- Table View
- List View
Adulescentia: The eclogues of Mantuan (Routledge Revivals)
by Lee PiephoFirst published in 1989, Piepho has translated the Latin works of Mantuan’s eclogues, which play such a crucial role in the culture of Western Europe during the sixteenth and seventeenth centuries.
Adrian Mole: The Collected Poems
by Sue Townsend'It's really, really, really funny' David Walliams Mole Press - a brand new imprint of Penguin Books - is proud to announce the first publication of The Collected Poems of Adrian Mole to mark the author's 50TH birthday.--------------------------- 'Edgy politics, tortured eroticism, misunderstood intellect, changing Britain - a whiff of the sublime. Mole's contribution is significant' Daily Telegraph Featuring poems scattered over nearly thirty years of writing and salvaged from the diaries 'authored' by one Sue Townsend, this slim volume features more than thirty pieces of Adrian's unique art. From his timeless first documented poem - The Tap - via classic odes to his muse, first and only true love Pandora (I adore ya), we follow Adrian's life in verse form. We not only witness his burgeoning political anger in works like Mrs Thatcher (Do you weep, Mrs Thatcher, do you weep?) but also see in later poems his merciless examination of the hollow shell of masculinity as well as documenting his declining libido in tragic pieces like To My Organ. For the first time in a single volume, these are the collected poems of misunderstood intellectual and tortured poet Adrian Mole. 'I ruthlessly exploited Adrian. But he can't afford to sue me' Sue Townsend 'Wonderfully funny and sharp as knives' Sunday Times 'One of the great comic creations' Daily Mirror 'The funniest person in the world' Caitlin Moran
Acts of Poetry: American Poets' Theater and the Politics of Performance
by Heidi R BeanAmerican poets’ theater emerged in the postwar period alongside the rich, performance-oriented poetry and theater scenes that proliferated on the makeshift stages of urban coffee houses, shared apartments, and underground theaters, yet its significance has been largely overlooked by critics. Acts of Poetry shines a spotlight on poets’ theater’s key groups, practitioners, influencers, and inheritors, such as the Poets’ Theatre, the Living Theatre, Gertrude Stein, Bunny Lang, Frank O’Hara, Amiri Baraka, Carla Harryman, and Suzan-Lori Parks. Heidi R. Bean demonstrates the importance of poets’ theater in the development of twentieth-century theater and performance poetry, and especially evolving notions of the audience’s role in performance, and in narratives of the relationship between performance and everyday life. Drawing on an extensive archive of scripts, production materials, personal correspondence, theater records, interviews, manifestoes, editorials, and reviews, the book captures critical assessments and behind-the-scenes discussions that enrich our understanding of the intertwined histories of American theater and American poetry in the twentieth century.
Activist
by Louisa ReidWhen a heartbreaking testimony appears on an anonymous website, it's easier for Cassie's prestigious school to dismiss the accusations than to face the truth: that this is a place where the students aren't safe. As more survivors speak out, Cassie and her friends realise that they must take the situation into their own hands if they want anything to change, no matter the consequences. Cassie goes to a prestigious academic school where girls have only just been admitted after decades of it being single-sex. When a female student from the school anonymously posts about the sexual abuse she has suffered and the school does not act properly, Cassie knows that she needs to take matters into her own hands. She and her friends prepare for battle - with a strike, an assembly, as well as outside school spending their weekends protesting to save the woodland from development. But will her activism only make things worse, or will she succeed in righting the wrongs that so many choose to ignore? And could there be a more personal reason for her behaviour? A powerful, timely verse novel about the need to act and stand up for what's right.
Across the Land and the Water: Selected Poems 1964-2001 (Modern Library Paperbacks Ser.)
by W. G. Sebald Iain GalbraithAcross the Land and the Water is a stunningly beautiful selection of poetry by W. G. Sebald.Across the Land and the Water brings together poems from throughout W. G. Sebald's life as well as additional works found after his death. Arranged chronologically, from his student days in the 1960s to the longer narratives he worked on in the 1980s, these poems are suffused by the themes which dominated Sebald's books. Here you will find subtle vignettes on nature and history, death and memory, journeys and landscapes, each short piece filled with insight, sensitivity and brilliance.'An important book . . . full of things that are beautiful and fascinating' Andrew Motion, Guardian'When you read Sebald you are transported to another realm. Reading him is a truly sublime experience' Literary Review'Gracefully unsettling. The poems invest every landscape with an archaeologist's sense of the pain, toil and loss secreted in each layer of soil' Independent'One of the most important writers of our time' A. S. Byatt'Delightful' Economist'Show a humane and complex intelligence and deserve a place next to Sebald's prose output' New StatesmanW. G. Sebald was born in Wertach im Allgäu, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, A Place in the Country.
