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Dance Nation (Modern Classics)
by Clare Barron"Barron paints a wholly plausible picture of teenage insecurity and ambition... a play that wittily shows how dance can be a source of liberation without ever quelling the tremulous terrors of adolescence." - GuardianSomewhere in America, a revolution is coming.An army of competitive dancers is ready to take over the world, one routine at a time.With a pre-teen battle for power and perfection raging on and off stage, Dance Nation is a ferocious exploration of youth, ambition and self-discovery.Winner of the Susan Smith Blackburn Prize and The Relentless Award, Dance Nation is Clare Barron's explosive play about the challenges of being young, and competitive dancing. Published for the first time in Methuen Drama's Modern Classics series, this edition features a brand new introduction by Eboni Booth and Purva Bedi.
The Early Greek Alphabets: Origin, Diffusion, Uses (Oxford Studies in Ancient Documents)
The birth of the Greek alphabet marked a new horizon in the history of writing, as the vowelless Phoenician alphabet was borrowed and adapted to write vowels as well as consonants. Rather than creating a single unchanging new tradition, however, its earliest attestations show a very great degree of diversity, as areas of the Greek-speaking world established their own regional variants. This volume asks how, when, where, by whom and for what purposes Greek alphabetic writing developed. Anne Jeffery's Local Scripts of Archaic Greece (1961), re-issued with a valuable supplement in 1990, was an epoch-making contribution to the study of these issues. But much important new evidence has emerged even since 1987, and debate has continued energetically about all the central issues raised by Jeffery's book: the date at which the Phoenician script was taken over and adapted to write vowels with separate signs; the priority of Phrygia or Greece in that process; the question whether the adaptation happened once, and the resulting alphabet then spread outwards, or whether similar adaptations occurred independently in several paces; if the adaptation was a single event, the region where it occurred, and the explanation for the many divergences in local script; what the scripts tell us about the regional divisions of archaic Greece. There has also been a flourishing debate about the development and functions of literacy in archaic Greece. The contributors to this volume bring a range of perspectives to bear in revisiting Jeffery's legacy, including chapters which extend the scope beyond Jeffery, by considering the fortunes of the Greek alphabet in Etruria, in southern Italy, and on coins.
Expressive Meaning Across Linguistic Levels and Frameworks
This volume is the first to explore the formal linguistic expressions of emotions at different levels of linguistic complexity. Research on the language-emotion interface has to date concentrated primarily on the conceptual dimension of emotions as expressed via language, with semantic and pragmatic studies dominating the field. The chapters in this book, in contrast, bring together work from different linguistic frameworks: generative syntax, functional and usage-based linguistics, formal semantics and pragmatics, and experimental phonology. The volume contributes to the growing field of research that explores the interaction between linguistic expressions and the 'expressive dimension' of language, and will be of interest to linguists from a range of theoretical backgrounds who are interested in the language-emotion interface.
Frances Ya-Chu Cowhig's China Trilogy: The World of Extreme Happiness; Snow in Midsummer; The King of Hell’s Palace (Modern Plays)
by Frances Ya-Chu Cowhig"Some playwrights have a gift to amuse; Frances Ya-Chu Cowhig has a darker gift. Anyone with romantic notions of Chinese culture will be unsettled by the jagged, unsentimental portrait of modern urban China."(Chicago Reader) Poetic and devastating, sensuous and politically acute, Frances Ya-Chu Cowhig's China Plays explore the forces of global capital as they explode within the lives of everyday people in contemporary China. This volume collects together the three plays in the series, including Cowhig's exploration of the human cost of development in China's socialist market economy (The World of Extreme Happiness), of justice and revenge amidst ecological and economic catastrophe (Snow in Midsummer), and the tale of the trade in blood that brought the AIDS crisis to rural China (The King of Hell's Palace). In addition to Cowhig's plays, the volume includes a host of supplemental materials including an editorial preface and three (previously published) brief essays responding to each play by the editor, Joshua Chambers-Letson; a new introduction by theatre/performance scholar and dramaturg Christine Mok that explores the key themes in Cowhig's body of work; a summary discussion between Cowhig, Chambers-Letson, and Mok, on Cowhig's process and the political and aesthetic currents animating her work.The World of Extreme Happiness: "Fearless, zippily-paced, and satirical . . . Cowhig forces us down the long hard look path" (Independent) Snow in Midsummer: “Gripping and affecting… graceful and impassioned” (Times) The King of Hell's Palace: "A medical-scandal drama that we can't afford to ignore" (Telegraph)
Hannah Khalil: Plan D; Scenes from 73* Years; A Negotiation; A Museum in Baghdad; Last of the Pearl Fishers; Hakawatis (Modern Plays)
