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Menahem Max Schiffer: Selected Papers (Contemporary Mathematicians)
by Peter Duren Lawrence ZalcmanThis two volume set presents over 50 of the most groundbreaking contributions of Menahem M Schiffer. All of the reprints of Schiffer’s works herein have extensive annotation and invited commentaries, giving new clarity and insight into the impact and legacy of Schiffer's work. A complete bibliography and brief biography make this a rounded and invaluable reference.
Menahem Max Schiffer: Selected Papers Volume 1 (Contemporary Mathematicians)
by Peter Duren and Lawrence ZalcmanThis two volume set presents over 50 of the most groundbreaking contributions of Menahem M Schiffer. All of the reprints of Schiffer’s works herein have extensive annotation and invited commentaries, giving new clarity and insight into the impact and legacy of Schiffer's work. A complete bibliography and brief biography make this a rounded and invaluable reference.
Menander: Epitrepontes (Bloomsbury Ancient Comedy Companions)
by Alan H. SommersteinThis book introduces readers who may have no previous knowledge of Menander's comedies to Epitrepontes (The Arbitration), arguably the most exquisitely crafted of his better-preserved plays. It explains what we know about the play, how we know it, and how far we can tentatively fill in the gaps in our knowledge. Sommerstein analyses the nature of the dramatic genre (Athenian New Comedy) to which Epitrepontes belongs. He assesses the plot and the characters, every one of whom makes an essential contribution to the uplifting outcome, and the social and ethical assumptions that dramatist and audience shared. As well as looking at the influences of earlier drama and of contemporary philosophical and popular thought, he considers the afterlife of Menandrian comedy in general and of Epitrepontes in particular, both in antiquity and in modern times, but also in the long period in between, when Menander was the great dramatist whose plays were thought to have been irrevocably lost.
Menander: Epitrepontes (Bloomsbury Ancient Comedy Companions)
by Alan H. SommersteinThis book introduces readers who may have no previous knowledge of Menander's comedies to Epitrepontes (The Arbitration), arguably the most exquisitely crafted of his better-preserved plays. It explains what we know about the play, how we know it, and how far we can tentatively fill in the gaps in our knowledge. Sommerstein analyses the nature of the dramatic genre (Athenian New Comedy) to which Epitrepontes belongs. He assesses the plot and the characters, every one of whom makes an essential contribution to the uplifting outcome, and the social and ethical assumptions that dramatist and audience shared. As well as looking at the influences of earlier drama and of contemporary philosophical and popular thought, he considers the afterlife of Menandrian comedy in general and of Epitrepontes in particular, both in antiquity and in modern times, but also in the long period in between, when Menander was the great dramatist whose plays were thought to have been irrevocably lost.
Menander in Contexts (Routledge Monographs in Classical Studies)
by Alan H. SommersteinThe comedies of the Athenian dramatist Menander (c. 342-291 BC) and his contemporaries were the ultimate source of a Western tradition of light drama that has continued to the present day. Yet for over a millennium, Menander’s own plays were thought to have been completely lost. Thanks to a long and continuing series of papyrus discoveries, Menander has now been able to take his place among the major surviving ancient Greek dramatists alongside Aeschylus, Sophocles, Euripides and Aristophanes. In this book, sixteen contributors examine and explore the Menander we know today in light of the various literary, intellectual, and social contexts in which his plays can be viewed. Topics covered include: the society, culture, and politics of his generation; the intellectual currents of the period; the literary precursors who inspired Menander (or whom he expected his audiences to recall); and responses to Menander, from his own time to ours. As the first wide-ranging collective study of Menander in English, this book is essential reading for those interested in ancient comedy the world over.
