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The Works of Aphra Behn: v. 4: Seneca Unmask'd and Other Prose Translated (The Pickering Masters)
by Janet ToddAphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the fourth volume in a set of seven which comprises a complete edition of all her works.
Writing Ground Zero: Japanese Literature and the Atomic Bomb
by John Whittier TreatFrom Einstein and Truman to Sartre and Derrida, many have declared the atomic bombing of Hiroshima and Nagasaki to be decisive events in human history. None, however, have more acutely understood or perceptively critiqued the consequences of nuclear war than Japanese writers. In this first complete study of the nuclear theme in Japanese intellectual and artistic life, John Whittier Treat shows how much we have to learn from Japanese writers and artists about the substance and meaning of the nuclear age. Treat recounts the controversial history of Japanese public discourse around Hiroshima and Nagasaki—a discourse alternatively celebrated and censored—from August 6, 1945, to the present day. He includes works from the earliest survivor writers, including Hara Tamiki and Ota Yoko, to such important Japanese intellectuals today as Oe Kenzaburo and Oda Makoto. Treat argues that the insights of Japanese writers into the lessons of modern atrocity share much in common with those of Holocaust writers in Europe and the practitioners of recent poststructuralist nuclear criticism in America. In chapters that take up writers as diverse as Hiroshima poets, Tokyo critics, and Nagasaki women novelists, he explores the implications of these works for critical, literary, and cultural theory. Treat summarizes the Japanese contribution to such ongoing international debates as the crisis of modern ethics, the relationship of experience to memory, and the possibility of writing history. This Japanese perspective, Treat shows, both confirms and amends many of the assertions made in the West on the shift that the death camps and nuclear weapons have jointly signaled for the modern world and for the future. Writing Ground Zero will be read not only by students of Japan, but by all readers concerned with the fate of culture after the fact of nuclear war in our time.
Writing Poems (PDF)
by Peter SansomDrawing on his extensive experience of poetry workshops and courses, Peter Sansom shows would-be poets how to write better, how to write authentically, and how to say genuinely what is to be said. He illustrates his book with many useful examples, covering the areas of writing techniques and procedures and drafting.
Writing Systems and Cognition: Perspectives from Psychology, Physiology, Linguistics, and Semiotics (Neuropsychology and Cognition #6)
by William C. WattIn this distinguished collection the deeper cognitive aspects of writing systems are for the first time added to the perceptual and physiological dimensions and brought into a coherent whole. The result is a multifaceted understanding of alphabets and other scripts in which none of the major factors that shape those systems, and thus distinctively reveal attributes of the human mind, are slighted. The systems through which language is realized on the page are compared in nature and complexity with those through which language is realized as sound, and are seen in their true perspective. Long the object of intensive inquiry, the process of change in phonological systems is now joined to the evolution of graphological systems, and new light is cast on the nature of the relevant human cognitive processes in their diversity and underlying unity. The authors, each eminently qualified in his or her field, are drawn from Europe, Asia, and North and South America.
The Writings of Medieval Women: An Anthology (Library of Medieval Literature)
by Marcelle Thiébaux"Royal and saintly women are well-represented here, with the welcome addition of women from the Mediterranean arc...Garland has done a solid job of presenting this book." -- Arthuriana"The Anthology gives a fine sense of the great range of women's writing in the Middle Ages." -- Medium Aevum
The Writings of Medieval Women: An Anthology (Routledge Revivals)
by Marcelle ThiebauxPublished in 1994: The period surveyed in this anthology extends from the eve of Christianity's triumph, in the third century, to the new age of expansion in the fifteenth century, an age marked by the advent of printing pressed, the European discovery of the Caribbean islands, which Columbus called the Indies, the relentless stripping of medieval altars by Church reformists, and perhaps a diminution of female autonomy.
The Writings of Medieval Women: An Anthology (Routledge Revivals)
by Marcelle ThiebauxPublished in 1994: The period surveyed in this anthology extends from the eve of Christianity's triumph, in the third century, to the new age of expansion in the fifteenth century, an age marked by the advent of printing pressed, the European discovery of the Caribbean islands, which Columbus called the Indies, the relentless stripping of medieval altars by Church reformists, and perhaps a diminution of female autonomy.
The Writings of Medieval Women, 2nd Edition: An Anthology (Library of Medieval Literature)
by Marcelle Theibaux"Royal and saintly women are well-represented here, with the welcome addition of women from the Mediterranean arc...Garland has done a solid job of presenting this book." -- Arthuriana"The Anthology gives a fine sense of the great range of women's writing in the Middle Ages." -- Medium Aevum
Yeats The Poet: The Measures of Difference
by Edward LarrissyThis work addresses Yeats's "antinomies", seeing their origin and structure in his divided Anglo-Irish inheritance and examining the notion of measure. It then explores how this relates to freemasonry, Celticism and Orientalism and looks at the Blakean esoteric language of contrariety and outline which provided Yeats with the vocabulary of self-understanding.
