- Table View
- List View
1611: Authority, Gender and the Word in Early Modern England
by Helen Wilcox1611: Authority, Gender, and the Word in Early Modern England explores issues of authority, gender, and language within and across the variety of literary works produced in one of most landmark years in literary and cultural history. Represents an exploration of a year in the textual life of early modern England Juxtaposes the variety and range of texts that were published, performed, read, or heard in the same year, 1611 Offers an account of the textual culture of the year 1611, the environment of language, and the ideas from which the Authorised Version of the English Bible emerged
1611: Authority, Gender and the Word in Early Modern England
by Helen Wilcox1611: Authority, Gender, and the Word in Early Modern England explores issues of authority, gender, and language within and across the variety of literary works produced in one of most landmark years in literary and cultural history. Represents an exploration of a year in the textual life of early modern England Juxtaposes the variety and range of texts that were published, performed, read, or heard in the same year, 1611 Offers an account of the textual culture of the year 1611, the environment of language, and the ideas from which the Authorised Version of the English Bible emerged
1616: Shakespeare and Tang Xianzu's China
by Tian Yuan Tan Paul Edmondson Shih-Pe WangThe year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time.
1616: Shakespeare and Tang Xianzu's China
by Paul Edmondson Shih-Pe Wang Tian Yuan TanThe year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time.
1798: The Year of the Lyrical Ballads (Romanticism in Perspective)
by Richard Cronin1798 is a significant date in literary history: in that year the Lyrical Ballads were published anonymously by Joseph Cottle, the Bristol bookseller. But this is a volume not about the Lyrical Ballads , but about their year. It is an attempt to re-create and examine the literary culture of 1798, the culture on which Wordsworth and Coleridge decided to make their 'experiment'. It is a book in which Wordsworth and Coleridge vie for attention, as they did in 1798, with many other writers, including Schleiermacher, John Thelwall, Mary Hays, the Abbe Barruel, Walter Savage Landor, Mary Wollstonecraft, Thomas Malthus, Joanna Baillie, George Canning, Robert Sothey and the Reverend T.J. Mathias. The chapters of this book work together to define a single historical moment that marked the beginning of romanticism in England.
1913: The Cradle of Modernism
by Jean-Michel RabatéThis innovative book puts modernist literature in its cultural, intellectual, and global context, within the framework of the year 1913. Broadens the analysis of canonical texts and artistic events by showing their cultural and global parallels Examines a number of simultaneous artistic, literary, and political endeavours including those of Yeats, Pound, Joyce, Du Bois and Stravinsky Explores Pound's Personae next to Apollinaire's Alcools and Rilke's Spanish Trilogy, Edith Wharton's The Custom of the Country next to Proust's Swann's Way
1913: The year of French modernism
by Effie Rentzou and André Benhaïm1913: The year of French modernism is the first book to respond to two deceptively simple questions: “What constituted modernism in France?” and “What is the place of France on the map of global modernism?” Taking its cue from the seminal year 1913, an annus mirabilis for literature and art, the book captures a snapshot of vibrant creativity in France and a crucial moment for the quickly emerging modernism throughout the world. Essays from specialists on works of literature, art, photography and cinema which were created or made public in and around 1913, outline in a dazzling fresco the protagonists, strategies and genres, the dynamics, themes, and legacies of what was French modernism.
The 1930s: A Decade of Modern British Fiction (The Decades Series)
by Nick Hubble, Luke Seaber and Elinor TaylorWith austerity biting hard and fascism on the march at home and abroad, the Britain of the 1930s grappled with many problems familiar to us today. Moving beyond the traditional focus on 'the Auden generation', this book surveys the literature of the period in all its diversity, from working class, women, queer and postcolonial writers to popular crime and thriller novels. In this way, the book explores the uneven processes of modernization and cultural democratization that characterized the decade. A major critical re-evaluation of the decade, the book covers such writers as Eric Ambler, Mulk Raj Anand, Katharine Burdekin, Agatha Christie, Lewis Grassic Gibbon, Christopher Isherwood, Storm Jameson, Ethel Mannin, Naomi Mitchison, George Orwell, Christina Stead, Evelyn Waugh and many others.
The 1930s: A Decade of Modern British Fiction (The Decades Series)
With austerity biting hard and fascism on the march at home and abroad, the Britain of the 1930s grappled with many problems familiar to us today. Moving beyond the traditional focus on 'the Auden generation', this book surveys the literature of the period in all its diversity, from working class, women, queer and postcolonial writers to popular crime and thriller novels. In this way, the book explores the uneven processes of modernization and cultural democratization that characterized the decade. A major critical re-evaluation of the decade, the book covers such writers as Eric Ambler, Mulk Raj Anand, Katharine Burdekin, Agatha Christie, Lewis Grassic Gibbon, Christopher Isherwood, Storm Jameson, Ethel Mannin, Naomi Mitchison, George Orwell, Christina Stead, Evelyn Waugh and many others.