Menander in Contexts (Routledge Monographs in Classical Studies #16)
by Alan H. SommersteinThe comedies of the Athenian dramatist Menander (c. 342-291 BC) and his contemporaries were the ultimate source of a Western tradition of light drama that has continued to the present day. Yet for over a millennium, Menander’s own plays were thought to have been completely lost. Thanks to a long and continuing series of papyrus discoveries, Menander has now been able to take his place among the major surviving ancient Greek dramatists alongside Aeschylus, Sophocles, Euripides and Aristophanes. In this book, sixteen contributors examine and explore the Menander we know today in light of the various literary, intellectual, and social contexts in which his plays can be viewed. Topics covered include: the society, culture, and politics of his generation; the intellectual currents of the period; the literary precursors who inspired Menander (or whom he expected his audiences to recall); and responses to Menander, from his own time to ours. As the first wide-ranging collective study of Menander in English, this book is essential reading for those interested in ancient comedy the world over.
Menander: Samia (Bloomsbury Ancient Comedy Companions)
by Matthew WrightMatthew Wright brings Menander's Samia to life by explaining how it achieves its comic effects and how it fits within the broader context of fourth-century Greek drama and society. He offers a scene-by-scene reading of the play, combining close attention to detail with broader consideration of major themes, in an approach designed to bring out the humour and nuance of each individual moment on stage, while also illuminating Menander's comic art. The play dramatizes a tangled story of mistakes, mishaps and misapprehensions leading up to the marriage of Moschion and Plangon. For most of the action the characters are at odds with one another owing to accidental delusions or deliberate deceptions, and it seems as if the marriage will be cancelled or indefinitely postponed; but ultimately everyone's problems are solved and the play ends happily. Samia is one of the best-preserved examples of fourth-century Greek comedy: celebrated within antiquity but subsequently lost for many years, it miraculously came back to light, in almost complete form, as a result of Egyptian papyrus finds during the 20th century.
Menander: Samia (Bloomsbury Ancient Comedy Companions)
by Matthew WrightMatthew Wright brings Menander's Samia to life by explaining how it achieves its comic effects and how it fits within the broader context of fourth-century Greek drama and society. He offers a scene-by-scene reading of the play, combining close attention to detail with broader consideration of major themes, in an approach designed to bring out the humour and nuance of each individual moment on stage, while also illuminating Menander's comic art. The play dramatizes a tangled story of mistakes, mishaps and misapprehensions leading up to the marriage of Moschion and Plangon. For most of the action the characters are at odds with one another owing to accidental delusions or deliberate deceptions, and it seems as if the marriage will be cancelled or indefinitely postponed; but ultimately everyone's problems are solved and the play ends happily. Samia is one of the best-preserved examples of fourth-century Greek comedy: celebrated within antiquity but subsequently lost for many years, it miraculously came back to light, in almost complete form, as a result of Egyptian papyrus finds during the 20th century.
Menasseh ben Israel: Rabbi of Amsterdam (Jewish Lives)
by Steven NadlerAn illuminating biography of the great Amsterdam rabbi and celebrated popularizer of Judaism in the seventeenth century Menasseh ben Israel (1604–1657) was among the most accomplished and cosmopolitan rabbis of his time, and a pivotal intellectual figure in early modern Jewish history. He was one of the three rabbis of the “Portuguese Nation” in Amsterdam, a community that quickly earned renown worldwide for its mercantile and scholarly vitality. Born in Lisbon, Menasseh and his family were forcibly converted to Catholicism but suspected of insincerity in their new faith. To avoid the horrors of the Inquisition, they fled first to southwestern France, and then to Amsterdam, where they finally settled. Menasseh played an important role during the formative decades of one of the most vital Jewish communities of early modern Europe, and was influential through his extraordinary work as a printer and his efforts on behalf of the readmission of Jews to England. In this lively biography, Steven Nadler provides a fresh perspective on this seminal figure.
