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Stilt Jack (A List)
by John ThompsonThe much-loved, yet undervalued, final book of poems by British-Canadian poet John Thompson, is reissued in a handsome edition, featuring a new introduction by Rob Winger.Originally published in 1978, Stilt Jack is a series of powerful soliloquies on the complexity of love and the process of living. These are made immediate through Thompson’s command of metaphor, his eye for the New Brunswick landscape, his intense, often elliptical way of transfiguring everyday things into shorthand symbols of reality. This remarkable sequence of poems is based on the ghazal, an ancient Persian poetic form which is discussed in Thompson’s introduction to the original edition of the book.These poems more than fulfill the promise of Thompson’s first collection, At the Edge of the Chopping There Are No Secrets. Stilt Jack is the last testament of a major poet at the pinnacle of his craft.
The Stone Age
by Jen HadfieldAt first sight, Jen Hadfield’s new collection is an astonishingly sharp depiction of the wild landscape of her Shetland home, its people and their working lives, and the things they make and live amongst. But the reader will soon discover in The Stone Age a work of visionary power: in Hadfield’s telling, everything – door and wall, flower and rain, shore and sea, the standing stones whose presences charge the land – has a living consciousness, one which can be engaged with as a personal encounter. The Stone Age is a timely reminder that our neurodiversity is a gift: we do not all see the world the world in the same way, and the sharing of our various experience enriches it immeasurably. Hadfield’s lyric line and unashamedly high-stakes wordplay are speech hard-won from silence, and provide nothing less than a portal into a different kind of being. The Stone Age is the work of a singular artist at the height of her powers, one which dramatically extends the range of our shared experience.
Stone Cottage: Pound, Yeats, and Modernism
by James LongenbachAlthough readers of modern literature have always known about the collaboration of W.B. Yeats and Ezra Pound, the crucial winters these poets spent living together in Stone Cottage in Sussex (1913-1916) have remained a mystery. Working from a large base of previously unpublished material, James Longenbach presents for the first time the untold story of these three winters. Inside the secret world of Stone Cottage, Pound's Imagist poems were inextricably linked to Yeats's studies in spiritualism and magic, and early drafts of The Cantos reveal that the poem began in response to the same esoteric texts that shaped Yeats's visionary system. At the same time, Yeats's autobiographies and Noh-style plays took shape with Pound's assistance. Having retreated to Sussex to escape the flurry of wartime London, both poets tracked the progress of the Great War and in response wrote poems--some unpublished until now--that directly address the poet's political function. More than the story of a literary friendship, Stone Cottage explores the Pound-Yeats connection within the larger context of modern literature and culture, illuminating work that ranks with the greatest achievements of modernism.
Stone Speaker: Medieval Tombs, Landscape, and Bosnian Identity in the Poetry of Mak Dizdar
by A. ButurovicThe Poet Mak Dizdar (d.1971) has become a cultural icon in contemporary Bosnia-Herzegovina. Inspired by the lapidary imagery and epitaphs of medieval Bosnian tombstones, his best-acclaimed collection of poetry, Stone Sleeper , reawakens the medieval voices and assigns them a new role in the historical imagination of contemporary Bosnians. In this study, Amila Buturovic looks at Stone Sleeper's recovery of the ancestral world as an effort to refashion the sentiments of collective belonging. In treating the medieval tombstones as sites of collective memory, Dizdar's poetry evokes new possibilities for Bosnians to cast aside national differences based primarily on religion and embrace a pluralistic identity rooted in the sacred landscape of medieval Bosnia.
Stones
by Kevin Young**SHORTLISTED FOR THE T.S. ELIOT PRIZE 2021**A book of loss, looking back, and what binds us to life, by a towering poetic talent, 'one of the poetry stars of his generation' (Los Angeles Times).'We sleep long, / if not sound,' Kevin Young writes early on in this exquisite gathering of poems, 'Till the end / we sing / into the wind.' In scenes and settings that circle family and the generations in the American South - one poem, 'Kith', exploring that strange bedfellow of 'kin' - the speaker and his young son wander among the stones of their ancestors. 'Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead.' Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering, precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them - of us - poetry can save.
