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Owen Barfield’s Poetic Philosophy: Meaning and Imagination (Bloomsbury Studies in Philosophy and Poetry)
by Dr Jeffrey HipolitoThe first book to offer an overview, at once introductory and comprehensive, of the philosophical thought of Owen Barfield, sometimes known as the “first and last Inkling” and as the “British Heidegger.”Beginning by placing Barfield's early poetics in the context of the critical hurly-burly of modernist London of the 1920s, Owen Barfield's Poetic Philosophy: Meaning and Imagination shows how Barfield's subsequent development of a philosophy of history, metaphysics, and ethics culminates in his development of a poetic cosmology. Hipolito situates Barfield's poetic philosophy in relation to his significant contemporaries (and predecessors) including T.S. Eliot, D.H. Lawrence, I.A. Richards, Jean Paul Sartre, Martin Heidegger and Ernst Cassirer, bringing to light for the first time many important aspects of Barfield's thought. The book concludes with an analysis of the Burgeon trilogy, in which Barfield recapitulates the themes and arguments of his poetic philosophy by exemplifying them in three genre-defying works of fiction.Structured chronologically and giving a systematic examination of Barfield's thought, Owen Barfield's Poetic Philosophy paints a much-needed picture of a major thinker and poet, who was entirely engaged with his times and who remains crucially relevant to our own.
The Palace of Forty Pillars
by Armen Davoudian'In this formally radical debut, Armen Davoudian shows how rhyme enacts longing for a homeland left behind; how meter sings to a lost beloved; and how a combination of the two can map a self - or idea of the self - relinquished so that a new life, and all the happiness it deserves, can take shape' Paul Tran'Marks the arrival of a notable new voice . . . The Palace of Forty Pillars is a moving book as well as an elegant one; its central preoccupation with the theme of belonging speaks memorably to one of the most urgent questions of our time' Andrew MotionWry, tender, and formally innovative, Armen Davoudian's debut poetry collection, The Palace of Forty Pillars, tells the story of a self estranged from the world around him as a gay adolescent, an Armenian in Iran, and an immigrant in America. It is a story darkened by the long shadow of global tragedies - the Armenian genocide, war in the Middle East, the specter of homophobia. With masterful attention to rhyme and meter, these poems also carefully witness the most intimate encounters: the awkward distance between mother and son getting ready in the morning, the delicate balance of power between lovers, a tense exchange with the morality police in Iran.In Isfahan, Iran, the eponymous palace has only twenty pillars - but, reflected in its courtyard pool, they become forty. This is the gamble of Davoudian's magical, ruminative poems: to recreate, in art's reflection, a home for the speaker, who is unable to return to it in life.
The Palgrave Handbook of Neo-Victorianism
by Brenda Ayres Sarah E. MaierThis handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present.
Paradise Lost and the Making of English Literary Criticism (Routledge Studies in Renaissance Literature and Culture)
by David A. HarperParadise Lost and the Making of English Literary Criticism identifies the early reception of Paradise Lost as a site of contest over the place of literature in political and religious controversy. Milton’s earliest readers and critics (Dryden, Addison, Dennis, Hume, and Bentley) confronted a poem and author at odds with prevailing culture and the revanchist conservatism of the restored monarchy. Grappling with the epic required navigating Milton’s reputation as a “fanatick” who had called in print for Charles I’s execution, inveighed openly against monarchy on the eve of Charles II’s return, and held heretical views on the trinity, baptism, and divorce. Harper argues that foundational figures in English literary criticism rose to this challenge by innovating new ways of reading: producing creative (and subversive) rewritings of Paradise Lost, articulating new theories of the sublime, explaining the poem in the first substantial body of annotations for an English vernacular text, and by pioneering early forms of textual criticism and editing.
