- Table View
- List View
Philosophers' Poets (Routledge Revivals)
First published in 1990, Philosophers’ Poets is a collection of case studies of philosophers’ readings of poets and other distinctive writers. There are those, for example, who find in literary examples ways of exploring the concrete significance of philosophical assertions or distinctions. Others find in poetic discourse linguistic resources simply not available to philosophy, yet of vital importance to it. This is particularly true of philosophers of the limit, such as Heidegger, Derrida, Levinas and Adorno, for whom the very possibility of philosophy was in question. Despite the diversity of subjects covered, the collection maintains an integrity and identity. Above all, it shows how contemporary Continental philosophy raises the issue of philosophy and literature anew in a way that is appealing and challenging.
Philosophy as World Literature (Literatures as World Literature)
What does it mean to consider philosophy as a species of not just literature but world literature? The authors in this collection explore philosophy through the lens of the "worlding" of literature--that is, how philosophy is connected and reconnected through global literary networks that cross borders, mix stories, and speak in translation and dialect. Historically, much of the world's most influential philosophy, from Plato's dialogues and Augustine's confessions to Nietzsche's aphorisms and Sartre's plays, was a form of literature--as well as, by extension, a form of world literature. Philosophy as World Literature offers a variety of accounts of how the worlding of literature problematizes the national categorizing of philosophy and brings new meanings and challenges to the discussion of intersections between philosophy and literature.
Philosophy of Emerging Media: Understanding, Appreciation, Application
The term "emerging media" responds to the "big data" now available as a result of the larger role digital media play in everyday life, as well as the notion of "emergence" that has grown across the architecture of science and technology over the last two decades with increasing imbrication. The permeation of everyday life by emerging media is evident, ubiquitous, and destined to accelerate. No longer are images, institutions, social networks, thoughts, acts of communication, emotions and speech-the "media" by means of which we express ourselves in daily life-linked to clearly demarcated, stable entities and contexts. Instead, the loci of meaning within which these occur shift and evolve quickly, emerging in far-reaching ways we are only beginning to learn and bring about. This volume's purpose is to develop, broaden and spark future philosophical discussion of emerging media and their ways of shaping and reshaping the habitus within which everyday lives are to be understood. Drawing from the history of philosophy ideas of influential thinkers in the past, intellectual path makers on the contemporary scene offer new philosophical perspectives, laying the groundwork for future work in philosophy and in media studies. On diverse topics such as identity, agency, reality, mentality, time, aesthetics, representation, consciousness, materiality, emergence, and human nature, the questions addressed here consider the extent to which philosophy should or should not take us to be facing a fundamental transformation.
Philosophy of History: Twenty-First-Century Perspectives
With a recent surge of interest in the field, a volume taking stock of important theoretical shifts in the philosophy of history is greatly needed. A Philosophy of History fills this gap by weaving together a range of perspectives on the field which finds itself at a crossroads, and asks where it is headed in the 21st century. The book takes a concerted effort to go beyond the customary three-fold distinction between the speculative, analytic and narrativist approaches in philosophy of history. It considers, what comes after the enduring 'narrativist turn'. Chapters incorporate cutting-edge discussions on the relevance of contemporary political phenomena such as populism, the relation between science and history, pragmatism and the paradigmatic challenge of the Anthropocene. It also re-evaluates the continued relevance of major historical thinkers like Leibniz and R.G. Collingwood, and the endlessly fresh insights they can offer to key debates in the field today. Philosophy of History is a much-needed reappraisal of the philosophy and theory of history; offering an up-to-date overview of major developments in the field, and addressing the pressing questions of where to go next in a 'post-analytical', 'post-narrativist' world.
