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The War in American Culture: Society and Consciousness during World War II
The War in American Culture explores the role of World War II in the transformation of American social, cultural, and political life. World War II posed a crisis for American culture: to defeat the enemy, Americans had to unite across the class, racial and ethnic boundaries that had long divided them. Exploring government censorship of war photography, the revision of immigration laws, Hollywood moviemaking, swing music, and popular magazines, these essays reveal the creation of a new national identity that was pluralistic, but also controlled and sanitized. Concentrating on the home front and the impact of the war on the lives of ordinary Americans, the contributors give us a rich portrayal of family life, sexuality, cultural images, and working-class life in addition to detailed consideration of African Americans, Latinos, and women who lived through the unsettling and rapidly altered circumstances of wartime America.
War in a Twilight World: Partisan and Anti-Partisan Warfare in Eastern Europe, 1939-45
by Ben Shepherd and Juliette PattinsonCutting-edge case studies examine the partisan and anti-partisan warfare which broke out across German-occupied eastern Europe during World War Two, showing how it was shaped in varied ways by factors including fighting power, political and economic structures, ideological and psychological influences, and the attitude of the wider population.
War Gothic in Literature and Culture (Routledge Interdisciplinary Perspectives on Literature)
by Agnieszka Soltysik Monnet Steffen HantkeIn the context of the current explosion of interest in Gothic literature and popular culture, this interdisciplinary collection of essays explores for the first time the rich and long-standing relationship between war and the Gothic. Critics have described the global Seven Year’s War as the "crucible" from which the Gothic genre emerged in the eighteenth century. Since then, the Gothic has been a privileged mode for representing violence and extreme emotions and situations. Covering the period from the American Civil War to the War on Terror, this collection examines how the Gothic has provided writers an indispensable toolbox for narrating, critiquing, and representing real and fictional wars. The book also sheds light on the overlap and complicity between Gothic aesthetics and certain aspects of military experience, including the bodily violation and mental dissolution of combat, the dehumanization of "others," psychic numbing, masculinity in crisis, and the subjective experience of trauma and memory. Engaging with popular forms such as young adult literature, gaming, and comic books, as well as literature, film, and visual art, War Gothic provides an important and timely overview of war-themed Gothic art and narrative by respected experts in the field of Gothic Studies. This book makes important contributions to the fields of Gothic Literature, War Literature, Popular Culture, American Studies, and Film, Television & Media.
War Gothic in Literature and Culture (Routledge Interdisciplinary Perspectives on Literature)
by Agnieszka Soltysik Monnet Steffen HantkeIn the context of the current explosion of interest in Gothic literature and popular culture, this interdisciplinary collection of essays explores for the first time the rich and long-standing relationship between war and the Gothic. Critics have described the global Seven Year’s War as the "crucible" from which the Gothic genre emerged in the eighteenth century. Since then, the Gothic has been a privileged mode for representing violence and extreme emotions and situations. Covering the period from the American Civil War to the War on Terror, this collection examines how the Gothic has provided writers an indispensable toolbox for narrating, critiquing, and representing real and fictional wars. The book also sheds light on the overlap and complicity between Gothic aesthetics and certain aspects of military experience, including the bodily violation and mental dissolution of combat, the dehumanization of "others," psychic numbing, masculinity in crisis, and the subjective experience of trauma and memory. Engaging with popular forms such as young adult literature, gaming, and comic books, as well as literature, film, and visual art, War Gothic provides an important and timely overview of war-themed Gothic art and narrative by respected experts in the field of Gothic Studies. This book makes important contributions to the fields of Gothic Literature, War Literature, Popular Culture, American Studies, and Film, Television & Media.
