- Table View
- List View
Sweet Science: Romantic Materialism and the New Logics of Life
by Amanda Jo GoldsteinToday we do not expect poems to carry scientifically valid information. But it was not always so. In Sweet Science, Amanda Jo Goldstein returns to the beginnings of the division of labor between literature and science to recover a tradition of Romantic life writing for which poetry was a privileged technique of empirical inquiry. Goldstein puts apparently literary projects, such as William Blake’s poetry of embryogenesis, Goethe’s journals On Morphology, and Percy Shelley’s “poetry of life,” back into conversation with the openly poetic life sciences of Erasmus Darwin, J. G. Herder, Jean-Baptiste Lamarck, and Étienne Geoffroy Saint-Hilaire. Such poetic sciences, Goldstein argues, share in reviving Lucretius’s De rerum natura to advance a view of biological life as neither self-organized nor autonomous, but rather dependent on the collaborative and symbolic processes that give it viable and recognizable form. They summon De rerum natura for a logic of life resistant to the vitalist stress on self-authorizing power and to make a monumental case for poetry’s role in the perception and communication of empirical realities. The first dedicated study of this mortal and materialist dimension of Romantic biopoetics, Sweet Science opens a through-line between Enlightenment materialisms of nature and Marx’s coming historical materialism.
Sweet Science: Romantic Materialism and the New Logics of Life
by Amanda Jo GoldsteinToday we do not expect poems to carry scientifically valid information. But it was not always so. In Sweet Science, Amanda Jo Goldstein returns to the beginnings of the division of labor between literature and science to recover a tradition of Romantic life writing for which poetry was a privileged technique of empirical inquiry. Goldstein puts apparently literary projects, such as William Blake’s poetry of embryogenesis, Goethe’s journals On Morphology, and Percy Shelley’s “poetry of life,” back into conversation with the openly poetic life sciences of Erasmus Darwin, J. G. Herder, Jean-Baptiste Lamarck, and Étienne Geoffroy Saint-Hilaire. Such poetic sciences, Goldstein argues, share in reviving Lucretius’s De rerum natura to advance a view of biological life as neither self-organized nor autonomous, but rather dependent on the collaborative and symbolic processes that give it viable and recognizable form. They summon De rerum natura for a logic of life resistant to the vitalist stress on self-authorizing power and to make a monumental case for poetry’s role in the perception and communication of empirical realities. The first dedicated study of this mortal and materialist dimension of Romantic biopoetics, Sweet Science opens a through-line between Enlightenment materialisms of nature and Marx’s coming historical materialism.
Sweet Violence: The Idea of the Tragic
by Terry EagletonTerry Eagleton's Tragedy provides a major critical and analytical account of the concept of 'tragedy' from its origins in the Ancient world right down to the twenty-first century. A major new intellectual endeavour from one of the world's finest, and most controversial, cultural theorists. Provides an analytical account of the concept of 'tragedy' from its origins in the ancient world to the present day. Explores the idea of the 'tragic' across all genres of writing, as well as in philosophy, politics, religion and psychology, and throughout western culture. Considers the psychological, religious and socio-political implications and consequences of our fascination with the tragic.
Swift: Volume One: Mr Swift and his Contemporaries (Swift: The Man, his Works, and the Age)
by Irvin EhrenpreisFirst published in 1962, Mr Swift and his Contemporaries, is the first of three volumes providing a detailed exploration of the events of Swift’s life. This volume is a thorough insight into the historical and social setting of Swift’s life, the evolution of his character, and the composition and interpretation of his works. It includes a wealth of material concerning Swift’s family and career, his emotional and sexual life, his relationship with Sir William Temple, and the design and meaning of both A Tale of a Tub and The Battle of the Books. Mr Swift and his Contemporaries is ideal for anyone with an interest in Swift’s life, work, and the period in which he lived.
