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Selected Poems: 1968-1996 (Penguin Modern Classics)
by Joseph Brodsky'Brodsky charged at the world . . . there is no voice, no vision, remotely like it' The New York Times Book ReviewSelf-educated, intense, impulsive and unmoored, Joseph Brodsky emerged in mid-century Russia as a poetic virtuoso, recognized by such greats as Anna Akhmatova as their worthy heir. He was expelled from the Soviet Union in 1972. Together, the poems in this volume unfold the project that, as Brodsky saw it, the condition of exile presented: 'to set the next man - however theoretical he and his needs may be - a bit more free.'This edition includes poems translated by Derek Walcott, Richard Wilbur and Anthony Hecht, and poems written in English or translated by the author himself. It surveys Brodsky's tumultuous life and illustrious career, and showcases his most notable and poignant work as a poet.Winner of the Nobel Prize for Literature Edited and introduced by Ann Kjellberg
Stevens and Simile: A Theory of Language
by Jacqueline Vaught BroganBrogan traces in detail the Wallace Stevens increasingly sophisticated use of similes in order to demonstrate how they satisfied both his own intellectual needs and the needs of modern poetry. While thoroughly grounded in the poetry of Stevens, her book also explores the nature of language itself by demonstrating the possibilities, as well as the limitations, of either a romantic or a deconstructive conception of language.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Princeton Handbook of Multicultural Poetries
by Terry V. F. BroganDrawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the world. As with the parent volume, which has sold over 10,000 copies since it was first published in 1993, the intended audience is general readers, journalists, students, teachers, and researchers. The editor's principle of selection was balance, and his goal was to embrace in a structured and reasoned way the diversity of poetry as it is known across the globe today. In compiling material on 106 cultures in 92 national literatures, the book gives full coverage to Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, as well as other obscure ones such as Hittite), the ancient middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian), subcontinental Indian poetries (the widest linguistic diversity), Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, and half a dozen others), continental American poetries (all the modern Western cultures and native Indian in North, Central, and South American regions), and African poetries (ancient and emergent, oral and written).
Disowned by Memory: Wordsworth's Poetry of the 1790s
by David BromwichAlthough we know him as one of the greatest English poets, William Wordsworth might not have become a poet at all without the experience of personal and historical catastrophe in his youth. In Disowned by Memory, David Bromwich connects the accidents of Wordsworth's life with the originality of his writing, showing how the poet's strong sympathy with the political idealism of the age and with the lives of the outcast and the dispossessed formed the deepest motive of his writings of the 1790s. "This very Wordsworthian combination of apparently low subjects with extraordinary 'high argument' makes for very rewarding, though often challenging reading."—Kenneth R. Johnston, Washington Times "Wordsworth emerges from this short and finely written book as even stranger than we had thought, and even more urgently our contemporary."—Grevel Lindop, Times Literary Supplement "[Bromwich's] critical interpretations of the poetry itself offer readers unusual insights into Wordworth's life and work."—Library Journal "An added benefit of this book is that it restores our faith that criticism can actually speak to our needs. Bromwich is a rigorous critic, but he is a general one whose insights are broadly applicable. It's an intellectual pleasure to rise to his complexities."—Vijay Seshadri, New York Times Book Review
Skeptical Music: Essays on Modern Poetry
by David BromwichSkeptical Music collects the essays on poetry that have made David Bromwich one of the most widely admired critics now writing. Both readers familiar with modern poetry and newcomers to poets like Marianne Moore and Hart Crane will relish this collection for its elegance and power of discernment. Each essay stakes a definitive claim for the modernist style and its intent to capture an audience beyond the present moment. The two general essays that frame Skeptical Music make Bromwich's aesthetic commitments clear. In "An Art without Importance," published here for the first time, Bromwich underscores the trust between author and reader that gives language its subtlety and depth, and makes the written word adequate to the reality that poetry captures. For Bromwich, understanding the work of a poet is like getting to know a person; it is a kind of reading that involves a mutual attraction of temperaments. The controversial final essay, "How Moral Is Taste?," explores the points at which aesthetic and moral considerations uneasily converge. In this timely essay, Bromwich argues that the wish for excitement that poetry draws upon is at once primitive and irreducible. Skeptical Music most notably offers incomparable readings of individual poets. An essay on the complex relationship between Hart Crane and T. S. Eliot shows how the delicate shifts of tone and shading in their work register both affinity and resistance. A revealing look at W. H. Auden traces the process by which the voice of a generation changed from prophet to domestic ironist. Whether discussing heroism in the poetry of Wallace Stevens, considering self-reflection in the poems of Elizabeth Bishop, or exploring the battle between the self and its images in the work of John Ashbery, Skeptical Music will make readers think again about what poetry is, and even more important, why it still matters.
