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The Macroeconomics of Populism in Latin America (National Bureau of Economic Research Conference Report)
by Rudiger Dornbusch Sebastian EdwardsAgain and again, Latin America has seen the populist scenario played to an unfortunate end. Upon gaining power, populist governments attempt to revive the economy through massive spending. After an initial recovery, inflation reemerges and the government responds with wage an price controls. Shortages, overvaluation, burgeoning deficits, and capital flight soon precipitate economic crisis, with a subsequent collapse of the populist regime. The lessons of this experience are especially valuable for countries in Eastern Europe, as they face major political and economic decisions. Economists and political scientists from the United States and Latin America detail in this volume how and why such programs go wrong and what leads policymakers to repeatedly adopt these policies despite a history of failure. Authors examine this pattern in Argentina, Brazil, Chile, Mexico, Nicaragua, and Peru—and show how Colombia managed to avoid it. Despite differences in how each country implemented its policies, the macroeconomic consequences were remarkably similar. Scholars of Latin America will find this work a valuable resource, offering a distinctive macroeconomic perspective on the continuing controversy over the dynamics of populism.
The Macroeconomics of Populism in Latin America (National Bureau of Economic Research Conference Report)
by Rudiger Dornbusch Sebastian EdwardsAgain and again, Latin America has seen the populist scenario played to an unfortunate end. Upon gaining power, populist governments attempt to revive the economy through massive spending. After an initial recovery, inflation reemerges and the government responds with wage an price controls. Shortages, overvaluation, burgeoning deficits, and capital flight soon precipitate economic crisis, with a subsequent collapse of the populist regime. The lessons of this experience are especially valuable for countries in Eastern Europe, as they face major political and economic decisions. Economists and political scientists from the United States and Latin America detail in this volume how and why such programs go wrong and what leads policymakers to repeatedly adopt these policies despite a history of failure. Authors examine this pattern in Argentina, Brazil, Chile, Mexico, Nicaragua, and Peru—and show how Colombia managed to avoid it. Despite differences in how each country implemented its policies, the macroeconomic consequences were remarkably similar. Scholars of Latin America will find this work a valuable resource, offering a distinctive macroeconomic perspective on the continuing controversy over the dynamics of populism.
Learning to Look: A Handbook for the Visual Arts
by Joshua C. TaylorSometimes seeing is more difficult for the student of art than believing. Taylor, in a book that has sold more than 300,000 copies since its original publication in 1957, has helped two generations of art students "learn to look." This handy guide to the visual arts is designed to provide a comprehensive view of art, moving from the analytic study of specific works to a consideration of broad principles and technical matters. Forty-four carefully selected illustrations afford an excellent sampling of the wide range of experience awaiting the explorer. The second edition of Learning to Look includes a new chapter on twentieth-century art. Taylor's thoughtful discussion of pure forms and our responses to them gives the reader a few useful starting points for looking at art that does not reproduce nature and for understanding the distance between contemporary figurative art and reality.
Learning to Look: A Handbook for the Visual Arts
by Joshua C. TaylorSometimes seeing is more difficult for the student of art than believing. Taylor, in a book that has sold more than 300,000 copies since its original publication in 1957, has helped two generations of art students "learn to look." This handy guide to the visual arts is designed to provide a comprehensive view of art, moving from the analytic study of specific works to a consideration of broad principles and technical matters. Forty-four carefully selected illustrations afford an excellent sampling of the wide range of experience awaiting the explorer. The second edition of Learning to Look includes a new chapter on twentieth-century art. Taylor's thoughtful discussion of pure forms and our responses to them gives the reader a few useful starting points for looking at art that does not reproduce nature and for understanding the distance between contemporary figurative art and reality.
Learning to Look: A Handbook for the Visual Arts
by Joshua C. TaylorSometimes seeing is more difficult for the student of art than believing. Taylor, in a book that has sold more than 300,000 copies since its original publication in 1957, has helped two generations of art students "learn to look." This handy guide to the visual arts is designed to provide a comprehensive view of art, moving from the analytic study of specific works to a consideration of broad principles and technical matters. Forty-four carefully selected illustrations afford an excellent sampling of the wide range of experience awaiting the explorer. The second edition of Learning to Look includes a new chapter on twentieth-century art. Taylor's thoughtful discussion of pure forms and our responses to them gives the reader a few useful starting points for looking at art that does not reproduce nature and for understanding the distance between contemporary figurative art and reality.
