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One Foot in Eden: Modes of Pastoral in Romantic Poetry

by Lore Metzger

A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Other Passports: Poems 1958-1985 (Picador Bks.)

by Clive James

Clive James's unforgettable poetry collection, which gained him comparison to Byron and status as a 'true poet' demonstrates his wide range of interests and knowledge while never compromising his trademark wit and humour. Other Passports explores his lyrical style of poetry, alongside parodies, imitations and lampoons.

Owen the Poet (Studies in 20th Century Literature)

by Dominic Hibberd

Wilfred Owen's poetry is now very widely known as the finest that came out of the First World War. But much about the poet and his work has not been fully understood. This book, based on unrivalled research, is the first to study of Owen's complete poetic achievement, revealing the uniqueness, strangeness and unity of what he called his 'poethood'. His war poems are shown to be a consistent development from his prewar verse and his unswerving allegiance to Romanticism; they grew out of a pattern of mythologised secret experience that took shape in some of his least-known manuscripts before he knew anything of the trenches. Owen lived for poetry; many unfamiliar aspects of that life are brought into focus, including his early discovery of Georgianism, his battle wirh Revivalist religion, his debt to the French Decadence, his alleged cowardice, the torment of his shellshock and the remarkable 'sociological' treatment he received for it, his sexual nature and his friendship with Oscar Wilde's beleaguered disciples in 1918, and his supreme courage in making poetry out of inner horrors deliberately 'recollected in tranquility'. Learning from Wordsworth and Shelley, Aesthetes and Decadents, Sassoon and the Georgians, Hardy, Barbusse, Russell, Edward Carpenter and many others, Owen realised his life's ambition and became a profoundly origianal poet. Owen the Poet ends with chapters on two of his richest works: 'Strange Meeting', his worst shellshock nightmare, and 'Spring Offensive', the epilogue to all he wrote. Notes, appendixes and bibliography complete what is likely to be the most authoritative book on its subject for many years to come.

The Penguin Book of Caribbean Verse in English (Penguin Poets Ser.)

by Paula Burnett

Over the last few decades Caribbean writers - performance poets, newspaper poets, singer-songwriters - have created a genuinely popular art form, a poetry heard by audiences all over the world. At the same time, even at its most literary, Caribbean poetry shares the vigour of the oral tradition. Writers like Nobel Prize winner Derek Walcott, and many other exciting new voices, are exploring ways of capturing the vitality of the spoken word on the page. Both of these traditions are represented in this lively anthology, which traces Caribbean verse from its roots to the present.

Poems in Their Place: Intertextuality and Order of Poetic Collections

by Neil Fraistat

With essays by 13 leading scholars, this collection establishes the grounds for a new kind of poetics that considers the poetry book itself -- the concept and the material fact -- as an object of interpretation. The authors argue that the decisions poets make about the presentation of their works play a meaningful role in the poetic process and therefore should figure as part of the reading experience.The common practice of approaching poems chronologically, as they are presented in anthologies or in posthumous editions, has been fostered by the long prevailing tendency of the New Criticism to treat each poem as self-contained. This volume urges the reader to reconsider the most fundamental ways that one reads, teaches, and inteprets poetry.Moving from classical to contemporary poetry, these essays develop a literary history and theory for such a poetics, at the same time providing a generous set of models for a related practical criticism. At the heart of this collection are such issues as order, arrangement, and intertextuality. Reading poems in their place helps to return them to their historical contexts because the book itself has had a particular place in its own culture and society.Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

A T.S.Eliot Companion: Life and Works (Literary Companions)

by F B Pinion

Thomas Hardy: The Poetry Of Perception

by Tom Paulin

Before Recollection (Princeton Series of Contemporary Poets #161)

by Ann Lauterbach

From Before Recollection:TRANSCENDENTAL POSTCARD Ann Lauterbach ? The outlook such that time is told on waking,Without aid of cock or clock's crow.In fact all the birds are elsewhere,Poised on glossy page or in some fallMigration. Sun up over mountain is precision,Then mist travels, exhaling day.All else, all change, is air,Dew relenting on the bladesAnd mirror rhymesWhere water bears resemblance:A strut of hues to pale even Revlon's alchemy and,In the center of its glaze, a cauldron of sky-cast blue.