Achieve 100+ Grammar, Punctuation & Spelling Practice Questions (PDF)
by Marie LallawayExam Board: Non-Specific Level: KS2 Subject: Grammar First Teaching: September 2015 First Exam: Summer 2016 A 64-page workbook of test practice questions for the Key Stage 2 SATs, covering the more demanding areas of the Year 6 national tests.
Achieve 100 Grammar, Punctuation And Spelling Practice Questions (Achieve Key Stage 2 Sats Revision Series (PDF))
by Marie LallawayA 64-page workbook in which children can write. These practice questions cover everything Year 6 children need to master to achieve 100 in the Key Stage 2 National Tests. Use alongside the Achieve 100 Grammar, Punctuation and Spelling Revision book
The Accounts (Phoenix Poets)
by Katie PetersonThe death of a mother alters forever a family’s story of itself. Indeed, it taxes the ability of a family to tell that story at all. The Accounts narrates the struggle to speak with any clear understanding in the wake of that loss. The title poem attempts three explanations of the departure of a life from the earth—a physical account, a psychological account, and a spiritual account. It is embedded in a long narrative sequence that tries to state plainly the facts of the last days of the mother’s life, in a room that formerly housed a television, next to a California backyard. The visual focus of that sequence, a robin’s nest, poised above the family home, sings in a kind of lament, giving its own version of ways we can see the transformation of the dying into the dead. In other poems, called “Arguments,” two voices exchange uncertain truths about subjects as high as heaven and as low as crime. Grief is a problem that cannot be solved by thinking, but that doesn’t stop the mind, which relentlessly carries on, trying in vain to settle its accounts. The death of a well-loved person creates a debt that can never be repaid. It reminds the living of our own psychological debts to each other, and to the dead. In this sense, the death of this particular mother and the transformation of this particular family are evocative of a greater struggle against any changing reality, and the loss of all beautiful and passing forms of order.
The Accounts (Phoenix Poets)
by Katie PetersonThe death of a mother alters forever a family’s story of itself. Indeed, it taxes the ability of a family to tell that story at all. The Accounts narrates the struggle to speak with any clear understanding in the wake of that loss. The title poem attempts three explanations of the departure of a life from the earth—a physical account, a psychological account, and a spiritual account. It is embedded in a long narrative sequence that tries to state plainly the facts of the last days of the mother’s life, in a room that formerly housed a television, next to a California backyard. The visual focus of that sequence, a robin’s nest, poised above the family home, sings in a kind of lament, giving its own version of ways we can see the transformation of the dying into the dead. In other poems, called “Arguments,” two voices exchange uncertain truths about subjects as high as heaven and as low as crime. Grief is a problem that cannot be solved by thinking, but that doesn’t stop the mind, which relentlessly carries on, trying in vain to settle its accounts. The death of a well-loved person creates a debt that can never be repaid. It reminds the living of our own psychological debts to each other, and to the dead. In this sense, the death of this particular mother and the transformation of this particular family are evocative of a greater struggle against any changing reality, and the loss of all beautiful and passing forms of order.
The Accounts (Phoenix Poets)
by Katie PetersonThe death of a mother alters forever a family’s story of itself. Indeed, it taxes the ability of a family to tell that story at all. The Accounts narrates the struggle to speak with any clear understanding in the wake of that loss. The title poem attempts three explanations of the departure of a life from the earth—a physical account, a psychological account, and a spiritual account. It is embedded in a long narrative sequence that tries to state plainly the facts of the last days of the mother’s life, in a room that formerly housed a television, next to a California backyard. The visual focus of that sequence, a robin’s nest, poised above the family home, sings in a kind of lament, giving its own version of ways we can see the transformation of the dying into the dead. In other poems, called “Arguments,” two voices exchange uncertain truths about subjects as high as heaven and as low as crime. Grief is a problem that cannot be solved by thinking, but that doesn’t stop the mind, which relentlessly carries on, trying in vain to settle its accounts. The death of a well-loved person creates a debt that can never be repaid. It reminds the living of our own psychological debts to each other, and to the dead. In this sense, the death of this particular mother and the transformation of this particular family are evocative of a greater struggle against any changing reality, and the loss of all beautiful and passing forms of order.
