- Table View
- List View
Hollywood Puzzle Films (AFI Film Readers)
by Warren BucklandFrom Inception to The Lake House, moviegoers are increasingly flocking to narratologically complex puzzle films. These puzzle movies borrow techniques—like fragmented spatio-temporal reality, time loops, unstable characters with split identities or unreliable narrators—more commonly attributed to art cinema and independent films. The essays in Hollywood Puzzle Films examine the appropriation of puzzle film techniques by contemporary Hollywood dramas and blockbusters through questions of narrative, time, and altered realities. Analyzing movies like Source Code, The Butterfly Effect, Donnie Darko, Déjà Vu, and adaptations of Philip K. Dick, contributors explore the implications of Hollywood's new movie mind games.
Hollywood Remakes, Deleuze and the Grandfather Paradox
by D. VarndellHollywood Remakes, Deleuze and the Grandfather Paradox explores the philosophy of Gilles Deleuze using the framework of Hollywood's current obsession with remaking and rebooting classic and foreign films. Through an analysis of cinematic repetition and difference, the book approaches remakes from a range of philosophical perspectives.
The Hollywood Sequel: History & Form, 1911-2010
by Stuart HendersonThis illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The Son of a Sheik (1926) to Toy Story 3 (2010), this book provides a comprehensive history of this critically-neglected yet commercially-dominant art form.
HOLLYWOOD SHAPED MY HAIR
by James KingA humorous look at the influence of celebrity style, charting the hairdos (and hair don’ts) James King has fashioned over the years.
Hong Kong Documentary Film
by Ian Aitken Michael InghamA comprehensive study of the lost genre of Hong Kong documentary film
Hopes and Dreams: Jodie's Story
by Cathy CassidyJodie always feels like second best, caught in the shadow of her best friend Summer.Now Jodie has taken Summer's place at the prestigious Rochelle Academy. It's everything she's ever dreamt of, but she's racked with guilt and struggling to follow her dancing dreams.With the help of her friends and the gorgeous Sebastien, will Jodie finally take a risk and step into the spotlight?
How to Get a Job in Television: Build your career from runner to series producer (Professional Media Practice)
by Elsa Sharp'Incredibly timely, practical advice for developing contacts and skills' Jo Taylor, 4Talent Manager at Channel 4TV is a notoriously difficult industry to get into and progress within. There is no set career path and 70% of applicants rely on contacts to get a foothold. Based on the author's experience as a TV researcher, series producer and recruitment executive, this contemporary guide will help thousands of hopefuls break into TV. It is packed with inside information and advice from training bodies, HR executives, and people working in the industry at every level, including for example: Conrad Green - the multi award-winning British Executive Producer of American Idol and Dancing With the Stars (US) Tim Hincks - Chairman of Endemol (makers of Big Brother) Grant Mansfield - Chairman and MD of RDF Television Kate Phillips - Head of Development at BBC TVFrom the do's and don'ts of work experience, the role of the researcher, the 'seven stages of CV', pathways to series producer and how to move up the ladder, this is the TV job hunter's bible.
How to Get a Job in Television: Build your career from runner to series producer (Professional Media Practice)
by Elsa Sharp'Incredibly timely, practical advice for developing contacts and skills' Jo Taylor, 4Talent Manager at Channel 4TV is a notoriously difficult industry to get into and progress within. There is no set career path and 70% of applicants rely on contacts to get a foothold. Based on the author's experience as a TV researcher, series producer and recruitment executive, this contemporary guide will help thousands of hopefuls break into TV. It is packed with inside information and advice from training bodies, HR executives, and people working in the industry at every level, including for example: Conrad Green - the multi award-winning British Executive Producer of American Idol and Dancing With the Stars (US) Tim Hincks - Chairman of Endemol (makers of Big Brother) Grant Mansfield - Chairman and MD of RDF Television Kate Phillips - Head of Development at BBC TVFrom the do's and don'ts of work experience, the role of the researcher, the 'seven stages of CV', pathways to series producer and how to move up the ladder, this is the TV job hunter's bible.
How to Write Everything (Oberon Modern Plays)
by David Quantick Steven ApplebyHow To Write Everything is the ultimate writer’s handbook. It tells you about every aspect of writing, from having an idea to getting the idea out into the world (and getting paid for it too). It covers everything from journalism to screen-writing, from speeches to sketches, from sitcoms to novels. With thirty years' experience as an award-winning script-writer, journalist, author and broadcaster David Quantick is ideally suited, as a writer, to write this definitive writer's guide to writing... everything.