Learning to Look: A Handbook for the Visual Arts
by Joshua C. TaylorSometimes seeing is more difficult for the student of art than believing. Taylor, in a book that has sold more than 300,000 copies since its original publication in 1957, has helped two generations of art students "learn to look." This handy guide to the visual arts is designed to provide a comprehensive view of art, moving from the analytic study of specific works to a consideration of broad principles and technical matters. Forty-four carefully selected illustrations afford an excellent sampling of the wide range of experience awaiting the explorer. The second edition of Learning to Look includes a new chapter on twentieth-century art. Taylor's thoughtful discussion of pure forms and our responses to them gives the reader a few useful starting points for looking at art that does not reproduce nature and for understanding the distance between contemporary figurative art and reality.
Resisting Abstraction: Robert Delaunay and Vision in the Face of Modernism
by Gordon HughesRobert Delaunay was one of the leading artists working in Paris in the early decades of the twentieth century, and his paintings have been admired ever since as among the earliest purely abstract works. With Resisting Abstraction, the first English-language study of Delaunay in more than thirty years, Gordon Hughes mounts a powerful argument that Delaunay was not only one of the earliest artists to tackle abstraction, but the only artist to present his abstraction as a response to new scientific theories of vision. The colorful, optically driven canvases that Delaunay produced, Hughes shows, set him apart from the more ethereal abstraction of contemporaries like Kandinsky, Mondrian, Kazimir Malevich, and František Kupka. In fact, Delaunay emphatically rejected the spiritual motivations and idealism of that group, rooting his work instead in contemporary science and optics. Thus he set the stage not only for the modern artists who would follow, but for the critics who celebrated them as well.
Resisting Abstraction: Robert Delaunay and Vision in the Face of Modernism
by Gordon HughesRobert Delaunay was one of the leading artists working in Paris in the early decades of the twentieth century, and his paintings have been admired ever since as among the earliest purely abstract works. With Resisting Abstraction, the first English-language study of Delaunay in more than thirty years, Gordon Hughes mounts a powerful argument that Delaunay was not only one of the earliest artists to tackle abstraction, but the only artist to present his abstraction as a response to new scientific theories of vision. The colorful, optically driven canvases that Delaunay produced, Hughes shows, set him apart from the more ethereal abstraction of contemporaries like Kandinsky, Mondrian, Kazimir Malevich, and František Kupka. In fact, Delaunay emphatically rejected the spiritual motivations and idealism of that group, rooting his work instead in contemporary science and optics. Thus he set the stage not only for the modern artists who would follow, but for the critics who celebrated them as well.
Resisting Abstraction: Robert Delaunay and Vision in the Face of Modernism
by Gordon HughesRobert Delaunay was one of the leading artists working in Paris in the early decades of the twentieth century, and his paintings have been admired ever since as among the earliest purely abstract works. With Resisting Abstraction, the first English-language study of Delaunay in more than thirty years, Gordon Hughes mounts a powerful argument that Delaunay was not only one of the earliest artists to tackle abstraction, but the only artist to present his abstraction as a response to new scientific theories of vision. The colorful, optically driven canvases that Delaunay produced, Hughes shows, set him apart from the more ethereal abstraction of contemporaries like Kandinsky, Mondrian, Kazimir Malevich, and František Kupka. In fact, Delaunay emphatically rejected the spiritual motivations and idealism of that group, rooting his work instead in contemporary science and optics. Thus he set the stage not only for the modern artists who would follow, but for the critics who celebrated them as well.
Resisting Abstraction: Robert Delaunay and Vision in the Face of Modernism
by Gordon HughesRobert Delaunay was one of the leading artists working in Paris in the early decades of the twentieth century, and his paintings have been admired ever since as among the earliest purely abstract works. With Resisting Abstraction, the first English-language study of Delaunay in more than thirty years, Gordon Hughes mounts a powerful argument that Delaunay was not only one of the earliest artists to tackle abstraction, but the only artist to present his abstraction as a response to new scientific theories of vision. The colorful, optically driven canvases that Delaunay produced, Hughes shows, set him apart from the more ethereal abstraction of contemporaries like Kandinsky, Mondrian, Kazimir Malevich, and František Kupka. In fact, Delaunay emphatically rejected the spiritual motivations and idealism of that group, rooting his work instead in contemporary science and optics. Thus he set the stage not only for the modern artists who would follow, but for the critics who celebrated them as well.
