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Poisoned Ground: A Hakim and Arnold Mystery
by Barbara NadelEx-soldier Lee Arnold and his Muslim assistant Mumtaz Hakim run a detective agency in London's ethnically diverse, crime-ridden East End. Mumtaz is approached by an Egyptian woman, Salwa, whose husband is in Belmarsh on terrorism charges. Salwa convinces Mumtaz of her husband's innocence and persuades her to go undercover to prove it. But Salwa is not what she seems. Trapped in an old tunnel that leads to the London docks, will Mumtaz escape with her life?
A Poisoned Season (Lady Emily Mysteries #2)
by Tasha AlexanderFrom New York Times bestselling author Tasha Alexander comes the second Lady Emily mystery set in Victorian England, meticulously researched and with a twisty plot that involves an audacious cat burglar and a brewing scandal for Lady Emily . . . London's social season is in full swing, and the aristocracy can't stop whispering about a certain gentleman who claims to be the direct descendant of Louis XVI and Marie Antoinette. Drawing rooms, boudoirs and ballrooms are also abuzz with the latest news of an audacious cat burglar who has been making off with precious items that once belonged to the ill-fated queen. But light gossip turns serious when the owner of one of the pilfered treasures is murdered and the thief develops a twisted obsession with Lady Emily Ashton. It takes all of Lady Emily's wit and perseverance to unmask her stalker and ferret out the murderer, all while faced with a brewing scandal that threatens both her reputation and her romance with the dashing Colin Hargreaves.Praise for Tasha Alexander'Historical mystery at its best. Ms. Alexander has delivered an amazing sequel to her debut novel' Fresh Fiction'Immediately engrossing and thoroughly entertaining... Alexander writes with a fullness and richness that leaves the reader extremely satisfied' Crimespree'Sometimes touching, sometimes funny and always absorbing, this Victorian-era mystery hits all the right notes' Romantic Times'The vivacious and well-read Emily is back in rare form... Alexander has vividly captured Victorian mores, and the society intrigues are fascinating' The Tennessean'Enchanting... Alexander keeps readers guessing until the very end' Publishers Weekly'Tasha Alexander is one to watch - and read... despite her cliffhanger climaxes and witty repartee, there's a depth of sensitivity that sets her apart' The Huffington Post
The Polaris Protocol: A gripping military thriller from ex-Special Forces Commander Brad Taylor (Taskforce #5)
by Brad TaylorYou think you know your enemy. Until you don't. The Taskforce – a highly classified Special Forces unit – has been sent to investigate a Mexican drug cartel. Yet they uncover something more insidious than drug trafficking. The cartel has discovered a way to penetrate the GPS tracking system, capable of putting the US on standstill. The system sends out false GPS signals, enabling a user to manipulate everything from banking systems to cruise missiles. The Taskforce sends Pike Logan to infiltrate the cartel's inner circle. They must eliminate the impending threat, before the cartel cripples the entire country. Praise for Brad Taylor: 'It's an excellent read, and I greatly enjoyed it' Nelson DeMille. 'Pike ranks right up there with Jason Bourne, Jack Reacher and Jack Bauer' John Lescroart. 'Logan is a tough, appealing hero you're sure to root for' Joseph Finder. 'Fresh plot, great actions, and Taylor clearly knows what he is writing about' Vince Flynn.
Polestar Omega
by James AxlerBanded together to survive, Ryan Cawdor and his companions travel the barren wastelands of a post-nuclear world. There are no laws in Deathlands–only fear, destruction and annihilation. As each day brings a new struggle, this group journeys toward the shaky promise of sanctuary.
