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The Brothers Grimm: From Enchanted Forests to the Modern World 2e
by J. ZipesMost of the fairy tales that we grew up with we know thanks to the Brothers Grimm. Jack Zipes, one of our surest guides through the world of fairy tales and their criticism, takes behind the romantics mythology of the wandering brothers. Bringing to bear his own critical expertise, as well as new biographical information, Zipes examines the interaction between the Grimms' lives and their work. He reveals the Grimms' personal struggle to overcome social prejudice and poverty, as well as their political efforts - as scholars and civil servant - toward unifying the German states. By deftly interweaving the social, political, and personal elements of the lives of the Brothers Grimm, Zipes rescues them from sentimental obscurity. No longer figures in fairy tale, the Brothers Grimm emerge as powerful creators, real men who established the fairy tale as one of our great literary institutions. Part biography, part critical assessment, part social history, the Brothers Grimm provides a complex and very real story about fairy tales and the modern world.
The Brothers Grimm: From Enchanted Forests to the Modern World
by Jack ZipesMost of the fairy tales that we grew up with we know thanks to the Brothers Grimm. Jack Zipes, one of our surest guides through the world of fairy tales and their criticism, takes behind the romantics mythology of the wandering brothers. Bringing to bear his own critical expertise, as well as new biographical information, Zipes examines the interaction between the Grimms' lives and their work. He reveals the Grimms' personal struggle to overcome social prejudice and poverty, as well as their political efforts - as scholars and civil servant - toward unifying the German states. By deftly interweaving the social, political, and personal elements of the lives of the Brothers Grimm, Zipes rescues them from sentimental obscurity. No longer figures in fairy tale, the Brothers Grimm emerge as powerful creators, real men who established the fairy tale as one of our great literary institutions. Part biography, part critical assessment, part social history, the Brothers Grimm provides a complex and very real story about fairy tales and the modern world.
The Brothers Grimm: From Enchanted Forests to the Modern World
by Jack ZipesMost of the fairy tales that we grew up with we know thanks to the Brothers Grimm. Jack Zipes, one of our surest guides through the world of fairy tales and their criticism, takes behind the romantics mythology of the wandering brothers. Bringing to bear his own critical expertise, as well as new biographical information, Zipes examines the interaction between the Grimms' lives and their work. He reveals the Grimms' personal struggle to overcome social prejudice and poverty, as well as their political efforts - as scholars and civil servant - toward unifying the German states. By deftly interweaving the social, political, and personal elements of the lives of the Brothers Grimm, Zipes rescues them from sentimental obscurity. No longer figures in fairy tale, the Brothers Grimm emerge as powerful creators, real men who established the fairy tale as one of our great literary institutions. Part biography, part critical assessment, part social history, the Brothers Grimm provides a complex and very real story about fairy tales and the modern world.
Brothers of the Quill: Oliver Goldsmith In Grub Street
by Norma ClarkeOliver Goldsmith arrived in England a penniless Irishman and toiled for years in the anonymity of Grub Street. Norma Clarke tells how this destitute scribbler became one of literary London’s most celebrated authors, transmuting dark truths about the empire into fable and nostalgia whose undertow of Irish indignation remains just barely perceptible.
Brothers of the Quill: Oliver Goldsmith In Grub Street
by Norma ClarkeOliver Goldsmith arrived in England a penniless Irishman and toiled for years in the anonymity of Grub Street. Norma Clarke tells how this destitute scribbler became one of literary London’s most celebrated authors, transmuting dark truths about the empire into fable and nostalgia whose undertow of Irish indignation remains just barely perceptible.
The Brothers Size
by Tarell Alvin McCraneyAfter a spell of separation brought on by prison, two African-American brothers reunite through Yoruba mythology and live music.Ritual and reality intertwine in this deeply moving fable about the bond between brothers.Tarell Alvin McCraney's The Brothers Size had its UK premiere in a co-production between the Young Vic and Actors Touring Company in 2007. It was remounted the following year, and received a long-awaited revival at the Young Vic in 2018.