Swift: Volume Three: Dean Swift (Swift: The Man, his Works, and the Age)
by Irvin EhrenpreisFirst published in 1983, Dean Swift is the concluding book in a series of three volumes providing a detailed exploration of the events of Swift’s life. The third volume follows Swift’s life and career from 1714 to 1745 and sets it against the public events of the age, paying close attention to political and economic change, ecclesiastical problems, social issues, and literary history. It traces Swift’s rise to becoming first citizen of Ireland and looks in detail at the composition, publication, and reception of Gulliver’s Travels, as well as many of Swift’s other works, both poetry and prose. It also explores Swift’s later years, his love affairs with Esther Johnson and Esther Vanhomrigh, his complicated friendships with Pope, Lord Bolingbroke, and Archbishop King, and his declining health. Dean Swift is a hugely detailed insight into Swift’s life from 1714 until his death and will be of interest to anyone wanting to find out more about his life and works.
Swift: Volume Two: Dr Swift (Swift: The Man, his Works, and the Age)
by Irvin EhrenpreisFirst published in 1967, Dr Swift is the second of three volumes providing a detailed exploration of the events of Swift’s life. This volume begins by assessing Swift’s character, hopes and ambitions in 1699. It then traces his life and career up to 1714 in minute detail, giving close consideration to Swift’s expectations and the extent to which he felt they were fulfilled. In doing so, it covers Swift’s movement between Ireland and England, his reputation as a poet, his historical writing, his church preferments, involvement in politics, and much more, including his relationships with a number of prominent social figures of the time. Dr Swift is ideal for those with an interest in Swift’s life, and in particular his life and career between 1699 and 1714.
Swift: Volume Three: Dean Swift (Swift: The Man, his Works, and the Age)
by Irvin EhrenpreisFirst published in 1983, Dean Swift is the concluding book in a series of three volumes providing a detailed exploration of the events of Swift’s life. The third volume follows Swift’s life and career from 1714 to 1745 and sets it against the public events of the age, paying close attention to political and economic change, ecclesiastical problems, social issues, and literary history. It traces Swift’s rise to becoming first citizen of Ireland and looks in detail at the composition, publication, and reception of Gulliver’s Travels, as well as many of Swift’s other works, both poetry and prose. It also explores Swift’s later years, his love affairs with Esther Johnson and Esther Vanhomrigh, his complicated friendships with Pope, Lord Bolingbroke, and Archbishop King, and his declining health. Dean Swift is a hugely detailed insight into Swift’s life from 1714 until his death and will be of interest to anyone wanting to find out more about his life and works.
Swift: Volume One: Mr Swift and his Contemporaries (Swift: The Man, his Works, and the Age)
by Irvin EhrenpreisFirst published in 1962, Mr Swift and his Contemporaries, is the first of three volumes providing a detailed exploration of the events of Swift’s life. This volume is a thorough insight into the historical and social setting of Swift’s life, the evolution of his character, and the composition and interpretation of his works. It includes a wealth of material concerning Swift’s family and career, his emotional and sexual life, his relationship with Sir William Temple, and the design and meaning of both A Tale of a Tub and The Battle of the Books. Mr Swift and his Contemporaries is ideal for anyone with an interest in Swift’s life, work, and the period in which he lived.
Swift: Volume Two: Dr Swift (Swift: The Man, his Works, and the Age)
by Irvin EhrenpreisFirst published in 1967, Dr Swift is the second of three volumes providing a detailed exploration of the events of Swift’s life. This volume begins by assessing Swift’s character, hopes and ambitions in 1699. It then traces his life and career up to 1714 in minute detail, giving close consideration to Swift’s expectations and the extent to which he felt they were fulfilled. In doing so, it covers Swift’s movement between Ireland and England, his reputation as a poet, his historical writing, his church preferments, involvement in politics, and much more, including his relationships with a number of prominent social figures of the time. Dr Swift is ideal for those with an interest in Swift’s life, and in particular his life and career between 1699 and 1714.
Swift and Science: The Satire, Politics and Theology of Natural Knowledge, 1690-1730
by G. LynallIt is thought that Swift was opposed to the new science that heralded the beginning of the modern age, but this book interrogates that assumption, tracing the theological, political, and socio-cultural resonances of scientific knowledge in the early eighteenth century, and considering what they can reveal about Swift's imagination.
Swift, Joyce, and the Flight from Home: Quests of Transcendence and the Sin of Separation
by G. AtkinsIn a fresh reading of Gulliver's Travels and A Portrait of the Artist as a Young Man, Atkins draws parallels between the protagonists: both Lemuel Gulliver and Stephen Dedalus flee from the burdens of life, seeking a transcendent existence. The study sheds important new light on both novels as essential critiques of modern misunderstandings.
