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Yerma (Oberon Modern Plays)

by Federico García Lorca Simon Stone

"Well we’ve got three floors right. Plenty of room… Room for a children’s bedroom. Room for two."London, the present day. A woman is driven to the unthinkable by her desperate desire to have a child.Written and directed by Simon Stone, this radical new version of Lorca’s tragedy of yearning and loss won universal critical acclaim when it premiered at the Young Vic in July 2016. Yerma triumphed at the 2017 Olivier Awards, with the production winning Best Revival, and Piper winning Best Actress. She also won the Evening Standard Natasha Richardson Award for Best Actress. Maureen Beattie, Brendan Cowell, John MacMillan and Charlotte Randle received unanimous praise for their performances.

Yer Granny (Oberon Modern Plays)

by Douglas Maxwell

Yer Granny is a riotous new comedy about a diabolical 100-year-old granny who’s literally eating her family out of house and home. She’s already eaten their fish and chip shop into bankruptcy and now she’s working her way through their kitchen cupboards, pushing the Russo family to desperate measures just to survive beyond 1977. As proud head of the family, Cammy is determined that The Minerva Fish Bar will rise again and that family honour will be restored – and all in time for the Queen’s upcoming Jubilee visit. But before Cammy’s dream can come true and before Her Maj can pop in for a chat, a single sausage and a royal seal of approval, the family members must ask themselves how far they will go to solve a problem like Yer Granny.

Yellow Moon: The Ballad Of Leila And Lee

by David Greig

Yellow Moon is a modern Bonnie and Clyde tale that follows the fortunes of two teenagers on the run. Silent Leila is an introverted girl who has a passion for celebrity magazines. Stag Lee Macalinden is the deadest of dead-end kids in a dead-end town. They never meant to get mixed up in a murder... but now they need a place to hide.Yellow Moon explores what it means to live in a celebrity-obsessed world and what it is that defines who you are when you're 17 years old. The play premiered at the Circle Studio of Citizens' Theatre, Glasgow, in September 2006, and won the 2008 Brain Way Award for Best Play for Young People.

Yeats’s Legacies: Yeats Annual No. 21 (PDF)

by Warwick Gould

The two great Yeats Family Sales of 2017 and the legacy of the Yeats family’s 80-year tradition of generosity to Ireland’s great cultural institutions provide the kaleidoscope through which these advanced research essays find their theme. Hannah Sullivan’s brilliant history of Yeats’s versecraft challenges Poundian definitions of Modernism; Denis Donoghue offers unique family memories of 1916 whilst tracing the political significance of the Easter Rising; Anita Feldman addresses Yeats’s responses to the Rising’s appropriation of his symbols and myths, the daring artistry of his ritual drama developed from Noh, his poetry of personal utterance, and his vision of art as a body reborn rather than a treasure preserved amid the testing of the illusions that hold civilizations together in ensuing wars. Warwick Gould looks at Yeats as founding Senator in the new Free State, and his valiant struggle against the literary censorship law of 1929 (with its present-day legacy of Irish anti-blasphemy law still presenting a constitutional challenge). Drawing on Gregory Estate documents, James Pethica looks at the evictions which preceded Yeats’s purchase of Thoor Ballylee in Galway; Lauren Arrington looks back at Yeats, Ezra Pound, and the Ghosts of The Winding Stair (1929) in Rapallo. Having co-edited both versions of A Vision, Catherine Paul offers some profound reflections on ‘Yeats and Belief’. Grevel Lindop provides a pioneering view of Yeats’s impact on English mystical verse and on Charles Williams who, while at Oxford University Press, helped publish the Oxford Book of Modern Verse. Stanley van der Ziel looks at the presence of Shakespeare in Yeats’s Purgatory. William H. O’Donnell examines the vexed textual legacy of his late work, On the Boiler while Gould considers the challenge Yeats’s intentionalism posed for once-fashionable post-structuralist editorial theory. John Kelly recovers a startling autobiographical short story by Maud Gonne. While nine works of current biographical, textual and literary scholarship are reviewed, Maud Gonne is the focus of debate for two reviewers, as are Eva Gore-Booth, Constance and Casimir Markievicz, Rudyard Kipling, David Jones, T. S. Eliot and his presence on the radio.