Philosophy of Language: The Key Thinkers (Key Thinkers)
Philosophers have raised and struggled with questions relating to human language for more than 2000 years. Philosophy of Language: The Key Thinkers offers a comprehensive historical overview of this fascinating field. Thirteen specially commissioned essays introduce and explore the contributions of those philosophers who have shaped the subject and the central issues and arguments therein. Philosophical questions relating to language have been subjected to particularly intense scrutiny since the work of Gottlob Frege in the nineteenth and early twentieth centuries. This book concentrates on the development of philosophical views on language over the last 130 years, offering coverage of all the leading thinkers in the field including Frege, Russell, Wittgenstein, Austin, Quine, Chomsky, Grice, Davidson, Dummett and Kripke. Crucially the book demonstrates how the ideas and arguments of these key thinkers have contributed to our understanding of the theoretical account of language use and its central concepts. Ideal for undergraduate students, the book lays the necessary foundations for a complete and thorough understanding of this fascinating subject.
The Phonetics and Phonology of Geminate Consonants (Oxford Studies in Phonology and Phonetics #2)
This book is the first volume specifically devoted to the phonetics and phonology of geminate consonants, a feature of many of the world's languages including Arabic, Bengali, Finnish, Hungarian, Italian, Japanese, Malayalam, Persian, Saami, Swiss German, and Turkish. While the contrast between geminate and singleton consonants has been widely studied, the phonetic manifestation and phonological nature of geminate consonants, as well as their cross-linguistic similarities and differences, are not fully understood. The volume brings together original data and novel analyses of geminate consonants in a variety of languages across the world. Experts in the field present a wide range of approaches to the study of phonological contrasts in general by introducing various experimental and non-experimental methodologies; they also discuss phonological contrasts in a wider context and examine the behaviour of geminate consonants in loanword phonology and language acquisition. The volume takes an interdisciplinary approach, drawing on experimental phonetics, theoretical phonology, speech processing, neurolinguistics, and language acquisition.
Phonological Word and Grammatical Word: A Cross-Linguistic Typology (Explorations in Linguistic Typology #10)
This volume examines the concept of 'word' in its many guises and across many languages. 'Word' is a cornerstone for the understanding of any language: it is a pronounceable phonological unit; it has a meaning and a morphological structure and syntactic function; and it exists as a dictionary entry and an orthographic item. Speakers also understand 'word' as a psychological reality: they can talk about the meaning of a word and its suitability in certain social contexts. However, the relationship between the phonological word and grammatical word can be more complex, in that a phonological word can consist of more than one grammatical word, or vice versa. Following an introduction outlining the parameters of variation for phonological word and grammatical word, the chapters in this volume explore how the concept of 'word' can be applied to languages of diverse typological make-up, from the highly synthetic to highly analytic. The data are drawn from languages of Australia and the Pacific (Fijian, Yalaku, Yidiñ), the Americas (Chamacoco, Murui, Jarawara), Asia (Hmong, Japanese, Lao), and Africa (Makary Kotoko), with a final chapter that investigates the properties of 'word' from a cross-linguistic perspective. The volume advances our understanding of what constitutes a word, and will be a valuable resource for scholars and students of typology, linguistic anthropology, phonology, and grammar.
The Place and the Writer: International Intersections of Teacher Lore and Creative Writing Pedagogy (Research in Creative Writing)
The combined experience of authors throughout the ages offers a wealth of valuable information about the practice of creative writing. However, such lore can also be problematic for students and practitioners as it can be inherently additive, making it difficult to abandon processes that do not work. This adherence to lore also tends to be a US-centric endeavor. In order to take a nuanced approach to the uses and limitations of lore, The Place and the Writer offers a global perspective on creative writing pedagogy that has yet to be fully explored. Featuring a diverse array of cultural viewpoints from Brazil to Hong Kong, Finland to South Africa, this book explores the ongoing international debate about the best approaches for teaching and practicing creative writing. Marshall Moore and Sam Meekings challenge areas of perceived wisdom that persist in the field of creative writing, including aesthetics and politics in institutionalized creative writing; the process of workshopping; tuition and talent; anxiety in the classroom; unifying theory and lore; and teaching creative writing in languages other than English.