Brontes: Selected Poems (The Great Poets)
by Charlotte Bronte Emily Bronte Anne BronteThe Bronte sisters lives and works have become modern-day cultural touchstones.Emily Bronte, best known for her novel WUTHERING HEIGHTS, began writing poetry first and, before her untimely death, wrote some of the most touching and emotive poems which often reflected the landscape of her Yorkshire home.Charlotte Bronte, whose novel JANE EYRE has had numerous TV and film adaptations, took responsibility for finding a home for their work. In her own words, ' We had very early cherished the dream of one day becoming authors'.Anne Bronte, author of AGNES GREY, often used autobiographical elements in her poems, giving us a hints of the struggles and turmoil of her life.These poems offer glimpses of the joys and sorrows of the Brontes and are a beautifully compelling introduction to their writing and lives.
The Complete Poems
by Emily BrontëThe poems of Emily Jane Brontë are passionate and powerful works that convey the vitality of the human spirit and of the natural world. Only twenty-one of her poems were published during her lifetime - this volume contains those and all others attributed to her. Many poems describe the mythic country of Gondal and its citizens that she imagined with Anne, and remain the only surviving record of their joint creation. Other visionary works, including 'Remembrance' and 'No coward soul is mine', boldly confront mortality and anticipate life after death. And poems such as 'Redbreast early in the morning' and 'The blue bell is the sweetest flower' evoke the wild beauties of nature she observed on the Yorkshire moors, while also examining the state of her psyche.
The Night is Darkening Round Me (Penguin Little Black Classics)
by Emily Brontë'... ever-present, phantom thing;My slave, my comrade, and my king'Some of Emily Brontë's most extraordinary poemsIntroducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Emily Brontë (1818-1848). Brontë's Wuthering Heights and The Complete Poems are available in Penguin Classics
Rupert Brooke & Wilfred Owen: Heartbreakingly beautiful poems from the First World War poets (The Great Poets)
by Rupert Brooke Wilfred OwenIf I should die, think only this of me:That there's some corner of a foreign fieldThat is for ever England.From The Soldier to Anthem for Doomed Youth Rupert Brooke and Wilfred Owen are two of the best-loved poets from the heroic lost generation of the First World War. Brooke's work was well-known before the war, with the now iconic lines:'Stands the Church clock at ten to three?And is there honey still for tea?' from The Old Vicarage, Grantchester. And Wilfred Owen, awarded the Military Cross, had been writing poetry since he was ten years old.This superb collection is the perfect introduction to two of our greatest poets.
T. S. Eliot's Dialectical Imagination: The Dialectical Imagination (Hopkins Studies in Modernism)
by Jewel Spears BrookerThe thought-tormented characters in T. S. Eliot;€™s early poetry are paralyzed by the gap between mind and body, thought and action. The need to address this impasse is part of what drew Eliot to philosophy, and the failure of philosophy to appease his disquiet is the reason he gave for abandoning it. In T. S. Eliot;€™s Dialectical Imagination, Jewel Spears Brooker argues that two of the principles that Eliot absorbed as a PhD student at Harvard and Oxford were to become permanent features of his mind, grounding his lifelong quest for wholeness and underpinning most of his subsequent poetry. The first principle is that contradictions are best understood dialectically, by moving to perspectives that both include and transcend them. The second is that all truths exist in relation to other truths. Together or in tandem, these two principles;¢;‚¬;€?dialectic and relativism;¢;‚¬;€?constitute the basis of a continual reshaping of Eliot;€™s imagination. The dialectic serves as a kinetic principle, undergirding his impulse to move forward by looping back, and the relativism supports his ingrained ambivalence. Brooker considers Eliot;€™s poetry in three blocks, each represented by a signature masterpiece: "The Love Song of J. Alfred Prufrock," The Waste Land, and Four Quartets. She correlates these works with stages in the poet;€™s intellectual and spiritual life: disjunction, ambivalence, and transcendence. Using a methodology that is both inductive;¢;‚¬;€?moving from texts to theories;¢;‚¬;€?and comparative;¢;‚¬;€?juxtaposing the evolution of Eliot;€™s mind as reflected in his philosophical prose and the evolution of style as seen in his poetry;¢;‚¬;€?Brooker integrates cultural and biographical contexts. The first book to read Eliot;€™s poems alongside all of his prose and letters, T. S. Eliot;€™s Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.