The Accounts (Phoenix Poets)
by Katie PetersonThe death of a mother alters forever a family’s story of itself. Indeed, it taxes the ability of a family to tell that story at all. The Accounts narrates the struggle to speak with any clear understanding in the wake of that loss. The title poem attempts three explanations of the departure of a life from the earth—a physical account, a psychological account, and a spiritual account. It is embedded in a long narrative sequence that tries to state plainly the facts of the last days of the mother’s life, in a room that formerly housed a television, next to a California backyard. The visual focus of that sequence, a robin’s nest, poised above the family home, sings in a kind of lament, giving its own version of ways we can see the transformation of the dying into the dead. In other poems, called “Arguments,” two voices exchange uncertain truths about subjects as high as heaven and as low as crime. Grief is a problem that cannot be solved by thinking, but that doesn’t stop the mind, which relentlessly carries on, trying in vain to settle its accounts. The death of a well-loved person creates a debt that can never be repaid. It reminds the living of our own psychological debts to each other, and to the dead. In this sense, the death of this particular mother and the transformation of this particular family are evocative of a greater struggle against any changing reality, and the loss of all beautiful and passing forms of order.
According to the Small Hours (Cape Poetry Ser.)
by Aidan MathewsIn this, his first collection of poems in fifteen years, Aidan Mathews brings together the sacred and the profane, playful and profound, the iconic and the everyday - illuminating the variousness and commonality of human experience. These poems wear their erudition lightly: dazzling us with their fresh observations, the strangely intimate details ('mice among the breadcrumbs of the Last Supper') and a fluid, metaphysical wit that can link a saint's matyrdom to a Sunday roast. Mercurial, passionate and always surprising, According to the Small Hours is a triumphant return to the form.
The Academic Avant-Garde: Poetry and the American University
by Kimberly Quiogue AndrewsThe surprising story of the relationship between experimental poetry and literary studies.In The Academic Avant-Garde, Kimberly Quiogue Andrews makes a provocative case for the radical poetic possibilities of the work of literary scholarship and lays out a foundational theory of literary production in the context of the university. In her examination of the cross-pollination between the analytic humanities and the craft of poetry writing, Andrews tells a bold story about some of today's most innovative literary works. This pathbreaking intervention into contemporary American literature and higher education demonstrates that experimental poetry not only reflects nuanced concern about creative writing as a discipline but also uses the critical techniques of scholarship as a cornerstone of poetic practice. Structured around the concepts of academic labor (such as teaching) and methodological work (such as theorizing), the book traces these practices in the works of authors ranging from Claudia Rankine to John Ashbery, providing fresh readings of some of our era's most celebrated and difficult poets.
The Academic Avant-Garde: Poetry and the American University
by Kimberly Quiogue AndrewsThe surprising story of the relationship between experimental poetry and literary studies.In The Academic Avant-Garde, Kimberly Quiogue Andrews makes a provocative case for the radical poetic possibilities of the work of literary scholarship and lays out a foundational theory of literary production in the context of the university. In her examination of the cross-pollination between the analytic humanities and the craft of poetry writing, Andrews tells a bold story about some of today's most innovative literary works. This pathbreaking intervention into contemporary American literature and higher education demonstrates that experimental poetry not only reflects nuanced concern about creative writing as a discipline but also uses the critical techniques of scholarship as a cornerstone of poetic practice. Structured around the concepts of academic labor (such as teaching) and methodological work (such as theorizing), the book traces these practices in the works of authors ranging from Claudia Rankine to John Ashbery, providing fresh readings of some of our era's most celebrated and difficult poets.
absolute animal
by Rachel DeWoskinPoems that traverse and question the lines between human and animal behavior. Experimenting with time, language, and transgressing boundaries, the poems in absolute animal lean into Nabokov’s notion that precision belongs to poetry and intuition to science. Rachel DeWoskin’s new collection navigates the chaos of societal and mortal uncertainty. Through formal poetry, DeWoskin finds sense amid disorder and unearths connections between the animal and the human, between the ancient and the contemporary, and between languages, incorporating translations from poems dating as far back as the Tang dynasty. From sonnet sequences about heart surgeries to examinations of vole romance and climate change, absolute animal investigates and moves across boundaries and invites us to consider what holds life, what lasts, what dies, and what defines and enriches the experience of being human.