Yeats The Poet: The Measures of Difference
by Edward LarrissyThis work addresses Yeats's "antinomies", seeing their origin and structure in his divided Anglo-Irish inheritance and examining the notion of measure. It then explores how this relates to freemasonry, Celticism and Orientalism and looks at the Blakean esoteric language of contrariety and outline which provided Yeats with the vocabulary of self-understanding.
Zen in the Art of Writing: Essays On Creativity
by Ray BradburyIn this exuberant book, the incomparable Ray Bradbury shares the wisdom, experience, and excitement of a lifetime of writing.
Zwischen ästhetischer Raserei und aufgeklärter Disziplin: Hamburger Theater im späten 18. Jahrhundert. Metzler Studienausgabe
by Susanne Eigenmann
Framing the Margins: The Social Logic of Postmodern Culture
by Phillip Brian HarperThis dramatic rereading of postmodernism seeks to broaden current theoretical conceptions of the movement as both a social-philosophical condition and a literary and cultural phenomenon. Phil Harper contends that the fragmentation considered to be characteristic of the postmodern age can in fact be traced to the status of marginalized groups in the United States since long before the contemporary era. This status is reflected in the work of American writers from the thirties through the fifties whom Harper addresses in this study, including Nathanael West, Anaïs Nin, Djuna Barnes, Ralph Ellison, and Gwendolyn Brooks. Treating groups that are disadvantaged or disempowered whether by circumstance of gender, race, or sexual orientation, the writers profiled here occupy the cusp between the modern and the postmodern; between the recognizably modernist aesthetic of alienation and the fragmented, disordered sensibility of postmodernism. Proceeding through close readings of these literary texts in relation to various mass-cultural productions, Harper examines the social placement of the texts in the scope of literary history while analyzing more minutely the interior effects of marginalization implied by the fictional characters enacting these narratives. In particular, he demonstrates how these works represent the experience of social marginality as highly fractured and fracturing, and indicates how such experience is implicated in the phenomenon of postmodernist fragmentation. Harper thus accomplishes the vital task of recentering cultural focus on issues and groups that are decentered by very definition, and thereby specifies the sociopolitical significance of postmodernism in a way that has not yet been done.
Sociolinguistic Perspectives on Register (Oxford Studies in Sociolinguistics)
by Douglas Biber Edward FineganThis collection brings together several perspectives on language varieties defined according to their contexts of use--what are variously called registers, sublanguages, or genres. The volume highlights the importance of these central linguistic phenomena; it includes empirical analyses and linguistic descriptions, as well as explanations for existing patterns of variation and proposals for theoretical frameworks. The book treats languages in obsolescence and in their youth; it examines registers from languages from around the globe; and it offers several of the most complete studies of registers and register variation published to date, adopting both synchronic and diachronic perspectives.
Critical Architecture and Contemporary Culture (University of California Humanities Research Institute Series)
by William J. Lillyman Marilyn F. Moriarty David J. NeumanThe third volume in the University of California Humanities Research Institute Series, this book brings together prominent literary theorists and architects to offer a variety of perspectives on the relation between postmodernism and architecture. The contributors include such luminaries from the forefront of literary studies as J. Hillis Miller, Jacques Derrida, and Jean-Francois Lyotard; the architects Peter Eisenman, Frank Gehry, and Robert Stern offer their perspectives on the critical role of architecture and contemporary culture. The high caliber of the discourse and the variety of approaches included will draw a scholarly audience from a wide range of disciplines.
George Eliot and the Politics of National Inheritance
by Bernard SemmelIn this stimulating history of the ideas behind George Eliot's novels, Bernard Semmel explores Eliot's imaginative use of the theme of inheritance, as a metaphor for her political thinking. Through detailed analyses of Eliot's novels and other writings, and a study of the intellectual currents of the time, Semmel demonstrates how and why Eliot's views on inheritance provided central ideas for her fiction. Semmel uncovers Eliot's intent when she wrote of the obligations of inheritance both in the common meaning of the term, as in the transfer of goods and property from parents to children, and in the more metaphoric sense of the inheritance of both the benefits and burdens of the historical past, particularly those of the nation's culture and traditions. He believes Eliot's novels dwelt so insistently on the idea of inheritance in good part because she viewed herself as intellectually "disinherited," writing as she did at a time when much of England was being transformed from a traditional community to an alienating modern society, and when, moreover, she suffered from a painful estrangement from her family. In this thought-provoking study, Semmel dissects the politics of Eliot's novels, including Middlemarch, Daniel Deronda, Romola Felix Holt, and Adam Bede, and convincingly displays the relationship between Eliot's variations on the theme of inheritance and her acceptance of Britain's traditional policies of compromise and reform. All those interested in Victorian literature, history, and political thought will appreciate Semmel's George Eliot and the Politics of National Inheritance.