Story, Myth, and Celebration in Old French Narrative Poetry, 1050-1200
by Karl D. UittiTwelfth-century France has been described as the key to many of the most important developments of medieval civilization. Nowhere is this description more accurate than in the domain of poetic invention. The years 1050 to 1200 witnessed the development of a brilliant body of vernacular narrative that not only expressed the complexity of its own time but also bequeathed to posterity a wide gamut of creative possibilities.Although much has been written about the works of this period, Karl Uitti offers the first critically orientated overview of this poetry as poetry. In the sections devoted to the Songs of Alexis and Roland he studies the narrative as it serves, in various ways, truths exterior to its own organization. These include the implications of Alexis' imitation of Christ and the way the Song of Roland is history conceived in literary and poetic terms. Although a number of devices are examined, the poems are seen in terms of their total significance.The second part of the book, dedicate principally to the œuvre of Chrétien de Troyes, discusses a new kind of poetry, poetry whose truth depends on the reader's submitting entirely to the internal coherence of each work—in a very meaningful sense the poem itself is the thing. What it says is specifically a matter of how it says it. No higher claim for the dignity of poetic activity has ever been made.Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Storyteller's Secrets
by Tony Mitton Peter BaileyWhen twins Toby and Tess meet a mysterious old traveller, they're fascinated by his magical tales of far-off places, strange enchantments and unbelievable miracles. Each time he visits the village he brings them a new tale and a special story-reminder from the bundle that he carries on his back.Most intriguing of all is the Map of Marvels, which shimmers and shifts and invites the children to make incredible journeys of their own.
Storytelling in the Digital Age
by W. PennThrough a professional story-teller's sometimes humorous commentary on culture and literature from The Odyssey on , the book suggests that literature is not an artifact to be studied but a living process. Often irreverent, crossing literary and scholarly lines, Penn aims to discover what literature does for an imaginatively engaged reader.
Strange Cocktail: Translation and the Making of Modern Hebrew Poetry (Michigan Studies In Comparative Jewish Cultures)
by Adriana X. JacobsFor centuries, poets have turned to translation for creative inspiration. Through and in translation, poets have introduced new poetic styles, languages, and forms into their own writing, sometimes changing the course of literary history in the process. Strange Cocktail is the first comprehensive study of this phenomenon in modern Hebrew literature of the late nineteenth century to the present day. Its chapters on Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel offer close readings that examine the distinct poetics of translation that emerge from reciprocal practices of writing and translating. Working in a minor literary vernacular, the translation strategies that these poets employed allowed them to create and participate in transnational and multilingual poetic networks. Strange Cocktail thereby advances a comparative and multilingual reframing of modern Hebrew literature that considers how canons change and are undone when translation occupies a central position—how lines of influence and affiliation are redrawn and literary historiographies are revised when the work of translation occupies the same status as an original text, when translating and writing go hand in hand.
Strange Meetings: The Poets of the Great War
by Harry RickettsStrange Meetings provides a highly original account of the War Poets of 1914-1918, written through a series of actual encounters, or near-encounters, from Siegfried Sassoon's first, blushing meeting with Rupert Brooke over kidneys and bacon at Eddie Marsh's breakfasts before the war, through famous moments like Sassoon's encouragement of Owen when both are in hospital at the same time; on to the poignant meeting between Edward Thomas's widow and Ivor Gurney in 1932; and the last, strange lunch and 'longish talk' of Sassoon and David Jones in 1964, half a century after the great war began. Among the other poets and writers we encounter are Vera Brittain, Roland Leighton, Robert Graves, Isaac Rosenberg, Robert Nichols and Edmund Blunden. Ricketts's unusual approach allows him to follow their relationships, marking their responses to each other's work and showing how these affected their own poetry - one potent strand, for example, is the profound influence of Brooke, both as a model to follow and a burden to reject. The stories become intensely personal and vivid - we come to know each of the poets, their family and intellectual backgrounds and their very different personalities. And while the accounts of individual lives achieve the imaginative vividness of a novel, they also give us an entirely fresh sense of Georgian poetry, conveying all the excitement and frustration of poetic creation, and demonstrating how the whole notion of what poetry should be 'about' became fractured and changed for ever by the terrible experiences of the war.