T. S. Eliot's Dialectical Imagination (Hopkins Studies in Modernism)
by Jewel Spears BrookerThe thought-tormented characters in T. S. Eliot;€™s early poetry are paralyzed by the gap between mind and body, thought and action. The need to address this impasse is part of what drew Eliot to philosophy, and the failure of philosophy to appease his disquiet is the reason he gave for abandoning it. In T. S. Eliot;€™s Dialectical Imagination, Jewel Spears Brooker argues that two of the principles that Eliot absorbed as a PhD student at Harvard and Oxford were to become permanent features of his mind, grounding his lifelong quest for wholeness and underpinning most of his subsequent poetry. The first principle is that contradictions are best understood dialectically, by moving to perspectives that both include and transcend them. The second is that all truths exist in relation to other truths. Together or in tandem, these two principles;¢;‚¬;€?dialectic and relativism;¢;‚¬;€?constitute the basis of a continual reshaping of Eliot;€™s imagination. The dialectic serves as a kinetic principle, undergirding his impulse to move forward by looping back, and the relativism supports his ingrained ambivalence. Brooker considers Eliot;€™s poetry in three blocks, each represented by a signature masterpiece: "The Love Song of J. Alfred Prufrock," The Waste Land, and Four Quartets. She correlates these works with stages in the poet;€™s intellectual and spiritual life: disjunction, ambivalence, and transcendence. Using a methodology that is both inductive;¢;‚¬;€?moving from texts to theories;¢;‚¬;€?and comparative;¢;‚¬;€?juxtaposing the evolution of Eliot;€™s mind as reflected in his philosophical prose and the evolution of style as seen in his poetry;¢;‚¬;€?Brooker integrates cultural and biographical contexts. The first book to read Eliot;€™s poems alongside all of his prose and letters, T. S. Eliot;€™s Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.
Routledge Revivals: Bertolt Brecht: Dialectics, Poetry, Politics (1988)
by Peter BrookerFirst published in 1988, this books argues with received accounts to reclaim Brecht’s emphasis on his self-described ‘dialectical theatre’, re-examining firstly the concepts of Gestus and Verfremdung and their realisation in Brecht’s poetry in terms of his attempt to consciously apply the methods of dialectical materialism to art and cultural practice. The author also takes issue with the customary view of Brecht’s career and politics which sees him as compromising either with Communist party dogma or bourgeois aesthetics, to find developing parallels between Brecht’s political and artistic though and the critical dialectics of Marx, Lenin and Mao. This development is examined in later chapters in relation to the early and late plays, The Measures Taken and Days of the Commune as well as in relation to Brecht’s changed circumstances in the years of war-time exile and in post-war East Germany.
Routledge Revivals: Bertolt Brecht: Dialectics, Poetry, Politics (1988)
by Peter BrookerFirst published in 1988, this books argues with received accounts to reclaim Brecht’s emphasis on his self-described ‘dialectical theatre’, re-examining firstly the concepts of Gestus and Verfremdung and their realisation in Brecht’s poetry in terms of his attempt to consciously apply the methods of dialectical materialism to art and cultural practice. The author also takes issue with the customary view of Brecht’s career and politics which sees him as compromising either with Communist party dogma or bourgeois aesthetics, to find developing parallels between Brecht’s political and artistic though and the critical dialectics of Marx, Lenin and Mao. This development is examined in later chapters in relation to the early and late plays, The Measures Taken and Days of the Commune as well as in relation to Brecht’s changed circumstances in the years of war-time exile and in post-war East Germany.
Modern Poetry and the Tradition
by Cleanth BrooksThis study presents the revolutionary thesis that English poetry and poetic theory were deflected from their richest line of development by the scientific rationalism that came with Hobbes and has continued its restrictive influence to the present day, when such poets as Yeats and Eliot have begun the reestablishment of the earlier line of development.Originally published in 1939.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Poet of the Medieval Modern: Reading the Early Medieval Library with David Jones (Oxford Textual Perspectives)
by Francesca BrooksThe early Middle Ages provided twentieth-century poets with the material to re-imagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895-1974): representing the first extended study of the influence of early medieval English culture and history on Jones and his novel-length late modernist poem The Anathemata (1952). Jones's second major poetic project after In Parenthesis (1937), The Anathemata fuses Jones's visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones's Library, this volume reads with Jones in order to trouble the distinction between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in Modernist and Medieval Studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages—including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography—to re-envision British Catholic identity in the twentieth-century long poem. Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponised in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore-up and challenge English hegemonies across modern British culture.
