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Writing Australian Unsettlement: Modes of Poetic Invention 1796-1945 (Modern and Contemporary Poetry and Poetics)
by Michael FarrellA bold work of synthetic scholarship, Writing Australian Unsettlement argues that the history of Australian literature contains the rough beginnings of a new literacy. Michael Farrell reads songs, letters and visual poems by Indigenous farmers and stockmen, the unpunctuated journals of early settler women, drover tree-messages and carved clubs, and a meta-commentary on settlement from Moore River (the place escaped from in The Rabbit-Proof Fence) in order to rethink old forms. The book borrows the figure of the assemblage to suggest the active and revisable nature of Australian writing, arguing against the "settling" effects of its prior editors, anthologists, and historians. Avoiding the advancement of a new canon, Farrell offers instead an unsettled space in which to rethink Australian writing.
Writing The English Republic: Poetry, Rhetoric And Politics, 1627-1660 (PDF)
by David Norbrook'[Norbrook's] marvellously original, densely researched study of the English republican imagination is an attempt to retrieve forgotten figures like the regicide Henry Marten, as well as to extend our understanding of the works of Milton and Marvell. ' Tom Paulin, The Independent '[A] fine and important book … I suspect that Writing the English Republic will have as large and lasting an impact as any previous or readily foreseeable study of the relationship between literature and politics in seventeenth-century England. [Norbrook] writes in an attractively exploratory spirit which resists dogmatism and the sealing of argument. ' Blair Worden,Times Literary Supplement 'The case for the republican conscience resounds most eloquently in the impressive coda to this book … but the pay-off for historians stems above all from Norbrook's decision to produce a theme-driven argument instead of a general survey. This has led him to dig deep into the textual remains of the Revolution, rather than content himself with the familiar surface structures. ' London Review of Books
Writing from Ukraine: Fiction, Poetry and Essays since 1965
by Mark AndryczykA selection of fifteen of Ukraine's most important, dynamic and entertaining contemporary writersUnder USSR rule, the subject matter and style of literary expression in Ukraine was strictly controlled and censored. But once Ukraine gained independence in 1991 its literary scene flourished, as the moving and delightful poems, essays and extracts collected here show. There are fifteen authors included in this book, both established and emerging, and in this anthology we see them grappling with history and the future, with big questions and small moments. From essays about Chernobyl to poetry about Robbie Williams, from fiction discussing Jimmy Hendrix live in Lviv to underground Ukrainian poetry of the Soviet era, WRITING FROM UKRAINE offers a unique window into a rich culture, a chance to experience a particularly Ukrainian sensibility and to celebrate Ukraine's nationhood, as told by its writers.
Writing in Time: Emily Dickinson's Master Hours
by Marta L. WernerFor more than half a century, the story of Emily Dickinson’s “Master” documents has been the largely biographical tale of three letters to an unidentified individual. Writing in Time seeks to tell a different story—the story of the documents themselves. Rather than presenting the “Master” documents as quarantined from Dickinson’s larger scene of textual production, Marta Werner’s innovative new edition proposes reading them next to Dickinson’s other major textual experiment in the years between ca. 1858–1861: the Fascicles. In both, Dickinson can be seen testing the limits of address and genre in order to escape bibliographical determination and the very coordinates of “mastery” itself. A major event in Dickinson scholarship, Writing in Time: Emily Dickinson’s Master Hours proposes new constellations of Dickinson’s work as well as exciting new methodologies for textual scholarship as an act of “intimate editorial investigation.”
Writing on sheep: Ecology, the animal turn and sheep in poetry
by William WelsteadSheep are marginalised in literary criticism and in discussion of pastoral literature. This book brings an animal studies approach to poetry about sheep that allows for the agency of these sentient beings, that have been associated for humans over ten thousand years. This approach highlights the distinction between wild and domesticated species and the moral dilemma between the goals of animal welfare and those of saving species from extinction. Discussion of mostly contemporary poetry follows a new reading of works from the pastoral and georgic canon. Allowing for the sentience and sociality of this species makes it easier to imagine a natureculture within which to make kin across the species boundary. Reading poetry about sheep has the power to make new meanings as we try to adapt to an increasingly complex and problematic environment.