Stranger, Baby
by Emily BerryEmily Berry's Dear Boy was described as a 'blazing debut', winning the Forward Prize for Best First Collection in 2013. Stranger, Baby, its follow-up, is marked by the same sense of fantasy and play, estrangement and edgy humour for which she has become known. But these poems delve deeper again, in their off-kilter and often painful encounter with childhood loss. This is a book of mourning, recrimination, exhilaration and 'oceanic feeling': 'A meditation on a want that can never be answered.'
Stranger, Baby
by Emily BerryEmily Berry's Dear Boy was described as a 'blazing debut', winning the Forward Prize for Best First Collection in 2013. Stranger, Baby, its follow-up, is marked by the same sense of fantasy and play, estrangement and edgy humour for which she has become known. But these poems delve deeper again, in their off-kilter and often painful encounter with childhood loss. This is a book of mourning, recrimination, exhilaration and 'oceanic feeling': 'A meditation on a want that can never be answered.'
Stranger Music: Selected Poems and Songs
by Leonard CohenLeonard Cohen's legacy is that of one of the most literate, daring, and affecting poet-songwriters in the world. Stranger Music presents a magnificent cross-section of Cohen's work - including the legendary songs 'Suzanne', 'Joan of Arc' and 'The Chelsea Hotel', and elections from such books as Flowers for Hitler, Beautiful Losers, and Death of a Lady's Man, and eleven previously unpublished poems.Stranger Music brings together Cohen's song lyrics and a generous selection of his poetry and is a celebration of the legendary musician's extraordinary gift for language that speaks with rare clarity, passion and timelessness.'A massive record of the poet's imaginative journey, through beauty, through horror, through the extremes of love and despair, from the deepest abyss of self-abnegation to the rare and necessary moments of ecstasy. The language ranges from the exquisitely beautiful to the darkly obscene, from the romantically inspired to the ironically banal... A poetic record like no other' Toronto Star
The Strangers' House: Writing Northern Ireland
by Alexander PootsA penetrating study and celebration of Northern Irish literature—telling the region&’s story through the extraordinary novels and poetry produced by decades of conflict. Northern Ireland is one hundred years old. Northern Ireland does not exist. Both of these statements are true. It just depends who you ask. How do you write about a place like this? THE STRANGERS' HOUSE asks this question of the region&’s greatest writers, living and dead. What have they made of Northern Ireland – and what has Northern Ireland made of them? Northern Ireland is roughly the same size as the State of Connecticut, yet has produced an extraordinary number of celebrated poets and novelists. Louis MacNeice, too clever to be happy, formed by his childhood on the shores of Belfast Lough; son of a Protestant clergyman &“banned for ever from the candles of the Irish poor&”. C. S. Lewis, who discovered Narnia in the rolling drumlins and black rock of County Down. Anna Burns, chronicler of North Belfast and winner of the Booker Prize. And Seamus Heaney, the man of wry precision, the poet with the gift of surprise. As well as household names, Poots also examines writers who may be less familiar to an American readership. These include the dark and bawdy novels of Ian Cochrane, a half-blind writer obsessed with Columbo, and Forrest Reid, a man who saw Arcadia in the Irish countryside, and who was, perhaps, the North&’s first queer author. Reading the work of these writers together produces a testament to over one hundred years of literary endeavor and human struggle. THE STRANGERS' HOUSE is the story of how men and women have written about a home divided, and used their work to move, in the words of Seamus Heaney, &“like a double agent among the big concepts.&”
The Street: Poems and Ballads of John B. Keane
by Mr John B Keane(Selected & Edited by Joanna Keane-O'Flynn) John B. Keane was a spirited, charismatic and generous man who will forever occupy a special niche in the hearts and minds of Irish people everywhere. This is a fascinating collection of many well-known John B Keane poems and, for the first time, his songs, selected and edited by his daughter Joanna. It includes; The Street, My Father, The Sive Song, Sweet Listowel, Many Young Men of Twenty, Kitty Curley and If I Were the Rose of Tralee - a must for all Keane fans.