The 1940s: A Decade of Modern British Fiction (The Decades Series)
by Philip Tew and Glyn WhiteHow did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold war threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others.
The 1940s: A Decade of Modern British Fiction (The Decades Series)
How did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold war threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others.
The 1950s: A Decade of Modern British Fiction (The Decades Series)
by Nick Bentley Alice Ferrebe Nick HubbleHow did social, cultural and political events in Britain during the 1950s shape modern British fiction? As Britain emerged from the shadow of war into the new decade of the 1950s, the seeds of profound social change were being sown. Exploring the full range of fiction in the 1950s, this volume surveys the ways in which these changes were reflected in British culture. Chapters cover the rise of the 'Angry Young Men', an emerging youth culture and vivid new voices from immigrant and feminist writers. A major critical re-evaluation of the decade, the book covers such writers as Margery Allingham, Kingsley Amis, E. R. Braithwaite, Rodney Garland, Martyn Goff, Attia Hosain, George Lamming, Marghanita Laski, Doris Lessing, Colin MacInnes, Naomi Mitchison, V. S. Naipaul, Barbara Pym, Mary Renault, Sam Selvon, Alan Sillitoe, John Sommerfield, Muriel Spark, J. R. R. Tolkien, Angus Wilson and John Wyndham.
The 1950s: A Decade of Modern British Fiction (The Decades Series)
by Nick Bentley Alice Ferrebe Nick HubbleHow did social, cultural and political events in Britain during the 1950s shape modern British fiction? As Britain emerged from the shadow of war into the new decade of the 1950s, the seeds of profound social change were being sown. Exploring the full range of fiction in the 1950s, this volume surveys the ways in which these changes were reflected in British culture. Chapters cover the rise of the 'Angry Young Men', an emerging youth culture and vivid new voices from immigrant and feminist writers. A major critical re-evaluation of the decade, the book covers such writers as Margery Allingham, Kingsley Amis, E. R. Braithwaite, Rodney Garland, Martyn Goff, Attia Hosain, George Lamming, Marghanita Laski, Doris Lessing, Colin MacInnes, Naomi Mitchison, V. S. Naipaul, Barbara Pym, Mary Renault, Sam Selvon, Alan Sillitoe, John Sommerfield, Muriel Spark, J. R. R. Tolkien, Angus Wilson and John Wyndham.
The 1960s: A Decade of Modern British Fiction (The Decades Series)
by Philip Tew James Riley Melanie SeddonHow did social, cultural and political events in Britain during and leading up to the 1960s shape modern British fiction? The 1960s were the “swinging decade”: a newly energised youth culture went hand-in-hand with new technologies, expanding educational opportunities, new social attitudes and profound political differences between the generations. This volume explores the ways in which these apparently seismic changes were reflected in British fiction of the decade. Chapters cover feminist writing that fused the personal and the political, gay, lesbian and immigrant voices and the work of visionary experimental and science fiction writers.A major critical re-evaluation of the decade, this volume covers such writers as J.G. Ballard, Anthony Burgess, A.S. Byatt, Angela Carter, John Fowles, Christopher Isherwood, Doris Lessing, Michael Moorcock and V.S. Naipaul.
The 1960s: A Decade of Modern British Fiction (The Decades Series)
by Philip Tew James Riley Melanie SeddonHow did social, cultural and political events in Britain during and leading up to the 1960s shape modern British fiction? The 1960s were the “swinging decade”: a newly energised youth culture went hand-in-hand with new technologies, expanding educational opportunities, new social attitudes and profound political differences between the generations. This volume explores the ways in which these apparently seismic changes were reflected in British fiction of the decade. Chapters cover feminist writing that fused the personal and the political, gay, lesbian and immigrant voices and the work of visionary experimental and science fiction writers.A major critical re-evaluation of the decade, this volume covers such writers as J.G. Ballard, Anthony Burgess, A.S. Byatt, Angela Carter, John Fowles, Christopher Isherwood, Doris Lessing, Michael Moorcock and V.S. Naipaul.
1970s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Nick Hubble John McLeod Philip TewHow did social, cultural and political events in Britain during the 1970s shape Contemporary British Fiction? Exploring the impact of events like the Cold War, miners' strikes and Winter of Discontent, this volume charts the transition of British fiction from post-war to contemporary. Chapters outline the decade's diversity of writing, showing how the literature of Ian McEwan and Ian Sinclair interacted with the experimental work of B.S. Johnson. Close contextual readings of Welsh, Scottish, Northern Irish and English novels map the steady break-up of Britain. Tying the popularity of Angela Carter and Fay Weldon to the growth of the Women's Liberation Movement and calling attention to a new interest in documentary modes of autobiographical writing, this volume also examines the rising resonance of the marginal voices: the world of 1970s British Feminist fiction and postcolonial and diasporic writers. Against a backdrop of social tensions, this major critical reassessment of the 1970s defines, explores and better understands the criticism and fiction of a decade marked by the sense of endings.