The Quest: History and Meaning in Religion
by Mircea EliadeIn The Quest Mircea Eliade stresses the cultural function that a study of the history of religions can play in a secularized society. He writes for the intelligent general reader in the hope that what he calls a new humanism "will be engendered by a confrontation of modern Western man with unknown or less familiar worlds of meaning." "Each of these essays contains insights which will be fruitful and challenging for professional students of religion, but at the same time they all retain the kind of cultural relevance and clarity of style which makes them accessible to anyone seriously concerned with man and his religious possibilities."—Joseph M. Kitagawa, Religious Education
The Quest: History and Meaning in Religion
by Mircea EliadeIn The Quest Mircea Eliade stresses the cultural function that a study of the history of religions can play in a secularized society. He writes for the intelligent general reader in the hope that what he calls a new humanism "will be engendered by a confrontation of modern Western man with unknown or less familiar worlds of meaning." "Each of these essays contains insights which will be fruitful and challenging for professional students of religion, but at the same time they all retain the kind of cultural relevance and clarity of style which makes them accessible to anyone seriously concerned with man and his religious possibilities."—Joseph M. Kitagawa, Religious Education
The Quest: History and Meaning in Religion
by Mircea EliadeIn The Quest Mircea Eliade stresses the cultural function that a study of the history of religions can play in a secularized society. He writes for the intelligent general reader in the hope that what he calls a new humanism "will be engendered by a confrontation of modern Western man with unknown or less familiar worlds of meaning." "Each of these essays contains insights which will be fruitful and challenging for professional students of religion, but at the same time they all retain the kind of cultural relevance and clarity of style which makes them accessible to anyone seriously concerned with man and his religious possibilities."—Joseph M. Kitagawa, Religious Education
The Quest: History and Meaning in Religion
by Mircea EliadeIn The Quest Mircea Eliade stresses the cultural function that a study of the history of religions can play in a secularized society. He writes for the intelligent general reader in the hope that what he calls a new humanism "will be engendered by a confrontation of modern Western man with unknown or less familiar worlds of meaning." "Each of these essays contains insights which will be fruitful and challenging for professional students of religion, but at the same time they all retain the kind of cultural relevance and clarity of style which makes them accessible to anyone seriously concerned with man and his religious possibilities."—Joseph M. Kitagawa, Religious Education
Memorial Mania: Public Feeling in America
by Erika DossIn the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts. Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.
Memorial Mania: Public Feeling in America
by Erika DossIn the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts. Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.
Memorial Mania: Public Feeling in America
by Erika DossIn the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts. Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.
Memorial Mania: Public Feeling in America
by Erika DossIn the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts. Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.
Memorial Mania: Public Feeling in America
by Erika DossIn the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts. Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.
Memorial Mania: Public Feeling in America
by Erika DossIn the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts. Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.
Bushmanders and Bullwinkles: How Politicians Manipulate Electronic Maps and Census Data to Win Elections
by Mark MonmonierFor years Mark Monmonier, "a prose stylist of no mean ability or charm" according to the Washington Post, has delighted readers with his insightful understanding of cartography as an art and technology that is both deceptive and revealing. Now he turns his focus to the story of political cartography and the redrawing of congressional districts. His title Bushmanders and Bullwinkles combines gerrymander with the surname of the president who actively tolerated racial gerrymandering and draws attention to the ridiculously shaped congressional districts that evoke the antlers of the moose who shared the cartoon spotlight with Rocky the Flying Squirrel. Written from the perspective of a cartographer rather than a political scientist, Bushmanders and Bullwinkles examines the political tales maps tell when votes and power are at stake. Monmonier shows how redistricting committees carve out favorable election districts for themselves and their allies; how disgruntled politicians use shape to challenge alleged racial gerrymanders; and how geographic information systems can make reapportionment a controversial process with outrageous products. He also explores controversies over the proper roles of natural boundaries, media maps, census enumeration, and ethnic identity. Raising important questions about Supreme Court decisions in regulating redistricting, Monmonier asks if the focus on form rather than function may be little more than a distraction from larger issues like election reform. Characterized by the same wit and clarity as Monmonier's previous books, Bushmanders and Bullwinkles is essential background for understanding what might prove the most contentious political debate of the new decade.
Bushmanders and Bullwinkles: How Politicians Manipulate Electronic Maps and Census Data to Win Elections
by Mark MonmonierFor years Mark Monmonier, "a prose stylist of no mean ability or charm" according to the Washington Post, has delighted readers with his insightful understanding of cartography as an art and technology that is both deceptive and revealing. Now he turns his focus to the story of political cartography and the redrawing of congressional districts. His title Bushmanders and Bullwinkles combines gerrymander with the surname of the president who actively tolerated racial gerrymandering and draws attention to the ridiculously shaped congressional districts that evoke the antlers of the moose who shared the cartoon spotlight with Rocky the Flying Squirrel. Written from the perspective of a cartographer rather than a political scientist, Bushmanders and Bullwinkles examines the political tales maps tell when votes and power are at stake. Monmonier shows how redistricting committees carve out favorable election districts for themselves and their allies; how disgruntled politicians use shape to challenge alleged racial gerrymanders; and how geographic information systems can make reapportionment a controversial process with outrageous products. He also explores controversies over the proper roles of natural boundaries, media maps, census enumeration, and ethnic identity. Raising important questions about Supreme Court decisions in regulating redistricting, Monmonier asks if the focus on form rather than function may be little more than a distraction from larger issues like election reform. Characterized by the same wit and clarity as Monmonier's previous books, Bushmanders and Bullwinkles is essential background for understanding what might prove the most contentious political debate of the new decade.