The Political Vision of the "Divine Comedy"
by Joan M. FerranteJoan Ferrante analyzes the Divine Comedy in terms of public issues, which continued foremost in Dante's thinking after his exile from Florence. Professor Ferrante examines the political concepts of the poem in historical context and in light of the political theory and controversies of the period.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The political writings of Archbishop Wulfstan of York (Manchester Medieval Sources)
by Rosemary Horrox Simon Maclean Andrew RabinArchbishop Wulfstan of York (d. 1023) is among the most important legal and political thinkers of the early Middle Ages. A leading ecclesiastic, innovative legislator, and influential royal councilor, Wulfstan witnessed firsthand the violence and social unrest that culminated in the fall of the English monarchy before the invading armies of Cnut in 1016. In his homilies and legal tracts, Wulfstan offered a searing indictment of the moral failings that led to England’s collapse and formulated a vision of an ideal Christian community that would influence English political thought long after the Anglo-Saxon period had ended. These works, many of which have never before been available in modern English, are collected here for the first time in new, extensively annotated translations that will help readers reassess one of the most turbulent periods in English history and re-evaluate the career of Anglo-Saxon England’s most important political visionary.
Politics And Ideology In Children's Literature: (PDF) (Studies In Children's Literature Ser.)
by Áine McGillicuddy Marian Thérèse KeyesThis volume examines how children's books retain the ability to transform, activate, indoctrinate, or empower their readers. From utopian and dystopian voices to children's literature written in response to war situations to critiques of misogynistic assumptions that normalize or eroticize violence, these essays demonstrate the potential of children's literature to radically challenge cultural norms. Contents include: national identity in The Hunger Games * aspects of socio-political transformation in children's literature * the figure of the child in WWI children's literature * echoes of the past, aspirations for the future in the teenage novels of Eilis Dillon * portraits and paratexts in the work of Mrs. S.C. Hall * Catherine Breillat's cinematic perspective on Bluebeard * identity and ideology in the work of O.R. Melling * eco-critical perspectives on the life and works of Beatrix Potter * sexualized violence and rape myths in contemporary young adult fiction * the emergence of the gallant Fascist in Italian children's literature of the inter-war period. *** "It may seem odd to think of literature for children as containing political and ideological themes and ideas, but in fact, many theorists believe that such messages are quite prevalent in these stories and novels. The contributors do a nice job of addressing both modern and classic literature....a worthy addition to the resources on children's literature. Recommended." - Choice, July 2015, Vol. 52, No. 11 (Series: Studies in Children's Literature - Vol. 7) [Subject: Literary Criticism]
Politics and Language in Dryden's Poetry: The Art of Disguise
by Steven N. ZwickerThis study of Dryden's poetic career addresses the nature of covert argument in an age of violently contested political and religious issues.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Politics of Interweaving Performance Cultures: Beyond Postcolonialism (Routledge Advances in Theatre & Performance Studies #33)
by Erika Fischer-Lichte Torsten Jost Saskya Iris JainThis book provides a timely intervention in the fields of performance studies and theatre history, and to larger issues of global cultural exchange. The authors offer a provocative argument for rethinking the scholarly assessment of how diverse performative cultures interact, how they are interwoven, and how they are dependent upon each other. While the term ‘intercultural theatre’ as a concept points back to postcolonialism and its contradictions, The Politics of Interweaving Performance Cultures explores global developments in the performing arts that cannot adequately be explained and understood using postcolonial theory. The authors challenge the dichotomy ‘the West and the rest’ – where Western cultures are ‘universal’ and non-Western cultures are ‘particular’ – as well as ideas of national culture and cultural ownership. This volume uses international case studies to explore the politics of globalization, looking at new paternalistic forms of exchange and the new inequalities emerging from it. These case studies are guided by the principle that processes of interweaving performance cultures are, in fact, political processes. The authors explore the inextricability of the aesthetic and the political, whereby aesthetics cannot be perceived as opposite to the political; rather, the aesthetic is the political. Helen Gilbert’s essay ‘Let the Games Begin: Pageants, Protests, Indigeneity (1968–2010)’won the 2015 Marlis Thiersch Prize for best essay from the Australasian Drama, Theatre and Performance Studies Association.
