- Table View
- List View
Ten Green Bottoms: A laugh-out-loud rhyming counting book
by Barry TimmsCount down from ten with the cheeky aliens and do your 'sums with bums' in Ten Green Bottoms – a hilarious storybook for preschoolers, which is a twist on the classic nursery rhyme Ten Green Bottles. Join the green-bottomed aliens and their ‘wind-powered' rocket as they cause all kinds of mischief on Earth. Packed full of silly humour and with lots to spot in busy scenes, this riotous rhyming story by Barry Timms and Mike Byrne is perfect for reading aloud and sharing.With a surprise gatefold ending, a number line to count up to ten and back down again plus a page of simple adding up, first maths skills have never been so much fun!
The Magic Words
by Joseph FasanoDiscover the joy of expressing what’s inside you, with fill-in-the-blank poems that are sparking a creative movement.We all have stories inside us, whether or not we consider ourselves ‘creative’. And with these 50 simple fill-in-the-blank poems, anyone can write poetry, whatever age or ability. By adding just a few words of your own, you create something beautiful and wholly new that comes from within.Discover the magic of putting your feelings into words and be inspired by sample poems submitted by people of all ages and walks of life. Exploring themes like friendship, love, grief, gratitude, and hope, these inclusive, accessible, and deceptively simple poems express powerful emotional truths, written by you.Discover the joy of expressing what’s inside you, with fill-in-the-blank poems that are sparking a creative movement
The Penguin Book of Greek and Latin Lyric Verse
by Professor Glenn W. Most'Inspired and enlightening ... here is a work of staggering ambition, exceptional accomplishment, and surprisingly pleasant reading ... an excellent gift for anyone interested in classical literature' A. E. Stallings, Telegraph'An extraordinary feat ... Over and over, I was impressed both by Childers's technical abilities and his vivid way of evoking the multiple voices in this rich tradition' Emily Wilson, translator of the Odyssey and the Iliad'An extraordinary achievement, in scope, scale and skill' Richard Jenkyns, author of Classical LiteratureThe poems in this lively, wide-ranging and richly enjoyable anthology are the work of priestesses and warriors; of philosophers and statesmen; of teenage girls, concerned for their birthday celebrations; of drunkards and brawlers; of grumpy old men, and chic young things. Their authors write – or sing – about hopes, fears, loves, losses, triumphs and humiliations. Every one of them lived and died between 1,900 and 2,800 years ago.The Penguin Book of Greek and Latin Lyric Verse is a volume without precedent. It brings together the best of two traditions normally treated in isolation, and in doing so tells a captivating story about how literature and book-culture emerged from an oral society in which memory and learning were transmitted through song. The classical vision of lyric poetry as understood by the greatest ancient poets – Sappho and Horace, Bacchylides and Catullus – mingles and interacts with our expansive modern vision of the lyric as the brief, personal, emotional poetry of a human soul laid bare.Anyone looking for a picture of what ancient poets were up to when they were simply singing to the gods, or to their friends, or otherwise opening little verbal windows into their life and times can find it here. It is a volume full of fire and life: an undertaking of astonishing reach, and an accomplishment magisterial in its scope.
What W. H. Auden Can Do for You (Writers on Writers #5)
by Alexander McCall SmithBestselling novelist Alexander McCall Smith's charming account of how the poet W. H. Auden has helped guide his life—and how he might guide yours, tooWhen facing a moral dilemma, Isabel Dalhousie—Edinburgh philosopher, amateur detective, and title character of a series of novels by best-selling author Alexander McCall Smith—often refers to the great twentieth-century poet W. H. Auden. This is no accident: McCall Smith has long been fascinated by Auden. Indeed, the novelist, best known for his No. 1 Ladies Detective Agency series, calls the poet not only the greatest literary discovery of his life but also the best of guides on how to live. In this book, McCall Smith has written a charming personal account about what Auden has done for him—and what he just might do for you.Part self-portrait, part literary appreciation, the book tells how McCall Smith first came across the poet's work in the 1970s, while teaching law in Belfast, a violently divided city where Auden's "September 1, 1939," a poem about the outbreak of World War II, strongly resonated. McCall Smith goes on to reveal how his life has related to and been inspired by other Auden poems ever since. For example, he describes how he has found an invaluable reflection on life's transience in "As I Walked Out One Evening," while "The More Loving One" has provided an instructive meditation on unrequited love. McCall Smith shows how Auden can speak to us throughout life, suggesting how, despite difficulties and change, we can celebrate understanding, acceptance, and love for others.An enchanting story about how art can help us live, this book will appeal to McCall Smith's fans and anyone curious about Auden.