Paradise Lost and the Making of English Literary Criticism (Routledge Studies in Renaissance Literature and Culture)
by David A. HarperParadise Lost and the Making of English Literary Criticism identifies the early reception of Paradise Lost as a site of contest over the place of literature in political and religious controversy. Milton’s earliest readers and critics (Dryden, Addison, Dennis, Hume, and Bentley) confronted a poem and author at odds with prevailing culture and the revanchist conservatism of the restored monarchy. Grappling with the epic required navigating Milton’s reputation as a “fanatick” who had called in print for Charles I’s execution, inveighed openly against monarchy on the eve of Charles II’s return, and held heretical views on the trinity, baptism, and divorce. Harper argues that foundational figures in English literary criticism rose to this challenge by innovating new ways of reading: producing creative (and subversive) rewritings of Paradise Lost, articulating new theories of the sublime, explaining the poem in the first substantial body of annotations for an English vernacular text, and by pioneering early forms of textual criticism and editing.
Penguin's Egg
by Anna KempOn a frozen sea, where the snow falls fast, and the whirlwinds rage and storm,A rockhopper egg, in a stony nest, was lying safe and warm.Dad watched and waited, waited, watched, the night grew inky black, Then he fell into a sleep so deep, he didn't hear the . . . CRACKDaddy Penguin finds himself adrift in an unfamiliar world, and he must get home for his egg!From train to helicopter, hot-air balloon to limousine, Daddy Penguin hitches lifts with kindly folk - but will he be home in time?A race against time for Daddy Penguin in this rhyming delight
Perception, Class and Environment in the Works of Thomas Hardy
by Roger EbbatsonThis book examines Thomas Hardy’s writing in both prose and poetry, focusing on issues of perception, ‘being’, class and environment. It illustrates the ways in which Hardy represents a social world which serves as a ‘horizon’ for the individual and explores the dialectic between the perceptible world and human consciousness. Ebbatson demonstrates how, in Hardy’s oeuvre, modern life becomes alienated from its roots in rural life – individual freedom is achieved in works like Tess of the d'Urbervilles, Jude the Obscure or The Woodlanders at the cost of personal insecurity and a deepening sense of homelessness. However, this development occurs against the marginalisation of dialect forms of speech. This book also explores how Hardy’s impressionist vision serves to undermine the prevailing conventions of plot structure.
The Persistence of the Soul in Literature, Art and Politics
by Delphine Louis-Dimitrov Estelle MurailThis book analyses the evolution of literary and artistic representations of the soul, exploring its development through different time periods. The volume combines literary, aesthetic, ethical, and political considerations of the soul in texts and works of art from the seventeenth to the twenty-first centuries, spanning cultures and schools of thought. Drawing on philosophical, religious and psychological theories of the soul, it emphasizes the far-reaching and enduring epistemological function of the concept in literature, art and politics. The authors argue that the concept of the soul has shaped the understanding of human life and persistently irrigated cultural productions. They show how the concept of soul was explored and redefined by writers and artists, remaining relevant even as it became removed from its ancient or Christian origins.
Poems: 1968-2020 (Penguin Modern Classics)
by Nikki GiovanniA major new career-spanning selection from one of the world’s foremost poets, an international treasure, from 1968 to the present day Nikki Giovanni's poetry has dazzled and inspired readers for more than sixty years. When she first emerged from the Black Arts Movement in the late 1960s, she immediately became one of the most celebrated and controversial poets of the era. Now considered a living legend, this is the first new selection since the late 1990s and offers readers a chance to be introduced to and to celebrate her incredible lifetime's work.Giovanni’s poetry has always been a powerful expression of her ideas about love, race, politics and gender, but part of that power has also been the sensitive and intimate way Giovanni is able to bring to light the heart and soul of herself and her readers. Giovanni's poetry speaks from and to the Black experience, with Black love, Black struggle and Black joy at the centre. Arranged chronologically and spanning the entirety of her career, this selection charts not only the development of a great poet but also of sixty years of American life, bringing together motherhood and revolution, political dreams and great loves, men, women, children and community, and shows Giovanni at her essential, profound best.