Swift: The Man, his Works, and the Age (Swift: The Man, his Works, and the Age)
by Irvin EhrenpreisFirst published between 1962 and 1983, this three volume set is an extensive and detailed biography of Swift’s life, based on a wealth of primary sources. In each volume, Swift’s life is set against the public events of the age to provide a thorough insight into the social, economic, political, and religious context in which he lived. Close readings are also made of many of his works, including A Tale of a Tub, The Battle of Books, and Gulliver’s Travels.
Swift, the Book, and the Irish Financial Revolution: Satire and Sovereignty in Colonial Ireland
by Sean D. MooreRenowned as one of the most brilliant satirists ever, Jonathan Swift has long fascinated Hibernophiles beyond the shores of the Emerald Isle. Sean Moore's examination of Swift's writings and the economics behind the distribution of his work elucidates the humorist's crucial role in developing a renewed sense of nationalism among the Irish during the eighteenth century.Taking Swift's Irish satires, such as A Modest Proposal and the Drapier's Letters, as examples of anticolonial discourse, Moore unpacks the author's carefully considered published words and his deliberate drive to liberate the Dublin publishing industry from England's shadow to argue that the writer was doing nothing less than creating a national print media. He points to the actions of Anglo-Irish colonial subjects at the outset of Britain's financial revolution; inspired by Swift's dream of a sovereign Ireland, these men and women harnessed the printing press to disseminate ideas of cultural autonomy and defend the country's economic rights. Doing so, Moore contends, imbued the island with a sense of Irishness that led to a feeling of independence from England and ultimately gave the Irish a surprising degree of financial autonomy. Applying postcolonial, new economic, and book history approaches to eighteenth-century studies, Swift, the Book, and the Irish Financial Revolution effectively links the era's critiques of empire to the financial and legal motives for decolonization. Scholars of colonialism, postcolonialism, Irish studies, Atlantic studies, Swift, and the history of the book will find Moore's eye-opening arguments original and compelling.
Swift’s Irish Writings: Selected Prose and Poetry
by C. Fabricant R. MahonyThis edition presents Jonathan Swift's most important Irish writings in both prose and verse, together with an introduction, head notes and annotations that shed new light on the full context and significance of each piece. Familiar works such as "Gulliver's Travels" and "A Tale of a Tub" acquire new and deeper meanings when considered within the Irish frameworks presented in the edition. Differing in noteworthy ways from the more traditional, canonical, Anglocentric picture conveyed by other published volumes, the Swift that emerges from these pages is a brilliant polemicist, popular satirist, political agitator, playful versifier, tormented Jeremiah, and Irish patriot.
Swift’s Satires on Modernism: Battlegrounds Of Reading And Writing
by G. AtkinsMore than three centuries later, Jonathan Swift's writing remains striking and relevant. In this engaging study, Atkins brings forty-plus years of critical experience to bear on some of the greatest satires ever written, revealing new contexts for understanding post-Reformation reading practices and the development of the modern personal essay.
SWIM (Modern Plays)
by Liz RichardsonThe sensation of waterflowing around my bodyhappily floating down a river,watching the banks pass me by.I like to take the same journey as a riverit's the lack of control which feels so good,it's good to leave my life alone for a while.Liz grew up in the Lake District. She spent her childhood walking in the fells, playing in the lakes and in the river at the end of her garden. After time away living in the City, Liz returns to the hills and into a new village for a new chapter of her life. But when her new community is rocked by tragedy, Liz rediscovers outdoor swimming and how it can keep both her and her new friends afloat.Filled with humour and heart, live music and projection, Swim is a tender tale based on a true story.This edition was published to coincide with the run at Theatre by the Lake in Keswick, in March 2022.