Subjecting Verses: Latin Love Elegy and the Emergence of the Real
by Paul Allen MillerThe elegy flared into existence, commanded the cultural stage for several decades, then went extinct. This book accounts for the swift rise and sudden decline of a genre whose life span was incredibly brief relative to its impact. Examining every major poet from Catullus to Ovid, Subjecting Verses presents the first comprehensive history of Latin erotic elegy since Georg Luck's. Paul Allen Miller harmoniously weds close readings of the poetry with insights from theoreticians as diverse as Jameson, Foucault, Lacan, and Zizek. In welcome contrast to previous, thematic studies of elegy--efforts that have become bogged down in determining whether particular themes and poets were pro- or anti-Augustan--Miller offers a new, "symptomatic" history. He asks two obvious but rarely posed questions: what historical conditions were necessary to produce elegy, and what provoked its decline? Ultimately, he argues that elegiac poetry arose from a fundamental split in the nature of subjectivity that occurred in the late first century--a split symptomatic of the historical changes taking place at the time. Subjecting Verses is a major interpretive feat whose influence will reach across classics and literary studies. Linking the rise of elegy with changes in how Romans imagined themselves within a rapidly changing society, it offers a new model of literary theory that neither reduces the poems to a reflection of their context nor examines them in a vacuum.
A Commentary on Ovid, Remedia Amoris: Edited with Introduction and Commentary
by Victoria RimellThe Ovidian Renaissance seems to have left the Remedia Amoris behind. The poem has remained marginal, read either as a reversal of the Ars Amatoria's teaching that brings the world of Ovidian elegy to a banal end, or as an over-determined supplement to the Ars which ironically fails in its ostensible aim of 'curing' the dissatisfied lover. While recent work has explored how the poem functions not just as a palinode to, but also as a continuation of, the Ars, the critical status quo continues to present it as a minor appendage rather than as an important chapter in Ovid's project as a poet of desire. Victoria Rimell's commentary resets critical perspectives by reading the Remedia as distinctive and original, and as a pivotal text within Ovid's oeuvre as a whole. In her immersive, creatively interpretative guide to the poem, the Remedia emerges as an intricate work that interacts with medical texts, works on rhetoric, law, magic and ritual, philosophical thinking about self-discipline, the irrational, consolation and therapy for the soul, as well as with Greco-Roman satire, lyric, epigram, and traditions of didactic and erotodidactic verse. The poem, Rimell argues, is a key node in Ovid's development of a poetics of paradox, reversibility, and auto-immunity.
Priapea: Poems for a Phallic God (Routledge Revivals)
by W. H. ParkerFirst published in 1988, Priapea is a collection of eighty Latin epigrams, English translated, that make up the corpus Priapeorum, which displays remarkable skill, artistry and wit. Their elegance of style contrasts strikingly with their indecent subject matter. The poems are mostly spoken by, or addressed to, the lewd god Priapus, famous for the size and tenseness of his erect membrum virile or phallus. A main theme is the threatened use of his formidable organ to assault obscenely any intruders that he may catch thieving, but requests and offsprings made to Priapus, and his comparison of himself with other deities, also figure prominently among the poems. This book will be of interest of literature, classical studies, and translation studies.