Poems as Friends: The Poetry Exchange 10th Anniversary Anthology
by Fiona Bennett Michael ShaefferThe Poetry Exchange is an award-winning podcast and project that celebrates the role poetry plays in people's lives. In their first anthology, Fiona Bennett and Michael Shaeffer draw on ten years of archival material to bring together a collection of poems chosen by readers that know them as friends, presented alongside their personal stories of connection. Featuring Brian Cox on John Clare, Andrew Scott on George Herbert, Maxine Peake on Tony Harrison and many more, in this gathering of poems you can reacquaint yourself with old friends, perhaps make some new ones, and enjoy the companionship poetry can offer us. Friends that offer connection and solidarity.Friends that help us wrestle with difficult things.Friends that name our experiences.Friends that comfort and help us move forward.Friends we admire.
The Poetry and Essays of Uri Zvi Grinberg: Politics and Zionism (ISSN)
by Tamar Wolf-MonzonThis book focuses on the complex network of relationships between the poet Uri Zvi Grinberg and the Labor Movement in Mandate Palestine from 1923 to 1937.Making use of letters found in the Uri Zvi Grinberg Archive at the National Library of Israel (NLI), the author reconstructs the characteristics of Grinberg’s pioneer readership, attesting to their special relationship with his poetry. In the 1920s, it is argued, they considered Grinberg’s poetry an authentic expression of their complex spiritual world and especially of the reality of their lives. On his side, Grinberg accepted the pioneering ethos as the ideological basis of his works, becoming an outstanding poet of the Labor Movement. The chapters of this book track the various phases of Grinberg’s life and poetry, from his emigration to Palestine through to the 1930s, when he joined the Revisionist Movement and became increasingly ostracized from the Labor Movement. The story of Grinberg’s relations with the pioneers was emotionally charged—a mixture of enchantment and rejection, spiritual closeness and repulsion. Ultimately, this book analyzes the intensity of this connection and its many contradictory layers.This book will interest researchers in a range of fields, including Hebrew poetry and reception theory, as well as anyone interested in Israeli studies and the history of the Labor Movement in Palestine.
The Poetry and Essays of Uri Zvi Grinberg: Politics and Zionism (ISSN)
by Tamar Wolf-MonzonThis book focuses on the complex network of relationships between the poet Uri Zvi Grinberg and the Labor Movement in Mandate Palestine from 1923 to 1937.Making use of letters found in the Uri Zvi Grinberg Archive at the National Library of Israel (NLI), the author reconstructs the characteristics of Grinberg’s pioneer readership, attesting to their special relationship with his poetry. In the 1920s, it is argued, they considered Grinberg’s poetry an authentic expression of their complex spiritual world and especially of the reality of their lives. On his side, Grinberg accepted the pioneering ethos as the ideological basis of his works, becoming an outstanding poet of the Labor Movement. The chapters of this book track the various phases of Grinberg’s life and poetry, from his emigration to Palestine through to the 1930s, when he joined the Revisionist Movement and became increasingly ostracized from the Labor Movement. The story of Grinberg’s relations with the pioneers was emotionally charged—a mixture of enchantment and rejection, spiritual closeness and repulsion. Ultimately, this book analyzes the intensity of this connection and its many contradictory layers.This book will interest researchers in a range of fields, including Hebrew poetry and reception theory, as well as anyone interested in Israeli studies and the history of the Labor Movement in Palestine.
PORTAL (Phoenix Poets)
by Tracy FuadA poetry collection exploring inheritance and reproduction through the lenses of parenthood, etymology, postcoloniality, and climate anxiety. Tracy Fuad’s second collection of poems, PORTAL, probes the fraught experience of bringing a new life into a world that is both lush and filled with gloom. A baby is born in a brutalist building; the planet shrinks under the new logic of contagion; roses washed up from a shipwreck centuries ago are blooming up and down the cape. PORTAL documents a life that is mediated, even at its most intimate moments, by flattening interfaces of technology and in which language—and even intelligence—is no longer produced only by humans. The voices here are stalked by eco-grief and loneliness, but they also brim with song and ecstasy, reveling in the strangeness of contemporary life while grieving losses that cannot be restored. Through Fuad’s frank, honest poetry, PORTAL vibrates with pleasure and dread. Peeling back the surfaces of words to reveal their etymologies, Fuad embraces playfulness through her formal range, engaging styles from the tersely lineated to the essayistic as she intertwines topics of replication, reproduction, technology, language, history, and biology.