Years of Sunlight (Oberon Modern Plays)

by Michael McLean

‘I told you it’d happen. In this town. It’d come to fruition. It’s like rivers of blood with Scousers’ Skelmersdale, Lancashire. Haunted by memories of his closest friend Emlyn, Paul returns to the ashes of his childhood home in a Liverpool overspill estate and implores his mother to leave it all behind. Envisaged by the government as “social utopias” in the 1960s, towns like Skelmersdale promised visionary housing and opportunities for thousands of Liverpudlians uprooted from their overcrowded city. Traversing a 30-year friendship, Years of Sunlight is a haunting cry for those left feeling shipwrecked from their old communities and abandoned by the post-industrial political system.

Year of the Rat (Oberon Modern Plays)

by Roy Smiles

1948: George Orwell is attempting to finish his final novel - Nineteen Eighty Four - before ill-health forces him off the solated Scottish island he has made his home. Holed up with a shotgun and literary-circle bombshell Sonia Brownell for company he’s desperately hoping for a last chance at happiness.But George is no womaniser and is sure to make a hash of things particularly after his childhood friend and notorious lecher Cyril Connolly turns up. Will he seduce Sonia or will Cyril scupper his plans? Can he survive his friends, both real and imaginary, and finish his masterpiece before death comes knocking? Year of the Rat had its UK premiere at West Yorkshire Playhouse in March 2008.

The 'Year Of The Monkey' And Other Plays: The Year of the Monkey , Designs for Living , Sodom (Modern Plays)

by Claire Dowie

The latest collection of plays from "the female counterpart to Quentin Crisp" (Evening Standard)The Year of the Monkey, originally written for BBC Radio 3, comprises Bonfire Night, in which a daughter takes her sweet revenge; Arsehammers, where a grandson is sure that his grandfather's strange disappearances reveal supernatural powers, The Allotment, in which a quiet community of pensioners create a radical, anarchic commune by mistake, and The Year of the Monkey, where a mother yearns for some bad behaviour to puncture the boredom of her middle-class life.Designs for Living is a modern love story, challenging conventions of identity and sexuality.Sodom reveals Old Testament morality alive and well in middle England."Claire Dowie is the supreme advocate of rebellion. She debunks conformity, non-conformity - or almost anything which can be defined" - The Stage"She makes you laugh as she kicks you in the teeth" - Guardian

The 'Year Of The Monkey' And Other Plays: The Year of the Monkey , Designs for Living , Sodom (Modern Plays)

by Claire Dowie

The latest collection of plays from "the female counterpart to Quentin Crisp" (Evening Standard)The Year of the Monkey, originally written for BBC Radio 3, comprises Bonfire Night, in which a daughter takes her sweet revenge; Arsehammers, where a grandson is sure that his grandfather's strange disappearances reveal supernatural powers, The Allotment, in which a quiet community of pensioners create a radical, anarchic commune by mistake, and The Year of the Monkey, where a mother yearns for some bad behaviour to puncture the boredom of her middle-class life.Designs for Living is a modern love story, challenging conventions of identity and sexuality.Sodom reveals Old Testament morality alive and well in middle England."Claire Dowie is the supreme advocate of rebellion. She debunks conformity, non-conformity - or almost anything which can be defined" - The Stage"She makes you laugh as she kicks you in the teeth" - Guardian

A Year of Shakespeare: Re-living the World Shakespeare Festival

by Paul Edmondson Paul Prescott Erin Sullivan

A Year of Shakespeare gives a uniquely expert and exciting overview of the largest Shakespeare celebration the world has ever known: the World Shakespeare Festival 2012. This is the only book to describe and analyse each of the Festival's 73 productions in well-informed,lively reviews by eminent and up-and-coming scholars and critics from the UK and around the world. A rich resource of critical interest to all students, scholars and lovers of Shakespeare, the book also captures the excitement of this extraordinary event.A Year of Shakespeare provides:• a ground-breaking collection of Shakespearean reviews, covering all of the Festival's productions;• a dynamic visual record through a wide range of production photographs;• incisive analysis of the Festival's significance in the wider context of the Cultural Olympiad 2012.All the world really is a stage, and it's time for curtain-up…

A Year of Shakespeare: Re-living the World Shakespeare Festival

by Paul Edmondson Paul Prescott Erin Sullivan

A Year of Shakespeare gives a uniquely expert and exciting overview of the largest Shakespeare celebration the world has ever known: the World Shakespeare Festival 2012. This is the only book to describe and analyse each of the Festival's 73 productions in well-informed,lively reviews by eminent and up-and-coming scholars and critics from the UK and around the world. A rich resource of critical interest to all students, scholars and lovers of Shakespeare, the book also captures the excitement of this extraordinary event.A Year of Shakespeare provides:• a ground-breaking collection of Shakespearean reviews, covering all of the Festival's productions;• a dynamic visual record through a wide range of production photographs;• incisive analysis of the Festival's significance in the wider context of the Cultural Olympiad 2012.All the world really is a stage, and it's time for curtain-up…