Priapea: Poems for a Phallic God (Routledge Revivals)
First published in 1988, Priapea is a collection of eighty Latin epigrams, English translated, that make up the corpus Priapeorum, which displays remarkable skill, artistry and wit. Their elegance of style contrasts strikingly with their indecent subject matter. The poems are mostly spoken by, or addressed to, the lewd god Priapus, famous for the size and tenseness of his erect membrum virile or phallus. A main theme is the threatened use of his formidable organ to assault obscenely any intruders that he may catch thieving, but requests and offsprings made to Priapus, and his comparison of himself with other deities, also figure prominently among the poems. This book will be of interest of literature, classical studies, and translation studies.
LVOE II
by AtticusIn the highly anticipated follow-up to LVOE: Poems, Epigrams & Aphorisms, three-time New York Times bestselling author Atticus is inviting readers to take a deeper look behind the mask as he continues his powerful journey inward in search of love, peace, and acceptance.LVOE. Volume II is an expanded exploration of self-love, meditation, meaning, loss, and romance from the internet's favourite poet. Atticus implores his instantly recognizable lyrical style, gorgeous illustrations, and relatable themes to once again dazzle readers, inspiring them to look within. This collection will feature all-new poems, each paired with beautiful sketches that bring the words alive from the page.LVOE. Volume II looks forward, backward, but most importantly inward to the often confusing yet hopeful human experience.
The Letters of Emily Dickinson
by Emily DickinsonThe definitive edition of Emily Dickinson’s correspondence, expanded and revised for the first time in over sixty years.Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections—alternately humorous, provocative, affectionate, and philosophical—with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter.The Letters of Emily Dickinson is the first collected edition of the poet’s correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson’s writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time.Dickinson’s letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance.
Heroes: The myths of the Ancient Greek heroes retold (Stephen Fry’s Greek Myths #2)
by Stephen FryIMAGINE SANDALS ON YOUR FEET, A SWORD IN YOUR HAND, HOT SUN BEATING DOWN ON YOUR BRONZE HELMET . . .ENTER THE WORLD OF STEPHEN FRY'S SUNDAY TIMES BESTSELLER, HEROES'An odyssey through Greek mythology. Brilliant . . . all hail Stephen Fry' DAIL MAIL_________Few mere mortals have ever embarked on such bold and heart-stirring adventures, overcome myriad monstrous perils, or outwitted scheming vengeful gods, quite as stylishly and triumphantly as Greek heroes.In this companion to his bestselling Mythos, Stephen Fry brilliantly retells these dramatic, funny, tragic and timeless tales.Join Jason aboard the Argo as he quests for the Golden Fleece. See Atalanta - who was raised by bears - outrun any man before being tricked with golden apples. Witness wily Oedipus solve the riddle of the Sphinx and discover how Bellerophon captures the winged horse Pegasus to help him slay the monster Chimera.Filled with white-knuckle chases and battles, impossible puzzles and riddles, acts of base cowardice and real bravery, not to mention murders and selfless sacrifices, Heroes is the story of what we mortals are truly capable of - at our worst and our very best._________If you loved HEROES, discover Stephen Fry's bewitching retelling of the most legendary story ever told in TROY'A romp through the lives of ancient Greek gods. Fry is at his story-telling best . . . the gods will be pleased' THE TIMES'Assured and engaging. The pace is lively, the jokes are genuinely funny' GUARDIAN'An Olympian feat. The gods seem to be smiling on Fry - his myths are definitely a hit' EVENING STANDARD'Just as delightful and difficult to put down as the first. Heroes makes the stories relatable without skimping on the gory details, or sacrificing the truths of the myth. It's rich, it's funny and you'll feel like you've learned a lot' HERALDPRAISE FOR MYTHOS:'Ebullient and funny' THE TIMES'Entertaining and edifying' DAILY TELEGRAPH'A rollicking good read' INDEPENDENT'The Greek gods of the past become relatable as pop culture, modern literature and music are woven throughout. Joyfully informal yet full of the literary legacy' GUARDIAN
Red Comet: A New York Times Top 10 Book of 2021