PORTAL (Phoenix Poets)
by Tracy FuadA poetry collection exploring inheritance and reproduction through the lenses of parenthood, etymology, postcoloniality, and climate anxiety. Tracy Fuad’s second collection of poems, PORTAL, probes the fraught experience of bringing a new life into a world that is both lush and filled with gloom. A baby is born in a brutalist building; the planet shrinks under the new logic of contagion; roses washed up from a shipwreck centuries ago are blooming up and down the cape. PORTAL documents a life that is mediated, even at its most intimate moments, by flattening interfaces of technology and in which language—and even intelligence—is no longer produced only by humans. The voices here are stalked by eco-grief and loneliness, but they also brim with song and ecstasy, reveling in the strangeness of contemporary life while grieving losses that cannot be restored. Through Fuad’s frank, honest poetry, PORTAL vibrates with pleasure and dread. Peeling back the surfaces of words to reveal their etymologies, Fuad embraces playfulness through her formal range, engaging styles from the tersely lineated to the essayistic as she intertwines topics of replication, reproduction, technology, language, history, and biology.
poyums
by Len PennieTHE INSTANT SUNDAY TIMES, THE TIMES, SUNDAY POST AND iPAPER BESTSELLER And I have done more than just simply get by So much more than escape or survive Through the galvanisation of love, time and patience I’ll take hold of my story and thrive. After life that was seldom what life ought to be Through laughter and love I’ll be whole This story is mine from the cover to spine And the narrative I will control Whether she’s writing letters to her younger self, advocating for women’s rights or adapting fairy tales to process an abusive relationship, Len’s voice is bold, unashamedly frank and unmistakably hers. The poems in this collection, both funny and fiercely feminist, announce a formidable new talent. Moving deftly between English and Scots, poyums is as approachable as it is affecting.
The Principle of Rapid Peering
by Sylvia LegrisSelf-seeding windis a wind of ever-replenishing breath.-from 'The Walk, or The Principle of Rapid Peering'The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behaviour of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of 'rapid peering'. Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is 'where nature converges with words,' as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.Features drawings by the poet.
QuickFire, Slow Burning (Pavilion Poetry)
by Janette AyachiJanette Ayachi’s second collection moves away from the personal and delves into the universal with poems often taking flight from the page to parachute into performance. Her hypnotic voice lifts from a keen observing stance to one that probes the chemical reactions in nature, and especially in the body. Fire is seen as an element; as something environmental, a natural disaster. But Ayachi also plays with fire as a fuel in relationships; a heat felt and subject to synergy within the cells and flesh, a cardiac pulse, a love that comes quickly and burns slowly, constantly rekindling hope for change, peace and renewal. There is a mystic undertow that exposes the materials, the lore of bones and anatomy, pilgrimages and prayers, superstitions and super galaxies that she explores with language. Lost landscapes and lost loves merge as she confronts loneliness at the same time as showing us new bloom is on the horizon - that nature will always will us another spark.
Radical Formalisms: Reading, Theory, and the Boundaries of the Classical
by Sarah Nooter and Mario TelòThe term "radical formalism" refers to strategies aimed at defamiliarising and revitalising conventional modes of formalistic reading and theorising form. These strategies disrupt and unsettle established norms while incorporating a metadiscursive awareness of their broader political implications. This volume presents a radical reconceptualisation of literary works from Greek and Roman antiquity. Engaging in an ongoing dialogue with critical theory and postcritique, as well as drawing inspiration from traditions rooted in Black art, poetry and philosophy-both directly and indirectly connected to the classical tradition-the essays in this collection explore subversions of canonical norms and resistances to the hegemony of textual order. This collection not only provides new, provocative insights into a corpus of texts that has exerted a lasting impact on modern literature and philosophy, but also challenges current interpretive methods, recasting the very practice of reading in relation to form, poetics, language, sound, temporalities and textuality.