An Absence of Meadows and Other Poems (Wordcatcher Modern Poetry)
by E. Mary WilceThe poems in this volume reveal how much of our lives are rooted in feeling as well as in fact, in imagination as well as action. The poems dwell on things remembered or seen. The focus on the subject is clear and lucidly expressed, the poet teasing out its resonances while holding emotion on a tight rein. Their principal subject is childhood, lovingly described but somehow also threatened (as in The Fox on the Stairs and Lessons in the Wind, two striking poems).
Abschied und Offenbarung: Eine poetisch-theologische Kritik am Motiv der Totalität im Ausgang von Hölderlin (Studien zu Literatur und Religion / Studies on Literature and Religion #2)
by Jakob Helmut DeiblDer vorliegende Band bietet einen Durchgang durch Hölderlins dichterisches Schaffen und interpretiert zahlreiche Gedichte ausgehend von der Frage, wie sich das Verhältnis von Gott/Mensch/Sprache darin jeweils darstellt. Dieses zeigt sich als ein zunehmend gebrochen-fragiles; in dieser Schwächung kann sich jedoch eine neue Aufmerksamkeit für das Göttliche, das Menschliche und die Sprache entwickeln – in theologischer Diktion: Offenbarung Gottes nicht in einem „Mehr“, sondern in der Zurücknahme einer für den Menschen nicht fassbaren Fülle und im Abschied von fixierten Bildern.
Above Ground
by Clint SmithA remarkable poetry collection with "inextinguishable generosity and abundant wisdom" (Monica Youn) from Clint Smith, the #1 New York Times bestselling and National Book Critics Circle award-winning author of How the Word Is Passed. Clint Smith&’s vibrant and compelling new collection traverses the vast emotional terrain of fatherhood, and explores how becoming a parent has recalibrated his sense of the world. There are poems that interrogate the ways our lives are shaped by both personal lineages and historical institutions. There are poems that revel in the wonder of discovering the world anew through the eyes of your children, as they discover it for the first time. There are poems that meditate on what it means to raise a family in a world filled with constant social and political tumult. Above Ground wrestles with how we hold wonder and despair in the same hands, how we carry intimate moments of joy and a collective sense of mourning in the same body. Smith&’s lyrical, narrative poems bring the reader on a journey not only through the early years of his children&’s lives, but through the changing world in which they are growing up—through the changing world of which we are all a part.Above Ground is a breathtaking collection that follows Smith's first award-winning book of poetry, Counting Descent.
About the Dead (Swenson Poetry Award #15)
by Travis MossottiTravis Mossotti writes with humor, gravity, and humility about subjects grounded in a world of grit, where the quiet mortality of working folk is weighed. To Mossotti, the love of a bricklayer for his wife is as complex and simple as life itself: “ask him to put into words what that sinking is, / that shudder in his chest, as he notices / the wrinkles gathering at the corners of her mouth.” But not a whiff of sentiment enters these poems, for Mossotti has little patience for ideas of the noble or for sympathetic portraits of hard-used saints. His vision is clear, as clear as the memory of how scarecrows in the rearview, “each of them, stuffed / into a body they didn’t choose, resembled / your own plight.” His poetry embraces unsanctimonious life with all its wonder, its levity, and clumsiness. About the Dead is an accomplished collection by a writer in control of a wide range of experience, and it speaks to the heart of any reader willing to catch his “drift, and ride it like the billowed / end of some cockamamie parachute all the way / back to the soft, dysfunctional, waiting earth.”
Abkehr von Schönheit und Ideal in der Liebeslyrik
Die hohe Minne und die höfische Liebe bestimmen unser Bild der Liebeslyrik, das durch die Textauswahl der Philologen sowie ihre Urteile entscheidend geprägt wurde. Die 27 Beiträge dieses Bandes behandeln - mit romanistischem Schwerpunkt - Gedichte aus acht europäischen Literaturen und neun Jahrhunderten. Sie zeigen, daß bereits im Mittelalter die irdischen Aspekte der Liebe bis hin zur Gewalttätigkeit dargestellt wurden, und dies nicht nur in Sammlungen wie den Carmina Burana, sondern auch in den Gesängen der Troubadours. Die Anbetung einer idealen Geliebten ist nur eine mögliche Haltung; gleichzeitig finden wir deutlich misogyne Tendenzen, oder eben die Liebe zu einer Frau, die nicht den stereotypen Vorstellungen innerer und äußerer Vollkommenheit entspricht. Gleichzeitig wird deutlich, daß die Texte, die sich von den Idealen der höfischen Liebe abwenden, durchaus in einer eigenen Tradition stehen und nicht nur als Gegenbewegung wie der Antipetrarkismus verstanden werden dürfen. Die Umwertung des Schönen und des Hässlichen, die das ästhetische Denken im 18. Jahrhundert hervorgebracht hat, bleibt nicht ohne Wirkung auf die Beurteilung weiblicher Reize und auf die Liebeslyrik im 19. und 20. Jahrhundert.