by Heather ClarkThe first biography of this great and tragic poet that takes advantage of a wealth of new material, this is an unusually balanced, comprehensive and definitive life of Sylvia Plath.'Surely the final, the definitive, biography of Sylvia Plath' Ali Smith *WINNER OF THE SLIGHTLY FOXED PRIZE 2021* *A BOOK OF THE YEAR IN THE DAILY TELEGRAPH AND THE TIMES* *FINALIST FOR THE PULITZER PRIZE IN BIOGRAPHY 2021*Drawing on a wealth of new material, Heather Clark brings to life the great and tragic poet, Sylvia Plath. Refusing to read Plath's work as if her every act was a harbinger of her fate, Clark evokes a culture in transition in the mid-twentieth century as she thoroughly explores Sylvia's world. We see Plath's early relationships and determination not to become a conventional woman and wife; we witness her Cambridge years and thunderclap meeting with Ted Hughes; and, through clear-eyed portraits of the demonised players in the arena of her suicide, we gain a deeper understanding of her final days.Featuring illuminating readings of Plath's poems, Red Comet brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women the world over.'A first-class biography . . . Each chapter reads with the ease of a novel . . . I couldn't put it down' The Times
My Poetics
by Maureen N. McLaneAcclaimed poet and critic Maureen N. McLane offers an experimental work of criticism ranging across Romantic and contemporary poetry. In My Poetics, Maureen N. McLane writes as a poet, critic, theorist, and scholar—but above all as an impassioned reader. Written in an innovative, conversable style, McLane’s essays illuminate her own poetics and suggest more generally all that poetics can encompass. Ranging widely from romantic-era odes and hymns to anonymous ballads to haikus and haibuns to modernist and contemporary poetries in English, My Poetics explores poems as speculative instruments and as ways of registering our very sense of being alive. McLane pursues a number of open questions: How do poems generate modes for thinking? How does rhyme help us measure out thought? What is the relation of poetry to its surroundings, and how do specific poems activate that relation? If, as Wallace Stevens wrote, “poetry is the scholar’s art,” My Poetics flies under a slightly different banner: study and criticism are also the poet’s art. Punctuated with McLane’s poems and drawing variously on Hannah Arendt, Percy Bysshe Shelley, Roland Barthes, Bruno Latour, and other writers and poets, My Poetics is a formally as well as intellectually adventurous work. Its artful arrangement of readings and divagations shows us a way to be with poems and poetics.
Everybody Is a Poem: Midlife in Rhymes
by Jan BriertonFor the multitaskers, the overreactors, the silent screamers and the quiet lovers Everybody Is a Poem: Midlife in Rhymes is Jan Brierton's second collection. Inspired by Jan's popular podcast these 52 poems delve into the darkest and brightest moments of our day, month or year. Combining rhyme and illustration, Jan puts simple words to those deepest of feelings. She riffs on menopause, midlife, the mental load, friendships, relationships, loss and self-acceptance. Plain-speaking and completely relatable, each poem is served with Jan's signature combination of humour, wit and poignancy. This is poetry for everybody.
HoneyVoiced: A Translation of Pindar’s Songs for Athletes
by Dr James Bradley WellsThis new translation of Pindar's songs for victorious athletes marries philological rigour with poetic sensibility in order to represent the beauty of his language for a modern audience as closely as possible. Pindar's poetry is synonymous with difficulty for scholars and students of classical studies. His syntax stretches the limits of ancient Greek, while his allusions to mythology and other poetic texts assume an audience that knows more than we now possibly can, given the fragmentary nature of textual and material culture records for ancient Greece. It includes an authoritative introduction, both to the poet and his art and to ancient athletics, alongside brief orientations to the historical context and mythological content of each victory song. The inclusion of a glossary supplies additional mythological and historical information necessary to understanding Pindar's poetry for those coming to the works for the first time. His is the largest body of textual remains that exists for ancient Greece between Homer (conventionally dated to 750 BCE) and the Classical Period (480–323 BCE), and constitutes a rich resource for politics, history, religion, and social practices.