by Hannah KhalilThis is the first ever collection of plays by Palestinian-Irish playwright Hannah Khalil; the first woman of Arab heritage to have a main-stage play at the RSC. It encompasses a decade's worth of plays exploring her Arab heritage, drawing on family histories as well as significant events in the Arab World. They were all written during a period that included the end of the war in Iraq, the intensification of the occupation of Palestine and the birth and disillusion of the so called Arab Spring. The plays included are set in both a historical and modern context. They include a feminist take on 1001 nights and the Scheherazade story; an exploration of Gertrude Bell, the Museum in Baghdad and Britain's role in the birth of the Iraq; plus two plays looking at the Palestinian experience, one based on a family living through the creation of the State of Israel in 1948, the other an epic collage that moves in time from 1948 to present day. This anthology also includes a radio play set in Dubai and a monologue about the power and legacy of artefacts. It's notable that these plays offer a plethora of non-stereotypical roles for actors of Arab heritage. Through the six plays included the reader can trace a variety of approaches to storytelling, a host of memorable characters and some unforgettable stories. Plays include:Plan DScenes from 73* Years A NegotiationMuseum in BaghdadLast of the Pearl FishersHakawatis
Language Change, Variation, and Universals
by Peter W. CulicoverThis volume explores how human languages become what they are, why they differ from one another in certain ways but not in others, and why they change in the ways that they do. Given that language is a universal creation of the human mind, the puzzle is why there are different languages at all: why do we not all speak the same language? Moreover, while there is considerable variation, in some ways grammars do show consistent patterns: why are languages similar in those respects, and why are those particular patterns preferred? Peter Culicover proposes that the solution to these puzzles is a constructional one. Grammars consist of constructions that carry out the function of expressing universal conceptual structure. While there are in principle many different ways of accomplishing this task, languages are under press to reduce constructional complexity. The result is that there is constructional change in the direction of less complexity, and grammatical patterns emerge that more efficiently reflect conceptual universals. The volume is divided into three parts: the first establishes the theoretical foundations; the second explores variation in argument structure, grammatical functions, and A-bar constructions, drawing on data from a variety of languages including English and Plains Cree; and the third examines constructional change, focusing primarily on Germanic. The study ends with observations and speculations on parameter theory, analogy, the origins of typological patterns, and Greenbergian 'universals'.
Literary Theories of Uncertainty
As the first study to examine the concept of uncertainty of meaning as it relates to modern and contemporary literature and literary theory, Literary Theories of Uncertainty demonstrates how this notion functions as a literary feature, narrative device and theoretical concept in 20th and 21stcentury texts. Calling upon theories of interpretation and challenging the distinction between literature and theory, this exploration is broken down into three sections: Poststructuralist legacies ofuncertainty; life-writing and uncertainty; and contemporary literary uncertainties.The volume takes into account related terms such as undecidability, indeterminacy, ambiguity, unreadability, and obscurity, and the topics examined include: undecidability and the motif of suspension in deconstruction; Derrida and Bataille; poetry as a mode of critical discourse and point of convergence between logico-mathematical ideas of undecidability and literary forms of uncertainty; uncertainty in relation to speech and the impact of Robert Antelme on Mascolo and Blanchot; Proust and temporal uncertainty; uncertainty in relation to death, trauma and autobiography; moral uncertainty in the Scandinavian welfare state and Nordic Noir; the aesthetically disruptive and anti-authorian effect of uncertainty in in the works of German-Turkish writer Emine Sevgi Ozdamar; uncertainty in the form of 'the double' and in relation to meta-fiction; and many more.Literary Theories of Uncertainty collates original and diverse discussions by some of the most prominent, inquiring minds in literary, cultural and critical theory today to map out the contours of the field of 'theory of uncertainty'.
Master Class (Modern Classics)
by Terrence McNallyThe world can and will go on without us but I have to think that we have made this world a better place. That we have left it richer, wiser than had we not chosen the way of art.The 1996 Tony Award winner for Best Play.Terrence McNally's Master Class presents the legendary opera diva, Maria Callas, as she puts aspiring young singers through their paces in a series of master classes. Both moving and entertaining, this theatrical tour de force dramatizes the Callas phenomenon and "is an unembarrassed, involving meditation on Callas's life and the nature of her art. Such subjects are not easily dramatized, certainly not with this brio." (New York Times)After opening on Broadway in 1995 with Zoe Caldwell and Audra McDonald, the play premiered in London in 1997 with Patti LuPone. It was last revived on Broadway and in the West End in 2011-12 starring Tyne Daly.