War girls: The First Aid Nursing Yeomanry in the First World War
by Janet LeeWar girls shares the stories of the First Aid Nursing Yeomanry (FANY), a group of audacious middle- and upper-class British women volunteers who nursed and worked as driver-mechanics during the First World War. It explores the ways the women subverted traditional mythologies about gender and imagined new cultural possibilities
War Games: Memory, Militarism and the Subject of Play
by Philip Hammond Holger PötzschMany of today's most commercially successful videogames, from Call of Duty to Company of Heroes, are war-themed titles that play out in what are framed as authentic real-world settings inspired by recent news headlines or drawn from history. While such games are marketed as authentic representations of war, they often provide a selective form of realism that eschews problematic, yet salient aspects of war. In addition, changes in the way Western states wage and frame actual wars makes contemporary conflicts increasingly resemble videogames when perceived from the vantage point of Western audiences.This interdisciplinary volume brings together scholars from games studies, media and cultural studies, politics and international relations, and related fields to examine the complex relationships between military-themed videogames and real-world conflict, and to consider how videogames might deal with history, memory, and conflict in alternative ways. It asks: What is the role of videogames in the formation and negotiation of cultural memory of past wars? How do game narratives and designs position the gaming subject in relation to history, war and militarism? And how far do critical, anti-war/peace games offer an alternative or challenge to mainstream commercial titles?
War Games: Memory, Militarism and the Subject of Play
Many of today's most commercially successful videogames, from Call of Duty to Company of Heroes, are war-themed titles that play out in what are framed as authentic real-world settings inspired by recent news headlines or drawn from history. While such games are marketed as authentic representations of war, they often provide a selective form of realism that eschews problematic, yet salient aspects of war. In addition, changes in the way Western states wage and frame actual wars makes contemporary conflicts increasingly resemble videogames when perceived from the vantage point of Western audiences.This interdisciplinary volume brings together scholars from games studies, media and cultural studies, politics and international relations, and related fields to examine the complex relationships between military-themed videogames and real-world conflict, and to consider how videogames might deal with history, memory, and conflict in alternative ways. It asks: What is the role of videogames in the formation and negotiation of cultural memory of past wars? How do game narratives and designs position the gaming subject in relation to history, war and militarism? And how far do critical, anti-war/peace games offer an alternative or challenge to mainstream commercial titles?
A War for the Soul of America, Second Edition: A History of the Culture Wars
by Andrew HartmanWhen it was published in 2015, Andrew Hartman’s history of the culture wars was widely praised for its compelling and even-handed account of the way they developed and came to define American politics as the twentieth century drew to its close. Receiving nearly as much attention, however, was Hartman’s declaration that the culture wars were over—and the left had won. In the wake of Trump’s rise, which was driven in large part by aggressive fanning of those culture war flames, Hartman has brought A War for the Soul of America fully up to date, detailing the ways in which Trump’s success, while undeniable, represents the last gasp of culture war politics—and how the reaction he has elicited can show us early signs of the very different politics to come. “As a guide to the late twentieth-century culture wars, Hartman is unrivalled. . . . Incisive portraits of individual players in the culture wars dramas. . . . Reading Hartman sometimes feels like debriefing with friends after a raucous night out, an experience punctuated by laughter, head-scratching, and moments of regret for the excesses involved.”—New Republic
A War for the Soul of America, Second Edition: A History of the Culture Wars
by Andrew HartmanWhen it was published in 2015, Andrew Hartman’s history of the culture wars was widely praised for its compelling and even-handed account of the way they developed and came to define American politics as the twentieth century drew to its close. Receiving nearly as much attention, however, was Hartman’s declaration that the culture wars were over—and the left had won. In the wake of Trump’s rise, which was driven in large part by aggressive fanning of those culture war flames, Hartman has brought A War for the Soul of America fully up to date, detailing the ways in which Trump’s success, while undeniable, represents the last gasp of culture war politics—and how the reaction he has elicited can show us early signs of the very different politics to come. “As a guide to the late twentieth-century culture wars, Hartman is unrivalled. . . . Incisive portraits of individual players in the culture wars dramas. . . . Reading Hartman sometimes feels like debriefing with friends after a raucous night out, an experience punctuated by laughter, head-scratching, and moments of regret for the excesses involved.”—New Republic