Place and Time in Argumentation
This book introduces the principles of place and time by discussing the main roles they play in argumentation, unpacking the multifarious meanings of spatiality and temporality. Definitions of kairos are explored to yield suggestions as to how this concept, and that of ‘place’, can operate in argumentation. The chapters explore various related concepts such as the role of different arguments in different places, and how some places are not intended for argument; argumentation, time and temporality; visual argumentation; the effect of the passage of time on argument evaluation; and the image as a site of discursive production. This collection is of interest to students and researchers in argumentation studies, rhetoric, reasoning, and philosophy.Previously published in Argumentation Volume 34, issue 1, March 2020
Place-Based Writing in Action: Opportunities for Authentic Writing in the World Beyond the Classroom
This text presents a variety of ways for students to meet traditional instructional goals in writing while also learning how writing can help them become stewards of the natural world and advocates for their own communities. Built on a foundation of emerging research and theory and grounded in the lived reality of teachers, this book explores the material and virtual worlds as places that can be equally productive as sources for authentic writing. Readers will find place-based writing activities, lesson ideas, and samples of student work in every chapter. With practical and classroom-tested ideas, Place-Based Writing in Action is a useful text for preservice and in-service English teachers, as well as any educator who wants to move the act of writing beyond the four walls of the classroom.
The Places of Early Modern Criticism
What is criticism? And where is it to be found? Thinking about literature and the visual arts is found in many places - in treatises, apologies, and paragoni; in prefaces, letters, and essays; in commentaries, editions, reading notes, and commonplace books; in images, sculptures, and built spaces; within or on the thresholds of works of poetry and visual art. It is situated between different disciplines and methods. Critical ideas and methods come into England from other countries, and take root in particular locations - the court, the Inns of Court, the theatre, the great house, the printer's shop, the university. The practice of criticism is transplanted to the Americas and attempts to articulate the place of poetry in a new world. And commonplaces of classical poetics and rhetoric serve both to connect and to measure the space between different critical discourses. Tracing the history of the development of early modern thinking about literature and the visual arts requires consideration of various kinds of place - material, textual, geographical - and the practices particular to those places; it also requires that those different places be brought into dialogue with each other. This book brings together scholars working in departments of English, modern languages, and art history to look at the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our own critical practices and disciplinary methods by investigating their history.
Planetary Health Humanities and Pandemics (Routledge Studies in Health Humanities)
This volume explores the variable meanings and discourses of historical and contemporary pandemics to rethink theories and practices of planetary health.Rather than conflating the planetary with anthropogenic climate change, planetary geo-engineering, or the "global," the volume elaborates a version of planetary health humanities that invites decolonial, creative, and pluridisciplinary modes of thinking and sees "health" as a complex non-anthropocentric process that moves within the multiple scales of the planetary. The volume offers new historical trajectories as it considers an eighteenth-century woman author’s readings of plague, intersecting narratives of nineteenth-century lactation and vaccination, and the forgotten biopolitics of NASA’s Planetary Quarantine Program. It offers accounts of decolonial and oracular planetary health, insists that the role of literature in the health humanities is not merely instrumental, explores viral and planetary co-inhabitations, and scrutinizes inequities faced by global health workers. The volume also includes discussions of cybernetic addiction and the complex entanglements of humans, microbes, and bees. Its concluding interview addresses the concrete impact of current planetary transformations on individual and collective health.Bringing together multiple disciplines, the volume will be of interest to students and scholars in health humanities, literary studies, postcolonial studies, medical history, and narrative medicine.
Playing the Game: Selected Poems of Henry Newbolt
Two of Henry Newbolt’s poems, ‘Vitaï Lampada’ and ‘Drake’s Drum’, became staples of poetry anthologies and were able to be recited by every school-boy. His poetry was also deeply significant in constructing ideas around late Victorian/Edwardian imperial manliness. A consequence of this was that Newbolt became in his own time one of the best known and most popular of writers. However, in the years since his death, his work has fallen into comparative critical neglect and he has been seen as a mouthpiece for the worst aspects of his age. The aim therefore of this new edition is to place the poet’s literary work in a broader context that has hitherto not been addressed as well as offering a fresh appraisal of a significant literary figure. Aside from careful consideration of the poetry, of equal interest is Newbolt’s active public life. He contributed widely to government committees and debates on education, as well as working for the propaganda bureau in the First World War and advising on the Irish question. The links between his poetry - which spanned over three decades - and the socio-economic changes under way in the British Isles at the time are a primary theme of John Howlett’s substantial Introduction to the work. Exploring this wider historical context means that this book is an essential research tool for the field of Victorian and Edwardian poetry but also cultural studies.