Stressed, Unstressed: Classic Poems To Ease The Mind
by Jonathan BateCan you be re-lit by poetry? This little book offers everyone one of the oldest of all remedies for stress: the reading of poetry.
Strict Wildness: Discoveries in Poetry and History
by Peter ViereckA reviewer once called Peter Viereck's thought "not common sense but inspired, electric common sense." This volume of Viereck's selected essays on poetry and on history, written between 1938 through 2004, exemplifies this quality. Its main theme is suggested in Viereck's coined phrase "strict wildness," which suggests a balance between restraint (which by itself is staid and rigid) and passion (which by itself is incoherent). Frost called free verse tennis without the net. Viereck calls dead mechanical form "net without the tennis." Strict wildness, then, is spontaneity of feeling within strict organic form.The book explores questions of modernism and poetic craft with respect to American poetry. It discusses the controversy over Ezra Pound's politics and its relation to his poetics, as well as the nearly forgotten poet Vachel Lindsay. Viereck offers more general views on poetics, including the fruitful tensions between form and content, and the impact of modern technology on poetic expression. He also discusses history and politics, and contains essays on McCarthyism, the Cold War, political conformity of the Left and Right, and discusses issues of historiography and culture that define Viereck's highly individual, often critical brand of conservatism. In treating representative trends and figures in conservative thought, Viereck insists on clear awareness of what exists to conserve, what ought to be conserved, and why it should be conserved.In their range and originality, the writings brought together in Strict Wildness constitute an ideal introduction to Peter Viereck's literary and political thought and how they come together. It will be of interest to literary scholars, intellectual historians, and social scientists. The introduction allows the reader to grasp a clear sense of the context and background of Viereck's works.
Strict Wildness: Discoveries in Poetry and History
by Peter ViereckA reviewer once called Peter Viereck's thought "not common sense but inspired, electric common sense." This volume of Viereck's selected essays on poetry and on history, written between 1938 through 2004, exemplifies this quality. Its main theme is suggested in Viereck's coined phrase "strict wildness," which suggests a balance between restraint (which by itself is staid and rigid) and passion (which by itself is incoherent). Frost called free verse tennis without the net. Viereck calls dead mechanical form "net without the tennis." Strict wildness, then, is spontaneity of feeling within strict organic form.The book explores questions of modernism and poetic craft with respect to American poetry. It discusses the controversy over Ezra Pound's politics and its relation to his poetics, as well as the nearly forgotten poet Vachel Lindsay. Viereck offers more general views on poetics, including the fruitful tensions between form and content, and the impact of modern technology on poetic expression. He also discusses history and politics, and contains essays on McCarthyism, the Cold War, political conformity of the Left and Right, and discusses issues of historiography and culture that define Viereck's highly individual, often critical brand of conservatism. In treating representative trends and figures in conservative thought, Viereck insists on clear awareness of what exists to conserve, what ought to be conserved, and why it should be conserved.In their range and originality, the writings brought together in Strict Wildness constitute an ideal introduction to Peter Viereck's literary and political thought and how they come together. It will be of interest to literary scholars, intellectual historians, and social scientists. The introduction allows the reader to grasp a clear sense of the context and background of Viereck's works.