Rapture's Road: From the author of All Down Darkness Wide
by Seán HewittIn this remarkable second collection, Seán Hewitt describes a journey haunted by love, loss and estrangement - from one of the Sunday Times 30 under 30 in Ireland'An exquisitely calm and insightful lyric poet'MAX PORTER, author of ShyAs the mind wanders and becomes spectral, these poems forge their own unique path through the landscape. The road Hewitt takes us on is a sleepwalk into the nightwoods, a dream-state where nature is by turns regenerated and broken, and where the split self of the speaker is interrupted by a series of ghosts, memories and encounters.Following the reciprocal relationship between queer sexuality and the natural world that he explored in Tongues of Fire, the poet conjures us here into a trance: a deep delirium of hypnotic, hectic rapture where everything is called into question, until a union is finally achieved – a union in nature, with nature.A threnody for what is lost, a dance of apocalypse and rebirth, Rapture’s Road draws us through what is hidden, secret, often forbidden, to a state of ecstasy. It leads into the humid night, through lethal love and grief, and glimpses, at the end of the journey, a place of tenderness and reawakening.
The Rebellion of Forms in Modern Persian Poetry: Politics of Poetic Experimentation
by Dr. Farshad SonboldelAn analysis of the aesthetic, cultural and political aspects of alternative poetic movements and individual poets in three periods: the Constitutional Revolution (1900–1920), the post-constitutional era (1920–1940), and the ascendency of modernism (1940–1960). Farshad Sonboldel shines new light on the history of modern Persian poetry by re-imagining the roles that the aesthetic experimentations of alternative poets played in different phases of the literary revolution in modern Persian poetry. Dominant narratives portray modern Persian poetry as a gradual, rational, and moderate change in the classical regime of aesthetics as well as a response to – and reflection of – cultural and socio-political changes within Iranian society. They also disregard the significance of radical experiments by alternative poets and undervalue the part they played in the initiation and progress of the so-called "literary revolution." These mainstream narratives minimize the socio-political engagement of literary works with the direct reflection of the social reality, and thus neglect the way many alternative poems struggle with socio-political issues through deconstructing the old and constructing new aesthetic systems.Each chapter of The Rebellion of Forms in Modern Persian Poetry is centred around poems chosen for their potential to showcase notable experiments of pioneer movements and individuals in each given period. Examining the formal and thematic aspects of these poems, this book reformulates the story of modern Persian poetry and unravels the relationship between radical aesthetic changes in the practice of poetry and resistance against political and cultural domination in society.
Red Sky at Night, Poet's Delight
by Alex WhartonRed Sky at Night, Poet's Delight is the second collection of funny and thoughtful poems from Alex, aimed at developing a love of language and self-expression. Readers will be excited by fun new characters like Mr Slime and the return of Hector the Horrible Hedgehog from Daydreams and Jellybeans, as well as being introduced to powerful and moving poems such as 'Young Oak', 'The Long Way Home', and 'For a Quiet Day'.