The Politics of Interweaving Performance Cultures: Beyond Postcolonialism (Routledge Advances in Theatre & Performance Studies)
by Erika Fischer-Lichte Torsten Jost Saskya Iris JainThis book provides a timely intervention in the fields of performance studies and theatre history, and to larger issues of global cultural exchange. The authors offer a provocative argument for rethinking the scholarly assessment of how diverse performative cultures interact, how they are interwoven, and how they are dependent upon each other. While the term ‘intercultural theatre’ as a concept points back to postcolonialism and its contradictions, The Politics of Interweaving Performance Cultures explores global developments in the performing arts that cannot adequately be explained and understood using postcolonial theory. The authors challenge the dichotomy ‘the West and the rest’ – where Western cultures are ‘universal’ and non-Western cultures are ‘particular’ – as well as ideas of national culture and cultural ownership. This volume uses international case studies to explore the politics of globalization, looking at new paternalistic forms of exchange and the new inequalities emerging from it. These case studies are guided by the principle that processes of interweaving performance cultures are, in fact, political processes. The authors explore the inextricability of the aesthetic and the political, whereby aesthetics cannot be perceived as opposite to the political; rather, the aesthetic is the political. Helen Gilbert’s essay ‘Let the Games Begin: Pageants, Protests, Indigeneity (1968–2010)’won the 2015 Marlis Thiersch Prize for best essay from the Australasian Drama, Theatre and Performance Studies Association.
The Politics of Songs in Eighteenth-Century Britain, 1723–1795 (Poetry and Song in the Age of Revolution)
by Kate HorganHorgan analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history, the utilitarian power of songs emerges across four major case studies.
The Politics of Songs in Eighteenth-Century Britain, 1723–1795 (Poetry and Song in the Age of Revolution #4)
by Kate HorganHorgan analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history, the utilitarian power of songs emerges across four major case studies.
Politics of the Self: Feminism and the Postmodern in West German Literature and Film
by Richard W. MccormickRichard McCormick examines the concepts of postmodernity and postmodernism as they apply to West Germany, discussing them against the background of cultural and political upheaval in that country since the 1960s, rather than exclusively in the more familiar setting of intellectual history. Considering six literary and cinematic texts that are marked by a preoccupation with the self and subjectivity, he underscores the crucial influence of feminism on writers and filmmakers--and on the "postmodern." In a broad international context he describes the conflicting forces that affected the West German student movementthe rationalistic tradition of the Weimar Left and more "irrational" influences such as French existentialism and surrealism (as well as the American "Beat" movement and rock & roll)--and shows how these forces played themselves out so that dogmatic Marxist Leninism was repudiated in favor of a "New Subjectivity.".At the center of the discussion are the novels Lenz by Peter Schneider, Class Love (Klassenliebe) by Karin Struck, and Devotion by Botho Strauss, and the films Wrong Move written by Peter Handke and directed by Wim Wenders, Germany, Pale Mother by Helma Sanders-Brahms, and The Subjective Factor by Helke Sander. The author shows how ongoing attempts to attack the separation of emotion from reason, life from art, the private from the public, and the personal from the political brought about changes in outlook, from the 1960s to the early 1980s, that are related to the rise of new political movements--ecology, nuclear disarmament, and feminism.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Pomona: Brilliant Adventures; Captain Amazing; Talk Show; Pomona (Modern Plays)
by Alistair McDowallI think I'd sleep a lot easier if I knew none of us would wake up tomorrow.Ollie's sister is missing. Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born. A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014.
Pomona: Brilliant Adventures; Captain Amazing; Talk Show; Pomona (Student Editions)
by Alistair McDowallI think I'd sleep a lot easier if I knew none of us would wake up tomorrow.Ollie's sister is missing. Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.Pomona premiered in 2014 and has subsequently become a much-produced and widely studied drama text. It is published here as a Student Edition alongside commentary and notes by Dan Rebellato. The ancillary material is geared at students and includes:- an introduction outlining the play's plot, character, themes context and performance history- the full text of the play- a chronology of the playwright's life and work- extensive textual notes- questions for further studyThis play includes some strong language.