Mencken: The American Iconoclast (Library Of America H. L. Mencken Edition Ser. #2)
by Marion Elizabeth RodgersA towering figure on the American cultural landscape, H.L. Mencken stands out as one of our most influential stylists and fearless iconoclasts--the twentieth century's greatest newspaper journalist, a famous wit, and a constant figure of controversy. Marion Elizabeth Rodgers has written the definitive biography of Mencken, the finest book ever published about this giant of American letters. Rodgers illuminates both the public and the private man, covering the many love affairs, his happy marriage at the age of 50 to Sara Haardt, and his complicated but stimulating friendship with the famed theater critic George Jean Nathan. Rodgers vividly recreates Mencken's era: the glittering tapestry of turn-of-the-century America, the roaring twenties, depressed thirties, and the home front during World War II. But the heart of the book is Mencken. When few dared to shatter complacencies, Mencken fought for civil liberties and free speech, playing a prominent role in the Scope's Monkey Trial, battling against press censorship, and exposing pious frauds and empty uplift. The champion of our tongue in The American Language, Mencken also played a pivotal role in defining American letters through The Smart Set and The American Mercury, magazines that introduced such writers as James Joyce, F. Scott Fitzgerald, and Langston Hughes. Drawing on research in more than sixty archives including private collections in the United States and in Germany, previously unseen, on exclusive interviews with Mencken's friends, and on his love letters and FBI files, here is the full portrait of one of America's most colorful and influential men. "This biography, the best ever on the sage of Baltimore, is exhaustive but never exhausting, and offers readers more than moderate intelligence and an awfully good time." --Martin Nolan, Boston Globe
Mencken: The American Iconoclast
by Marion Elizabeth RodgersA towering figure on the American cultural landscape, H.L. Mencken stands out as one of our most influential stylists and fearless iconoclasts--the twentieth century's greatest newspaper journalist, a famous wit, and a constant figure of controversy. Marion Elizabeth Rodgers has written the definitive biography of Mencken, the finest book ever published about this giant of American letters. Rodgers illuminates both the public and the private man, covering the many love affairs, his happy marriage at the age of 50 to Sara Haardt, and his complicated but stimulating friendship with the famed theater critic George Jean Nathan. Rodgers vividly recreates Mencken's era: the glittering tapestry of turn-of-the-century America, the roaring twenties, depressed thirties, and the home front during World War II. But the heart of the book is Mencken. When few dared to shatter complacencies, Mencken fought for civil liberties and free speech, playing a prominent role in the Scope's Monkey Trial, battling against press censorship, and exposing pious frauds and empty uplift. The champion of our tongue in The American Language, Mencken also played a pivotal role in defining American letters through The Smart Set and The American Mercury, magazines that introduced such writers as James Joyce, F. Scott Fitzgerald, and Langston Hughes. Drawing on research in more than sixty archives including private collections in the United States and in Germany, previously unseen, on exclusive interviews with Mencken's friends, and on his love letters and FBI files, here is the full portrait of one of America's most colorful and influential men. "This biography, the best ever on the sage of Baltimore, is exhaustive but never exhausting, and offers readers more than moderate intelligence and an awfully good time." --Martin Nolan, Boston Globe
Mendacity and the Figure of the Liar in Seventeenth-Century French Comedy (Routledge Studies in Renaissance Literature and Culture)
by Emilia Wilton-GodberffordeThe first book-length study devoted to this topic, Mendacity and the Figure of the Liar in Seventeenth-Century French Comedy offers an important contribution to scholarship on the theatre as well as on early modern attitudes in France, specifically on the subject of lying and deception. Unusually for a scholarly work on seventeenth-century theatre, it is particularly alert to plays as performed pieces and not simply printed texts. The study also distinguishes itself by offering original readings of Molière alongside innovative analyses of other playwrights. The chapters offer fresh insights on well-known plays by Molière and Pierre Corneille but also invite readers to discover lesser-known works of the time (by writers such as Benserade, Thomas Corneille, Dufresny and Rotrou). Through comparative and sustained close readings, including a linguistic and speech act approach, a historical survey of texts with an analysis of different versions and a study of irony, the reader is shown the manifest ways in which different playwrights incorporate the comedic tropes of lying and scheming, confusion and unmasking. Drawing particular attention to the levels of communicative or mis-communicative exchanges on the character-to-character axis and the character-to-audience axis, this work examines the process whereby characters in the comedies construct narratives designed to trick, misdirect, dazzle, confuse or exploit their interlocutors. In the different incarnations of seducer, parasite, cross-dresser, duplicitous narrator/messenger and deluded mythomaniac, the author underscores the way in which the figure of the liar both entertains and troubles, making it a fascinating subject worthy of detailed investigation.