HoneyVoiced: A Translation of Pindar’s Songs for Athletes
by Dr James Bradley WellsThis new translation of Pindar's songs for victorious athletes marries philological rigour with poetic sensibility in order to represent the beauty of his language for a modern audience as closely as possible. Pindar's poetry is synonymous with difficulty for scholars and students of classical studies. His syntax stretches the limits of ancient Greek, while his allusions to mythology and other poetic texts assume an audience that knows more than we now possibly can, given the fragmentary nature of textual and material culture records for ancient Greece. It includes an authoritative introduction, both to the poet and his art and to ancient athletics, alongside brief orientations to the historical context and mythological content of each victory song. The inclusion of a glossary supplies additional mythological and historical information necessary to understanding Pindar's poetry for those coming to the works for the first time. His is the largest body of textual remains that exists for ancient Greece between Homer (conventionally dated to 750 BCE) and the Classical Period (480–323 BCE), and constitutes a rich resource for politics, history, religion, and social practices.
The Palace of Forty Pillars
by Armen Davoudian'In this formally radical debut, Armen Davoudian shows how rhyme enacts longing for a homeland left behind; how meter sings to a lost beloved; and how a combination of the two can map a self - or idea of the self - relinquished so that a new life, and all the happiness it deserves, can take shape' Paul Tran'Marks the arrival of a notable new voice . . . The Palace of Forty Pillars is a moving book as well as an elegant one; its central preoccupation with the theme of belonging speaks memorably to one of the most urgent questions of our time' Andrew MotionWry, tender, and formally innovative, Armen Davoudian's debut poetry collection, The Palace of Forty Pillars, tells the story of a self estranged from the world around him as a gay adolescent, an Armenian in Iran, and an immigrant in America. It is a story darkened by the long shadow of global tragedies - the Armenian genocide, war in the Middle East, the specter of homophobia. With masterful attention to rhyme and meter, these poems also carefully witness the most intimate encounters: the awkward distance between mother and son getting ready in the morning, the delicate balance of power between lovers, a tense exchange with the morality police in Iran.In Isfahan, Iran, the eponymous palace has only twenty pillars - but, reflected in its courtyard pool, they become forty. This is the gamble of Davoudian's magical, ruminative poems: to recreate, in art's reflection, a home for the speaker, who is unable to return to it in life.
With My Back to the World
by Victoria Chang'Chang has liberated the Ekphrastic form to new lyric heights and depths. Inventive, meditative, audacious, strange and soulful. A marvel of a collection that engages the eye and mind as much as the ear and heart' Raymond AntrobusYesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.WITH MY BACK TO THE WORLD engages with the paintings and writings of Agnes Martin, the celebrated abstract modern artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.
European Churches and Chinese Temples as Neuro-Theatrical Sites (Cognition, Poetics, and the Arts)
by Prof. or Dr. Mark PizzatoCompares monumental designs and performance spaces of Christian, Buddhist, and related sanctuaries, exploring how brain networks, animal-human emotions, and cultural ideals are reflected historically and affected today as "inner theatre" elements. Integrating research across the humanities and sciences, this book explores how traditional designs of outer theatrical spaces left cultural imprints for the inner staging of Self and Other consciousness, which each of us performs daily based on how we think others view us. But believers also perform in a cosmic theatre. Ancestral spirits and gods (or God) watch and interact with them in awe-inspiring spaces, grooming affects toward in-group identification and sacrifice, or out-group rivalry and scapegoating. In a study of over 80 buildings – shown by 40 images in the book, plus thousands of photos and videos online – Pizzato demonstrates how they reflect meta-theatrical projections from prior generations. They also affect the embodied, embedded, enacted, and extended (4E) cognition of current visitors, who bring performance frameworks of belief, hope, and doubt to the sacred site. This involves neuro-social, inner/outer theatre networks with patriarchal, maternal, and trickster paradigms. European Churches and Chinese Temples as Neuro-Theatrical Sites investigates performative material cultures, creating dialogs between theatre, philosophy, history, and various (cognitive, affective, social, biological) sciences. It applies them to the architecture of religious buildings: from Catholic, Orthodox, and Protestant in Europe, plus key sites in Jerusalem and prior “pagan” temples, to Buddhist, Daoist, Confucian, and imperial in China. It thus reveals individualist/collectivist, focal/holistic, analytical/dialectical, and melodramatic/tragicomic trajectories, with cathartic poetics for the future.