Brown Boys Swim (Modern Plays)
by Karim KhanWe think we'll be alright - because we wade through air, not water, but that's not enough.”Best friends Mohsen and Kash are gearing up for the biggest night of their lives – Jess Denver's pool party. There's just one problem... they can't swim.Fuelled by halal Haribo and chicken wings, the pair throw themselves in at the deep end, tackling cramped cubicles and cold showers as they learn how to be at one with the water.Fierce, funny, and brimming with heart, Karim Khan examines the pressures faced by young Muslim men in this exhilarating new play about fitting in and striking out. This was published to coincide withproduction at the Edinburgh Festival Fringe, in August 2022.
Brown Boys Swim (Modern Plays)
by Karim KhanWe think we'll be alright - because we wade through air, not water, but that's not enough.”Best friends Mohsen and Kash are gearing up for the biggest night of their lives – Jess Denver's pool party. There's just one problem... they can't swim.Fuelled by halal Haribo and chicken wings, the pair throw themselves in at the deep end, tackling cramped cubicles and cold showers as they learn how to be at one with the water.Fierce, funny, and brimming with heart, Karim Khan examines the pressures faced by young Muslim men in this exhilarating new play about fitting in and striking out. This was published to coincide withproduction at the Edinburgh Festival Fringe, in August 2022.
Browning (Routledge Library Editions: Victorian Poetry)
by Roy E. GridleyFirst published in 1972. Browning was a keen observer and dramatic recorder of nineteenth-century European culture; his poetry reflects a wide range of intellectual, religious and artistic issues of his day. Roy E. Gridley shows here that during the six decades of Browning’s active writing career (1832-89), his poetry is a record and an interpretation of the changing modes of thought, feeling and expression of nineteenth-century life. Browning was a ‘romantic’ who, by virtue of his realistic and often revolutionary poetry, became a ‘modern’, and had considerable influence on writers such as Yeats, Eliot and Pound. While surveying the whole of Browning’s life and work, Gridley focuses closely on the more famous poems, examining them as documents that give the general reader a deeper appreciation of the richness and diversity of life in Victorian Europe.
Browning (Routledge Library Editions: Victorian Poetry)
by Roy E. GridleyFirst published in 1972. Browning was a keen observer and dramatic recorder of nineteenth-century European culture; his poetry reflects a wide range of intellectual, religious and artistic issues of his day. Roy E. Gridley shows here that during the six decades of Browning’s active writing career (1832-89), his poetry is a record and an interpretation of the changing modes of thought, feeling and expression of nineteenth-century life. Browning was a ‘romantic’ who, by virtue of his realistic and often revolutionary poetry, became a ‘modern’, and had considerable influence on writers such as Yeats, Eliot and Pound. While surveying the whole of Browning’s life and work, Gridley focuses closely on the more famous poems, examining them as documents that give the general reader a deeper appreciation of the richness and diversity of life in Victorian Europe.
A Browning Chronology: Elizabeth Barrett and Robert Browning (Author Chronologies Series)
by M. GarrettSeveral thousand letters to and from Elizabeth Barrett and Robert Browning have survived, together with other information on the composition and context of works from Barrett's 'lines on virtue' written at the age of eight in 1814 to Browning's Asolando (1889). The Chronology seeks to guide readers through this mass of material in three main sections: youth, contrasting early backgrounds and careers, and growing interest in each other's work to 1845; courtship, marriage, Italy, and work including Aurora Leigh and Men and Women (1845-61); Browning's later life of relentless socializing and prolific writing from his return to London to his death in Venice in 1889. The book provides not only precise dating but much matter on such topics as the Brownings' extensive reading in English, French and classical literature, their many friendships, and their sometimes conflicting political beliefs.
Browning Upon Arabia: A Moveable East
by Hédi A. JaouadBrowning Upon Arabia charts Robert Browning’s early and enduring engagement with the East, particularly the Arab East. This book highlights the complexities of Browning’s poetry, revealing Browning’s resistance to triumphalist and imperialist forms of Orientalism generated by many nineteenth-century British and European literary and scholarly portrayals of the East. Hédi A. Jaouad argues that Browning extensively researched the literature, history, philosophy, and culture of the East to produce poetry that is sensitive to its Eastern resources and devoted to confirming the interrelation of Northern and Eastern knowledge in pursuit of a new form of transcendental humanism.