Therapeutic Ways with Words (Oxford Studies in Sociolinguistics)
by Kathleen W. FerraraTherapeutic Ways with Words provides a unique glimpse into language use in psychotherapy, an important speech event which has previously been shrouded in mystery. This important book shows how both clients and therapists accomplish their aims through language, which, paradoxically, is both the method of diagnosis and the medium of treatment in this cultural practice. With a discourse analysis of tape recordings and transcripts of actual psychotherapy sessions enhanced by a variety of ethnographic observations, Kathleen Warden Ferrara explores the skillful and creative uses of language in the complicated speech event of psychotherapy. Shedding light on discourse practices such as retellings of personal experience narrative, jointly constructed sentences and metaphorical extensions, and strategic uses of repetition, the study emphasizes the interactive nature of all discourse and shows how language is mutually constructed as people interweave pieces of their own and others' sentences, metaphors, and narratives.
The Fictional Republic: Horatio Alger and American Political Discourse
by Carol NackenoffInvestigating the persistence and place of the formulas of Horatio Alger in American politics, The Fictional Republic reassesses the Alger story in its Gilded Age context. Carol Nackenoff argues that Alger was a keen observer of the dislocations and economic pitfalls of the rapidly industrializing nation, and devised a set of symbols that addressed anxieties about power and identity. As classes were increasingly divided by wealth, life chances, residence space, and culture, Alger maintained that Americans could still belong to one estate. The story of the youth who faces threats to his virtue, power, independence, and identity stands as an allegory of the American Republic. Nackenoff examines how the Alger formula continued to shape political discourse in Reagan's America and beyond.
Christianizing Homer: The Odyssey, Plato, and the Acts of Andrew
by Dennis R. MacDonaldThis study focuses on the apocryphal Acts of Andrew (c. 200 CE), which purports to tell the story of the travels, miracles, and martyrdom of the apostle Andrew. Traditional scholarship has looked for the background of such writings in Jewish and Christian scriptures. MacDonald, however, breaks with that model and looks to classic literature for the sources of this story. Specifically, he argues that the Acts represent an attempt to transform Greco-Roman myth into Christian narrative categories by telling the story of Andrew in terms of Homeric epic, in particular the Odyssey. MacDonald presents a point-by-point comparison of the two works, finding the resemblances so strong, numerous, and tendentious that they virtually compel the reader to consider the Acts a transformative "rewriting" of the epic. This discovery not only sheds valuable light on the uses of Homer in the early church but also significantly contributes to our understanding of the reception of Homer in the empire as a whole.
Coleridge and Textual Instability: The Multiple Versions of the Major Poems
by Jack StillingerJack Stillinger establishes and documents the existence of numerous different authoritative versions of Coleridge's best-known poems: sixteen or more of The Eolian Harp, for example, eighteen of The Rime of the Ancient Mariner, and comparable numbers for This Lime-Tree Bower, Frost at Midnight, Kubla Khan, Christabel, and Dejection: An Ode. Such multiplicity of versions raises interesting theoretical and practical questions about the constitution of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work. Providing much new information about the texts and production of Coleridge's major poems, Stillinger's study offers intriguing new theories about the nature of authorship and the constitution of literary works.
Dialogue and Literature: Apostrophe, Auditors, and the Collapse of Romantic Discourse
by Michael MacovskiExtending and reframing the works of Bakhtin, Gadamer, Ong, and Foucault--with particular emphasis on Bakhtin's late essays --Macovski constructs a theoretical model of literary dialogue and applies it to a range of Romantic texts. In reconsidering specific works within the context of cultural heuristics, rhetorical theory, and literary history, Macovski redefines Romantic discourse as both extratextual and agonistic. He thereby re-evaluates such Romantic topics as the history of the autotelic self, the proliferation of lyric orality, and the nineteenth-century critique of rhetoric. He examines poetry by Wordsworth and Coleridge, as well as such nineteenth-century prose works as Frankenstein, Wuthering Heights, and Heart of Darkness.