The Plays of Maura Laverty: Liffey Lane, Tolka Row, A Tree in the Crescent
Published here for the first time, Maura Laverty’s plays Liffey Lane, Tolka Row and A Tree in the Crescent are rooted in 1950s Dublin, its territories and enclaves. Teeming with the lives of the poor, the ambitious, the trapped and the struggling, the plays are moving, funny and vividly alive. They capture the capital in a state of transformation – reaching for modernisation while still enmired in stagnant class divisions, poor housing and narrow social values. Key to all three plays are questions of home, the lives of women and girls, and the impact of conservative government policies and church attitudes. Already a public figure in Irish life, and an influencer before her time through her fiction, cookery books and broadcasting, Laverty’s plays met with huge success when staged in 1951 and 1952 by Hilton Edwards of the Gate Theatre Company at Dublin’s Gaiety and Gate Theatres and on tour. Laverty’s trilogy is a significant and long-awaited part of the twentieth-century Irish theatrical canon. This volume presents the Trilogy, including a preface by Christopher Fitz-Simon, who knew and worked with Laverty. The editors’ introduction contextualises Laverty’s work and considers the theatrical values of the plays.
Pliny the Book-Maker: Betting on Posterity in the Epistles
What did it mean - in terms of social, cultural, and literary negotiations - to publish one's own work in Rome at the end of the first century CE? What kinds of traces has the author's work as editor left on the text as we read it? How can we interpret them? What kind of well-choreographed balancing act was needed to ensure immediate availability and success for one's work in terms of its historical contemporary audience, while guaranteeing its long-lasting appeal with a hypothetical one? These are the key questions behind the essays in this collection, as they address Pliny the Younger's complex self-editorial strategies, and what they were intended to achieve. The individual studies use philological and interpretive arguments to reveal that Pliny's nine-book collection of private epistles is a carefully arranged work designed, ultimately (and primarily), to address that peculiar kind of audience that we have come to conceptualize as posterity. In doing so, they suggest that in the collected form of the Epistles meaning is produced by the interplay of multiple factors. Immediate context, placement in the book, linkage achieved by way of formal or thematic patterns, recurrence of addressees, happenings, and dates all impact individual texts in Pliny's collection and charge them with sense. Pliny the Book-Maker is intended as a contribution to the larger recent re-orientation of Pliny studies, which looks to shift the focus of analysis from strictly socio-historical data-mining to a literary re-evaluation of Pliny's texts.
A Poetic Language of Ageing (Bloomsbury Studies in the Humanities, Ageing and Later Life)
Exploring the potential of poetry and poetic language as a means of conveying perspectives on later life, this book examines questions such as 'how can we understand ageing and later life?' and 'how can we capture the ambiguities and complexities that the experiences of growing old in time and place entail?' As poetic language illuminates, transfigures and enchants our being in the world, it also offers insights into the existential questions that are amplified as we age, including the vulnerabilities and losses that humble us and connect us. This volume suggests a path towards the poetics of ageing by means of presenting analyses of published poetry on ageing ranging from William Shakespeare to George Oppen; the use of reading and writing poetry among lay people in old age, including persons living with dementia; and the poetic nuances that emerge from other literary practices and contexts in relation to ageing – counting personal poetic reflections from many of the contributing authors
The Poetics of Late Latin Literature (Oxford Studies in Late Antiquity)
The aesthetic changes in late Roman literature speak to the foundations of modern Western culture. The dawn of a modern way of being in the world, one that most Europeans and Americans would recognize as closely ancestral to their own, is to be found not in the distant antiquity of Greece nor in the golden age of a Roman empire that spanned the Mediterranean, but more fundamentally in the original and problematic fusion of Greco-Roman culture with a new and unexpected foreign element-the arrival of Christianity as an exclusive state religion. For a host of reasons, traditionalist scholarship has failed to give a full and positive account of the formal, aesthetic and religious transformations of ancient poetics in Late Antiquity. The Poetics of Late Latin Literature attempts to capture the excitement and vibrancy of the living ancient tradition reinventing itself in a new context in the hands of a series of great Latin writers mainly from the fourth and fifth centuries AD. A series of the most distinguished expert voices in later Latin poetry as well as some of the most exciting new scholars have been specially commissioned to write new papers for this volume.