European Churches and Chinese Temples as Neuro-Theatrical Sites (Cognition, Poetics, and the Arts)
by Prof. or Dr. Mark PizzatoCompares monumental designs and performance spaces of Christian, Buddhist, and related sanctuaries, exploring how brain networks, animal-human emotions, and cultural ideals are reflected historically and affected today as "inner theatre" elements. Integrating research across the humanities and sciences, this book explores how traditional designs of outer theatrical spaces left cultural imprints for the inner staging of Self and Other consciousness, which each of us performs daily based on how we think others view us. But believers also perform in a cosmic theatre. Ancestral spirits and gods (or God) watch and interact with them in awe-inspiring spaces, grooming affects toward in-group identification and sacrifice, or out-group rivalry and scapegoating. In a study of over 80 buildings – shown by 40 images in the book, plus thousands of photos and videos online – Pizzato demonstrates how they reflect meta-theatrical projections from prior generations. They also affect the embodied, embedded, enacted, and extended (4E) cognition of current visitors, who bring performance frameworks of belief, hope, and doubt to the sacred site. This involves neuro-social, inner/outer theatre networks with patriarchal, maternal, and trickster paradigms. European Churches and Chinese Temples as Neuro-Theatrical Sites investigates performative material cultures, creating dialogs between theatre, philosophy, history, and various (cognitive, affective, social, biological) sciences. It applies them to the architecture of religious buildings: from Catholic, Orthodox, and Protestant in Europe, plus key sites in Jerusalem and prior “pagan” temples, to Buddhist, Daoist, Confucian, and imperial in China. It thus reveals individualist/collectivist, focal/holistic, analytical/dialectical, and melodramatic/tragicomic trajectories, with cathartic poetics for the future.
Höfische Lyrik: Eine Einführung
by Andreas KraßMinnesang, Sangspruch und Leich – die drei Hauptgattungen der deutschsprachigen Lyrik des Hochmittelalters stehen im Zentrum dieser Einführung. Der erste Teil behandelt die kulturgeschichtlichen und politischen Voraussetzungen sowie die form- und gattungsgeschichtlichen Entwicklungen. Ein besonderes Augenmerk liegt dabei auf der kulturellen Konstruktion der Geschlechterrollen und Liebeskonzepte. Der zweite Teil bietet zahlreiche Interpretationen zu konkreten Fallbeispielen aus allen drei Gattungen der höfischen Lyrik und führt so in die Praxis der Textanalyse ein. Kapitel zur Überlieferungs- und Editionsgeschichte sowie ein weiterführendes Literaturverzeichnis runden den Band ab.
Twenty-First-Century Symbolism: Verlaine, Baudelaire, Mallarmé (Contemporary French and Francophone Cultures #83)
by Nikolaj LübeckerHow do the writings of Verlaine, Baudelaire, and Mallarmé speak to our time? Why should we continue to read these poets today? How might a contemporary reading of their poetry differ from readings delivered in previous centuries? Twenty-First-Century Symbolism argues that Verlaine, Baudelaire, and Mallarmé prefigure a view of human subjectivity that is appropriate for our times: we cannot be separated from the worlds in which we live and evolve; human beings both mediate and are mediations of the environments we traverse and that traverse us, whether these are natural, urban, linguistic, or technological environments. The ambition of the book is therefore twofold: on the one hand, it aims to offer new readings of the three poets, demonstrating their continued relevance for contemporary debates, putting them into dialogue with a philosophical corpus that has not yet played a role in the study of nineteenth century French poetry; on the other, the book relies on the three poets to establish an understanding of human subjectivity that is in tune with our twenty-first century concerns.