A War for the Soul of America, Second Edition: A History of the Culture Wars
by Andrew HartmanWhen it was published in 2015, Andrew Hartman’s history of the culture wars was widely praised for its compelling and even-handed account of the way they developed and came to define American politics as the twentieth century drew to its close. Receiving nearly as much attention, however, was Hartman’s declaration that the culture wars were over—and the left had won. In the wake of Trump’s rise, which was driven in large part by aggressive fanning of those culture war flames, Hartman has brought A War for the Soul of America fully up to date, detailing the ways in which Trump’s success, while undeniable, represents the last gasp of culture war politics—and how the reaction he has elicited can show us early signs of the very different politics to come. “As a guide to the late twentieth-century culture wars, Hartman is unrivalled. . . . Incisive portraits of individual players in the culture wars dramas. . . . Reading Hartman sometimes feels like debriefing with friends after a raucous night out, an experience punctuated by laughter, head-scratching, and moments of regret for the excesses involved.”—New Republic
A War for the Soul of America, Second Edition: A History of the Culture Wars
by Andrew HartmanWhen it was published in 2015, Andrew Hartman’s history of the culture wars was widely praised for its compelling and even-handed account of the way they developed and came to define American politics as the twentieth century drew to its close. Receiving nearly as much attention, however, was Hartman’s declaration that the culture wars were over—and the left had won. In the wake of Trump’s rise, which was driven in large part by aggressive fanning of those culture war flames, Hartman has brought A War for the Soul of America fully up to date, detailing the ways in which Trump’s success, while undeniable, represents the last gasp of culture war politics—and how the reaction he has elicited can show us early signs of the very different politics to come. “As a guide to the late twentieth-century culture wars, Hartman is unrivalled. . . . Incisive portraits of individual players in the culture wars dramas. . . . Reading Hartman sometimes feels like debriefing with friends after a raucous night out, an experience punctuated by laughter, head-scratching, and moments of regret for the excesses involved.”—New Republic
The War for Syria: Regional and International Dimensions of the Syrian Uprising (Routledge/ St. Andrews Syrian Studies Series)
by Raymond Hinnebusch Adham SaouliExamining the international dimensions of the Syrian conflict, this book studies external factors relating to the Uprising. It explores the involvement of outside powers and the events’ impact both on regional and international level. Syria was widely perceived to be essential to the regional power balance, hence it was a valued prize to be fought over. The book examines the impact of global and regional powers in propelling the conflict in Syria; looks at the motives and strategies of the key regional and international actors (Hizbollah, Palestinians, Iran, Qatar, Saudi Arabia, US, Russia, EU); and analyses the impact of the Syrian conflict on key relations between regional states (Turkey-Syria, Turkey-Iran, Iraq-Syria). Finally, several chapters treat the impact on Syria of international sanctions and the "Responsibility to Protect" doctrine. This book follows on to The Syrian Uprising: Domestic Origins and Early Trajectory, edited by Raymond Hinnebusch and Omar Imady (2018). Subsequent volumes will examine the later evolution of the conflict. Taking an innovative and interdisciplinary approach that seeks to capture the full complexity of the phenomenon, this book contributes significantly to our understanding of the Syrian conflict and will therefore be a valuable resource for anyone studying Middle Eastern Politics.
The War for Syria: Regional and International Dimensions of the Syrian Uprising (Routledge/ St. Andrews Syrian Studies Series)
by Raymond Hinnebusch Adham SaouliExamining the international dimensions of the Syrian conflict, this book studies external factors relating to the Uprising. It explores the involvement of outside powers and the events’ impact both on regional and international level. Syria was widely perceived to be essential to the regional power balance, hence it was a valued prize to be fought over. The book examines the impact of global and regional powers in propelling the conflict in Syria; looks at the motives and strategies of the key regional and international actors (Hizbollah, Palestinians, Iran, Qatar, Saudi Arabia, US, Russia, EU); and analyses the impact of the Syrian conflict on key relations between regional states (Turkey-Syria, Turkey-Iran, Iraq-Syria). Finally, several chapters treat the impact on Syria of international sanctions and the "Responsibility to Protect" doctrine. This book follows on to The Syrian Uprising: Domestic Origins and Early Trajectory, edited by Raymond Hinnebusch and Omar Imady (2018). Subsequent volumes will examine the later evolution of the conflict. Taking an innovative and interdisciplinary approach that seeks to capture the full complexity of the phenomenon, this book contributes significantly to our understanding of the Syrian conflict and will therefore be a valuable resource for anyone studying Middle Eastern Politics.