Hafiz and His Contemporaries: Poetry, Performance and Patronage in Fourteenth Century Iran
by Dominic Parviz BrookshawDespite his towering presence in premodern Persian letters, Shams al-Din Muhammad Hafiz of Shiraz (d. 1390) remains an elusive and opaque character for many. In order to look behind the hyperbole that surrounds Hafiz's poetry and penetrate the quasi-hagiographical film that obscures the poet himself, this book attempts a contextualisation of Hafiz that is at once socio-political, historical, and literary. Here, Hafiz's ghazals (short, monorhyme, broadly amorous lyric poems) are read comparatively against similar texts composed by his less-studied rivals in the hyper competitive, imitative, and profoundly intertextual environment of fourteenth-century Shiraz. By bringing Hafiz's lyric poetry into productive, detailed dialogue with that of the counterhegemonic satirist, 'Ubayd Zakani (d. 1371), and the marginalised Jahan-Malik Khatun (d. after 1391; the most prolific female poet of premodern Iran), our received understanding of this most iconic of stages in the development of the Persian ghazal is disrupted, and new avenues for literary exploration open up. Looking beyond the particular milieu of Shiraz, this study re-assesses Hafiz's place in the Persian poetic canon through reading his poems alongside those produced by professional poets in other major centres of Persian literary activity who enjoyed comparable fame in the fourteenth century. Recognising the aesthetic achievements of his contemporaries does not diminish the splendour of Hafiz's, rather it forces us to accept that Hafiz was but one member of a band of poets who jostled for the limelight in competing, often intersecting, patronage and reception networks that facilitated intense cultural exchange between the cities of post-Mongol Iran and Iraq. Hafiz's ghazals, characterised as they are by conscious and deliberate hybridity, ambiguity, and polysemy, are products of a creative mind bent on experimenting with genre. While in no way seeking to deny the mystical stratum of the Persian ghazal in its fourteenth-century manifestation, this study emphasises the courtly and profane dimensions of the form, and regards Hafiz through a sober lens with keen attention to his dynamic role at the heart of a vibrant poetic community that was at once both fiercely local and boldly cosmopolitan.
Hafiz and His Contemporaries: Poetry, Performance and Patronage in Fourteenth Century Iran (British Institute Of Persian Studies Ser. #Vol. 3)
by Dominic Parviz BrookshawDespite his towering presence in premodern Persian letters, Shams al-Din Muhammad Hafiz of Shiraz (d. 1390) remains an elusive and opaque character for many. In order to look behind the hyperbole that surrounds Hafiz's poetry and penetrate the quasi-hagiographical film that obscures the poet himself, this book attempts a contextualisation of Hafiz that is at once socio-political, historical, and literary. Here, Hafiz's ghazals (short, monorhyme, broadly amorous lyric poems) are read comparatively against similar texts composed by his less-studied rivals in the hyper competitive, imitative, and profoundly intertextual environment of fourteenth-century Shiraz. By bringing Hafiz's lyric poetry into productive, detailed dialogue with that of the counterhegemonic satirist, 'Ubayd Zakani (d. 1371), and the marginalised Jahan-Malik Khatun (d. after 1391; the most prolific female poet of premodern Iran), our received understanding of this most iconic of stages in the development of the Persian ghazal is disrupted, and new avenues for literary exploration open up. Looking beyond the particular milieu of Shiraz, this study re-assesses Hafiz's place in the Persian poetic canon through reading his poems alongside those produced by professional poets in other major centres of Persian literary activity who enjoyed comparable fame in the fourteenth century. Recognising the aesthetic achievements of his contemporaries does not diminish the splendour of Hafiz's, rather it forces us to accept that Hafiz was but one member of a band of poets who jostled for the limelight in competing, often intersecting, patronage and reception networks that facilitated intense cultural exchange between the cities of post-Mongol Iran and Iraq. Hafiz's ghazals, characterised as they are by conscious and deliberate hybridity, ambiguity, and polysemy, are products of a creative mind bent on experimenting with genre. While in no way seeking to deny the mystical stratum of the Persian ghazal in its fourteenth-century manifestation, this study emphasises the courtly and profane dimensions of the form, and regards Hafiz through a sober lens with keen attention to his dynamic role at the heart of a vibrant poetic community that was at once both fiercely local and boldly cosmopolitan.