Pompeii: From the Sunday Times bestselling author
by Robert HarrisPRE-ORDER PRECIPICE, THE THRILLING NEW NOVEL FROM ROBERT HARRIS, NOW - PUBLISHING AUGUST 2024'A pulse-rate-speeding masterpiece' Sunday Times'A stunning novel . . . the subtlety and power of its construction holds our attention to the end' The TimesDuring a sweltering week in late August, as Rome's richest citizens relax in their villas around Pompeii and Herculaneum, there are ominous warnings that something is going wrong. Wells and springs are failing, a man has disappeared, and now the greatest aqueduct in the world - the mighty Aqua Augusta - has suddenly ceased to flow . . .Through the eyes of four characters - a young engineer, an adolescent girl, a corrupt millionaire and an elderly scientist - Robert Harris brilliantly recreates a luxurious world on the brink of destruction.'As explosive as Etna, as addictive as a thriller, as satisfying as great history' Daily Telegraph
Poor Things: Episodes From The Early Life Of Archibald Mccandless M.d., Scottish Public Health Officer
by Alasdair GrayWhat strange secret made rich, beautiful, tempestuous Bella Baxter irresistible to the poor Scottish medical student Archie McCandless? Was it her mysterious origin in the home of his monstrous friend Godwin Baxter, the genius whose voice could perforate eardrums? This story of true love and scientific daring whirls the reader from the private operating-theatres of late-Victorian Glasgow through aristocratic casinos, low-life Alexandria and a Parisian bordello, reaching an interrupted climax in a Scottish church.
Poor Tom: Living "King Lear"
by Simon PalfreyKing Lear is perhaps the most fierce and moving play ever written. And yet there is a curious puzzle at its center. The figure to whom Shakespeare gives more lines than anyone except the king—Edgar—has often seemed little more than a blank, ignored and unloved, a belated moralizer who, try as he may, can never truly speak to the play’s savaged heart. He saves his blinded father from suicide, but even this act of care is shadowed by suspicions of evasiveness and bad faith. In Poor Tom, Simon Palfrey asks us to go beyond any such received understandings—and thus to experience King Lear as never before. He argues that the part of Edgar is Shakespeare’s most radical experiment in characterization, and his most exhaustive model of both human and theatrical possibility. The key to the Edgar character is that he spends most of the play disguised, much of it as “Poor Tom of Bedlam,” and his disguises come to uncanny life. The Edgar role is always more than one person; it animates multitudes, past and present and future, and gives life to states of being beyond the normal reach of the senses—undead, or not-yet, or ghostly, or possible rather than actual. And because the Edgar role both connects and retunes all of the figures and scenes in King Lear, close attention to this particular part can shine stunning new light on how the whole play works. The ultimate message of Palfrey’s bravura analysis is the same for readers or actors or audiences as it is for the characters in the play: see and listen feelingly; pay attention, especially when it seems as though there is nothing there.
Poor Tom: Living "King Lear"
by Simon PalfreyKing Lear is perhaps the most fierce and moving play ever written. And yet there is a curious puzzle at its center. The figure to whom Shakespeare gives more lines than anyone except the king—Edgar—has often seemed little more than a blank, ignored and unloved, a belated moralizer who, try as he may, can never truly speak to the play’s savaged heart. He saves his blinded father from suicide, but even this act of care is shadowed by suspicions of evasiveness and bad faith. In Poor Tom, Simon Palfrey asks us to go beyond any such received understandings—and thus to experience King Lear as never before. He argues that the part of Edgar is Shakespeare’s most radical experiment in characterization, and his most exhaustive model of both human and theatrical possibility. The key to the Edgar character is that he spends most of the play disguised, much of it as “Poor Tom of Bedlam,” and his disguises come to uncanny life. The Edgar role is always more than one person; it animates multitudes, past and present and future, and gives life to states of being beyond the normal reach of the senses—undead, or not-yet, or ghostly, or possible rather than actual. And because the Edgar role both connects and retunes all of the figures and scenes in King Lear, close attention to this particular part can shine stunning new light on how the whole play works. The ultimate message of Palfrey’s bravura analysis is the same for readers or actors or audiences as it is for the characters in the play: see and listen feelingly; pay attention, especially when it seems as though there is nothing there.