Writing on sheep: Ecology, the animal turn and sheep in poetry
by William WelsteadSheep are marginalised in literary criticism and in discussion of pastoral literature. This book brings an animal studies approach to poetry about sheep that allows for the agency of these sentient beings, that have been associated for humans over ten thousand years. This approach highlights the distinction between wild and domesticated species and the moral dilemma between the goals of animal welfare and those of saving species from extinction. Discussion of mostly contemporary poetry follows a new reading of works from the pastoral and georgic canon. Allowing for the sentience and sociality of this species makes it easier to imagine a natureculture within which to make kin across the species boundary. Reading poetry about sheep has the power to make new meanings as we try to adapt to an increasingly complex and problematic environment.
Writing Plural Worlds in Contemporary U.S. Poetry: Innovative Identities
by J. KellerThis book reveals how poets within the U.S. multi-ethnic avant-garde give up the goal of narrating one comprehensive, rooted view of cultural reality in favour of constructing coherent accounts of relational, local selves and worlds.
Writing Poems (PDF)
by Peter SansomDrawing on his extensive experience of poetry workshops and courses, Peter Sansom shows would-be poets how to write better, how to write authentically, and how to say genuinely what is to be said. He illustrates his book with many useful examples, covering the areas of writing techniques and procedures and drafting.
Writing Romanticism: Charlotte Smith and William Wordsworth, 1784-1807 (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)
by J. LabbeWhat is 'Wordsworthian' Romanticism and how did it evolve? This book argues that only by reading Charlotte Smith's poetry in tandem with William Wordsworth's can this question be answered, demonstrating their mutual contribution to the creation of the 'Wordsworthian', through literary analysis and historical contextualizing of their writings.
Writing the Poetry of Place in Britain, 1700–1807: Self in Landscape (Routledge Studies in Eighteenth-Century Literature)
by Elizabeth R. NapierThis book discusses the intrusion, often inadvertent, of personal voice into the poetry of landscape in Britain, 1700-1807. It argues that strong conventions, such as those that inhere in topographical verse of the period, invite original poets to overstep those bounds while also shielding them from the repercussions of self-expression. Working under cover of convention in this manner and because for each of these poets place is tied in significant ways to personal history, poets of place may launch unexpected explorations into memory, personhood, and the workings of consciousness. The book supplements traditionally political readings of landscape poetry, turning to questions of self-articulation and self-expression in order to argue that the autobiographical impulse is a distinctive and innovative feature of much great eighteenth-century poetry of place. Among the poets under examination are Pope, Thomson, Duck, Gray, Goldsmith, Crabbe, Cowper, Smith, and Wordsworth.
Writing the Poetry of Place in Britain, 1700–1807: Self in Landscape (Routledge Studies in Eighteenth-Century Literature)
by Elizabeth R. NapierThis book discusses the intrusion, often inadvertent, of personal voice into the poetry of landscape in Britain, 1700-1807. It argues that strong conventions, such as those that inhere in topographical verse of the period, invite original poets to overstep those bounds while also shielding them from the repercussions of self-expression. Working under cover of convention in this manner and because for each of these poets place is tied in significant ways to personal history, poets of place may launch unexpected explorations into memory, personhood, and the workings of consciousness. The book supplements traditionally political readings of landscape poetry, turning to questions of self-articulation and self-expression in order to argue that the autobiographical impulse is a distinctive and innovative feature of much great eighteenth-century poetry of place. Among the poets under examination are Pope, Thomson, Duck, Gray, Goldsmith, Crabbe, Cowper, Smith, and Wordsworth.
Writing Under the Influence: Alcoholism and the Alcoholic Perception from Hemingway to Berryman
by M. DjosThe book offers a socio-critical analysis of the alcoholic perception in the poetry and fiction of modern American alcoholic writers. Matts Djos focuses on primary indicators of alcohol addiction (fear, manipulation, anger, loneliness, and antic-social behavior) and their expression in modern American literature. After providing a general foundation for analysis of the psychological effects of the disease, this volume scrutinizes the work of Ernest Hemingway, John Berryman, E.A. Robinson, Hart Crane, Theodore Roetheke, Robert Lowell, John Steinbeck, and William Faulkner. The detail provides critical and in-depth perspective on the workings of the alcoholic mind.
Wrong Norma: ‘I would read anything she wrote’ Susan Sontag
by Anne CarsonWrong Norma is Anne Carson's first book of original material in eight years'If she was a prose writer she would instantly be recognised as a genius'COLM TÓIBÍN, author of Brooklyn'I'm a big fan... She pinpoints the collision of oracle and anachronism'TEJU COLE, author of TremorAs with her most recent publications, Wrong Norma is a facsimile edition of the original hand-designed book, drawn and annotated by the author. Several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like the New Yorker and the Paris Review.Anne Carson is probably our most celebrated living poet, winner of countless awards and routinely tipped for the Nobel Prize in Literature. Famously reticent, asking that her books be published without cover copy, she has agreed to say this:Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantanamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night, Sokrates, writing sonnets, forensics, encounters with lovers, the word "idea", the feet of Jesus, and Russian thugs. The pieces are not linked. That's why I've called them "wrong".