Mendacity and the Figure of the Liar in Seventeenth-Century French Comedy (Routledge Studies in Renaissance Literature and Culture)
by Emilia Wilton-GodberffordeThe first book-length study devoted to this topic, Mendacity and the Figure of the Liar in Seventeenth-Century French Comedy offers an important contribution to scholarship on the theatre as well as on early modern attitudes in France, specifically on the subject of lying and deception. Unusually for a scholarly work on seventeenth-century theatre, it is particularly alert to plays as performed pieces and not simply printed texts. The study also distinguishes itself by offering original readings of Molière alongside innovative analyses of other playwrights. The chapters offer fresh insights on well-known plays by Molière and Pierre Corneille but also invite readers to discover lesser-known works of the time (by writers such as Benserade, Thomas Corneille, Dufresny and Rotrou). Through comparative and sustained close readings, including a linguistic and speech act approach, a historical survey of texts with an analysis of different versions and a study of irony, the reader is shown the manifest ways in which different playwrights incorporate the comedic tropes of lying and scheming, confusion and unmasking. Drawing particular attention to the levels of communicative or mis-communicative exchanges on the character-to-character axis and the character-to-audience axis, this work examines the process whereby characters in the comedies construct narratives designed to trick, misdirect, dazzle, confuse or exploit their interlocutors. In the different incarnations of seducer, parasite, cross-dresser, duplicitous narrator/messenger and deluded mythomaniac, the author underscores the way in which the figure of the liar both entertains and troubles, making it a fascinating subject worthy of detailed investigation.
A Mended and Broken Heart: The Life and Love of Francis of Assisi
by Wendy MurrayFrancis of Assisi is Catholicism&’s most popular saint. Tens of millions of spiritual seekers summon his name and example. But the real Francis-both his complicated personality and his complex theology-have been misunderstood for centuries. In 1228, Pope Gregory IX rushed to canonize St. Francis only two years after his death. Soon thereafter, the Church eliminated significant aspects of his biography from the public record. For Francis&’s early life was defined by his profligacy; shortly before dying, Francis himself warned his brothers: &“Don&’t be too quick to canonize me. I am perfectly capable of fathering a child.&” In A Mended and Broken Heart, journalist Wendy Murray slices through the bowdlerized version of Francis&’s life promoted within the Catholic tradition and reveals instead a saint who was in every way also a real man. Murray stresses in particular the crucial but completely neglected role that Clare of Assisi played in Francis&’s life, both pre- and postconversion, and his theology. A profoundly humane portrait of a misunderstood saint, A Mended and Broken Heart makes a powerful case that St. Francis&’s life and thought make him a role model for religious seekers of every faith.
Mendeleev to Oganesson: A Multidisciplinary Perspective on the Periodic Table
Since 1969, the international chemistry community has only held conferences on the topic of the Periodic Table three times, and the 2012 conference in Cusco, Peru was the first in almost a decade. The conference was highly interdisciplinary, featuring papers on geology, physics, mathematical and theoretical chemistry, the history and philosophy of chemistry, and chemical education, from the most reputable Periodic Table scholars across the world. Eric Scerri and Guillermo Restrepo have collected fifteen of the strongest papers presented at this conference, from the most notable Periodic Table scholars. The collected volume will contain pieces on chemistry, philosophy of science, applied mathematics, and science education.
The Mendelian Revolution: The Emergence of Hereditarian Concepts in Modern Science and Society (History: Bloomsbury Academic Collections)
by Peter J. BowlerAn introduction to the history of genetics and the rethinking of evolutionism.
The Mendelian Revolution: The Emergence of Hereditarian Concepts in Modern Science and Society (History: Bloomsbury Academic Collections)
by Peter J. BowlerAn introduction to the history of genetics and the rethinking of evolutionism.
Mendel’s Theatre: Heredity, Eugenics, and Early Twentieth-Century American Drama (Palgrave Studies in Theatre and Performance History)
by T. WolffMendel's Theatre offers a new way of thinking about early twentieth-century American drama by uncovering the rich convergence of heredity theory, the American eugenics movement, and innovative modern drama from the 1890s to 1930.
