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Perform Suzhou: A Course in Intermediate to Advanced Spoken Mandarin
by Xiaobin Jian Jianfen Wang Junqing Jia Chenghua FengPerform Suzhou is a task- and performance-oriented textbook course for Chinese study abroad programs serving intermediate- to advanced-level learners. Performance is the key concept; developing communication skills through role playing. Field performance tasks enable students learning Chinese to refine and solidify communication skills by executing real-life tasks in the target culture, before reporting on their experiences in the classroom. The dialogues presented form the basis for improvisation for related contexts, equipping students to respond appropriately in new situations. Perform Suzhou is composed of staged units, drills, exercises and culture notes with accompanying audio. The textbook is accompanied by audio and Action! China, the supporting workbook.
Gender in Literary Translation: A Corpus-Based Study of the English Translations of Chenzhong De Chibang (Corpora and Intercultural Studies #3)
by Lingzi MengThis book explores the role of gender in male- and female-produced efforts to translate a Chinese novel into English. Adopting the CDA framework and corpus methodology, the study examines the specific ways in which, and extent to which, a female British translator and a male American translator construct their gender identity in translation. Based on an analysis of the two translations’ textual and paratextual features, it reveals the fascinating ways in which language, gender and translation interact. The book is intended for anyone who is interested in gender and translation studies, particularly in applying the new corpus methodology to exploring the interface between gender and translation in the Chinese context.
Complementary Modernisms in China and the United States: Art as Life/Art as Idea
by Jian Zhang Bruce RobertsonComplementary Modernisms in China and the United States: Art as Life/Art as Idea is the result of a conference where Chinese and Americanist art historians addressed the development of modernism in their respective cultural traditions. The chapters juxtapose historical developments without attempting to map connections or influences. Instead, both national modernisms are presented as part of the larger terrain of global modernism, but generated within specific, localized circumstances. This juxtaposition reveals significant differences as much as any particular moments of connection or similarities, disrupting any standard narrative of the primacy of French (or European) avant-garde art and its influence on more belated and peripheral communities. The differences that are revealed are not merely the result of the very different historical trajectories of each country’s moves into modernity. Rather, differences in attention and methodology are just as important, in particular the focus on the post-1980 development of Chinese art as part of the modernization of Chinese culture and economy, rather than the American perspective on post-1980s postmodern qualities. At the same time, significant convergent concerns emerge, such as the importance of urban centers and urbanization, the profound effect of political and technological disruption, and the question of identity.The volume represent a cross-section of Chinese and Americanist art historians, both early career and senior scholars, working on a wide variety of subjects, such as the Ashcan School, Impressionism, Cai Liang, Liang Sicheng, Huang Binhong, Cézanne, Bauhaus, Joseph Cornell, Andrew Wyeth, Louise Nevelson, Jackson Pollock, Andy Warhol, and contemporary art more broadly, with (as is usual in any survey of the 20th century these days) a concentration on the 1960s. 《交互视野下的中国和美国的现代艺术: 艺术/生活或观念》这一会议论文集收录了中美艺术史家对现代主义在各自传统下的发展进行研究所得的成果。这些文章并置历史发展，而非试图详述其中的关联或影响。相反，两个国家的现代主义都被展现为全球现代主义大背景中的一部分，并被认为是在特定环境中产生的。这种并置显示了重要的差异性以及任何特殊情况下的联系或相似之处，打破了一般强调法国（或欧洲）先锋派首要地位及其对周围团体产生影响的标准论述。中国与美国现代主义发展上的差异，并不仅仅是由于两国进入不同历史轨道发展现代化而导致的。相反，关注点和方法论的差异也同样重要，尤其是关注八十年代后中国艺术的发展，将其作为中国文化与经济现代化的一部分，而不是从美国视角来看待八十年代后的后现代价值。同时，也出现了重要的趋同关注点：城市中心与城市化的重要性，政治或科技解体所造成的深远影响，以及自我认同的问题。本论文集所收录的文章，彰显了当今重要的中美艺术史家研究的多样性，从资深到青年一代，从阿什坎学派至当代艺术，（并与任何当下对二十世纪作出的概括论述相一致，）将重点放在二十世纪六十年代。
Clinical Optics and Refraction
by Andrew Keirl, Caroline Christie, 路建華It provides a comprehensive and clinically based guide to visual optics. With its suggested routines and numerous examples, this new book offers a straightforward "how to approach" to the understanding of clinical optics, refraction and contact lens optics. Designed for easy access, it presents information in a concise format that highlights key, need-to-know points. Part 1 addresses the basic visual optics of the eye along with emmetropia, ametropia and the correction of ametropia with spectacle lenses. Part 2 turns to the optics of contact lenses and the use of contact lenses in vision correction.Numerous worked examples based on real examination questionsPractical and user friendly textOver 190 clear line diagramsAn essential passport to examination success and a valuable quick reference for practitioners