The Drama in the Text: Beckett's Late Fiction
by Enoch BraterThe Drama in the Text argues that Beckett's late fiction, like his radio plays, demands to be read aloud, since much of the emotional meaning lodges in its tonality. In Beckett's haunting prose work the reader turns listener, collaborating with the sound of words to elucidate meaning from the silence of the universe. Enoch Brater ranges across all of Beckett's work, quoting from it liberally, and makes connections mainly with other writers, but also with details drawn from the entire Western cultural heritage. Brater serves as an authoritative and persuasive guide to the rich texture of such a difficult but compelling vocabulary, providing recognition, insight, and accessibility.
Coherence in Psychotic Discourse (Oxford Studies in Sociolinguistics)
by Branca Telles RibeiroThis fascinating study explores the ways of establishing coherence in the discourse of a thought-disordered patient. Ribeiro analyzes the discourse between a doctor and a patient who is under an acute psychotic crisis, and then later, when the patient is deemed recovered. Ribeiro looks at how the participants jointly establish referential meaning, and how topic coherence is achieved or breaks down. She then considers how the participants convey superordinate messages, metamessages, and how the patient signals and assesses the frame of talk. Ribeiro concludes that psychotic discourse, while incoherent on the level of topic, may be coherent on another level--that of frame. Using sociolinguistic discourse analysis, conversational analysis, and frame analysis, with a dose of theory from contemporary cognitive psychology, Ribeiro's book demonstrates the importance of contextualization in interaction.
Gender and Discourse
by Deborah TannenDeborah Tannen's You Just Don't Understand spent nearly four years (in cloth and paper) on The New York Times Best Seller list and has sold over a million and a half copies. Clearly, Tannen's insights into how and why women and men so often misunderstand each other when they talk has touched a nerve. For years a highly respected scholar in the field of linguistics, she has now become widely known for her work on how conversational style differences associated with gender affect relationships. Her life work has demonstrated how close and intelligent analysis of conversation can reveal the extraordinary complexities of social relationships--including relationships between men and women. Now, in Gender and Discourse, Tannen has gathered together six of her scholarly essays, including her newest and previously unpublished work in which language and gender are examined through the lens of "sex-class-linked" patterns, rather than "sex-linked" patterns. These essays provide a theoretical backdrop to her best-selling books--and an informative introduction which discusses her field of linguistics, describes the research methods she typically uses, and addresses the controversies surrounding her field as well as some misunderstandings of her work. (She argues, for instance, that her cultural approach to gender differences does not deny that men dominate women in society, nor does it ascribe gender differences to women's "essential nature.") The essays themselves cover a wide range of topics. In one, she analyzes a number of conversational strategies--such as interruption, topic raising, indirection, and silence--and shows that, contrary to much work on language and gender, no strategy exclusively expresses dominance or submissiveness in conversation--interruption (or overlap) can be supportive, silence and indirection can be used to control. It is the interactional context, the participants' individual styles, and the interaction of their styles, Tannen shows, that result in the balance of power. She also provides a fascinating analysis of four groups of males and females (second-, sixth-, and tenth-grade students, and twenty-five year olds) conversing with their best friends, and she includes an early article co-authored with Robin Lakoff that presents a theory of conversational strategy, illustrated by analysis of dialogue in Ingmar Bergman's Scenes from a Marriage. Readers interested in the theoretical framework behind Tannen's work will find this volume fascinating. It will be sure to interest anyone curious about the crucial yet often unnoticed role that language and gender play in our daily lives.
Writing after War: American War Fiction from Realism to Postmodernism
by John LimonIn Writing After War, John Limon develops a theory of the relationship of war in general to literature in general, in order to make sense of American literary history in particular. Applying the work of war theorists Carl von Clausewitz and Elaine Scarry, John Limon argues that The Iliad inaugurates Western literature on the failure of war to be duel-like, to have a beautiful form. War's failure is literature's justification. American literary history is demarcated by wars, as if literary epochs, like the history of literature itself, required bloodshed to commence. But in chapters on periods of literary history from realism, generally taken to be a product of the Civil War, through modernism, usually assumed to be a prediction or result of the Great War, up to postmodernism which followed World War II and spanned Vietnam, Limon argues that, despite the looming presence of war in American history, the techniques that define these periods are essentially ways of not writing war. From James and Twain, through Fitzgerald, Faulkner, and even Hemingway, to Pynchon, our national literary history is not hopelessly masculinist, Limon argues. Instead, it arrives naturally at Bobbie Ann Mason and Maxine Hong Kingston. Kingston brings the discussion full circle: The Woman Warrior, like The Iliad, appears to condemn the fall from duel to war that is literature's endless opening.