The War for Afghanistan: A Cultural and Political History"
by Thomas BarfieldWhen it invaded Afghanistan in 2001, the United States sought to do something previous foreign powers had never attempted: to create an Afghani state where none existed. More than a decade on, the new regime in Kabul remains plagued by illegitimacy and ineffectiveness. What happened? As Thomas Barfield shows, the history of previous efforts to build governments in Afghanistan does much to explain the difficulties besetting this newest experiment. Princeton Shorts are brief selections taken from influential Princeton University Press books and produced exclusively in ebook format. Providing unmatched insight into important contemporary issues or timeless passages from classic works of the past, Princeton Shorts enable you to be an instant expert in a world where information is everywhere but quality is at a premium.
The War for Afghanistan: A Cultural and Political History"
by Thomas BarfieldWhen it invaded Afghanistan in 2001, the United States sought to do something previous foreign powers had never attempted: to create an Afghani state where none existed. More than a decade on, the new regime in Kabul remains plagued by illegitimacy and ineffectiveness. What happened? As Thomas Barfield shows, the history of previous efforts to build governments in Afghanistan does much to explain the difficulties besetting this newest experiment. Princeton Shorts are brief selections taken from influential Princeton University Press books and produced exclusively in ebook format. Providing unmatched insight into important contemporary issues or timeless passages from classic works of the past, Princeton Shorts enable you to be an instant expert in a world where information is everywhere but quality is at a premium.
War Experience and Memory in Global Cultures Since 1914 (Routledge Studies in Cultural History #60)
by Angela K. Smith Sandra BarkhofThis edited collection explores and develops representations of war experience from 1914 to the ongoing conflicts of the 21st century, through the specific lens of memory. It builds on recent explorations of the importance of war experience in shaping cultural memory that have focused on the aftermath of the First World War and the Second World War, particularly through Holocaust studies. These essays, by a range of international and interdisciplinary scholars, broaden the scope considerably, examining the alternate spaces of the First World War and those that followed it through a range of different media, offering an artistic trajectory to the centennial commemorations of 2014-18.
War Experience and Memory in Global Cultures Since 1914 (Routledge Studies in Cultural History #60)
by Angela K. Smith Sandra BarkhofThis edited collection explores and develops representations of war experience from 1914 to the ongoing conflicts of the 21st century, through the specific lens of memory. It builds on recent explorations of the importance of war experience in shaping cultural memory that have focused on the aftermath of the First World War and the Second World War, particularly through Holocaust studies. These essays, by a range of international and interdisciplinary scholars, broaden the scope considerably, examining the alternate spaces of the First World War and those that followed it through a range of different media, offering an artistic trajectory to the centennial commemorations of 2014-18.
War der Wissenschaftliche Kommunismus eine Wissenschaft?: Vom Wissenschaftlichen Kommunismus zur Politikwissenschaft
by Michael Th. Greven Dieter Koop
War, Denial and Nation-Building in Sri Lanka: After the End
by Rachel SeoigheThis book begins from a critical account of the final months of the Sri Lankan civil war, tracing themes of nationalism, discourse and conflict memory through this period of immense violence and into its aftermath. Using these themes to explore state crime, atrocity and its denial and representation, Seoighe offers an analysis of how stories of conflict are authored and constructed. This book examines the political discourse of the former Rajapaksa government, highlighting how fluency in international discourses of counter-terrorism, humanitarianism and the ‘reconciliation’ expected of states transitioning from conflict can be used to conceal and deny state violence.Drawing on extensive interviews with activists, academics, politicians, state representatives and international agency staff, and three months of observation in Sri Lanka in 2012, Seoighe demonstrates how the Rajapaksa government re-narrativised violence through orchestrated techniques of denial and mass ritual discourse. It drew on and perpetuated a heightened majoritarian Sinhala-Buddhist nationalism which consolidated power under Sinhalese political elites, generated minority grievances and, in turn, sustained the repression and dispossession of the Tamil community of the Northeast. A detailed and evocative study, this book will be of special interest to scholars of conflict studies, political violence and critical criminology.