36 Ways of Writing a Vietnamese Poem
by Nam LeAn explosive, devastating debut poetry book from the winner of the Dylan Thomas Prize 36 Ways of Writing a Vietnamese Poem is an urgent, unsettling reckoning with identity – and the violence of identity. For Le, a Vietnamese refugee in the West, this means the assumed violence of racism, oppression and historical trauma. But it also means the violence of that assumption. Of being always assumed to be outside one’s home, country, culture or language. And the complex violence – for the diasporic writer who wants to address any of this – of language itself. Making use of multiple tones, moods, masks and camouflages, Le’s poetic debut moves with unpredictable and destabilizing energy between the personal and political. As self-indicting as it is scathing, hilarious as it is desperately moving, this is a singular, breakthrough book.
Passport To Here And There: (pdf)
by Grace NicholsQUEEN'S GOLD MEDAL FOR POETRY, 2021 In Passport to Here and There, Grace Nichols traces a journey that moves from the coastal memories of a Guyana childhood to life in Britain and her adoptive Sussex landscape. In these movingly redemptive and celebratory poems, she embraces connections and re-connections, with the ability to turn the ordinary into something vivid and memorable whether personal or public, contemporary or historical, most notably in a sonnet-sequence which grew out of a recent return trip to Guyana. Her ninth collection of adult poems and her fourth book with Bloodaxe, Passport to Here and There makes a significant contribution both to Caribbean and to British poetry. Passport to Here and There, a Poetry Book Society Special Commendation, is Grace Nichols's third new collection since her Bloodaxe retrospective, I Have Crossed an Ocean (2010), following Picasso, I Want My Face Back (2009) and The Insomnia Poems (2017). GRACE NICHOLS has been named winner of the Queen's Gold Medal for Poetry for 2021. 'Over the past four decades, Grace has been an original, pioneering voice in the British poetry scene. A noted reader and ‘performer’ of her work, she has embraced the tones of her adopted country and yet maintained the cadences of her native tongue. Her poems are alive with characters from the folklore and fables of her Caribbean homeland, and echo with the rhymes and rhythms of her family and ancestors... Above all, Grace Nichols has been a beacon for black women poets in this country, staying true to her linguistic coordinates and poetic sensibilities, and offering a means of expression that has offered inspiration and encouragement to many. She is a moving elegist, and a poet of conciliation and constructive dialogue between cultures, but also a voice of questioning dissent when the occasion demands.' - Simon Armitage, Poet Laureate, on behalf of The Queen's Gold Medal for Poetry Committee
The House of Being (Why I Write)
by Natasha TretheweyAn exquisite meditation on the geographies we inherit and the metaphors we inhabit, from Pulitzer Prize winner and nineteenth U.S. poet laureate Natasha Trethewey “Searching and intimate, this impresses.”—Publishers Weekly In a shotgun house in Gulfport, Mississippi, at the crossroads of Highway 49, the legendary highway of the Blues, and Jefferson Street, Natasha Trethewey learned to read and write. Before the land was a crossroads, however, it was a pasture: a farming settlement where, after the Civil War, a group of formerly enslaved women, men, and children made a new home. In this intimate and searching meditation, Trethewey revisits the geography of her childhood to trace the origins of her writing life, born of the need to create new metaphors to inhabit “so that my story would not be determined for me.” She recalls the markers of history and culture that dotted the horizons of her youth: the Confederate flags proudly flown throughout Mississippi; her gradual understanding of her own identity as the child of a Black mother and a white father; and her grandmother’s collages lining the hallway, offering glimpses of the world as it could be. With the clarity of a prophet and the grace of a poet, Trethewey offers up a vision of writing as reclamation: of our own lives and the stories of the vanished, forgotten, and erased.