Browning Upon Arabia: A Moveable East
by Hédi A. JaouadBrowning Upon Arabia charts Robert Browning’s early and enduring engagement with the East, particularly the Arab East. This book highlights the complexities of Browning’s poetry, revealing Browning’s resistance to triumphalist and imperialist forms of Orientalism generated by many nineteenth-century British and European literary and scholarly portrayals of the East. Hédi A. Jaouad argues that Browning extensively researched the literature, history, philosophy, and culture of the East to produce poetry that is sensitive to its Eastern resources and devoted to confirming the interrelation of Northern and Eastern knowledge in pursuit of a new form of transcendental humanism.
Browning, Victorian Poetics and the Romantic Legacy: Challenging the Personal Voice
by Britta MartensTaking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
Browning, Victorian Poetics and the Romantic Legacy: Challenging the Personal Voice
by Britta MartensTaking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
The Bruce: Being The Metrical History Of Robert The Bruce, King Of Scots (Canongate Classics #78)
by John BarbourEdited and introduced by A.A.M. Duncan. A! Fredome is a noble thing Fredome mays man to haiff liking Fredome all solace to man giffis He levys at es that frely levys These are some of the most famous lines in Scottish literature. They were written c.1375 by John Barbour, Archdeacon of Aberdeen, as a celebration of the Age of Chivalry – an age of bravery, valour, and above all loyalty. Its twin heroes are Robert the Bruce and James Douglas, his faithful companion. The epic sweep and scale of the poem catch the full drama of Bruce’s life – from being pursued by dogs in Galloway to his great triumph at Bannockburn, from hunted fugitive surrounded by traitors to kingship of a free nation. The poem is one of the key sources for any life of Bruce and incorporates much information not found elsewhere. The language of the poem is easy to read and its vigour and imagery provide a marvellous insight into the medieval mind. This is the first accessible modern edition of The Bruce featuring a full historical introduction, a special commentary on Bannockburn, a facing page translation with extensive annotation and six detailed maps. This edition also includes the other great nationalist statement about the reign of Robert the Bruce, The Declaration of Arbroath. A.A.M. Duncan’s work on The Bruce represents the culmination of a life-long interest and this book, comprehensively revised in 2007, marks a radical reassessment of the history of Robert the Bruce as recounted in the poem which bears his name.
Bruce Chatwin: A Biography
by Nicholas ShakespeareBruce Chatwin's death in 1989 brought a meteoric career to an abrupt end, since he burst onto the literary scene in 1977 with his first book, In Patagonia.Chatwin himself was different things to different people: a journalist, a photographer, an art collector, a restless traveller and a bestselling author; he was also a married man, an active homosexual, a socialite who loved to mix with the rich and famous, and a single-minded loner who explored the limits of extreme solitude.From unrestricted access to Chatwin's private notebooks, diaries and letters, Nicholas Shakespeare has compiled the definitive biography of one of the most charismatic and elusive literary figures of our time.'A magnificent work of empathy and detection'Colin Thubron, Sunday Times'Utterly compelling'Philip Marsden, Mail on Sunday'A fascinating account of the man behind the myth'Ian Thomson, Guardian
Bruce Springsteen and Popular Music: Rhetoric, Social Consciousness, and Contemporary Culture (Routledge Studies in Popular Music)
by William I. WolffThis interdisciplinary volume enters the scholarly conversation about Bruce Springsteen at the moment when he has reinforced his status of global superstar and achieved the status of social critic. Covering musical and cultural developments, chapters primarily consider work Springsteen has released since 9/11—that is, released during a period of continued global unrest, economic upheaval, and social change—under the headings Politics, Fear and Society; Gender and Sexual Identity; and Toward a Rhetoric of Springsteen. The collection engages Springsteen and popular music as his contemporary work is just beginning to be understood in terms of its impact on popular culture and music, applying new areas of inquiry to Springsteen and putting Springsteen fan writing within the same binding as academic writing to show how together they create a more nuanced understanding of an artist. Established and emerging Springsteen scholars approach work from disciplines including rhetoric and composition, historical musicology, labor studies, American history, literature, communications, sociology, theology, and government. Offering context, critique, and expansive understanding of Springsteen and his work, this book contributes to Springsteen scholarship and the study of popular music by showing Springsteen’s broadening academic appeal as well as his escalating legacy on new musicians, social consciousness, and contemporary culture.