Bushmanders and Bullwinkles: How Politicians Manipulate Electronic Maps and Census Data to Win Elections
by Mark MonmonierFor years Mark Monmonier, "a prose stylist of no mean ability or charm" according to the Washington Post, has delighted readers with his insightful understanding of cartography as an art and technology that is both deceptive and revealing. Now he turns his focus to the story of political cartography and the redrawing of congressional districts. His title Bushmanders and Bullwinkles combines gerrymander with the surname of the president who actively tolerated racial gerrymandering and draws attention to the ridiculously shaped congressional districts that evoke the antlers of the moose who shared the cartoon spotlight with Rocky the Flying Squirrel. Written from the perspective of a cartographer rather than a political scientist, Bushmanders and Bullwinkles examines the political tales maps tell when votes and power are at stake. Monmonier shows how redistricting committees carve out favorable election districts for themselves and their allies; how disgruntled politicians use shape to challenge alleged racial gerrymanders; and how geographic information systems can make reapportionment a controversial process with outrageous products. He also explores controversies over the proper roles of natural boundaries, media maps, census enumeration, and ethnic identity. Raising important questions about Supreme Court decisions in regulating redistricting, Monmonier asks if the focus on form rather than function may be little more than a distraction from larger issues like election reform. Characterized by the same wit and clarity as Monmonier's previous books, Bushmanders and Bullwinkles is essential background for understanding what might prove the most contentious political debate of the new decade.
Bushmanders and Bullwinkles: How Politicians Manipulate Electronic Maps and Census Data to Win Elections
by Mark MonmonierFor years Mark Monmonier, "a prose stylist of no mean ability or charm" according to the Washington Post, has delighted readers with his insightful understanding of cartography as an art and technology that is both deceptive and revealing. Now he turns his focus to the story of political cartography and the redrawing of congressional districts. His title Bushmanders and Bullwinkles combines gerrymander with the surname of the president who actively tolerated racial gerrymandering and draws attention to the ridiculously shaped congressional districts that evoke the antlers of the moose who shared the cartoon spotlight with Rocky the Flying Squirrel. Written from the perspective of a cartographer rather than a political scientist, Bushmanders and Bullwinkles examines the political tales maps tell when votes and power are at stake. Monmonier shows how redistricting committees carve out favorable election districts for themselves and their allies; how disgruntled politicians use shape to challenge alleged racial gerrymanders; and how geographic information systems can make reapportionment a controversial process with outrageous products. He also explores controversies over the proper roles of natural boundaries, media maps, census enumeration, and ethnic identity. Raising important questions about Supreme Court decisions in regulating redistricting, Monmonier asks if the focus on form rather than function may be little more than a distraction from larger issues like election reform. Characterized by the same wit and clarity as Monmonier's previous books, Bushmanders and Bullwinkles is essential background for understanding what might prove the most contentious political debate of the new decade.
Bushmanders and Bullwinkles: How Politicians Manipulate Electronic Maps and Census Data to Win Elections
by Mark MonmonierFor years Mark Monmonier, "a prose stylist of no mean ability or charm" according to the Washington Post, has delighted readers with his insightful understanding of cartography as an art and technology that is both deceptive and revealing. Now he turns his focus to the story of political cartography and the redrawing of congressional districts. His title Bushmanders and Bullwinkles combines gerrymander with the surname of the president who actively tolerated racial gerrymandering and draws attention to the ridiculously shaped congressional districts that evoke the antlers of the moose who shared the cartoon spotlight with Rocky the Flying Squirrel. Written from the perspective of a cartographer rather than a political scientist, Bushmanders and Bullwinkles examines the political tales maps tell when votes and power are at stake. Monmonier shows how redistricting committees carve out favorable election districts for themselves and their allies; how disgruntled politicians use shape to challenge alleged racial gerrymanders; and how geographic information systems can make reapportionment a controversial process with outrageous products. He also explores controversies over the proper roles of natural boundaries, media maps, census enumeration, and ethnic identity. Raising important questions about Supreme Court decisions in regulating redistricting, Monmonier asks if the focus on form rather than function may be little more than a distraction from larger issues like election reform. Characterized by the same wit and clarity as Monmonier's previous books, Bushmanders and Bullwinkles is essential background for understanding what might prove the most contentious political debate of the new decade.