Modernism, Theory, and Responsible Reading: A Critical Conversation
Introducing readers to a new theory of 'responsible reading', this book presents a range of perspectives on the contemporary relationship between modernism and theory. Emerging from a collaborative process of comment and response, it promotes conversation among disparate views under a shared commitment to responsible reading practices.An international range of contributors question the interplay between modernism and theory today and provide new ways of understanding the relationship between the two, and the links to emerging concerns such as the Anthropocene, decolonization, the post-human, and eco-theory.Promoting responsible reading as a practice that reads generously and engages constructively, even where disagreement is inevitable, this book articulates a mode of ethical reading that is fundamental to ongoing debates about strength and weakness, paranoia and reparation, and critique and affect.
People, Places and Things (Modern Classics)
by Duncan Macmillan"Macmillan doesn't shy away from difficult questions about addiction and recovery and, rightly, doesn't answer them ... this is a bold, timely and searching play" - Financial TimesEmma was having the time of her life. Now she's in rehab. Her first step is to admit that she has a problem. But the problem isn't with Emma, it's with everything else. She needs to tell the truth. But she's smart enough to know that there's no such thing. When intoxication feels like the only way to survive the modern world, how can she ever sober up?People, Places & Things premiered at the National Theatre in 2015 before transferring to London's West End and St. Ann's Warehouse in New York.Published for the first time in Methuen Drama's Modern Classics series, this edition features a brand new introduction by Naomi Obeng.
Photograph 51 (Modern Classics)
by Anna Ziegler"Ziegler's thoughtful, empathetic play brings home with bitter comedy the unlovely male-domination of this world in the 1950s ... glorious." IndependentLondon 1953. Scientists are on the verge of discovering what they call the secret of life: the DNA double helix. Providing the key is driven young physicist Rosalind Franklin. But if the double helix was the breakthrough of the 20th century, then what kept Franklin out of the history books? A play about ambition, isolation, and the race for greatness. Photograph 51 premiered in the UK in London's West End in 2015 in a production which starred Nicole Kidman, where it won the WhatsOnStage Award for Best New Play. Published for the first time in Methuen Drama's Modern Classics series, this edition features a brand-new introduction by Mandy Greenfield.
The Private Life of William Shakespeare
by Lena Cowen OrlinA new biography of William Shakespeare that explores his private life in Stratford-upon-Avon, his personal aspirations, his self-determination, and his relations with the members of his family and his neighbours. The Private Life of William Shakespeare tells the story of Shakespeare in Stratford as a family man. The book offers close readings of key documents associated with Shakespeare and develops a contextual understanding of the genres from which these documents emerge. It reconsiders clusters of evidence that have been held to prove some persistent biographical fables. It also shows how the histories of some of Shakespeare's neighbours illuminate aspects of his own life. Throughout, we encounter a Shakespeare who consciously and with purpose designed his life. Having witnessed the business failures of his merchant father, he determined not to follow his father's model. His early wedding freed him from craft training to pursue a literary career. His wife's work, and probably the assistance of his parents and brothers, enabled him to make the first of the property purchases that grounded his life as a gentleman. With his will, he provided for both his daughters in ways that were suitable to their circumstances; Anne Shakespeare was already protected by dower rights in the houses and lands he had acquired. His funerary monument suggests that the man of 'small Latin and less Greek' in fact had some experience of an Oxford education. Evidences are that he commissioned the monument himself.
Rethinking Contemporary British Women’s Writing: Realism, Feminism, Materialism
by Emilie WalezakProviding close readings of well-known British realist writers including Pat Barker, A. S. Byatt, Rose Tremain, Sarah Hall, Bernadine Evaristo and Zadie Smith, this book uses new directions in material and posthuman feminism to examine how contemporary women writers explore the challenges we collectively face today.Walezak redresses negative assumptions about realism's alleged conservatism and demonstrates the vitality and relevance of the realist genre in experimenting with the connections between individual and collective voices, human and non-human meditations, local and global scales, and author and reader. Considering how contemporary realist writing is attuned to pressing issues including globalization, climate change, and interconnectivity, this book provides innovative new ways of reading realism, examines how these writers are looking to reinvent the genre, and shows how realism helps reimagine our place in the world.