Bruce Springsteen and Popular Music: Rhetoric, Social Consciousness, and Contemporary Culture (Routledge Studies in Popular Music)
by William I. WolffThis interdisciplinary volume enters the scholarly conversation about Bruce Springsteen at the moment when he has reinforced his status of global superstar and achieved the status of social critic. Covering musical and cultural developments, chapters primarily consider work Springsteen has released since 9/11—that is, released during a period of continued global unrest, economic upheaval, and social change—under the headings Politics, Fear and Society; Gender and Sexual Identity; and Toward a Rhetoric of Springsteen. The collection engages Springsteen and popular music as his contemporary work is just beginning to be understood in terms of its impact on popular culture and music, applying new areas of inquiry to Springsteen and putting Springsteen fan writing within the same binding as academic writing to show how together they create a more nuanced understanding of an artist. Established and emerging Springsteen scholars approach work from disciplines including rhetoric and composition, historical musicology, labor studies, American history, literature, communications, sociology, theology, and government. Offering context, critique, and expansive understanding of Springsteen and his work, this book contributes to Springsteen scholarship and the study of popular music by showing Springsteen’s broadening academic appeal as well as his escalating legacy on new musicians, social consciousness, and contemporary culture.
Brüchige Ehen: Alternative Konzeptualisierungen partnerschaftlicher Sozialität in der Romania um 1900 (Lettre)
by Teresa Hiergeist Christina WiederDie Ehe stellt das Sozialmodell par excellence der bürgerlichen Moderne dar. Mit der Integration von Liebe, Freundschaft und Sexualität schafft sie den Brückenschlag zwischen Privatheit und Öffentlichkeit. Doch so prädestiniert sie hinsichtlich der Absorption der politischen, wirtschaftlichen und kulturellen Bedingungen und Bedürfnisse der bürgerlichen Moderne scheint, so sehr steht sie auch in der Kritik. Die Beiträger*innen nehmen diskursive Infragestellungen der Ehe in kulturellen Artefakten der Romania von 1870 bis 1930 in den Blick und analysieren sie aus kultur- und literaturwissenschaftlicher Perspektive.
Brunei English: A New Variety in a Multilingual Society (Multilingual Education #4)
by David Deterding Salbrina SharbawiThis detailed survey of Brunei English reflects the burgeoning academic interest in the many new varieties of English which are fast evolving around the world. Wholly up to date, the study is based on careful analysis of a substantial dataset that provides real-life examples of usage to illustrate the narrative throughout. As well as a thorough account of the pronunciation, grammar, vocabulary usage, and discourse patterns of Brunei English, the volume explores its historical and educational background and current developmental trends, providing an in-depth review of the patterns of English usage within this multilingual, oil-rich society on the north-western coast of Borneo. Written in a non-technical style throughout that will assist non-specialists wishing to grasp the fundamentals of this unique brand of the English language, the work is a worthy addition to Springer’s series on multilingual education that plugs a gap in the coverage of the numerous varieties of English being used across South East Asia. “The authors bring renewed and badly needed attention to the long-overlooked development of Brunei English. Their examination of the variety not only documents the features and functions of English within Brunei society, it also suggests the development of regional or global varieties of English that extend beyond Brunei, and even beyond South East Asia.” Andrew Moody, University of Macau
The Brush and the Pen: Odilon Redon and Literature
by Dario GamboniFrench symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.