Humphrey Jennings: Film-maker, Painter, Poet (BFI Silver)
by Marie-Louise JenningsHumphrey Jennings was one of Britain's greatest documentary film-makers, described by Lindsay Anderson in 1954 as 'the only real poet the British cinema has yet produced'. A member of the GPO Film Unit and director of wartime canonical classics such as Listen to Britain (1942) and A Diary for Timothy (1945), he was also an acclaimed writer, painter, photographer and poet. This seminal collection of critical essays, first published in 1982 and here reissued with a new introduction, traces Jennings's fascinating career in all its aspects with the aid of documents from the Jennings family archive. Situating Jennings's work in the world of his contemporaries, and illuminating the qualities by which his films are now recognised, Humphrey Jennings: Film-Maker, Painter, Poet explores the many insights and cultural contributions of this truly remarkable artist.
I Got the Rhythm
by Frank Morrison Connie Schofield-MorrisonOn a simple trip to the park, the joy of music overtakes a mother and daughter. The little girl hears a rhythm coming from the world around her- from butterflies, to street performers, to ice cream sellers everything is musical! She sniffs, snaps, and shakes her way into the heart of the beat, finally busting out in an impromptu dance, which all the kids join in on! Award-winning illustrator Frank Morrison and Connie Schofield-Morrison, capture the beat of the street, to create a rollicking read that will get any kid in the mood to boogie.
I Got the Rhythm
by Frank Morrison Connie Schofield-MorrisonOn a simple trip to the park, the joy of music overtakes a mother and daughter. The little girl hears a rhythm coming from the world around her- from butterflies, to street performers, to ice cream sellers everything is musical! She sniffs, snaps, and shakes her way into the heart of the beat, finally busting out in an impromptu dance, which all the kids join in on! Award-winning illustrator Frank Morrison and Connie Schofield-Morrison, capture the beat of the street, to create a rollicking read that will get any kid in the mood to boogie.
I Know Nothing!: An Autobiography
by Andrew SachsFrom his harrowing childhood as a Jewish boy in Nazi Germany, where he witnessed the horrors of Kristallnacht and Gestapo brutality, to his escape and subsequent life in London, where his antics were no less bizarre or comical than those of his most famous character - the hapless Spanish waiter Manuel - Andrew Sachs has lived a truly extraordinary life. Recounting hilarious tales of his early foray into the world of showbiz and his time at the most notorious hotel in television history, this delightful autobiography charts Sachs's conquest of stage, screen and radio, in a career that has seen him showcase his talent and versatility alongside a galaxy of stars. He also speaks candidly about the distressing intrusion into his private life in 2008 - an incident to which he responded with such dignity that it only served to further enhance the public's affection for him.A charming, witty and utterly compelling memoir, I Know Nothing! reveals the twists and turns of the fascinating life of one of Britain's best-loved actors and is a must-read for Fawlty Towers fans everywhere.
I Never Met a Story I Didn't Like: Mostly True Tall Tales
by Todd SniderFor years, Todd Snider has been one of the most beloved country-folk singers in the United States. He had a Top 40 hit with "Talking Seattle Grunge Rock Blues,” which gave national audiences the first taste of his insightful songwriting, at once satirical and sincere. Hailed by critics as one of the top albums of 2004, East Nashville Skyline was followed by The Devil You Know and The Excitement Plan. Snider's songs took on George W. Bush and America's recent involvement in foreign war, along with a host of more intimate topics.As good as Snider's albums have been, his in-concert monologues are even better. His shows are a loose-limbed, informal experience: it's often just him and a guitar. He introduces songs with stories that can run as long as twenty minutes, always displaying his charm and wit. As he's allowed his storytelling to evolve along with his music, Snider has become not only a modern day Bob Dylan but a modern day Will Rogers as well—an everyman whose intelligence, self deprecation, experience, and, above all, humor make him a uniquely American character.