The Striped World
by Emma JonesWith their tidal imagination, the poems in this debut collection sweep between old worlds and new, seeking the lost and recovering the found among shipwrecks, underwater zoos and discovered lands. Emma Jones brings her inventive worlds dramatically to life in a series of vividly distilled meetings - of settlers and indigenous peoples, of seawaters and shore, of humanity and the wilds of nature. Here, tigers stalk the captive and the free, while Death encounters his own double and Daphne tells of her new leaves, 'They sing, and make the world.' The same might be said of the poems themselves in this restless and memorable search for belonging.
Stroking Cerberus: Poems from the Afterlife (Spotlight)
by Jacqueline Haskell‘This dazzling series shows that if the barriers can be vaulted there is true beauty to be had from the lesser-walked streets of literature. These works are both nourishing and inspiring, and a gift to any reader.’ —Kerry HudsonThe living have always told themselves stories about the dead, but few of us stop to wonder if the dead ever tell tales of the living. Through the prism of Haskell’s identity as a deaf poet come the themes of communication—or miscommunication—across worlds, languages and between the living and the dead.Mythical dogs, the dead who mourn the living, and the sorrow of those reincarnated, join hands around Jacqueline Haskell’s unique and very personal poetic Ouija board to resonate with the living, the dead and all those in-between. As forcible as they are humorous, these are poignant and thought-provoking poems.Spotlight Books is a collaboration between Creative Future, New Writing South and Myriad Editions to discover, guide and support writers who are under-represented due to mental or physical health issues, disability, race, class, gender identity or social circumstance.
Structure and Dissolution in English Writing, 1910–1920
by Stuart SillarsThis book explores key texts - Howards End , The Rainbow , and the poetry of Owen, Sassoon and Edward Thomas - to show the mingled continuation and rejection of convention as their characteristic achievement, exploring features often seen as failures. It also discusses the writing's increasing concern with the inadequacies of language, seeing it within the frame of contemporary society and deconstructive theory, and attempting to locate them in relation to high Modernism.
A Student's Commentary on Ovid's Metamorphoses Book 10
by Shawn O'BryhimDiscover a holistic perspective on Ovid’s Metamorphoses Book 10 with this insightful resource. In A Student’s Commentary on Ovid’s Metamorphoses Book 10, Shawn O’Bryhim offers an insightful and concise examination of the literary, grammatical, and textual matters integral to Book 10 of Ovid’s Metamorphoses. Expanding the scope of more traditional textbooks on Book 10, the author explores the archaeological, religious, and cultural elements of the work as it relates to Greece, Rome, and the Near East. Readers will benefit from the inclusion of: A multidisciplinary approach that examines the religious, archaeological, and cultural background of Ovid’s myths A Near Eastern perspective on the material, which will allow a deeper understanding of the subject matter An exploration of the grammatical and literary components that characterize Book 10 Intended primarily for undergraduates in advanced Latin courses on Ovid, A Student’s Commentary on Ovid’s Metamorphoses Book 10 will also earn a place in the library of anyone who desires a broader approach to the study of Book 10 of the Metamorphoses.
A Student's Commentary on Ovid's Metamorphoses Book 10
by Shawn O'BryhimDiscover a holistic perspective on Ovid’s Metamorphoses Book 10 with this insightful resource. In A Student’s Commentary on Ovid’s Metamorphoses Book 10, Shawn O’Bryhim offers an insightful and concise examination of the literary, grammatical, and textual matters integral to Book 10 of Ovid’s Metamorphoses. Expanding the scope of more traditional textbooks on Book 10, the author explores the archaeological, religious, and cultural elements of the work as it relates to Greece, Rome, and the Near East. Readers will benefit from the inclusion of: A multidisciplinary approach that examines the religious, archaeological, and cultural background of Ovid’s myths A Near Eastern perspective on the material, which will allow a deeper understanding of the subject matter An exploration of the grammatical and literary components that characterize Book 10 Intended primarily for undergraduates in advanced Latin courses on Ovid, A Student’s Commentary on Ovid’s Metamorphoses Book 10 will also earn a place in the library of anyone who desires a broader approach to the study of Book 10 of the Metamorphoses.