Wu Wenying and the Art of Southern Song Ci Poetry
by Grace S. FongThe author begins with a biography exploring the moral and aesthetic implications of Wu's life as a guest-poet" patronized by officials and aristocrats, and continues with a reconstruction of the historical and literary context needed for modern readers to grasp his poetic techniques.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Xenophon's Imperial Fiction: On The Education of Cyrus
by James Tatum"If you inquire into the origins of the novel long enough," writes James Tatum in the preface to this work, ". . . you will come to the fourth century before our era and Xenophon's Education of Cyrus, or the Cyropaedia." The Cyrus in question is Cyrus the Great, the founder of the Persian empire celebrated in the Book of Ezra as the liberator of Israel, and the Cyropaedia, written to instruct future rulers by his example, became not only an inspiration to poets and novelists but a profoundly influential political work. With Alexander as its earliest student, and Elizabeth I of England one of its later pupils, it was the founding text for the tradition of "mirrors for princes" in the West, including Machiavelli's Prince. Xenophon's masterpiece has been overlooked in recent years: Tatum's goal is to make it fully meaningful for the twentieth-century reader.To accomplish this aim, he uses reception study, philological and historical criticism, and an intertextual and structural analysis of the narrative. Engaging the fictional and the political in a single reading, he explains how the form of the work allowed Xenophon to transcend the limitations of historical writing, although in the end the historian's passion for truth forced him to subvert the work in a controversial epilogue.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Y Patrwm Amryliw: Cyfrol 1
by Robert RhysCyfrol o ysgrifau beirniadol yn bwrw golwg ar waith beirdd tri chwarter cyntaf yr ugeinfed ganrif yng Nghymru. [A volume of critical essays surveying the work of the Welsh poets of the first seventy-five years of the twentieth century.]*Datganiad hawlfraint Gwneir y copi hwn dan dermau Rheoliadau (Anabledd) Hawlfraint a Hawliau mewn Perfformiadau 2014 i'w ddefnyddio gan berson sy'n anabl o ran print yn unig. Oni chaniateir gan gyfraith, ni ellir ei gopïo ymhellach, na'i roi i unrhyw berson arall, heb ganiatâd.
Y Patrwm Amryliw: Cyfrol 2
by Robert RhysCyfrol o ysgrifau beirniadol yn bwrw golwg ar waith beirdd hanner olaf yr ugeinfed ganrif, a dechrau'r unfed ganrif ar hugain yng Nghymru. [A volume of critical essays surveying the work of the Welsh poets of the latter half of the twentieth century, and the beginning of the twenty-first century.] *Datganiad hawlfraint Gwneir y copi hwn dan dermau Rheoliadau (Anabledd) Hawlfraint a Hawliau mewn Perfformiadau 2014 i'w ddefnyddio gan berson sy'n anabl o ran print yn unig. Oni chaniateir gan gyfraith, ni ellir ei gopïo ymhellach, na'i roi i unrhyw berson arall, heb ganiatâd.
Yapping Away: Poems by Joshua Seigal
by Joshua SeigalJoshua Seigal, winner of the 2020 Laugh Out Loud Book Awards, brings his raucous humour, creativity and wit to another brilliant collection of poems. Ideal for fans of Michael Rosen, this book will delight all young readers and fans of funny books.From hilarious to heartfelt poems – and everything in between – this collection offers something for everyone. Discover the eight steps for having a successful tantrum, and why you should NEVER attend a Teddy Bear's Picnic (you have been warned). Packed full of fun illustrations by Sarah Horne, and covering a range of imaginative topics, Yapping Away is the perfect follow-up to Joshua Seigal's prize-winning collection I Bet I Can Make You Laugh.Ideal for children as young as 3 to read with adults, or for children aged 5-7 to read by themselves.