Practical Chinese Usage: Common Words and Phrases
by Emma L. WuPractical Chinese Usage offers post-beginner to near advanced students of Chinese a guide to the most frequently misused and confusing words in the language. Entries are arranged in alphabetical order for ease of reference. Sample sentences with pinyin and English translations are provided after each explanation. Examples of typical mistakes made by students are clearly marked throughou. Each entry is annotated in accordance with the New HSK guidelines, indicating the level of difficulty. Practical Chinese Usage provides students of Chinese with the necessary tools to refine their use of expressions and synonyms in order to communicate effectively in the Chinese language.
Introduction to Contemporary Art in China (China Perspectives)
by Lao ZhuThe book is a collection of fifteen introductory essays excerpted from the Annual of Contemporary Art in China, covering the years from 2005 to 2019, showcasing the development and changing landscapes of contemporary art in China. The Annual documents exhibitions, events, creative practices, and critical literature concerning contemporary art in China since 2005. Based on archival documentation and statistics data from these annuals, notable phenomena, events, and discourses from a given year, as well as key works and artists are reviewed in each introduction, with no ideological or market-driven undertone. The author unravels industrial and institutional factors, while also broaching important issues of abstract art, new media art and so on, and probing the historical and socio-cultural context as well. In this regard, the book offers a panorama of contemporary Chinese art and critically engages with the art scene in China, including Hongkong, Taiwan, and among the Chinese diaspora. The title will appeal to scholars, students and general readers interested in contemporary art history, art criticism, contemporary Chinese art, iconography, and contemporary art theory.
Introduction to Contemporary Art in China (China Perspectives)
by Lao ZhuThe book is a collection of fifteen introductory essays excerpted from the Annual of Contemporary Art in China, covering the years from 2005 to 2019, showcasing the development and changing landscapes of contemporary art in China. The Annual documents exhibitions, events, creative practices, and critical literature concerning contemporary art in China since 2005. Based on archival documentation and statistics data from these annuals, notable phenomena, events, and discourses from a given year, as well as key works and artists are reviewed in each introduction, with no ideological or market-driven undertone. The author unravels industrial and institutional factors, while also broaching important issues of abstract art, new media art and so on, and probing the historical and socio-cultural context as well. In this regard, the book offers a panorama of contemporary Chinese art and critically engages with the art scene in China, including Hongkong, Taiwan, and among the Chinese diaspora. The title will appeal to scholars, students and general readers interested in contemporary art history, art criticism, contemporary Chinese art, iconography, and contemporary art theory.
Proceedings of the 10th Annual Meeting of Risk Analysis Council of China Association for Disaster Prevention (Advances in Economics, Business and Management Research #248)
This is an open access book. The 10th annual session of the China Disaster Defense Association was held in the beautiful metropolis-Tianjin in September 2022. This annual session was hosted by China Civil Aviation University. The theme of this annual meeting is: intelligent risk analysis and crisis response. Scholars, experts, engineering technicians, government officials and entrepreneurs engaged in risk science research, risk system management, risk technology development, crisis response and emergency management actively responded to the meeting. They actively contributed and participated in the meeting, and focused on the application of intelligent risk analysis in earthquake disasters, meteorological disasters, chemical park risk investigation and natural disasters Academic exchanges were carried out in risk analysis, risk assessment methods and models, environmental and ecological risk analysis, public health risk analysis and financial risk analysis.