Poetry in the Making: Creativity and Composition in Victorian Poetic Drafts
Poetry in the Making investigates the compositional practices of Victorian poets, as made evident in the autograph manuscripts of their poems. Written in an accessible and stimulating style, the book offers careful readings of individual drafts, paying attention to the revisions, cancellations, interlineations, trials of rhyme and form, and sometimes the large structural changes that these documents reveal. The book shows how manuscript revisions offer insights into the creative priorities and decisions of major Victorian poets (Wordsworth, Tennyson, the Brownings, Clough, Hopkins, Christina Rossetti, Swinburne, and Yeats); and they investigate ideas of composition in the period, particularly the uneasy balance between inspiration and labour. The book testifies to the care that poets exercised at the smallest levels of their craft and demonstrates that the drafts reward an equally close attention on the part of the critic. Collectively, the chapters develop a survey of how Victorian poets experienced and understood their own creativity, setting abstract claims about inspiration and craftsmanship against their own practical experiences. The book responds to and extends a renewed interest in manuscript sources at the present time that has been stimulated in part by the increased availability of digital and facsimile editions. For a long time, scholarly interest in nineteenth-century literary manuscripts has been dominated by editorial and theoretical concerns. This book testifies to the value for criticism of poetic drafts, establishing the significance of revision and of manuscript studies for the field of Victorian poetry and for literary scholarship more generally.
The Poetry of Emily Dickinson: Philosophical Perspectives (Oxford Studies in Philosophy and Literature)
One of America's most celebrated poets, Emily Dickinson was virtually unpublished in her lifetime. When a slim volume of her poems emerged on the American scene in 1890, her work created shockwaves that have not subsided yet. Famously precise and sparse, Emily Dickinson's poetry is often described as philosophical, both because her poetry grapples with philosophical topics like death, spirituality, and the darkening operations of the mind, and because she approaches those topics in a characteristically philosophical manner: analyzing and extrapolating from close observation, exploring alternatives, and connecting thoughts into cumulative demonstrations. But unlike Lucretius or Pope, she cannot be accused of producing versified treatises. Many of her poems are unsettling in their lack of conclusion; their disparate insights often stand in conflict; and her logic turns crucially on imagery, juxtaposition, assonance, slant rhyme, and punctuation. The six chapters of this volume collectively argue that Dickinson is an epistemically ambitious poet, who explores fundamental questions by advancing arguments that are designed to convince. Dickinson exemplifies abstract ideas in tangible form and habituates readers into productive trains of thought--she doesn't just make philosophical claims, but demonstrates how poetry can make a distinct contribution to philosophy. All essays in this volume, drawn from both philosophers and literary theorists, serve as a counterpoint to recent critical work, which has emphasized Dickinson's anguished uncertainty, her nonconventional style, and the unsettled status of her manuscripts. On the view that emerges here, knowing is like cleaning, mending, and lacemakingL a form of hard, ongoing work, but one for which poetry is a powerful, perhaps indispensable, tool.
Poetry & the Dictionary (Poetry &... #8)
Poetry is an ancient verbal art, which has its roots in the oral epics and fragments that survive from classical times. Dictionaries of English, by contrast, are a comparatively recent phenomenon, beginning with the ‘hard words’ that Robert Cawdrey gathered in A Table Alphabeticall in 1604 and extending to the present edition of the Oxford English Dictionary, with its ongoing revisions. This innovative collection of essays is the first volume to explore the ways in which dictionaries have stimulated the imaginations of modern and contemporary poets from Britain, Ireland, and America, while also considering how poetry has itself been a rich source of material for lexicographers. As well as gauging the influence of major dictionaries like the OED, the essays single out encounters with more specialised works and broach uses of words that are not typically included in dictionaries. In doing so, the contributors not only cast familiar questions of ambiguity and etymology in a fresh light, but they also reveal a number of surprising and energising points of contact, from Hugh MacDiarmid’s rediscovery of Scots to Tina Darragh’s visual appropriations of dictionary pages. As such, Poetry & the Dictionary will prove an indispensable volume for all readers – academic or not – who find themselves fascinated by the language’s many involutions.