Revolting Rhymes: A new picture book featuring Roald Dahl’s original rhyme
by Roald DahlI bet you think you know this story . . .Meet Red Riding Hood as you've never seen her before in this hilarious picture book twist on a classic fairy tale.After Wolfie gobbles Grandmamma in one big bite, he turns his attention to Miss Red Riding Hood. But little does he know, this small girl has a dastardly plan of her own.With brand-new and wickedly funny illustrations, this splendiferous rhyming picture book is perfect for chiddlers who like their fairy tales with a splash of daring and danger! The first in a brand-new picture book series adaptation of Roald Dahl's iconic Revolting Rhymes.Look out for these marvellous Roald Dahl books for little readers:Roald Dahl: My Dad is FantasticRoald Dahl: My Mum is MagnificentRoald Dahl: Revolting Things to Touch and FeelRoald Dahl: Disgusterous Noisy Sound BookRoald Dahl: On the First Day of ChristmasRoald Dahl: Easter EGGstravaganzaRoald Dahl: Trick or TreatRoald Dahl: Birthday BonanzaRoald Dahl: Fantastic FeelingsNever Grow Up
Robert Pollok’s The Course of Time and Literary Theodicy in the Romantic Age: The Rise and Fall of a Christian Epic (Routledge Studies in Romanticism)
by Deryl DavisThis book explores the contexts and reception history of Robert Pollok’s religious epic The Course of Time (1827), one of the best- selling long poems of the nineteenth century, which has been almost entirely forgotten today. Widely read in the United States and across the British Empire, the poem’s combination of evangelical Calvinism, High Romanticism, and native Scottishness proved irresistible to many readers. This monograph traces the poem’s origins as a defense of Biblical authority, divine providence, and religious orthodoxy (against figures like Byron and Joseph Priestley) and explores the reasons for The Course of Time’s enormous, decades- long popularity and later precipitous decline. A close reading of the poem and an examination of its reception history offers readers important insights into the dynamic relationship between religion and wider culture in the nineteenth century, the uses of literature as a vehicle for theological argument and theodicy, and the important but often overlooked role that religion played in literary— and, particularly, Scottish— Romanticism. This work will appeal to scholars of religious history, literary history, Evangelicalism, Romanticism, Scottish literature, and nineteenth- century culture.
Robert Pollok’s The Course of Time and Literary Theodicy in the Romantic Age: The Rise and Fall of a Christian Epic (Routledge Studies in Romanticism)
by Deryl DavisThis book explores the contexts and reception history of Robert Pollok’s religious epic The Course of Time (1827), one of the best- selling long poems of the nineteenth century, which has been almost entirely forgotten today. Widely read in the United States and across the British Empire, the poem’s combination of evangelical Calvinism, High Romanticism, and native Scottishness proved irresistible to many readers. This monograph traces the poem’s origins as a defense of Biblical authority, divine providence, and religious orthodoxy (against figures like Byron and Joseph Priestley) and explores the reasons for The Course of Time’s enormous, decades- long popularity and later precipitous decline. A close reading of the poem and an examination of its reception history offers readers important insights into the dynamic relationship between religion and wider culture in the nineteenth century, the uses of literature as a vehicle for theological argument and theodicy, and the important but often overlooked role that religion played in literary— and, particularly, Scottish— Romanticism. This work will appeal to scholars of religious history, literary history, Evangelicalism, Romanticism, Scottish literature, and nineteenth- century culture.
Rome's Patron: The Lives and Afterlives of Maecenas
by Emily GowersThe story of Maecenas and his role in the evolution and continuing legacy of ancient Roman poetry and cultureAn unelected statesman with exceptional powers, a patron of the arts and a luxury-loving friend of the emperor Augustus: Maecenas was one of the most prominent and distinctive personalities of ancient Rome. Yet the traces he left behind are unreliable and tantalizingly scarce. Rather than attempting a conventional biography, Emily Gowers shows in Rome’s Patron that it is possible to tell a different story, one about Maecenas’s influence, his changing identities and the many narratives attached to him across two millennia.Rome’s Patron explores Maecenas’s appearances in the central works of Augustan poetry written in his name—Virgil’s Georgics, Horace’s Odes and Propertius’s elegies—and in later works of Latin literature that reassess his influence. For the Roman poets he supported, Maecenas was a mascot of cultural flexibility and innovation, a pioneer of gender fluidity and a bearer of imperial demands who could be exposed as a secret sympathizer with their own values. For those excluded from his circle, he represented either favouritism and indulgence or the lost ideal of a patron in perfect collaboration with the authors he championed.As Gowers shows, Maecenas had and continues to have a unique cachet—in the fantasies that still surround the gardens, buildings and objects so tenuously associated with him; in literature, from Ariosto and Ben Johnson to Phillis Wheatley and W. B. Yeats; and in philanthropy, where his name has been surprisingly adaptable to more democratic forms of patronage.