Year 10 (Modern Plays)

by Simon Vinnicombe

Gripping drama of teenage struggle by talented new writer'I walk to parks and stare into space...just stand there and sometimes I cry, so much that I feel I might not ever stop . . . I stand in the parks with all the fruit bowls, drinking Special Brew and talking to themselves, I'm like a disappointed old man and I'm fifteen years old...'In the suburbs of south London, Jack moves to a new school where he is confronted by aggression, violence and anger. He dreams that time would speed up and hurry by, but then he meets Jamie. And suddenly she makes him wish time could just slow down and stop. An emotionally-charged, bruising yet tender story of the journey of a year in the life of a fifteen year old boy.'captures all the frustration, anger and fear of the introspective, put-upon teenager, and the helplessness of parents and teachers . . . I believed every word. Which is truly terrifying' Lyn Gardner, Guardian

Year 10 (Modern Plays)

by Simon Vinnicombe

Gripping drama of teenage struggle by talented new writer'I walk to parks and stare into space...just stand there and sometimes I cry, so much that I feel I might not ever stop . . . I stand in the parks with all the fruit bowls, drinking Special Brew and talking to themselves, I'm like a disappointed old man and I'm fifteen years old...'In the suburbs of south London, Jack moves to a new school where he is confronted by aggression, violence and anger. He dreams that time would speed up and hurry by, but then he meets Jamie. And suddenly she makes him wish time could just slow down and stop. An emotionally-charged, bruising yet tender story of the journey of a year in the life of a fifteen year old boy.'captures all the frustration, anger and fear of the introspective, put-upon teenager, and the helplessness of parents and teachers . . . I believed every word. Which is truly terrifying' Lyn Gardner, Guardian

Xueqin and Xakespeare: Reading The Story of the Stone through Hamlet (Routledge Studies in Comparative Literature)

by Judith Forsyth

This monograph offers a detailed consideration of the five-volume novel written by Cao Xueqin and translated into English as The Story of the Stone, when read through William Shakespeare’s drama Hamlet, Prince of Denmark, A Tragedy in Five Acts. The book builds on the superlative David Hawkes/John Minford English language translation, which is inspired by resonances between the English Shakespearean literary heritage and the dynasties-old Chinese literary tradition inherited by Cao Xueqin. The Introduction sets out the potential for the significant cultural exchange between these two great literary works, each an inexhaustible inspiration of artistic and scholarly re-interpretation. Two chapters bring into consideration two universal literary themes: patriarchy – filial obedience and family honour, and tragic romantic love. These chapters are structured so that a key episode in Hamlet provides the initial perspective, which is then carried through to an episode in The Story of the Stone which offers points of complementarity: in-depth interpretation draws on inter-textual, historical and contemporary contexts referenced from the immense body of scholarly research which has accumulated around these iconic works. The third chapter proposes a new reading of the problematic ‘shrew’ character in the novel, Wang Xi-feng, through tracing the similarities of the structure of the narration of her life and death with a Shakespearean five-act tragedy.

Xueqin and Xakespeare: Reading The Story of the Stone through Hamlet (Routledge Studies in Comparative Literature)

by Judith Forsyth

This monograph offers a detailed consideration of the five-volume novel written by Cao Xueqin and translated into English as The Story of the Stone, when read through William Shakespeare’s drama Hamlet, Prince of Denmark, A Tragedy in Five Acts. The book builds on the superlative David Hawkes/John Minford English language translation, which is inspired by resonances between the English Shakespearean literary heritage and the dynasties-old Chinese literary tradition inherited by Cao Xueqin. The Introduction sets out the potential for the significant cultural exchange between these two great literary works, each an inexhaustible inspiration of artistic and scholarly re-interpretation. Two chapters bring into consideration two universal literary themes: patriarchy – filial obedience and family honour, and tragic romantic love. These chapters are structured so that a key episode in Hamlet provides the initial perspective, which is then carried through to an episode in The Story of the Stone which offers points of complementarity: in-depth interpretation draws on inter-textual, historical and contemporary contexts referenced from the immense body of scholarly research which has accumulated around these iconic works. The third chapter proposes a new reading of the problematic ‘shrew’ character in the novel, Wang Xi-feng, through tracing the similarities of the structure of the narration of her life and death with a Shakespearean five-act tragedy.