I Never Met a Story I Didn't Like: Mostly True Tall Tales
by Todd SniderFor years, Todd Snider has been one of the most beloved country-folk singers in the United States, compared to Bob Dylan, Tom Petty, John Prine, and dozens of others. He's become not only a new-century Dylan but a modern-day Will Rogers, an everyman whose intelligence, self-deprecation, experience, and sense of humor make him a uniquely American character. In live performance, Snider's monologues are cheered as much as his songs. But never before has he told the whole story. Running the gamut from personal memoir to shaggy-dog comedy to rueful memories of his troubles and triumphs with drugs and alcohol to sharp-eyed observations from years on the road, I Never Met a Story I Didn't Like is for fans of Snider's music, but also for fans of America itself: the broad, wild country that has produced figures of folk wisdom like Will Rogers, Mark Twain, Ambrose Bierce, Tonya Harding, Garrison Keillor, and more. There are storytellers and there are performers and there are stand-up comedians. And then there's Todd Snider, who is all three in one, and something else entirely.
The Idea of the Actor
by William B. WorthenAnalyzing the relationship between dramatic action and the controversial art of acting, William Worthen demonstrates that what it means to act, to be an actor, and to communicate through acting embodies both an ethics of acting and a poetics of drama.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Žižek and Performance (Performance Philosophy)
by Broderick Chow Alex MangoldThe first edited volume to examine philosopher Slavoj Žižek's influence on, and his relevance for, theatre and performance studies. Featuring a brand new essay from Žižek himself, this is an indispensable contribution to the emerging field of Performance Philosophy.
I'm Talking: My Life, My Words, My Music
by Kate Ceberano Tom GillingFor the first time, Kate Ceberano, one of Australia's best-loved entertainers, shares her story.In her own unmistakeable voice, Kate Ceberano takes us on a very personal journey from her suburban childhood, her immersion in the Melbourne club scene of the eighties and her rise to stardom at the age of fourteen when she fronted the wildly popular funk band I'm Talking, to the life of a female performer and recording artist in London, Los Angeles and New York.With parallel careers as a pop and jazz singer and songwriter, Kate has received the highest awards in the Australian music industry including the ARIA for Best Female Artist. She has delighted audiences in Harry M. Miller's hugely successful Jesus Christ Superstar, won a legion of fans when she won Dancing with the Stars, and made a triumphant debut for Opera Australia in South Pacific. Now she reveals, for the first time, just what that was like.People have been talking about Kate Ceberano since she was a teenager: Hugh Jackman described her as having 'truly one of the great voices this country has produced'; for Rolling Stone she is 'pure, soulful and powerful'. Now Kate is talking for herself.Accompanied by never before seen photos.
I'm the Man: The Story of That Guy from Anthrax
by Scott IanI'm the Man is the fast-paced, humorous, and revealing memoir from the man who co-founded Anthrax, the band that proved to the masses that brutality and fun didn't have to be mutually exclusive. Through various lineup shifts, label snafus, rock 'n' roll mayhem, and unforeseen circumstances galore, Scott Ian has approached life and music with a smile, viewing the band with deadly seriousness while recognizing the ridiculousness of the entertainment industry. Always performing with abundant energy that revealed his passion for his craft, Ian has never let the gravity of being a rock star go to his shaven, goateed head. Ian tells his life story with a clear-eyed honesty that spares no one, least of all himself, starting with his upbringing as a nerdy Jewish boy in Queens and evolving through his first musical epiphany when he saw KISS live on television and realized what he wanted to do with his life. He chronicles his adolescence growing up in a dysfunctional home where the records blasting on his stereo failed to drown out the sound of his parents shouting at one another. He sets down the details of his fateful escape into the turbulent world of heavy metal. And of course he lays bare the complete history of Anthrax -- from the band's formation to their present-day reinvigoration -- as they wrote and recorded thrash classics like Spreading the Disease, Among the Living, and the top-twenty-charting State of Euphoria. Along the way, Ian recounts harrowing, hysterical tales from his long tour of duty in the world of hard rock. He witnesses the rise of Metallica, for which he had a front row seat. He parties with the late Dimebag Darrell while touring with Pantera and gets wild with Black Label Society frontman and longtime Ozzy Osbourne guitarist Zakk Wylde. He escapes detection while interviewing Ozzy for "The Rock Show" while dressed as Gene Simmons and avoids arrest after getting detained on suspicion of drugs while riding the tube in England with the late Metallica bassist Cliff Burton. In addition, I'm the Man addresses the trials and tribulations of Ian's life and loves. He admits his foibles and reveals the mistakes made along the way to becoming a fully-functioning adult. He celebrates finally finding peace and a true sense of family with his wife, singer/songwriter Pearl Aday, and examines how his world changed after the birth of their first son.I'm the Man is a blistering hard rock memoir, one that is astonishing in its candor and deftly told by the man who's kept the institution of Anthrax alive for more than thirty years.