Poor Tom: Living "King Lear"
by Simon PalfreyKing Lear is perhaps the most fierce and moving play ever written. And yet there is a curious puzzle at its center. The figure to whom Shakespeare gives more lines than anyone except the king—Edgar—has often seemed little more than a blank, ignored and unloved, a belated moralizer who, try as he may, can never truly speak to the play’s savaged heart. He saves his blinded father from suicide, but even this act of care is shadowed by suspicions of evasiveness and bad faith. In Poor Tom, Simon Palfrey asks us to go beyond any such received understandings—and thus to experience King Lear as never before. He argues that the part of Edgar is Shakespeare’s most radical experiment in characterization, and his most exhaustive model of both human and theatrical possibility. The key to the Edgar character is that he spends most of the play disguised, much of it as “Poor Tom of Bedlam,” and his disguises come to uncanny life. The Edgar role is always more than one person; it animates multitudes, past and present and future, and gives life to states of being beyond the normal reach of the senses—undead, or not-yet, or ghostly, or possible rather than actual. And because the Edgar role both connects and retunes all of the figures and scenes in King Lear, close attention to this particular part can shine stunning new light on how the whole play works. The ultimate message of Palfrey’s bravura analysis is the same for readers or actors or audiences as it is for the characters in the play: see and listen feelingly; pay attention, especially when it seems as though there is nothing there.
Poor Tom: Living "King Lear"
by Simon PalfreyKing Lear is perhaps the most fierce and moving play ever written. And yet there is a curious puzzle at its center. The figure to whom Shakespeare gives more lines than anyone except the king—Edgar—has often seemed little more than a blank, ignored and unloved, a belated moralizer who, try as he may, can never truly speak to the play’s savaged heart. He saves his blinded father from suicide, but even this act of care is shadowed by suspicions of evasiveness and bad faith. In Poor Tom, Simon Palfrey asks us to go beyond any such received understandings—and thus to experience King Lear as never before. He argues that the part of Edgar is Shakespeare’s most radical experiment in characterization, and his most exhaustive model of both human and theatrical possibility. The key to the Edgar character is that he spends most of the play disguised, much of it as “Poor Tom of Bedlam,” and his disguises come to uncanny life. The Edgar role is always more than one person; it animates multitudes, past and present and future, and gives life to states of being beyond the normal reach of the senses—undead, or not-yet, or ghostly, or possible rather than actual. And because the Edgar role both connects and retunes all of the figures and scenes in King Lear, close attention to this particular part can shine stunning new light on how the whole play works. The ultimate message of Palfrey’s bravura analysis is the same for readers or actors or audiences as it is for the characters in the play: see and listen feelingly; pay attention, especially when it seems as though there is nothing there.