Poland under German Occupation, 1939-1945: New Perspectives (Vermont Studies on Nazi Germany and the Holocaust #9)
As a unique and innovative addition to the scholarship on Nazi Germany, the Holocaust, and modern Polish history, this volume provides fresh analysis on the Nazi occupation of Poland. Through new questions and engaging untapped sources the leading historians who have contributed to this volume provide original scholarship to steer debates and expand the historiography surrounding Nazi racial and occupation policies, Polish and Jewish responses to them, persecution, police terror, resistance, and complicity.
Policies, Politics, and Ideologies of English-Medium Instruction in Asian Universities: Unsettling Critical Edges (Routledge Studies in English-Medium Instruction)
Against the backdrop of uncritical promotions of English-Medium instruction (EMI) in higher education globally, this edited volume maps out the political, ideological, and policy-related issues of EMI programs in multilingual and multicultural universities in Asia. In this volume, EMI researchers and practitioners involved in different Asian countries and regions have collaboratively unpacked the critical dimensions of EMI programs in higher education, with a goal to provide must-needed resources for researchers, graduate students, higher education leaders, and policymakers. This volume is the first of its kind in that it provides an exclusive and critical tapestry of EMI at multilingual universities from all parts of Asia, including Central Asia (Kazakhstan), East Asia (Mainland China, Korea, Japan, and Taiwan), South Asia (Bangladesh and Nepal), Southeast Asia (Brunei, Malaysia, Philippines, Thailand, and Vietnam), and Western Asia (United Arab Emirates). The key takeaway for the reader is to not only understand the current phenomenon of EMI in Asian universities but to also learn the dark side of its policies, programs, and practices that have led to unequal teaching and learning spaces in diverse societies. This collection will be of interest to scholars and policymakers in English-medium instruction, English language teaching, TESOL, and applied linguistics.
Polin: Jewish Writing in Poland (Polin: Studies in Polish Jewry #28)
Since the Enlightenment, the cultural creativity of Polish Jews has found expression not only in Hebrew and Yiddish, but increasingly in Polish. There has been mutual and dynamic interaction between the cultural systems, but, until the end of communism, the trilingual Jewish culture of Poland was little studied. In this volume, scholars from Poland, the United States, Israel, Italy, and Argentina investigate writers from across this spectrum and consider how they saw their Jewish (and sometimes Polish) identity, and what they thought of the authors in the other linguistic or cultural camps. Together, their essays constitute the first examination of Jewish literatures in Poland from the point of view of both linguistic and geographical diversity. The interwar years serve as the reference point, but material on the period before World War I and after 1945 is also included. The book comprises six sections. There is new research on Jewish literature in Polish, including discussions of less widely known works by Janusz Korczak and Julian Stryjkowski. Polish-Yiddish-Hebrew literary contacts are then reviewed, with important pieces on Y.L. Peretz's early work, the translation of Hayim Nahman Bialik's poetry into Polish, the influence of Polish writers on Sholem Asch's early plays, and the reception of Yosef Opatoshu's novels in interwar Poland. The next section explores the images of Poles and Poland in the work of Jewish writers and of Jews in the work of Polish authors, for instance in the work of the Hebrew Nobel laureate S.Y. Agnon and the Polish writer Stanislaw Vincenz. The subsequent section looks at avant-garde art and modern ideologies, with discussions of Bruno Schulz's graphic works and why communism appealed to some Jewish writers. Discussion then moves to questions of identity, with a special focus on Julian Tuwim, one of the greatest Polish poets, an assimilated Jew attacked by Polish nationalists on the one hand and Yiddishists on the other. The last group of essays in the collection looks at different 'exiles, ' understood both literally and metaphorically and encompassing works created in Poland, Israel, and Argentina. In spite of this wide range of themes, the coverage of the topic is not exhaustive: there