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Theatre, Education and the Making of Meanings: Art or Instrument? (PDF)

by Anthony Jackson

This book is a study of theatre's educational role during the 20th and the first years of the 21st centuries. It examines the variety of ways the theatre's educational potential has been harnessed and theorised, the claims made for its value and the tension bettween theatre as education andtheatre as "art": between theatre's aesthetic dimenstion and the 'utilitarian' or 'instrumental' role for which it has so often been pressed into service. Following a preliminary discussion of some key theoretical approaches to aesthetics, dramatic art and learning and, above all, the relationships between them, the study is organised into two broad chronological periods: early developments in European and American theatre up to the end of World WarII, and participatory theatre and education since World War II. Within each period, a cluster of key themes is introduced and then re-visited and examined through a number of specific examples - seen within their cultural contexts - in subsequent chapters. Topics covered include an early use oftheatre to campaign for prison reform; workers' theatre, agit-prop and American living newspapers in the 1930s; theatre's response to the dropping of the atom bomb in 1945; post-war theatre in education; theatre in prisons; and the use of performance in historic sites.

Radical Street Performance: An International Anthology

by Jan Cohen-Cruz

Radical Street Performance is the first volume to collect together the fascinating array of writings by activists, directors, performers, critics, scholars and journalists who have documented street theatre around the world. More than thirty essays explore the myriad forms this most public of performances can take: * agit-prop * invisible theatre * demonstrations and rallies * direct action * puppetry * parades and pageants * performance art * guerrilla theatre * circuses These essays look at performaces in Europe, Africa, China, India and both the Americas. They describe engagement with issues as diverse as abortion, colonialism, the environment and homophobia, to name only a few. Introduced by editor Jan Cohen-Cruz, the essays are organized into thematic sections: Agitating; Witnessing; Involving; Imagining; and Popularizing. Radical Street Performance is an inspiring testimony to this international performance phenomenon, and an invaluable record of a form of theatre which continues to flourish in a televisual age.

Radical Street Performance: An International Anthology

by Jan Cohen-Cruz

Radical Street Performance is the first volume to collect together the fascinating array of writings by activists, directors, performers, critics, scholars and journalists who have documented street theatre around the world. More than thirty essays explore the myriad forms this most public of performances can take: * agit-prop * invisible theatre * demonstrations and rallies * direct action * puppetry * parades and pageants * performance art * guerrilla theatre * circuses These essays look at performaces in Europe, Africa, China, India and both the Americas. They describe engagement with issues as diverse as abortion, colonialism, the environment and homophobia, to name only a few. Introduced by editor Jan Cohen-Cruz, the essays are organized into thematic sections: Agitating; Witnessing; Involving; Imagining; and Popularizing. Radical Street Performance is an inspiring testimony to this international performance phenomenon, and an invaluable record of a form of theatre which continues to flourish in a televisual age.

Measure for Measure

by William Shakespeare

When the Duke of Vienna leaves the city under the governance of Angelo, a strict judge, Claudio and Juliet find themselves in violation of Vienna's severe morality laws. With Claudio's life at risk, Isabella, his sister and a novice nun, agrees to plead the case before Angelo. The duke, disguised as a friar, helps Isabella when it becomes apparent Angelo will only help if she compromises herself, and her beliefs. One of Shakespeare's more complex comedies, Measure for Measure examines ethical and moral issues that still resonate today.

The Merchant of Venice

by William Shakespeare

Venetian nobleman Antonio stands to lose a pound of flesh when he is unable to repay a loan due to the Jewish moneylender Shylock.

The Merry Wives of Windsor

by William Shakespeare

Mistress Page and Mistress Ford set out to have some fun at the expense of John Falstaff, who courts both in the hopes of securing their fortunes.

A Midsummer Night's Dream

by William Shakespeare

The fairies of the forest interfere with the lives of mortals attending the wedding feast of Theseus, Duke of Athens, and Hipployta, and the realms of mortals and fairies collide on one magical midsummer night.

Much Ado About Nothing

by William Shakespeare

Two couples—Benedick and Beatrice, and Hero and Claudio—must overcome deception, gossip, and, occasionally, their own misplaced pride if their love is to persevere.

Othello

by William Shakespeare

Othello loves his wife Desdemona, and the two live happily—at first. A spurned suitor of Desdemona's and Iago, an ambitious officer under Othello's command, plan to tear the couple apart out of revenge for perceived slights suffered at their hands.

Pericles, Prince of Tyre

by William Shakespeare

After Prince Pericles puzzles out a terrible secret about the king of Antioch, he flees the city and sets sail on his ship. His adventures bring him love and marriage, but his greatest tragedies and triumps lay ahead as he voyages home.

Richard II

by William Shakespeare

When King Richard II banishes two feuding noblemen from England, he sets into motion a series of events that will eventually cost him his crown and his life.

Richard III

by William Shakespeare

An account of the brutal and bloody rise of King Richard III to the throne, Shakespeare's play depicts the short-lived monarch's ruthless campaign for power, which resulted in the deaths of two of his brothers.

Romeo and Juliet

by William Shakespeare

Perhaps the most famous love story in the world, Romeo and Juliet is Shakespeare's most enduring work, and from Shakespeare in Love to Shakespeare in the Park, these star-crossed lovers have met across a crowded stage for over four hundred years.

