on the immense and enduring popularity of Poirot across multiple genres and the absence of research on the role of religion and Bible in those stories, this book is a necessary contribution to the field of Christie studies and will be welcomed by her fans as well as scholars of religion, popular culture, literature, and media.
Admissibility of Evidence in EU Cross-Border Criminal Proceedings: Electronic Evidence, Efficiency and Fair Trial Rights (Hart Studies in European Criminal Law)
by Lorena Bachmaier Winter and Farsam SalimiThis book provides a systematic and analytical account of the problems facing transnational criminal justice.It details actual problems arising in the transnational prosecution of crimes; assesses existing obstacles on admissibility of evidence; in particular with regard to electronic evidence, assesses the impact that the impediment of free circulation of evidence has on fundamental rights of the defendants facing criminal trial; and finally drafts a proposal for the future of regulation for this complex topic.The book therefore contributes to the debate on the creation of an Area of Freedom, Security and Justice in the EU. It offers insights on how to outline the main general rules that could be adopted at EU level in a manner that adequately balances the need for efficiency in prosecution and the protection of human rights.With contributions of renowned experts in the field, the book addresses the discussion of a potential legislative proposal with the help of insight into the experience and conceptual context of the rules of evidence at the national level. The legislative proposal was adopted by the European Law Institute, who supported the work reflected in this book.
Admissibility of Evidence in EU Cross-Border Criminal Proceedings: Electronic Evidence, Efficiency and Fair Trial Rights (Hart Studies in European Criminal Law)
This book provides a systematic and analytical account of the problems facing transnational criminal justice.It details actual problems arising in the transnational prosecution of crimes; assesses existing obstacles on admissibility of evidence; in particular with regard to electronic evidence, assesses the impact that the impediment of free circulation of evidence has on fundamental rights of the defendants facing criminal trial; and finally drafts a proposal for the future of regulation for this complex topic.The book therefore contributes to the debate on the creation of an Area of Freedom, Security and Justice in the EU. It offers insights on how to outline the main general rules that could be adopted at EU level in a manner that adequately balances the need for efficiency in prosecution and the protection of human rights.With contributions of renowned experts in the field, the book addresses the discussion of a potential legislative proposal with the help of insight into the experience and conceptual context of the rules of evidence at the national level. The legislative proposal was adopted by the European Law Institute, who supported the work reflected in this book.
Funny Dostoevsky: New Perspectives on the Dostoevskian Light Side
by Lynn Ellen Patyk and Irina ErmanTapping into the emergence of scholarly comedy studies since the 2000s, this collection brings new perspectives to bear on the Dostoevskian light side. Funny Dostoevksy demonstrates how and why Dostoevsky is one of the most humorous 19th-century authors, even as he plumbs the depths of the human psyche and the darkest facets of European modernity. The authors go beyond the more traditional categories of humor, such as satire, parody, and the carnivalesque, to apply unique lenses to their readings of Dostoevsky. These include cinematic slapstick and the body in Crime and Punishment, the affective turn and hilarious (and deadly) impatience in Demons, and ontological jokes in Notes from Underground and The Idiot. The authors – (coincidentally?) all women, including some of the most established scholars in the field alongside up-and-comers – address gender and the marginalization of comedy, culminating in a chapter on Dostoevsky's "funny and furious" women, and explore the intersections of gender and humor in literary and culture studies. Funny Dostoevksy applies some of the latest findings on humor and laughter to his writing, while comparative chapters bring Dostoevsky's humor into conjunction with other popular works, such as Chaplin's Modern Times and Lin-Manuel Miranda's Hamilton. Written with a verve and wit that Dostoevsky would appreciate, this boldly original volume illuminates how humor and comedy in his works operate as vehicles of deconstruction, pleasure, play, and transcendence.