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Modern Dance in France: An Adventure (Choreography and Dance Studies Series)
by Jacqueline RobinsonFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Modern Dance in France: An Adventure (Choreography and Dance Studies Series)
by Jacqueline RobinsonFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Modern Catalan Plays: The Quarrelsome Party; The Audition; Desire; Fourplay (Play Anthologies)
by John LondonFour plays from the rich theatrical world of Catalan drama. Since the early 1990s, Catalonia has proven to the world that its rich heritage and artistic tradition are worthy of focus and study. The plays in the volume reflect the post-Franco era during which Barcelona and other parts of Catalonia have become the focal point for new dramatic expression.Joan Brossa (1919-1998) was the spiritual father of this new wave of artistic revolution in writing. His play The Quarrelsome Party is a dark family drama as surreal as any bad dream. The Audition by Rodolf Sirera has its roots in the author's anti-Franco stance. This in-the-theatre drama has the mystery cat-and-mouse playfulness of Anthony Shaffer's Sleuth. Benet i Jornet's play Desire is a Beckettian mystery play about four unnamed characters. Sergi Belbel represents the new generation of Catalan playwrights and his plays have had wide appeal abroad. In Fourplay he experiments with the idea of a sex farce and the play's 38 scenes lead to wild conclusions.
Modern Catalan Plays: The Quarrelsome Party; The Audition; Desire; Fourplay (Play Anthologies)
by John LondonFour plays from the rich theatrical world of Catalan drama. Since the early 1990s, Catalonia has proven to the world that its rich heritage and artistic tradition are worthy of focus and study. The plays in the volume reflect the post-Franco era during which Barcelona and other parts of Catalonia have become the focal point for new dramatic expression.Joan Brossa (1919-1998) was the spiritual father of this new wave of artistic revolution in writing. His play The Quarrelsome Party is a dark family drama as surreal as any bad dream. The Audition by Rodolf Sirera has its roots in the author's anti-Franco stance. This in-the-theatre drama has the mystery cat-and-mouse playfulness of Anthony Shaffer's Sleuth. Benet i Jornet's play Desire is a Beckettian mystery play about four unnamed characters. Sergi Belbel represents the new generation of Catalan playwrights and his plays have had wide appeal abroad. In Fourplay he experiments with the idea of a sex farce and the play's 38 scenes lead to wild conclusions.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting)
by Chris Megson Richard Boon Janelle Reinelt Paola Botham Philip RobertsEssential for students of Theatre Studies, this series of six decadal volumes provides a critical survey and reassessment of the theatre produced in each decade from the 1950s to the present. Each volume equips readers with an understanding of the context from which work emerged, a detailed overview of the range of theatrical activity and a close study of the work of four of the major playwrights by a team of leading scholars.Chris Megson's comprehensive survey of the theatre of the 1970s examines the work of four playwrights who came to promience in the decade and whose work remains undiminished today: Caryl Churchill (by Paola Botham), David Hare (Chris Megson), Howard Brenton (Richard Boon) and David Edgar (Janelle Reinelt). It analyses their work then, its legacy today and provides a fresh assessment of their contribution to British theatre. Interviews with the playwrights, with directors and with actors provides an invaluable collection of documents offering new perspectives on the work. Revisiting the decade from the perspective of the twenty-first century, Chris Megson provides an authoritative and stimulating reassessment of British playwriting in the 1970s.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting #2)
by Chris Megson Richard Boon Janelle Reinelt Paola Botham Philip RobertsEssential for students of Theatre Studies, this series of six decadal volumes provides a critical survey and reassessment of the theatre produced in each decade from the 1950s to the present. Each volume equips readers with an understanding of the context from which work emerged, a detailed overview of the range of theatrical activity and a close study of the work of four of the major playwrights by a team of leading scholars.Chris Megson's comprehensive survey of the theatre of the 1970s examines the work of four playwrights who came to promience in the decade and whose work remains undiminished today: Caryl Churchill (by Paola Botham), David Hare (Chris Megson), Howard Brenton (Richard Boon) and David Edgar (Janelle Reinelt). It analyses their work then, its legacy today and provides a fresh assessment of their contribution to British theatre. Interviews with the playwrights, with directors and with actors provides an invaluable collection of documents offering new perspectives on the work. Revisiting the decade from the perspective of the twenty-first century, Chris Megson provides an authoritative and stimulating reassessment of British playwriting in the 1970s.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting)