X’ntigone: after Sophocles (Modern Plays)

by Darren Murphy

Sometimes a person needs to create an act that destroys the world because the world is broken.The virus has ravaged Thebes. Millions are dead and the economy has tanked. Vaccinations have been administered and the Festival of Liberty is imminent. Things are finally about to change. The countdown is on but leader Creon and his quarantined niece, the self-identifying X'ntigone, have unfinished business before the celebrations can commence. What happens when old-world order meets a radical new world vision? In this thrilling meditation on Sophocles' timeless Greek tragedy, political expediency meets the voice of a generation who want to tear down the power structures that have ill-served a crumbling state.Darren Murphy's X'ntigone is a fresh and vital discourse for our times, when even truth has been sacrificed at the altar of political gain and avarice.

X’ntigone: after Sophocles (Modern Plays)

by Darren Murphy

Sometimes a person needs to create an act that destroys the world because the world is broken.The virus has ravaged Thebes. Millions are dead and the economy has tanked. Vaccinations have been administered and the Festival of Liberty is imminent. Things are finally about to change. The countdown is on but leader Creon and his quarantined niece, the self-identifying X'ntigone, have unfinished business before the celebrations can commence. What happens when old-world order meets a radical new world vision? In this thrilling meditation on Sophocles' timeless Greek tragedy, political expediency meets the voice of a generation who want to tear down the power structures that have ill-served a crumbling state.Darren Murphy's X'ntigone is a fresh and vital discourse for our times, when even truth has been sacrificed at the altar of political gain and avarice.

X (Modern Plays)

by Alistair McDowall

It's a tax write-off. This is where they send the new, the under-qualified, the old. And most of all the British. Mars is full of blonde Americans. It's like they're building the master race out there.Billions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.Alistair McDowall's play X premiered at the Royal Court on 30 March 2016 in the Jerwood Theatre Downstairs.

X (Modern Classics)

by Alistair McDowall

“McDowall masterfully plants ideas that grow until they explode into extraordinary shapes. Filthy humour breaks down into a cracked algorithm of letters and loss … a play that will gnaw away at you. It's sci-fi – and theatre – at its best.” The StageBillions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.X premiered at the Royal Court Theatre, London, in 2016. This new Modern Classics edition features an introduction by Dr Cristina Delgado-García.

X (Modern Classics)

by Alistair McDowall

“McDowall masterfully plants ideas that grow until they explode into extraordinary shapes. Filthy humour breaks down into a cracked algorithm of letters and loss … a play that will gnaw away at you. It's sci-fi – and theatre – at its best.” The StageBillions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.X premiered at the Royal Court Theatre, London, in 2016. This new Modern Classics edition features an introduction by Dr Cristina Delgado-García.

Wyndham Lewis: Collected Poems and Plays

by Wyndham Lewis

At the beginning of his career Wyndham Lewis (1882-1957) wrote vigorous poetry, and plays which in their form and vehement characterisation resemble the later work of Samuel Beckett. This volume includes major works: One-Way Song , and Enemy of the Stars in its two very different versions, as well as other writings that can now be seen as central to the formation of Lewis's work. The plays and poems crackle with ferocious energy, concentrated and brilliant, as Lewis creates a literary equivalent to the visual revolutions of Cubism and Vorticism. He explores how an artist should think and write in an oppressive world, the relationship between imagination and action. This edition, with Alan Munton's annotations, is a definitive text based on Lewis's own final corrections. An introduction by C.H. Sisson places these radical works in the context of Lewis's other writings.

Wyndham Lewis: Collected Poems and Plays

by Alan Munton C. H. Sisson

At the beginning of his career Wyndham Lewis (1882-1957) wrote vigorous poetry, and plays which in their form and vehement characterisation resemble the later work of Samuel Beckett. This volume includes major works: One-Way Song , and Enemy of the Stars in its two very different versions, as well as other writings that can now be seen as central to the formation of Lewis's work. The plays and poems crackle with ferocious energy, concentrated and brilliant, as Lewis creates a literary equivalent to the visual revolutions of Cubism and Vorticism. He explores how an artist should think and write in an oppressive world, the relationship between imagination and action. This edition, with Alan Munton's annotations, is a definitive text based on Lewis's own final corrections. An introduction by C.H. Sisson places these radical works in the context of Lewis's other writings.

Wuthering Heights: Illustrations By Marjolein Bastin (Modern Plays)

by Emily Brontë

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience. This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

Wuthering Heights: Illustrations By Marjolein Bastin (Modern Plays)

by Emily Brontë

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience. This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

Wuthering Heights (Modern Plays)

by Emily Brontë

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption.Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience.This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

Wuthering Heights (Modern Plays)

by Emily Brontë

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption.Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience.This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

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