Abirami Andhadhi
by Abirami Pattar Kavingar KannadasanWhen Abirami Pattar's life was in danger,the Goddess Abirami manifested herself before pattar to save his life and threw her thadanga over the sky such that it shined with bright light upon the horizon.The hymns on the Goddess sung by the pattar is Abhirami Andhadhi.
The Abandoned Settlements
by James SheardShortlisted for the 2017 T. S. Eliot PrizePBS Autumn RecommendationThe poems in James Sheard’s remarkable third book are about love and leaving, of how the rift of departure brings on a kind of haunting – of the people involved and the places where they lived – an emotional trace of departed lives and loves. This is what these poems are: the scars of separation, the spoors of desire. Sheard writes powerfully about loss, about how the vestiges of significance, of sensual heat, are retained by structures – in ghost towns, war-zones, deserted villages or resorts – but also by the human body and memory: ‘for love exists, and then is ruined, and then persists.’These are poems about permanence and fragility, of being uncertain whether the house you live in is a shell, or if you have become a shell by living there – whether emptiness means loss and abandonment or a clean start and a new beginning. But these are also poems full of the ache of desire, the tart, lingering smell of sex: poems shaped by longing.James Sheard is one of Britain’s most assured and precise lyric poets, and his third collection brings all his considerable strengths to poems as accurate and strange as thermal images.
a "Working Life"
by Eileen MylesThe first new poetry collection since Evolution from the peerless writer, activist and poet Eileen Myles, a "Working Life" captures the many dualities of human life: loneliness and companionship, city and country, youth and aging, travel and stasis, fear and wonder.a "Working Life" is a book rooted in the beauty of the everyday: the 'sweet accumulation' of birds outside a window, a cup of coffee and a slice of pizza, a lover's foot on the bed. These poems travel widely in planes, trains and cars around the world and by foot across the terrain of the small rooms that held us during the pandemic lockdowns. In this collection Myles shows both the beauty and ridiculousness of love and sex, articulates the immense anxieties about the future world threatened by climate change and capitalism, and also finds transcendent wonder in the landscapes and animals around us, and in the radical human act of caring for one another and our world.With humour, beauty and singular vision, a "Working Life" shows Eileen Myles working at the height of their poetic and philosophical powers.
A.E. Housman: Collected Poems (Penguin Poetry Library)
by A. E. HousmanA. E. Housman, being one of the most famous and widely read poets of the early twentieth century, is certainly worthy of praise. His 'Collected Poems' are therefore a valuable read because they allow readers to gain an impression of the author's mind, opinions and lifestyle. Furthermore, they simultaneously depict a man who was deeply pessimistic and obsessed with death, and, on the other hand, illustrate a man who was also very much concerned with love, youth, life and the fleetingness of the these concepts.It is easy to understand why Housman's sensitive and sympathetic depictions of heroic English soldiers influenced and affected his readers, as his poetry is often written in an uncomplicated, yet sensitive style, which allows readers to feel as if they are witnessing events almost as the poet writes them down. These poems are also intriguing to read if you are a Shakespeare fan, as it is possible to spot many Shakespeare references in Housman's writing. A glossary or footnotes at the back of this book would be appreciated in any further editions, in order to allow readers to gain more understanding of the other poets and authors that Housman was influenced by. In brief, this collection presents the literary highlights of Housman's career, and this will be most appreciated by readers new to Housman's poetry.
A. E. Housman: A Critical Biography
by Norman PageA.E. Housman (1859-1936) was a poet of enormous popularity and widespread influence: a Latin scholar of the front rank, a superb prose stylist, a notable writer of comic verse and, thanks to the enormous success of A Shropshire Lad, one of the greatest and best-known poems in the English language, he became a legend in his own lifetime. Reissued to mark the centenary of the publication of A Shropshire Lad, Norman Page's highly-acclaimed biography is regarded as the most complete account of Housman's life and career available. Drawing on a wide range of sources, including much unpublished material, Norman Page provides us with a fascinating insight into Housman the poet, the scholar and the man. `By far the best biography of Housman we have ...' - Andrew Motion, Times Literary Supplement