by Jane Milling Sara Freeman David Lane Sarah Goldingay Richard Boon Philip RobertsModern British Playwriting: The 1980s equips readers with a fresh assessment of the theatre and principle playwrights and plays from a decade when political and economic forces were changing society dramatically. It offers a broad survey of the context and of the playwrights and companies such as Complicité and DV8 that rose to prominence at this time. Alongside this it provides a detailed examination based on fresh research of four of the most significant playwrights of the era and considers the influence they had on later work.The 1980s volume features a detailed study by four scholars of the work of four of the major playwrights who came to prominence: Howard Barker (by Sarah Goldingay), Jim Cartwright (David Lane), Sarah Daniels (Jane Milling) and Timberlake Wertenbaker (Sara Freeman). Essential for students of Theatre Studies, the series of six decadal volumes provides a critical survey and study of the theatre produced from the 1950s to 2009. Each volume features a critical analysis of the work of four key playwrights besides other theatre work from that decade, together with an extensive commentary on the period. Readers will understand the works in their contexts and be presented with fresh research material and a reassessment from the perspective of the twenty-first century. This is an authoritative and stimulating reassessment of British playwriting in the 1980s.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting #3)
by Jane Milling Sara Freeman David Lane Sarah Goldingay Richard Boon Philip RobertsModern British Playwriting: The 1980s equips readers with a fresh assessment of the theatre and principle playwrights and plays from a decade when political and economic forces were changing society dramatically. It offers a broad survey of the context and of the playwrights and companies such as Complicité and DV8 that rose to prominence at this time. Alongside this it provides a detailed examination based on fresh research of four of the most significant playwrights of the era and considers the influence they had on later work.The 1980s volume features a detailed study by four scholars of the work of four of the major playwrights who came to prominence: Howard Barker (by Sarah Goldingay), Jim Cartwright (David Lane), Sarah Daniels (Jane Milling) and Timberlake Wertenbaker (Sara Freeman). Essential for students of Theatre Studies, the series of six decadal volumes provides a critical survey and study of the theatre produced from the 1950s to 2009. Each volume features a critical analysis of the work of four key playwrights besides other theatre work from that decade, together with an extensive commentary on the period. Readers will understand the works in their contexts and be presented with fresh research material and a reassessment from the perspective of the twenty-first century. This is an authoritative and stimulating reassessment of British playwriting in the 1980s.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting)
by Steve Nicholson Bill McDonnell Frances Babbage Jamie Andrews Philip Roberts Richard BoonEssential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period .The 1960s was a decade of seismic changes in British theatre as in society at large. This important new study in Methuen Drama's Decades of Modern British Playwriting series explores how theatre-makers responded to the changes in society. Together with a thorough survey of the theatrical activity of the decade it offers detailed reassessments of the work of four of the leading playwrights. The 1960s volume provides in-depth studies of the work of four of the major playwrights who came to prominence: Edward Bond (by Steve Nicholson), John Arden (Bill McDonnell), Harold Pinter (Jamie Andrews) and Alan Ayckbourn (Frances Babbage). It examines their work then, its legacy today, and how critical consensus has changed over time.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting #4)
by Steve Nicholson Bill McDonnell Frances Babbage Jamie Andrews Philip Roberts Richard BoonEssential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period .The 1960s was a decade of seismic changes in British theatre as in society at large. This important new study in Methuen Drama's Decades of Modern British Playwriting series explores how theatre-makers responded to the changes in society. Together with a thorough survey of the theatrical activity of the decade it offers detailed reassessments of the work of four of the leading playwrights. The 1960s volume provides in-depth studies of the work of four of the major playwrights who came to prominence: Edward Bond (by Steve Nicholson), John Arden (Bill McDonnell), Harold Pinter (Jamie Andrews) and Alan Ayckbourn (Frances Babbage). It examines their work then, its legacy today, and how critical consensus has changed over time.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting)
by David PattieEssential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period .Modern British Playwriting: The 1950s provides an authoritative and stimulating reassessment of the theatre of the decade together with a detailed study of the work of T.S Eliot (by Sarah Bay-Cheng) , Terence Rattigan (David Pattie), John Osborne (Luc Gilleman) and Arnold Wesker (John Bull). The volume sets the context by providing a chronological survey of the 1950s, a period when Britain was changing rapidly and the very fabric of an apparently stable society seemed to be under threat. It explores the crisis in the theatrical climate and activity in the first part of the decade and the shift as the theatre began to document the unease in society, before documenting the early life of the four principal playwrights studied in the volume. Four scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts, interviews and the critical receptions of the time. An Afterword reviews what the writers went on to do and provides a summary evaluation of their contribution to British theatre from the perspective of the twenty-first century.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting)