Pop Goes the Weasel: DI Helen Grace 2 (Detective Inspector Helen Grace #2)
by M. J. ArlidgeStarring returning heroine Detective Inspector Helen Grace Pop Goes the Weasel is the latest heart-stopping thriller from M.J. Arlidge, author of Richard &Judy Book Club pick Eeny Meeny. 'This is going to be as big as Jo Nesbo' Judy Finnigan'Detective Inspector Helen Grace is one of the greatest heroes to come along in years.' Jeffery Deaver, New York Times bestselling author of The Skin Collector and Solitude Creek ***** A man's body is found in an empty house. His heart has been cut out and delivered to his wife and children. He is the first victim, and Detective Inspector Helen Grace knows he will not be the last. But why would a happily married man be this far from home in the dead of night? The media call it Jack the Ripper in reverse: a serial killer preying on family men who lead hidden double lives. Helen can sense the fury behind the murders. But what she cannot possibly predict is how volatile this killer is - or what is waiting for her at the end of the chase... *****'M. J. Arlidge has created a genuinely fresh heroine in DI Helen Grace' Daily Mail'Taut, fast-paced, truly excellent' Sun'A macabre, theatrical thriller that gripped me with every twist' Woman and Home'Chilling stuff' Fabulist 'A chilling read' My Weekly 'A grisly, gripping thriller' Sunday Mirror'Gruesomely realistic, intriguing and relentless. Arlidge's fledgling army of fans is about to grow' Sunday Sport'Eeny Meeny debuts one of the best new series detectives, Helen Grace. Determined, tough and damaged, she must unravel a terrifying riddle of a killer kidnapping victims in pairs. Mesmerizing!' Lisa Gardner 'Expertly pulled off. It has a devious premise. DI Helen Grace is fiendishly awesome. It's scary as all hell. And it has a full cast of realistically drawn, interesting characters that make the thing read like a bullet' Will Lavender'A fast-paced, twisting police procedural and thriller that's sure to become another bestseller' Huffington Post
Poppy Does Paris: The perfect summer laugh-out-loud romantic comedy (Girls On Tour)
by Nicola DohertyMeet the Girls on Tour - Poppy, Lily, Maggie and Rachel. Four ordinary girls who have the most fun in faraway places. You'll laugh, you'll cry, you'll lose your heart. Perfect for fans of Jill Mansell, Debbie Johnson and Fiona Collins. 'Hugely enjoyable' Daily Mail on If I Could Turn Back TimeParis. City of love, city of romance. The last place you want to go to on a work trip when you're in the middle of an epic dry spell. But that's where Poppy is headed, along with her colleague Charlie, who's shallow and annoying but very, very good-looking. During a white-wine-fuelled session with her friend Alice, Poppy concocts the perfect plan: work by day, and have some no-strings fun with Charlie by night. Of course, it might prove a little more complicated than that, but it's nothing Poppy can't handle - or is it?Expect the unexpected, the utterly hilarious and unforgettable, on this rollercoaster ride of love, laughs, surprises and sparks. You have a VIP pass to join each girl's adventure, so pack your bags and buckle your seatbelts, because just about anything is possible...
Poppy Does Paris & Lily Does LA (Girls On Tour BOOKS 1 & 2)
by Nicola DohertyJet off to romantic Paris and sunny LA with this exclusive two in one ebook, perfect for fans of Lindey Kelk's I Heart... novels. Paris. City of love, city of romance. The last place you want to go to on a work trip when you're in the middle of an epic dry spell. But that's where Poppy is headed, along with her colleague Charlie, who's shallow and annoying but very, very good-looking. During a white-wine-fuelled session with her friend Alice, Poppy concocts the perfect plan: work by day, and have some no-strings fun with Charlie by night. Of course, it might prove a little more complicated than that, but it's nothing Poppy can't handle - or is it?Lily is an actress. At least, that's what she tells people, even though she's currently working in a call centre and her last big part was an ad for Sofa Warehouse. So when she's invited to her cousin Alice's wedding in LA, it's a dream come true. Alice's fiance Sam is actually a Hollywood agent; how can Lily fail to get talent-spotted? There's only one problem; not only is Lily banned from mentioning acting, parts or producers to Sam, she's expected to spend the entire week doing wedding-related prep (read: chores) with Sam's boring groomsman Jesse. But Lily firmly believes that rules were made to be broken ...Girls on Tour is an irresistible series of interlinked stories about four ordinary girls who have extraordinary fun in faraway places. Expect the unexpected, the utterly hilarious and unforgettable, on this rollercoaster ride of love, laughs, surprises and sparks. You have a VIP pass to join each girl's adventure, so pack your bags and buckle your seatbelts, because just about anything is possible...
The Poppy Factory
by Liz TrenowA captivating story of two young women, bound together by the tragedy of two very different wars. Perfect for fans of Katie Flynn and Maureen Lee.