1970s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Nick Hubble John McLeod Philip TewHow did social, cultural and political events in Britain during the 1970s shape Contemporary British Fiction?Exploring the impact of events like the Cold War, miners' strikes and Winter of Discontent, this volume charts the transition of British fiction from post-war to contemporary.Chapters outline the decade's diversity of writing, showing how the literature of Ian McEwan and Ian Sinclair interacted with the experimental work of B.S. Johnson. Close contextual readings of Welsh, Scottish, Northern Irish and English novels map the steady break-up of Britain. Tying the popularity of Angela Carter and Fay Weldon to the growth of the Women's Liberation Movement and calling attention to a new interest in documentary modes of autobiographical writing, this volume also examines the rising resonance of the marginal voices: the world of 1970s British Feminist fiction and postcolonial and diasporic writers.Against a backdrop of social tensions, this major critical reassessment of the 1970s defines, explores and better understands the criticism and fiction of a decade marked by the sense of endings.
1980s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Philip Tew Emily Horton Leigh WilsonHow did social, cultural and political events in Britain during the 1980s shape contemporary British fiction? Setting the fiction squarely within the context of Conservative politics and questions about culture and national identity, this volume reveals how the decade associated with Thatcherism frames the work of Kazuo Ishiguro, Martin Amis, and Graham Swift, of Scottish novelists and new diasporic writers. How and why 1980s fiction is a response to particular psychological, social and economic pressures is explored in detail. Drawing on the rise of individualism and the birth of neo-liberalism, contributors reflect on the tense relations between 1980s politics and realism, and between elegy and satire. Noting the creation of a 'heritage industry' during the decade, the rise of the historical novel is also considered against broader cultural changes. Viewed from the perspective of more recent theorisations of crisis following both 9/11 and the 21st-century financial crash, this study makes sense of why and how writers of the 1980s constructed fictions in response to this decade's own set of fundamental crises.
1980s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Philip Tew Emily Horton Leigh WilsonHow did social, cultural and political events in Britain during the 1980s shape contemporary British fiction? Setting the fiction squarely within the context of Conservative politics and questions about culture and national identity, this volume reveals how the decade associated with Thatcherism frames the work of Kazuo Ishiguro, Martin Amis, and Graham Swift, of Scottish novelists and new diasporic writers. How and why 1980s fiction is a response to particular psychological, social and economic pressures is explored in detail. Drawing on the rise of individualism and the birth of neo-liberalism, contributors reflect on the tense relations between 1980s politics and realism, and between elegy and satire. Noting the creation of a 'heritage industry' during the decade, the rise of the historical novel is also considered against broader cultural changes. Viewed from the perspective of more recent theorisations of crisis following both 9/11 and the 21st-century financial crash, this study makes sense of why and how writers of the 1980s constructed fictions in response to this decade's own set of fundamental crises.
1984-George Orwell - Novel: १९८४-जॉर्ज ऑरवेलने - कादंबरी
by George Orwell‘१९८४’ हे पुस्तक अशाचपैकी एक आहे. जॉर्ज ऑरवेलने १९४८ साली हे पुस्तक लिहिले. भविष्यकाळातील सर्वंकष हुकूमशाहीचे चित्रण त्यात केले आहे. या पुस्तकाचा बोलबाला सर्व जगात जसा झाला, तसाच तो महाराष्ट्रातही झाला. ३६ सालात जगातील सुमारे ६२ भाषांत या पुस्तकाची भाषांतरे झाली. मराठीत मात्र मी या पुस्तकाचे केलेले भाषांतर प्रसिद्ध होण्यासाठी ३१ डिसेंबर १९८४ ही तारीख उजाडावी लागली. तेव्हा कुठे मराठी भाषा ही भाषांतराच्या यादीत ६३वी भाषा ठरली. त्या वेळी प्रकाशन समारंभाला श्री. ग. प्र. प्रधान (समाजवादी), श्री. ना. ग. गोरे (समाजवादी), श्री. प्रभाकर उर्ध्वरेषे (कम्युनिस्ट) इत्यादी राजकीय नेते उपस्थित होते. त्यांनी या पुस्तकाची मुक्त कंठाने स्तुती केली. १९८४ सालानंतर २७ वर्षांनी या पुस्तकाची दुसरी आवृत्ती बाजारात येत आहे. जॉर्ज ऑरवेलने म्हणतात की, आणीबाणीत अनेक प्रकाशकांना मी विचारले असता या पुस्तकाचे भाषांतर प्रसिद्ध करण्यास ते कचरले. त्यामागे भीती होती अन् ही भीती हीच हुकूमशहाची शक्ती असते. हुकूमशाही म्हणजे नेमके काय, हे ऑरवेलने यात दाखवले आहे. भीतीचा वापर केल्यावरही हुकूमशहाचे समाधान होत नाही. त्याला जनतेने स्वेच्छेने त्याच्यावर प्रेम करावे, त्याची भक्ती करावी असे वाटत असते. कोणतेही राजकीय तत्त्वज्ञान हा केवळ हुकूमशहा बनण्यासाठी घेतलेला आधार असतो. ‘खरी हुकूमशाही माणसाच्या रक्तातच असते काय?’ असा प्रश्न हे पुस्तक वाचल्यावर वाचकाला नक्की पडेल. तसेच हूकूमशाही अगदी टोकाला गेल्यावर काय काय घडू शकते, हे या पुस्तकात फार चांगले दर्शवले आहे.