Mendelssohn
by Benedict TaylorThis volume of essays brings together a selection of the most significant and representative writings on Mendelssohn from the last fifty years. Divided into four main subject areas, it makes available twenty-two essays which have transformed scholarly awareness of this crucial and ever-popular nineteenth-century composer and musician; it also includes a specially commissioned introductory chapter which offers a critical overview of the last half century of Mendelssohn scholarship and the direction of future research. The addition of new translations of two influential essays by Carl Dahlhaus, hitherto unavailable in English, adds to the value of this volume which brings back in to circulation important scholarly works and constitutes an indispensable reference work for Mendelssohn scholars.
Mendelssohn: The Romantic Conception Of Cyclic Form
by Benedict TaylorThis volume of essays brings together a selection of the most significant and representative writings on Mendelssohn from the last fifty years. Divided into four main subject areas, it makes available twenty-two essays which have transformed scholarly awareness of this crucial and ever-popular nineteenth-century composer and musician; it also includes a specially commissioned introductory chapter which offers a critical overview of the last half century of Mendelssohn scholarship and the direction of future research. The addition of new translations of two influential essays by Carl Dahlhaus, hitherto unavailable in English, adds to the value of this volume which brings back in to circulation important scholarly works and constitutes an indispensable reference work for Mendelssohn scholars.
Mendelssohn: A Life in Music
by R. Larry ToddAn extraordinary prodigy of Mozartean abilities, Felix Mendelssohn Bartholdy was a distinguished composer and conductor, a legendary pianist and organist, and an accomplished painter and classicist. Lionized in his lifetime, he is best remembered today for several staples of the concert hall and for such popular music as "The Wedding March" and "Hark, the Herald Angels Sing." Now, in the first major Mendelssohn biography to appear in decades, R. Larry Todd offers a remarkably fresh account of this musical giant, based upon painstaking research in autograph manuscripts, correspondence, diaries, and paintings. Rejecting the view of the composer as a craftsman of felicitous but sentimental, saccharine works (termed by one critic "moonlight with sugar water"), Todd reexamines the composer's entire oeuvre, including many unpublished and little known works. Here are engaging analyses of Mendelssohn's distinctive masterpieces--the zestful Octet, puckish Midsummer Night's Dream, haunting Hebrides Overtures, and elegiac Violin Concerto in E minor. Todd describes how the composer excelled in understatement and nuance, in subtle, coloristic orchestrations that lent his scores an undeniable freshness and vividness. He also explores Mendelssohn's changing awareness of his religious heritage, Wagner's virulent anti-Semitic attack on Mendelssohn's music, the composer's complex relationship with his sister Fanny Hensel, herself a child prodigy and prolific composer, his avocation as a painter and draughtsman, and his remarkable, polylingual correspondence with the cultural elite of his time. Mendelssohn: A Life offers a masterful blend of biography and musical analysis. Readers will discover many new facets of the familiar but misunderstood composer and gain new perspectives on one of the most formidable musical geniuses of all time.
Mendelssohn: A Life in Music
by R. Larry ToddAn extraordinary prodigy of Mozartean abilities, Felix Mendelssohn Bartholdy was a distinguished composer and conductor, a legendary pianist and organist, and an accomplished painter and classicist. Lionized in his lifetime, he is best remembered today for several staples of the concert hall and for such popular music as "The Wedding March" and "Hark, the Herald Angels Sing." Now, in the first major Mendelssohn biography to appear in decades, R. Larry Todd offers a remarkably fresh account of this musical giant, based upon painstaking research in autograph manuscripts, correspondence, diaries, and paintings. Rejecting the view of the composer as a craftsman of felicitous but sentimental, saccharine works (termed by one critic "moonlight with sugar water"), Todd reexamines the composer's entire oeuvre, including many unpublished and little known works. Here are engaging analyses of Mendelssohn's distinctive masterpieces--the zestful Octet, puckish Midsummer Night's Dream, haunting Hebrides Overtures, and elegiac Violin Concerto in E minor. Todd describes how the composer excelled in understatement and nuance, in subtle, coloristic orchestrations that lent his scores an undeniable freshness and vividness. He also explores Mendelssohn's changing awareness of his religious heritage, Wagner's virulent anti-Semitic attack on Mendelssohn's music, the composer's complex relationship with his sister Fanny Hensel, herself a child prodigy and prolific composer, his avocation as a painter and draughtsman, and his remarkable, polylingual correspondence with the cultural elite of his time. Mendelssohn: A Life offers a masterful blend of biography and musical analysis. Readers will discover many new facets of the familiar but misunderstood composer and gain new perspectives on one of the most formidable musical geniuses of all time.