by David Pattie John Bull Sarah Bay-Cheng Luc Gilleman Richard Boon Philip RobertsEssential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period .Modern British Playwriting: The 1950s provides an authoritative and stimulating reassessment of the theatre of the decade together with a detailed study of the work of T.S Eliot (by Sarah Bay-Cheng) , Terence Rattigan (David Pattie), John Osborne (Luc Gilleman) and Arnold Wesker (John Bull). The volume sets the context by providing a chronological survey of the 1950s, a period when Britain was changing rapidly and the very fabric of an apparently stable society seemed to be under threat. It explores the crisis in the theatrical climate and activity in the first part of the decade and the shift as the theatre began to document the unease in society, before documenting the early life of the four principal playwrights studied in the volume. Four scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts, interviews and the critical receptions of the time. An Afterword reviews what the writers went on to do and provides a summary evaluation of their contribution to British theatre from the perspective of the twenty-first century.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting)
by Dan Rebellato Jacqueline Bolton Lynette Goddard Nadine Holdsworth Michael Pearce Richard Boon Philip RobertsEssential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period .Edited by Dan Rebellato, Modern British Playwriting: 2000-2009 provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (Dan Rebellato), Roy Williams (Michael Pearce) and Debbie Tucker Green (Lynette Goddard). The volume sets the context by providing a chronological survey of the decade, one marked by the War on Terror, the excesses of economic globalization and the digital revolution. In surveying the theatrical activity and climate, Andrew Haydon explores the response to the political events, the rise of verbatim theatre, the increasing experimentation and the effect of both the Boyden Report and changes in the Arts Council's priorities. Five scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts and the critical receptions of the time. Interviews with each playwright further illuminate this stimulating final volume in the Decades of Modern British Playwriting series.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting)
by Dan Rebellato Jacqueline Bolton Lynette Goddard Nadine Holdsworth Michael Pearce Richard Boon Philip RobertsEssential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period .Edited by Dan Rebellato, Modern British Playwriting: 2000-2009 provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (Dan Rebellato), Roy Williams (Michael Pearce) and Debbie Tucker Green (Lynette Goddard). The volume sets the context by providing a chronological survey of the decade, one marked by the War on Terror, the excesses of economic globalization and the digital revolution. In surveying the theatrical activity and climate, Andrew Haydon explores the response to the political events, the rise of verbatim theatre, the increasing experimentation and the effect of both the Boyden Report and changes in the Arts Council's priorities. Five scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts and the critical receptions of the time. Interviews with each playwright further illuminate this stimulating final volume in the Decades of Modern British Playwriting series.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting)
by Aleks SierzBritish theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated in this important new study in Methuen Drama's Decades of Modern British Playwriting series.The 1990s volume provides a detailed study by four scholars of the work of four of the major playwrights who emerged and had a significant impact on British theatre: Sarah Kane (by Catherine Rees), Anthony Neilson (Patricia Reid), Mark Ravenhill (Graham Saunders) and Philip Ridley (Aleks Sierz). Essential for students of Theatre Studies, the series of six decadal volumes provides a critical survey and study of the theatre produced from the 1950s to 2009. Each volume features a critical analysis of the work of four key playwrights besides other theatre work, together with an extensive commentary on the period. Readers will understand the works in their contexts and be presented with fresh research material and a reassessment from the perspective of the twenty-first century. This is an authoritative and stimulating reassessment of British playwriting in the 1990s.
Modern British Playwriting: Voices, Documents, New Interpretations (Decades of Modern British Playwriting)
by Aleks Sierz Graham Saunders Catherine Rees Trish Reid Philip Ridley Mark Ravenhill Philip Roberts Richard BoonBritish theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated in this important new study in Methuen Drama's Decades of Modern British Playwriting series.The 1990s volume provides a detailed study by four scholars of the work of four of the major playwrights who emerged and had a significant impact on British theatre: Sarah Kane (by Catherine Rees), Anthony Neilson (Patricia Reid), Mark Ravenhill (Graham Saunders) and Philip Ridley (Aleks Sierz). Essential for students of Theatre Studies, the series of six decadal volumes provides a critical survey and study of the theatre produced from the 1950s to 2009. Each volume features a critical analysis of the work of four key playwrights besides other theatre work, together with an extensive commentary on the period. Readers will understand the works in their contexts and be presented with fresh research material and a reassessment from the perspective of the twenty-first century. This is an authoritative and stimulating reassessment of British playwriting in the 1990s.
Modern British Farce: A Selective Study of British Farce from Pinero to the Present Day
by Leslie SmithA study of the popular modern dramatists and the continuity of the farce tradition from Pinero to Travers, the Whitehall team and Orton which examines and questions some of the common assumptions about its nature. Farce techniques are shown to be increasingly used in serious drama.