Yapping Away: Poems by Joshua Seigal
by Joshua SeigalJoshua Seigal, winner of the 2020 Laugh Out Loud Book Awards, brings his raucous humour, creativity and wit to another brilliant collection of poems. Ideal for fans of Michael Rosen, this book will delight all young readers and fans of funny books.From hilarious to heartfelt poems – and everything in between – this collection offers something for everyone. Discover the eight steps for having a successful tantrum, and why you should NEVER attend a Teddy Bear's Picnic (you have been warned). Packed full of fun illustrations by Sarah Horne, and covering a range of imaginative topics, Yapping Away is the perfect follow-up to Joshua Seigal's prize-winning collection I Bet I Can Make You Laugh.Ideal for children as young as 3 to read with adults, or for children aged 5-7 to read by themselves.
A Year in Story and Song: A Celebration of the Seasons
by Lia LeendertzA Year in Story and Song is a captivating collection of stories and songs that celebrates the seasons. We humans love stories. We love to hear them and to tell them, around fires and by bedsides, and we love to use them to make sense of the world around us. The seasons, in all their ever-changing variety, give us many opportunities for storytelling: the full moons and their names, Epiphany in January, St Patrick's Day in March, May Day, Midsummer, Halloween and more. They feature mischievous boggarts and fairies, saints and sailors, leprechauns and dragons, pilgrimages and charms, milk maids and rose queens, Robin Hood and the green man. The songs range from shanties and love songs, to bawdy ballads and wassails, to carols and rounds, and have been sung for hundreds of years, often at particular moments in the calendar.This is a book to treasure all year, every year.
A Year in the New Life
by Jack UnderwoodPOETRY BOOK SOCIETY RECOMMENDATIONJack Underwood's poetry debut, Happiness (2015), was celebrated for its unconventional and daring tone: 'conversational, arresting . . . weird, singular' (Guardian). Such qualities are on accomplished display in this anticipated new collection, as the poems mature and move on to a wide range of preoccupations, including imminent societal collapse and public unrest; the limits, myths and complexities of masculinity and fatherhood; and uncanny, often amusing scenarios, such as serving drinks to a gathering of fifteen babies or group kissing in Empathy Class. Throughout, incongruous and domestic subjects realign in skewed lyrics and thought experiments, intimately expressed in 'a new language / of the familiar' ('The Landing'). All is presented with a generosity and tenderness that makes the poet so unmistakable - and indispensable for the strange times in which we live.
The Year of Goodbyes: A True Story Of Friendship, Family And Farewells
by Debbie LevyLike other girls, Jutta Salzberg enjoyed playing with friends, going to school, and visiting relatives. In Germany in 1938, these everyday activities were dangerous for Jews. Jutta and her family tried to lead normal lives, but soon they knew they had to escapeâ "if they could before it was too late. Throughout 1938, Jutta had her friends and relatives fill her poesiealbumâ "her autograph bookâ "with inscriptions. Her daughter, Debbie Levy, used these entries as a springboard for telling the story of the Salzberg family's last year in Germany. It was a year of change and chance, confusion and cruelty. It was a year of goodbyes.
A Year of Last Things: From the Booker Prize-winning author of The English Patient
by Michael OndaatjeWith A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery'My life always stops for a new book by him' JHUMPA LAHIRI, author of The Namesake'Timeless... Remarkable, incomparable' TERRANCE HAYES, author of So to SpeakBorn in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a 'mongrel', someone born out of diverse cultures.Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière’s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem:Reading the lines he loveshe slips them into a pocket,wishes to die with his clothesfull of torn-free stanzasand the telephone numbersof his children in far citiesPoetry – where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.
A Year of Reading Aloud: 52 poems to learn and love
by Georgina Rodgers'In a world in which we tend to look to what's new, to cutting-edge science and to medical breakthroughs for hope in better health, there's something marvellous in the realisation that one of the most beautiful and longest-lasting cures has been here all along - on the internet, on our bookshelves, under our noses. Words - down the centuries, over the ether, across the miles - have power to steady us, to make us feel better.' the ObserverThe ancient tradition of learning and reciting poetry is renowned for its wellbeing benefits - from strengthening the mind and boosting creativity to improving memory. The practice is as valuable as ever in our busy modern day lives, allowing us to focus on the rhythm of the present moment, slow down and switch off.A Year of Reading Aloud celebrates the power of spoken word with a poem to learn and love for each week of the year. Drawing both on familiar favourites and new voices, from Sylvia Plath and Maya Angelou to Instapoets Nikita Gill and Yrsa Daley-Ward - this is a book that will capture your imagination through verse and help you fall back in love with this beautiful art form. Includes a foreword by Rachel Kelly, bestselling author of 52 Small Steps to Happiness and Black Rainbow.