Secret Selves: A History of Our Inner Space
by Stephen PrickettWho are we and how do we define our inner selves? In his last work, Professor Stephen Prickett presents a literary and cultural exploration of our inner selves – and how we have created and written about them – from the Old Testament to social media. What he finds is that although our secret, inner, sense of self – what we feel makes us distinctively 'us' – seems a natural and permanent part of being human, it is in fact surprisingly new. Whilst confessional religious writings, from Augustine to Jane Austen, or even diaries of 20th-century Holocaust victims, have explored inwards as part of a path to self-discovery, our inner space has expanded beyond any possible personal experience. This development has enhanced our capacity not merely to write about what we have never seen, but even to create fantasies and impossible fictions around them.Yet our secret selves can also be a source of terror. The fringes of our inner worlds are often porous, ill-defined and susceptible to frightening forms of external control. Mystics and poets, from Dante to John Henry Newman or Gerard Manley Hopkins, sought God in their secret spaces not least because they feared the 'abyss beneath.' From the origin of human consciousness through modern history and into the future, Secret Selves uses literature to consider the profound possibilities and ramifications of our evolving ideas of self.
Shakespeare’s Others in 21st-century European Performance: The Merchant of Venice and Othello (Global Shakespeare Inverted)
by David Schalkwyk Silvia BigliazziThe Merchant of Venice and Othello are the two Shakespeare plays which serve as touchstones for contemporary understandings and responses to notions of 'the stranger' and 'the other'. This groundbreaking collection explores the dissemination of the two plays through Europe in the first two decades of the 21st-century, tracing how productions and interpretations have reflected the changing conditions and attitudes locally and nationally. Packed with case studies of productions of each play in different countries, the volume opens vistas on the continent's turbulent history marked by the instability of allegiances and boundaries, and shifting senses of identity in a context of war, decolonization and migration. Chapters examine productions in Bulgaria, Hungary, Poland, Romania, Serbia, Italy, France, Portugal and Germany to shed light on wide-scale European developments for the first time in English. In a final section, performance insights are offered by interviews with three directors: Karin Coonrod on directing The Merchant in Venice at the Venetian Ghetto in 2016, Plamen Markov on his 2020 Othello for the Varna Theatre (Bulgaria) and Arnaud Churin, whose Othello toured France in 2019. In drawing attention to the ways in which historical circumstances and collective memory shape and refashion performance, Shakespeare's Others in 21st-century European Performance offers a rich review of European theatrical engagements with Otherness in the productions of these two plays.
Tears, Liquids and Porous Bodies in Literature Across the Ages: Niobe’s Siblings
by Norbert LennartzTaking in works from writers as diverse as William Shakespeare, William Wordsworth, Charlotte Brontë, John Keats, James Joyce and D.H. Lawrence, this book spans approximately 300 years and unpacks how bodily liquidity, porosity and petrification recur as a pattern and underlie the chequered history of the body and genders in literature.Lennartz examines the precarious relationship between porosity and its opposite – closure, containment and stoniness – and explores literary history as a meandering narrative in which 'female' porosity and 'manly' stoniness clash, showing how different societies and epochs respond to and engage with bodily porosity.This book considers the ways that this relationship is constantly renegotiated and where effusive and 'feminine' genres, such as 'sloppy' letters and streams of consciousness, are pitted against stony and astringent forms of masculinity, like epitaphs, sonnets and the Bildungsroman.
Theory in the "Post" Era: A Vocabulary for the 21st-Century Conceptual Commons
Theory in the "Post" Era brings together the work and perspectives of a group of Romanian theorists who discuss the morphings of contemporary theory in what the editors call the “post” era. Since the Cold War's end and especially in the third millennium, theorists have been exploring the aftermath - and sometimes just the “after” - of whole paradigms, the crisis or “passing” of anthropocentrism, the twilight of an entire ontological and cultural “condition,” as well as the corresponding rise of an antagonist model, of an “anti,” “meta,” or “neo” alternative, with examples ranging from “posthumanism” and “post-postmodernism” to “post-aesthetics,” “postanalog” interpretation or “digicriticism,” “post-presentism,” “post-memory,” “post-“ or “neo-critique,” and so forth. It is no coincidence, the contributors to this volume argue, that this “post” moment is also a time when theory is practiced as a world genre. If theory has always been a “worlded” enterprise, a quintessentially communal, cross-cultural and international project, this is truer at present than ever. Perhaps more than other humanist constituencies, today's theorists work and belong in a theory commons that is transnational if still uneven economically, politically, and otherwise. Theory in the "Post" Era reports the results of Romanian theory experiments that join efforts made in other places to foster a theory for the “post” age.