Mendelssohn and His World
by R. Larry ToddDuring the 1830s and 1840s the remarkably versatile composer-pianist-organist-conductor Felix Mendelssohn-Bartholdy stood at the forefront of German and English musical life. Bringing together previously unpublished essays by historians and musicologists, reflections on Mendelssohn written by his contemporaries, the composer's own letters, and early critical reviews of his music, this volume explores various facets of Mendelssohn's music, his social and intellectual circles, and his career. The essays in Part I cover the nature of a Jewish identity in Mendelssohn's music (Leon Botstein); his relationship to the Berlin Singakademie (William A. Little); the role of his sister Fanny Hensel, herself a child prodigy and accomplished composer (Nancy Reich); Mendelssohn's compositional craft in the Italian Symphony and selected concert overtures (Claudio Spies); his oratorio Elijah (Martin Staehelin); his incidental music to Sophocles' Antigone (Michael P. Steinberg); his anthem "Why, O Lord, delay forever?" (David Brodbeck); and an unfinished piano sonata (R. Larry Todd). Part II presents little-known memoirs by such contemporaries as J. C. Lobe, A. B. Marx, Julius Schubring, C. E. Horsley, Max Mller, and Betty Pistor. Mendelssohn's letters are represented in Part III by his correspondence with Wilhelm von Boguslawski and Aloys Fuchs, here translated for the first time. Part IV contains late nineteenth-century critical reviews by Heinrich Heine, Franz Brendel, Friedrich Niecks, Otto Jahn, and Hans von Blow.
Mendelssohn Perspectives
by Nicole Grimes Angela MaceIf the invective of Nietzsche and Shaw is to be taken as an endorsement of the lasting quality of an artist, then Felix Mendelssohn Bartholdy takes pride of place beside Tennyson and Brahms in the canon of great nineteenth-century artists. Mendelssohn Perspectives presents valuable new insights into Mendelssohn’s music, biography and reception. Critically engaging a wide range of source materials, the volume combines traditional musical-analytical studies with those that draw on other humanistic disciplines to shed new light on the composer’s life, and on his contemporary and posthumous reputations. Together, these essays bring new historical and interpretive dimensions to Mendelssohn studies. The volume offers essays on Mendelssohn's Jewishness, his vast correspondence, his music for the stage, and his relationship with music of the past and future, as well as the compositional process and handling of form in the music of both Mendelssohn and his sister, the composer Fanny Hensel. German literature and aesthetics, gender and race, philosophy and science, and issues of historicism all come to bear on these new perspectives on Mendelssohn.
Mendelssohn Perspectives
by Nicole Grimes Angela R. MaceIf the invective of Nietzsche and Shaw is to be taken as an endorsement of the lasting quality of an artist, then Felix Mendelssohn Bartholdy takes pride of place beside Tennyson and Brahms in the canon of great nineteenth-century artists. Mendelssohn Perspectives presents valuable new insights into Mendelssohn’s music, biography and reception. Critically engaging a wide range of source materials, the volume combines traditional musical-analytical studies with those that draw on other humanistic disciplines to shed new light on the composer’s life, and on his contemporary and posthumous reputations. Together, these essays bring new historical and interpretive dimensions to Mendelssohn studies. The volume offers essays on Mendelssohn's Jewishness, his vast correspondence, his music for the stage, and his relationship with music of the past and future, as well as the compositional process and handling of form in the music of both Mendelssohn and his sister, the composer Fanny Hensel. German literature and aesthetics, gender and race, philosophy and science, and issues of historicism all come to bear on these new perspectives on Mendelssohn.