SWIM (Modern Plays)
by Liz RichardsonThe sensation of waterflowing around my bodyhappily floating down a river,watching the banks pass me by.I like to take the same journey as a riverit's the lack of control which feels so good,it's good to leave my life alone for a while.Liz grew up in the Lake District. She spent her childhood walking in the fells, playing in the lakes and in the river at the end of her garden. After time away living in the City, Liz returns to the hills and into a new village for a new chapter of her life. But when her new community is rocked by tragedy, Liz rediscovers outdoor swimming and how it can keep both her and her new friends afloat.Filled with humour and heart, live music and projection, Swim is a tender tale based on a true story.This edition was published to coincide with the run at Theatre by the Lake in Keswick, in March 2022.
Swimming In The Flood
by John BurnsideA breakthrough book of poetry by one of the most exciting young poets in Britain. Dealing with issues of childhood, betrayal and domestic and sexual violence, SWIMMING IN THE FLOOD is Burnside's darkest and most powerful collection yet.
Swimming Pool (Object Lessons)
by Dr. Piotr FlorczykObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.As a former world-ranked swimmer whose journey toward naturalization and U.S. citizenship began with a swimming fellowship, Piotr Florczyk reflects on his own adventures in swimming pools while taking a closer look at artists, architects, writers, and others who have helped to cement the swimming pool's prominent and iconic role in our society and culture.Swimming Pool explores the pool as a place where humans seek to attain the unique union between mind and body.Object Lessons is published in partnership with an essay series in The Atlantic.
Swimming Pool (Object Lessons)
by Dr. Piotr FlorczykObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.As a former world-ranked swimmer whose journey toward naturalization and U.S. citizenship began with a swimming fellowship, Piotr Florczyk reflects on his own adventures in swimming pools while taking a closer look at artists, architects, writers, and others who have helped to cement the swimming pool's prominent and iconic role in our society and culture.Swimming Pool explores the pool as a place where humans seek to attain the unique union between mind and body.Object Lessons is published in partnership with an essay series in The Atlantic.
Swimming the Dream: Band 18/pearl (Collins Big Cat)
by Ellie SimmondsBuild your child’s reading confidence at home with books at the right level
Swinburne's Apollo: Myth, Faith, and Victorian Spirituality
by Yisrael LevinFocusing on Algernon Charles Swinburne's poems on Apollo, Yisrael Levin calls for a re-examination of the poet's place in Victorian studies in light of his contributions to nineteenth-century intellectual history. Swinburne's Apollonian poetry, Levin argues, shows the poet's active participation in late-Victorian debates about the nature and function of faith in an age of changing religious attitudes. Levin traces the shifts that took place in Swinburne's conception of Apollo over a period of four decades, from Swinburne's attempt to define Apollo as an alternative to the Judeo-Christian deity to Swinburne's formation of a theological system revolving around Apollo and finally to the ways in which Swinburne's view of Apollo led to his agnostic view of spirituality. Even though Swinburne had lost his faith and rejected institutional religion by his early twenties, he retained a distinct interest in spiritual issues and paid careful attention to developments in religious thought. Levin persuasively shows that Swinburne was not simply a poet provocateur who enjoyed controversy but failed to provide valid cultural commentary, but was rather a profound thinker whose insights into nineteenth-century spirituality are expressed throughout his Apollonian poetry.
Swinburne's Apollo: Myth, Faith, and Victorian Spirituality
by Yisrael LevinFocusing on Algernon Charles Swinburne's poems on Apollo, Yisrael Levin calls for a re-examination of the poet's place in Victorian studies in light of his contributions to nineteenth-century intellectual history. Swinburne's Apollonian poetry, Levin argues, shows the poet's active participation in late-Victorian debates about the nature and function of faith in an age of changing religious attitudes. Levin traces the shifts that took place in Swinburne's conception of Apollo over a period of four decades, from Swinburne's attempt to define Apollo as an alternative to the Judeo-Christian deity to Swinburne's formation of a theological system revolving around Apollo and finally to the ways in which Swinburne's view of Apollo led to his agnostic view of spirituality. Even though Swinburne had lost his faith and rejected institutional religion by his early twenties, he retained a distinct interest in spiritual issues and paid careful attention to developments in religious thought. Levin persuasively shows that Swinburne was not simply a poet provocateur who enjoyed controversy but failed to provide valid cultural commentary, but was rather a profound thinker whose insights into nineteenth-century spirituality are expressed throughout his Apollonian poetry.