Incorporating Images: Film and the Rival Arts
by Brigitte PeuckerFilm, a latecomer to the realm of artistic media, alludes to, absorbs, and undermines the discourses of the other arts--literature and painting especially--in order to carve out a position for itself among them. Exposing the anxiety in film's relation to its rival arts, Brigitte Peucker analyzes central issues involved in generic boundary crossing as they pertain to film and situates them in a theoretical framework. The figure of the human body takes center stage in Peucker's innovative study, for it is through this figure that the conjunction of literary and painterly discourses persistently articulates itself. It is through the human body, too, that film's consciousness of itself as a hybrid text and as a "machine for simulation" makes itself deeply felt.In films ranging from Weimar cinema through Griffith, Hitchcock, and Greenaway, Peucker probes issues in aesthetics problematized by Diderot and Kleist, among others. She argues that the introduction of movement into visual representation occasioned by film brings with it an underlying tension suggestive of castration and death. Peucker goes on to demonstrate how the encounter between narrative and image is both gendered and sexualized, rendering film a "monstrous" hybrid. In a final section, she explores in specific cinematic texts the permeable boundary between the real and representation, suggesting how effects such as tableau vivant and trompe l'oeil figure sexuality and death.Originally published in 1995.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Indian Modern Dance, Feminism and Transnationalism (New World Choreographies)
by Prarthana PurkayasthaThis book examines modern dance as a form of embodied resistance to political and cultural nationalism in India through the works of five selected modern dance makers: Rabindranath Tagore, Uday Shankar, Shanti Bardhan, Manjusri Chaki Sircar and Ranjabati Sircar.
India's Kathak Dance in Historical Perspective (SOAS Studies in Music)
by Margaret E. WalkerKathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history is inextricable from the history of empire, colonialism, and independence in India. Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, Margaret Walker undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account that emerges places kathak and the Kathaks firmly into the living context of North Indian performing arts.
India's Kathak Dance in Historical Perspective (SOAS Studies in Music)
by Margaret E. WalkerKathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history is inextricable from the history of empire, colonialism, and independence in India. Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, Margaret Walker undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account that emerges places kathak and the Kathaks firmly into the living context of North Indian performing arts.
Inert Cities: Globalization, Mobility and Suspension in Visual Culture (International Library Of Visual Culture Ser.)
by Stephanie Hemelryk Donald Christoph LindnerWe usually associate contemporary urban life with movement and speed. But what about those instances when the forms of mobility associated with globalized cities – the flow of capital, people, labour and information – freeze, or decelerate? How can we assess the value of interruption in a city? What does valuing stillness mean in regards to the forward march of globalization? When does inertia presage decay - and when does it promise immanence and rebirth?Bringing together original contributions by international specialists from the fields of architecture, photography, film, sociology and cultural analysis, this cutting-edge book considers the poetics and politics of inertia in cities ranging from Amsterdam, Berlin, Beirut and Paris, to Beijing, New York, Sydney and Tokyo. Chapters explore what happens when photography, film, mixed media works, architecture and design intervene in public spaces and urban communities to disrupt speed and growth, both intellectually and/or practically; and question the degree to which mobility is aspirational or imaginary, absolute or transient. Together, they encourage a re-assessment of what it means to be urban in an unevenly globalizing world, to live in cities built around mythologies of perpetual progress. These new analyses of visual culture's strategic interruptions in global cities allow a more in-depth understanding of the new forms of space, experience, and community that are emerging in today's rapidly transforming urban environments.
Inside HBO's Game of Thrones II: Seasons 3 & 4 (Hbo's Game Of Thrones Ser.)
by C.A. TaylorHBO's GAME OF THRONES is one of the most remarkable success stories of recent television. Critically acclaimed, a ratings smash and going from strength to strength, the series will define fantasy for years to come.This second official companion book, following the hugely successful INSIDE HBO'S GAME OF THRONES, gives fans new ways to enter the world of Westeros and discover more about the beloved (and reviled) characters and the electrifying plotlines. Hundreds of set photos, production and costume designs, storyboards and insider stories reveal how the show's creators translate George R.R. Martin's bestselling fantasy series for the screen.Featuring interviews with key actors and crew members that capture the best scripted and unscripted moments from seasons three and four, this special volume offers behind-the-scenes access to this ground-breaking and hugely successful series.