Modern British Drama: The Twentieth Century (2nd Edition) (PDF)
by Christopher InnesA revised and updated version of Modern British Drama, 1890–1990, now covering the whole twentieth century, this is the first one-volume analysis of English play writing to cover the most exciting and productive period in British Theatre from its inception to today. Through detailed discussions of major dramatists and plays, Innes traces the evolution of modernism from Bernard Shaw to Patrick Marber and Sarah Kane, and theatrical developments over the whole century. Information is included on the social and political environment surrounding the plays, first productions, and critical reception, plus chronology, illustrations from key performances, lists of playwrights and works, and selective bibliographies. The book is an invaluable guide for students, theatre-goers and theatre historians.
Modern Asian Theatre and Performance 1900-2000 (Critical Companions)
by Kevin J. Wetmore Jr. Siyuan Liu Erin B. MeeModern Asian Theatre and Performance 1900 – 2000 is a ground-breaking survey, tracking the advent of modern drama in Japan, India, China, Korea and Southeast Asia. It considers the shaping power of realism and naturalism, the influence of Western culture, the relationship between theatrical modernisation and social modernisation, and how theatre operates in contemporary Asian society. Organised by period, nation and region, each chapter provides:·a historical overview of the culture;·an outline of theatre history;·a survey of significant playwrights, actors, directors, companies, plays and productions.With contributions from an international team of scholars, this authoritative introduction will uniquely equip students and scholars with a broad understanding of the modern theatre histories of Asia.
Modern Asian Theatre and Performance 1900-2000 (Critical Companions)
by Kevin J. Wetmore, Jr. Siyuan Liu Erin B. MeeModern Asian Theatre and Performance 1900 – 2000 is a ground-breaking survey, tracking the advent of modern drama in Japan, India, China, Korea and Southeast Asia. It considers the shaping power of realism and naturalism, the influence of Western culture, the relationship between theatrical modernisation and social modernisation, and how theatre operates in contemporary Asian society. Organised by period, nation and region, each chapter provides:·a historical overview of the culture;·an outline of theatre history;·a survey of significant playwrights, actors, directors, companies, plays and productions.With contributions from an international team of scholars, this authoritative introduction will uniquely equip students and scholars with a broad understanding of the modern theatre histories of Asia.
The Modern Art of Influence and the Spectacle of Oscar Wilde
by S. SalamenskySalamensky investigates Oscar Wilde, his contemporaries, and the public frenzy over his work and life as illustrating the crucial importance of performance in the construction of the 'modern' and our own, postmodern, lives.
Modern Architecture in Theatre: The Experiments of Art et Action
by A. ReadIf the city is the theatre of urban life, how does architecture act in its many performances? This book reconstructs the spatial experiments of Art et Action, a theatre troupe active in 1920s Paris, and how their designs for theater buildings show how the performance spaces interacted with actors and spectators according to their type.
Modern and Post-Modern Mime (Modern Dramatists)
by Thomas LeabhartModern mime, which has emerged as a major creative art form in the last ten years has its roots in the theatre work of Jacques Copeau in Paris in the 1920s. Copeau looked for a remedy to the ills of the theatre of his day by turning to the golden ages of Greek theatre, the Noh and Kabuki, and commedia dell'arte. Here Copeau found an emphasis on the expressive potential of the actor's whole body, rather than just the voice. In this study Tom Leabhart examines the contributions of Etienne Decroux, Barrault, Marceau and Lecoq to the development of this exciting new form (which often overlaps with new trends in theatre, dance and performance art) and which has spawned significant festivals each year in the US, Europe, Australia and South America.
Modern and Contemporary Black British Drama
by Deirdre Osborne Lynette Goddard Mary BrewerThis indispensable overview of modern black British drama spans seven decades of distinctive playwriting from the 1950s to the present. Interweaving social and cultural context with close critical analysis of key dramatists' plays, leading scholars explore how these dramatists have created an enduring, transformative and diverse cultural presence.
Modern American Drama: Voices, Documents, New Interpretations (Decades of Modern American Drama: Playwriting from the 1930s to 2009)
by Susan C. AbbotsonThe Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material.The major writers and their works to receive in-depth coverage in this volume include:* William Inge: Picnic (1953), Bus Stop (1955) and The Dark at the Top of the Stairs (1957);* Stephen Sondheim, Arthur Laurents and Jerome Robbins: West Side Story (1957) and Gypsy (1959); * Alice Childress: Just a Little Simple (1950), Gold Through the Trees (1952) and Trouble in Mind (1955);* Jerome Lawrence and Robert Lee: Inherit the Wind (1955), Auntie Mame (1956) and The Gang's All Here (1959).