Forugh Farrokhzad, Poet of Modern Iran: Iconic Woman and Feminine Pioneer of New Persian Poetry
by Dominic Parviz Brookshaw Nasrin RahimiehThe pioneering Iranian poet and filmmaker Forugh Farrokhzad was an iconic figure in her own day and has come to represent the spirit of revolt against patriarchal and cultural norms in 1960s Iran. Four decades after her tragic death at the age of 32, Forugh Farrokhzad, Poet of Modern Iran brings her ground-breaking work into new focus. During her lifetime Farrokhzad embodied the vexed predicament of the contemporary Iranian woman, at once subjected to long-held traditional practices and influenced by newly introduced modern social sensibilities. Highlighting her literary and cinematic innovation, this volume examines the unique place Farrokhzad occupies in Iran, both among modern Persian poets in general and as an Iranian woman writer in particular. The authors also explore Farrokhzad's appeal outside Iran in the Iranian diasporic imagination and through the numerous translations of her poetry into English. It is a fitting and authoritative tribute to the work of a remarkable woman which will introduce and explain her legacy for a 21st-century audience.
Louisa Stuart Costello: A Nineteenth-Century Writing Life (Nineteenth-Century Major Lives and Letters)
by Clare Broome SaundersLouisa Stuart Costello (1799-1870) was a critically acclaimed poet, novelist, travel writer, historian, and artist. Here, Broom Saunders provides a wealth of extracts from her diverse writings, a rich source of information about the pioneering career of a professional woman writer, and insight into a nineteenth-century writing life.
Museum of Bone and Water (A List)
by Nicole BrossardAvailable for the first time in more than fifteen years, this collection from celebrated poet, novelist, and essayist Nicole Brossard is a provocative investigation of the human body — our physical and spiritual museums of identity and desire.Nicole Brossard’s Museum of Bone and Water delivers sensual and provocative investigations of the human body — our physical and spiritual museums of identity and desire — that pulse and surprise at every turn. In this collection, fingers, lips, fists, cheeks mingle in the palm trees of Dublin and Key West, the heat of Palermo and Madrid. With each dazzling turn and each “crazy” silence, Brossard speeds our breath and quickens our hearts, reminding us that poetry too is both a physical and spiritual reality. Museum of Bone and Water, a finalist for the Governor General’s Literary Award, is recognized as a major work in the oeuvre of leading Québécoise poet, novelist, and essayist Nicole Brossard — recently honoured with the Lifetime Recognition Award by the Griffin Trust for Excellence in Poetry. The collection is now available in a handsome A List edition with a new introduction by Robert Majzels and Erín Moure.
Spanish American Modernista Poets: A Critical Anthology
by Gordon BrotherstonSpanish American Modernista Poets: A Critical Anthology presents the major works of some of Latin America’s important modernist poets. The titled dedicates a whole chapter to a specific personality. Each chapter of the text provides a short biographic account of the poet, and then proceeds to presenting the major works of the poet. The book will be of great use to individuals of have a keen interest in literary arts, particularly poetry.
Funeral Readings and Poems (Macmillan Collector's Library #321)
by Becky BrownTo find solace from grief, we have always turned to the written word. With poetry and prose spanning continents, religions and cultures, this moving anthology examines loss, celebrates lives well lived and offers words of consolation.Part of the Macmillan Collector’s Library; a series of stunning clothbound pocket-sized classics with gilt edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited by Becky Brown.Helpfully divided into different sections, Funeral Readings and Poems features many famous poems such as ‘Funeral Blues’ by W. H. Auden and ‘How do I Love Thee?’ by Elizabeth Barrett Browning, alongside comforting prose from the likes of Louisa May Alcott and Kenneth Graham.
Poems for New Parents (Macmillan Collector's Library #319)
by Becky BrownA beautiful gift anthology of classic poetry which captures the excitement and joy of a new arrival in the family. Part of the Macmillan Collector’s Library; a series of stunning pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited by Becky Brown. There are poems which celebrate the anticipation of the happy event and the outburst of joy and hope which it brings. There are gorgeous lullabies and rhymes to read aloud as well as wise words of encouragement and advice. Poems for New Parents also looks forward to a child’s own discoveries and flourishing imagination. In this perfect present for new parents, you’ll find poetry that’s inspiring and poignant, sometimes funny and sometimes reflective, from a wealth of famous poets such as William Wordsworth, Lewis Carroll and Mary Coleridge.