Xenophon’s Other Voice: Irony as Social Criticism in the 4th Century BCE
by Yun Lee TooThis volume explores irony – in its essence, saying other than one actually means – in the collected works of Xenophon. Xenophon's Other Voice argues that there are two voices in the author: one ostensible at the level of the literal text, which is available to everyone, while the sub-title designates the other voice, which is less obvious to the reader and indeed, an ironic one. It presents a unified view of the author's entire corpus and argues that the function of Xenophontic irony is to offer critiques of the societies in which he finds himself.Rejecting both non-ironic and Straussian interpretations of Xenophon's writings, Yun Lee Too offers a wholly original perspective on the contemporary debate of how he should be read, which is underpinned by a series of incisive readings of the individual works. Beginning with Xenophon's representation of an ironic Socrates, who condemns the contemporary city and its more prominent citizens, the book moves on to consider how the author develops his own approach to irony. He deploys irony to criticize aspects of Athenian society, such as its understanding of wealth, its armed forces and sophistic education. The book then turns to his treatment of other Hellenic societies, including the Spartan city-state and laws, kingship in Syracuse and war amongst the Greek states. It finally considers Persia, covering Xenophon's depiction of Cyrus the Great and the expedition with Cyrus the Younger.
Cambridge Primary English Learner's Book 3 Second Edition
by Sarah SnashallThis title has been endorsed by Cambridge Assessment International Education Inspire learners to build, strengthen and extend their skills. Written by experienced authors and primary practitioners, Cambridge Primary English offers full coverage of the new Cambridge Primary English curriculum framework (0058). - Boost confidence and extend understanding: Tasks built in a three-step approach with 'Learn', 'Get started!' and 'Go further' plus 'Challenge yourself' activities to support differentiation and higher order thinking skills. - Revisit, practice and build on previous learning: Let learners see how their skills are developing with 'What can you remember?' checklists at the end of each unit and self-check practice quizzes. - Develop key concepts and skills: A variety of practice material throughout to build Reading, Writing, Speaking and Listening skills. - Motivate learners with an international approach: The learner's books provide a variety of engaging extracts from diverse international authors covering fiction genres, non-fiction text types, poetry and plays.
Cambridge Primary English Workbook 3
by Sarah SnashallThis title has been endorsed by Cambridge Assessment International Education- Reinforce learning, deepen understanding and encourage self-reflection in practical workbook activities.- Provide extra practice and self-assessment: Each Workbook is intended to be used by the learner for practice and homework, plus the completed workbooks can be used to help aid revision.- Build on what has taken place in the lesson: Challenge learners to develop their understanding further with ready-to-go write-in exercises.
Joseph Addison: Tercentenary Essays
Joseph Addison: Tercentenary Essays is a collection of fifteen essays by a team of internationally recognized experts specially commissioned to commemorate the three hundredth anniversary of Addison's death in 2019. Almost exclusively known now as the inventor and main author of The Spectator, probably the most widely read and imitated prose work of the eighteenth century, Addison also produced important and influential work across a broad gamut of other literary modes—poems, verse translations, literary criticism, periodical journalism, drama, opera, travel writing. Much of this work is little known nowadays even in specialist academic circles; Addison is often described as the most neglected of the eighteenth century's major writers. This volume is the first collection to address the full range and variety of Addison's career and writings. Its fifteen chapters fall into three groupings: the first set study Addison's work in modes other than the literary periodical (poetry, translation, travel writing, drama); the second set address The Spectator from a variety of disciplinary perspectives (literary-critical, sociological and political, bibliographical); and the final set explore Addison's reception within several cultural spheres (philosophy, horticulture, art history), by individual writers or across larger historical periods (the Romantic age, the Victorian age), and in Britain and Europe, especially France. The volume provides an overdue and appropriately diverse memorial to one of the dominant men of letters of the Georgian era.