1990s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Nick Hubble Philip Tew Leigh WilsonHow did social, cultural and political events in Britain during the 1990s shape contemporary British Fiction? From the fall of the Berlin Wall to the turn of the millennium, the 1990s witnessed a realignment of global politics. Against the changing international scene, this volume uses events abroad and in Britain to examine and explain the changes taking place in British fiction, including: the celebration of national identities, fuelled by the move toward political devolution in Northern Ireland, Scotland and Wales; the literary optimism in urban ethnic fictions written by a new generation of authors, born and raised in Britain; the popularity of neo-Victorian fiction. Critical surveys are balanced by in-depth readings of work by the authors who defined the decade, including A.S. Byatt, Hanif Kureishi, Will Self, Caryl Phillips and Irvine Welsh: an approach that illustrates exactly how their key themes and concerns fit within the social and political circumstances of the decade.
1990s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Nick Hubble Philip Tew Leigh WilsonHow did social, cultural and political events in Britain during the 1990s shape contemporary British Fiction? From the fall of the Berlin Wall to the turn of the millennium, the 1990s witnessed a realignment of global politics. Against the changing international scene, this volume uses events abroad and in Britain to examine and explain the changes taking place in British fiction, including: the celebration of national identities, fuelled by the move toward political devolution in Northern Ireland, Scotland and Wales; the literary optimism in urban ethnic fictions written by a new generation of authors, born and raised in Britain; the popularity of neo-Victorian fiction. Critical surveys are balanced by in-depth readings of work by the authors who defined the decade, including A.S. Byatt, Hanif Kureishi, Will Self, Caryl Phillips and Irvine Welsh: an approach that illustrates exactly how their key themes and concerns fit within the social and political circumstances of the decade.
200 Jahre Nationalphilologien: Von der Romantik zur Globalisierung (Abhandlungen zur Literaturwissenschaft)
by Christoph StrosetzkiDie 17 Beiträge dieses Bandes verfolgen eine Standortbestimmung der Philologien, die – ausgehend vom Volksgeist des 19. und der Kulturkunde des 20. Jahrhunderts – sich im 21. Jahrhundert neu positionieren müssen. Die einzelnen Beiträge gehen auf Fragen ein wie: Welche Veränderungen treten mit zunehmender Globalisierung ein? Gehen die Nationalliteraturen immer mehr in der sog „Weltliteratur“ auf? Die Autorinnen und Autoren stammen aus der Romanistik, Germanistik und Anglistik. Sie behandeln Themen der Literaturgeschichtsschreibung, der Kanonisierung, der Komparatistik und auch Zukunftsfragen.
200 Tricky Spellings in Cartoons: Visual Mnemonics for Everyone - UK edition
by Lidia StantonThe new revised edition of Lidia Stanton's bestselling book of mnemonics demystifying over 200 of the most difficult spellings. The book is structured around confusing pairs of words, such as homophones or words that 'go together', tricky everyday words and tricky academic words, with memorable illustrations on every page to help you connect the word's meaning and graphical features with how it's spelt. This is not a traditional spelling book, but a resource that will really get you thinking, and laughing out loud. This guide encourages active learning and recollection, breaking away from repetitive methods such as 'look, cover, write, check', enabling you to effortlessly recall and identify once-confusing spelling patterns.
200 Tricky Spellings in Cartoons: Visual Mnemonics for Everyone - UK edition
by Lidia StantonThe new revised edition of Lidia Stanton's bestselling book of mnemonics demystifying over 200 of the most difficult spellings. The book is structured around confusing pairs of words, such as homophones or words that 'go together', tricky everyday words and tricky academic words, with memorable illustrations on every page to help you connect the word's meaning and graphical features with how it's spelt. This is not a traditional spelling book, but a resource that will really get you thinking, and laughing out loud. This guide encourages active learning and recollection, breaking away from repetitive methods such as 'look, cover, write, check', enabling you to effortlessly recall and identify once-confusing spelling patterns.