Blake: Comprising Songs Of Innocence And Of Experience, Together With Poetical (Bloomsbury Master Guides)

by Alan Tomlinson

This ebook is now available from Bloomsbury Academic. Bloomsbury Academic publish acclaimed resources for undergraduate and postgraduate courses across a broad range of subjects including Art & Visual Culture, Biblical Studies, Business & Management, Drama & Performance Studies, Economics, Education, Film & Media, History, Linguistics, Literary Studies, Philosophy, Politics & International Relations, Religious Studies, Social Work & Social Welfare, Study Skills and Theology. Visit bloomsbury.com for more information.

Brocade River Poems: Selected Works of the Tang Dynasty Courtesan (PDF)

by Xue Tao Jeanne Larsen

Xue Tao (A.D. 768-831) was well known as a poet in an age when all men of learning were poets--and almost all women were illiterate. As an entertainer and official government hostess, she met, and impressed, many of the most talented and powerful figures of her day. As a maker of beautiful paper and a Taoist churchwoman, she maintained a life of independence and aesthetic sensibility. As a writer, she crrated a body of work that is by turns deeply moving, amusing, and thought-provoking. Drawing knowledgeably on a rich literary tradition, she created images that here live again for the contemporary reader of English. This bilingual edition contains about two-thirds of Xue Tao's extant poems. The translations are based on accurate readings of the originals and extensive research in both Chinese and Japanese materials. The notes at the end of the book explain allusions and place the poems in the context of medieval Chinese culture and its great literary heritage, while the opening essay introduces Xue Tao's work and describes her unusual life history.

Brocade River Poems: Selected Works of the Tang Dynasty Courtesan (The Lockert Library of Poetry in Translation #122)

by Xue Tao

Xue Tao (A.D. 768-831) was well known as a poet in an age when all men of learning were poets--and almost all women were illiterate. As an entertainer and official government hostess, she met, and impressed, many of the most talented and powerful figures of her day. As a maker of beautiful paper and a Taoist churchwoman, she maintained a life of independence and aesthetic sensibility. As a writer, she crrated a body of work that is by turns deeply moving, amusing, and thought-provoking. Drawing knowledgeably on a rich literary tradition, she created images that here live again for the contemporary reader of English. This bilingual edition contains about two-thirds of Xue Tao's extant poems. The translations are based on accurate readings of the originals and extensive research in both Chinese and Japanese materials. The notes at the end of the book explain allusions and place the poems in the context of medieval Chinese culture and its great literary heritage, while the opening essay introduces Xue Tao's work and describes her unusual life history.

"Canterbury Tales" (The Critics Debate)

by Alcuin Blamires

Dafydd ap Gwilym (Llên y LLenor)

by R. Geraint Gruffydd

A critical study of the life and work of Dafydd ap Gwilym, a seminal 14th-century Welsh poet.

Das andere Blau: Zur Poetik einer Farbe im modernen Gedicht

by Angelika Overath

Discovering Modernism: T. S. Eliot and His Context

by Louis Menand

When Discovering Modernism was first published, it shed new and welcome light on the birth of Modernism. This reissue of Menand's classic intellectual history of T.S. Eliot and the singular role he played in the rise of literary modernism features an updated Afterword by the author, as well as a detailed critical appraisal of the progression of Eliot's career as a poet and critic. The new Afterword was adapted from Menand's critically lauded essay on Eliot in The Cambridge History of Literary Criticism, Volume Seven: Modernism and the New Criticism. Menand shows how Eliot's early views on literary value and authenticity, and his later repudiation of those views, reflect the profound changes regarding the understanding of literature and its significance that occurred in the early part of the twentieth century. It will prove an eye-opening study for readers with an interest in the writings of T.S. Eliot and other luminaries of the Modernist era.

Don't Put Mustard in the Custard

by Michael Rosen

Poetry KS1 and 2

Don't Put Mustard in the Custard (PDF)

by Michael Rosen

Poetry KS1 and 2

Fivemiletown

by Tom Paulin

'To say that [Fivemiletown] was one of the best books of the Eighties isn't enough: it is one of the best books I know, or for that matter, am capable of imagining: a corrosive and uproarious litany of bad sex, bad politics and bad religion.' Michael Hofmann

From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry

by Sylvia Huot

As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics.Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.

The Haw Lantern (Noonday Ser.)

by Seamus Heaney

Widely and justly celebrated for his flawless handling of the lyric, Seamus Heaney is here shown venturing into new imaginative territory. Poems exploring the theme of loss, and in particular a sonnet sequence concerning the death of the poet's mother, are joined in The Haw Lantern by meditations on the conscience of the writer and exercises in an allegorical vein that will both surprise and delight the many admirers of his previous work.'More than other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John Carey, Sunday Times

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