Out West: The Overseas Student; Blue Water and Cold and Fresh; Go, Girl (Modern Plays)
by Roy Williams Tanika Gupta Simon StephensThree new plays from three of the UK's most celebrated playwrights. All rooted in West London, the plays explore race, identity and our sense of place and purpose, presented together as one piece, Out West. The Overseas Student by Tanika GuptaLondon. 1888. An 18-year-old Gandhi has just arrived from India to study Law. Miles from home, his wife and his family, we see him navigate a time of uncertainty, growth and opportunity. As he builds a new life, he explores the joys of money, food and women whilst facing the struggles of class and imperialism. Gupta's sharp and profound play is an insight into the teenage years of a man we know will grow up to be one of the most significant figures in history.Blue water and cold and fresh by Simon StephensLondon. 2020. A walk back in time. A walk that may change everything he's ever believed.In the wake of city lockdown living and the Black Lives Matter protests, one man's journey across London raises difficult truths he has to confront. The death of a loved one. His father's racism. His own white privilege. This heartfelt piece explores what it means to be a father, husband and son.Go, Girl by Roy WilliamsLondon. 2020. Working as a security guard at Westfield and a mother to a teenage daughter, Donna sees her life as unremarkable. Why have things not turned out how she pictured when she was a young girl, inspired by the words of Michelle Obama? The hope and excitement she once felt has now become isolation and judgement of the choices she has made. Until one night Donna gets a call from her daughter that makes her rethink her entire life. As their bravery and humanity is tested, Donna realises just how remarkable they both truly are. A celebration of Black women, everyday heroism and female resilience.
Reading Planet: Astro – Amazing Men in Black History - Stars/Turquoise band
by Marcelle AkitaBlack History is not just history - it is the history of people left out of the history books. But this book is different! In this book, we are going to meet eight amazing Black men. They did amazing things in the past - and some are doing amazing things today! Learn about Mansa Musa, the richest man EVER, Walter Tull, the fantastic footballer and hero, and William Kamkwamba, the boy that made electricity for his town! Children can also read about Amazing Women in Black History too, in the partner book at Mars/Stars band. Amazing Men in Black History is part of the Astro range from Rising Stars Reading Planet. Astro books are ideal for struggling and reluctant readers aged 7-11. Each book is dual-banded so that children can improve their fluency whilst enjoying exciting fiction and non-fiction relevant to their age. Astro books for Stars/Turquoise band are also highly-decodable so ideal for extra phonics practice. Reading Planet books have been carefully levelled to support children in becoming fluent and confident readers. Each book features useful notes and questions to support reading at home and develop comprehension skills. Interest age: 7-8 Reading age: 6-7 years
Reading Planet: Astro – Down in the Deep Sea - Mercury/Purple band
by Ben HubbardCome with Jack as he shines a spotlight down into this dark and murky world. You will meet all sorts of animals, from the vampire squid in the twilight zone, to the flashing sea cucumber on the seafloor. You will find out about shocking shipwrecks and smart submarines, and the reasons that we must protect our seas. Down we go! Down in the Deep Sea is part of the Astro range from Rising Stars Reading Planet. Astro books are ideal for struggling and reluctant readers aged 7-11. Each book is dual-banded so that children can improve their fluency whilst enjoying exciting fiction and non-fiction relevant to their age. Astro books for Mercury/Purple band are also highly-decodable so ideal for extra phonics practice. Reading Planet books have been carefully levelled to support children in becoming fluent and confident readers. Each book features useful notes and questions to support reading at home and develop comprehension skills.Interest age: 7-8 Reading age: 6-7 years
Reading Planet: Astro – Dragonville: Dragon of Doom - Earth/White band
by Martin ChattertonDragonville! The best spot in the Kingdom of Pamelot! Things in Pamelot are better than they have ever been. And best of all, there are no dragons ... Or that's what people think ... until Zig and Zag of Unk's Pest Control see something in the tunnels under Dragonville Castle ... Something in Dragonville has awoken ... It sounds big. And scary. And it's heading for Dragonville Castle! Someone must defeat the Dragon of Doom! But there's only one problem... there aren't any knights left in Dragonville... If only there was someone who knew how to get rid of dragons...In graphic novel format, Dragonville: Dragon of Doom is part of the Astro range from Rising Stars Reading Planet. Astro books are ideal for struggling and reluctant readers aged 7-11. Each book is dual-banded so that children can improve their fluency whilst enjoying exciting fiction and non-fiction relevant to their age. Astro books for Earth/White band are also highly-decodable so ideal for extra phonics practice. Reading Planet books have been carefully levelled to support children in becoming fluent and confident readers. Each book features useful notes and questions to support reading at home and develop comprehension skills.Interest age: 8-9 Reading age: 6-7 years