Troilus and Cressida

by William Shakespeare

The story of the Trojan War unfolds from the perspectives of Troilus and Cressida—a Trojan prince and his true love, one of whom is traded to the Greeks as part of a prisoner exchange.

Twelfth Night or What You Will

by William Shakespeare

Confusion reigns when the shipwrecked Viola, disguised as Cesario, enters the service of Duke Orsino, only to find her brother, Sebastian, has also been shipwrecked.

The Two Gentlemen of Verona

by William Shakespeare

Proteus's duplicity is revealed when the beautiful Julia follows him to Milan only to learn his affections have turned to another.

The Winter's Tale

by William Shakespeare

King Leontes is cursed to have no heir until his long-abandonded child is returned to his kingdom.

The Taming of the Shrew

by William Shakespeare

The marriage hopes of the beautiful Bianca depend on her older and more disagreeable sister, Katherina, making her match first.

The Tempest

by William Shakespeare

The Duke of Milan attempts to recapture his throne by conjuring a tempest that lures his deceitful brother, Prospero, to the duke's island hideaway.

Timon of Athens

by William Shakespeare

When he loses his fortune, and he is forced to seek assistance from those he has helped in the past, Timon on Athens quickly learns who is friends are.`

Titus Andronicus

by William Shakespeare

The Roman general Titus is drawn into a violent cycle of revenge when he returns triumphantly to Rome with the Goth queen and her three sons as prisoners.

Reading Contemporary Performance: Theatricality Across Genres

by Gabrielle Cody Meiling Cheng

As the nature of contemporary performance continues to expand into new forms, genres and media, it requires an increasingly diverse vocabulary. Reading Contemporary Performance provides students, critics and creators with a rich understanding of the key terms and ideas that are central to any discussion of this evolving theatricality. Specially commissioned entries from a wealth of contributors map out the many and varied ways of discussing performance in all of its forms – from theatrical and site-specific performances to live and New Media art. The book is divided into two sections: Concepts - Key terms and ideas arranged according to the five characteristic elements of performance art: time; space; action; performer; audience. Methodologies and Turning Points - The seminal theories and ways of reading performance, such as postmodernism, epic theatre, feminisms, happenings and animal studies. Case Studies – entries in both sections are accompanied by short studies of specific performances and events, demonstrating creative examples of the ideas and issues in question. Three different introductory essays provide multiple entry points into the discussion of contemporary performance, and cross-references for each entry also allow the plotting of one’s own pathway. Reading Contemporary Performance is an invaluable guide, providing not just a solid set of familiarities, but an exploration and contextualisation of this broad and vital field.

Learning Through Theatre: The Changing Face of Theatre in Education

by Anthony Jackson Chris Vine

In the two decades since the publication of the second edition, Learning Through Theatre has further established itself as an indispensable resource for scholars, practitioners and educators interested in the complex interrelations between teaching and learning, the performing arts, and society at large. Theatre in Education (TIE) has consistently been at the cutting edge of the ever-growing field of Applied Theatre; this comprehensively revised new edition makes an international case for why, and how, it will continue to shape ways in which the participatory arts contribute to the learning of young people (and increasingly, adults) in the 21st century. Drawing on the experiences and insights of theorists and practitioners from across the world, Learning Through Theatre shows how theatre can, and does, promote: participatory engagement; the use of innovative theatrical form; work with young people and adults in a range of educational settings; and social and personal change. Now transatlantically edited by Anthony Jackson and Chris Vine, Learning Through Theatre offers exhilarating new reflections on the book’s original aim: to define, describe and debate the salient features, and wider political context, of one of the most important – and radical – developments in contemporary theatre.

Theatre Management: Arts Leadership for the 21st Century

by Anthony Rhine

An essential introductory textbook that provides a comprehensive and student-friendly overview of the key processes involved in developing and managing a theatre in the 21st century. It covers a complete range of topics fundamental to successful commercial and not-for-profit theatre management, from developing a mission statement to communicating with stakeholders, from marketing and promotion to fund development platforms, and from governance structures to community engagement. With over two decades of experience in the industry, Anthony Rhine encourages a critical understanding of theatre management; rather than simply giving students the facts and theories to memorise, he shows readers how to think like theatre managers, giving them the skills needed to be able to carve out their own career paths. Far-reaching and globally applicable, the text serves as an invaluable guide for aspiring theatre managers, as well as undergraduate and postgraduate students on Theatre Management, Arts Management, Creative Industries and Theatre and Performance Studies degree courses.

Oxford Literature Companion: Death Of A Salesman

by Su Fielder

Easy to use in the classroom or as a tool for revision, Oxford Literature Companions provide student-friendly analysis of a range of popular A Level set texts. Each book offers a lively, engaging approach to the text, covering characterisation and role, genre, context, language, themes, structure, performance and critical views, whilst also providing a range of varied and in-depth activities to deepen understanding and encourage close work wtih the text. Each bookalso includes a comprehensive Skills and Practice section, which provides detailed advice on assessment and a bank of exam-style questions and annotated sample student answers. This guide covers Deathof a Salesman by Arthur Miller.

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