are still very few studies of Polish-Hebrew literary contacts, and although more has been written about Yiddish writers in Poland there are still areas requiring a comparative perspective. This is a major study of topics which have rarely been discussed in English, especially Jewish literature written in Polish. The articles should appeal to all students of literature, and particularly to those interested in Polish, Yiddish, and Hebrew creativity understood as a rich cultural polysystem. CONTRIBUTORS Monika Adamczyk-Garbowska, Maria Antosik-Piela, Dorota Burda-Fischer, Nathan Cohen, Ofer Dynes, Karolina Famulska-Ciesielska, Ellen Kellman, Zuzanna Kołodziejska, Ber Kotlerman, Anna Kuligowska-Korzeniewska, Aviv Livnat, Piotr Matywiecki, Alina Molisak, Joanna Nalewejko-Kulikov, Władysław Panas, Ireneusz Piekarski, Eugenia Prokop-Janiec, Laura Quercioli Mincer, Gil Rabak, Shoshana Ronen, Maxim D. Shrayer, Dariusz Konrad Sikorksi, Perla Sneh, Monika Szabłowska-Zaremba, Bella Szwarcman-Czarnota, Karolina Szymaniak, Miriam Udel, Karen Underhill, Bożena Wojnowska, Marzena Zawanowska, Sławomir Jacek Żurek.
Polish Literature as World Literature (Literatures as World Literature)
This carefully curated collection consists of 16 chapters by leading Polish and world literature scholars from the United States, Canada, Italy, and, of course, Poland. An historical approach gives readers a panoramic view of Polish authors and their explicit or implicit contributions to world literature. Indeed, the volume shows how Polish authors, from Jan Kochanowski in the 16th century to the 2018 Nobel laureate Olga Tokarczuk, have engaged with their foreign counterparts and other traditions, active participants in the global literary network and the conversations of their day.The volume features views of Polish literature and culture within theories of world literature and literary systems, with a particular attention paid to the resurgence of the idea of the physical book as a cultural artifact. This perspective is especially important since so much of today's global literary output stems from Anglophone perceptions of what constitutes literary quality and tastes. The collection also sheds light on specific issues pertaining to Poland, such as the idea of Polishness, and global phenomena, including social and economic advancement as well as ecological degradation. Some of the authors discussed, like the Romantic poet Adam Mickiewicz or the 1980 Nobel laureate Czeslaw Milosz, were renowned far beyond the borders of their country, while others, like the contemporary travel writer and novelist Andrzej Stasiuk, embrace regionalism, seeing as they do in their immediate surroundings a synecdoche of the world at large. Nevertheless, the picture of Polish literature and Polish authors that emerges from these articles is that of a diverse, cosmopolitan cohort engaged in a mutually rewarding relationship with what the late French critic Pascale Casanova has called “the world republic of letters.”
Political Communication, Culture, and Society (ISSN)
As an installment of Routledge’s Broadcast Education Association (BEA) Electronic Media Research Series, Political Communication, Culture, and Society focuses on the expansive concept of political communication and illuminates the processes, contents, and effects related to myriad forms and vehicles of political communication. Whether involving traditional print or broadcast media, social media platforms, or face-to-face discussions, political communication today has shaped how we perceive others and understand the world around us, including our place in it, and ultimately, how we engage with others as social, cultural, and political beings.Hailing from multiple locations and drawing on a multitude of theories as well as quantitative and qualitative methodologies, the volume’s contributors examine how communication intersects with politics in a broad swath of contexts, ranging from climate change to migration to the notion of political correctness. Collectively they ask and answer questions about how today’s richly textured media ecology shapes our political world and how political messages can fuel – and ameliorate – the issues that deeply cleave societies around the globe.Relevant to scholars and students of journalism, media studies, and communication sciences, this volume will help interested readers better understand today’s increasingly complex sociocultural world through the lens of political communication.