War, Denial and Nation-Building in Sri Lanka: After the End
by Rachel SeoigheThis book begins from a critical account of the final months of the Sri Lankan civil war, tracing themes of nationalism, discourse and conflict memory through this period of immense violence and into its aftermath. Using these themes to explore state crime, atrocity and its denial and representation, Seoighe offers an analysis of how stories of conflict are authored and constructed. This book examines the political discourse of the former Rajapaksa government, highlighting how fluency in international discourses of counter-terrorism, humanitarianism and the ‘reconciliation’ expected of states transitioning from conflict can be used to conceal and deny state violence.Drawing on extensive interviews with activists, academics, politicians, state representatives and international agency staff, and three months of observation in Sri Lanka in 2012, Seoighe demonstrates how the Rajapaksa government re-narrativised violence through orchestrated techniques of denial and mass ritual discourse. It drew on and perpetuated a heightened majoritarian Sinhala-Buddhist nationalism which consolidated power under Sinhalese political elites, generated minority grievances and, in turn, sustained the repression and dispossession of the Tamil community of the Northeast. A detailed and evocative study, this book will be of special interest to scholars of conflict studies, political violence and critical criminology.
War Crimes Trials in the Wake of Decolonization and Cold War in Asia, 1945-1956: Justice in Time of Turmoil (World Histories of Crime, Culture and Violence)
by Kerstin Von LingenThis book investigates the political context and intentions behind the trialling of Japanese war criminals in the wake of World War Two. After the Second World War in Asia, the victorious Allies placed around 5,700 Japanese on trial for war crimes. Ostensibly crafted to bring perpetrators to justice, the trials intersected in complex ways with the great issues of the day. They were meant to finish off the business of World War Two and to consolidate United States hegemony over Japan in the Pacific, but they lost impetus as Japan morphed into an ally of the West in the Cold War. Embattled colonial powers used the trials to bolster their authority against nationalist revolutionaries, but they found the principles of international humanitarian law were sharply at odds with the inequalities embodied in colonialism. Within nationalist movements, local enmities often overshadowed the reckoning with Japan. And hovering over the trials was the critical question: just what was justice for the Japanese in a world where all sides had committed atrocities?
War Crimes Trials and Investigations: A Multi-Disciplinary Introduction (St Antony's Series)
by Jonathan Waterlow Jacques SchuhmacherThis book represents the first multi-disciplinary introduction to the study of war crimes trials and investigations. It introduces readers to the numerous disciplines engaged with this complex subject, including: Forensic Anthropology, Economics and Anthropometrics, Legal History, Violence Studies, International Criminal Justice, International Relations, and Moral Philosophy. The contributors are experts in their respective fields and the chapters highlight each discipline’s major trends, debates, methods and approaches to mass atrocity, genocide, and crimes against humanity, as well as their interactions with adjacent disciplines. Case studies illustrate how the respective disciplines work in practice, including examples from the Allied Hunger Blockade, WWII, the Guatemalan and Spanish Civil Wars, the Former Yugoslavia, and Uganda. Including bibliographical essays to offer readers crucial orientation when approaching the specialist literature in each case, this edited collection equips readers with what they need to know in order to navigate a complex, and until now, deeply fragmented field. A diverse and interdisciplinary body of research, this book will be indispensable reading for scholars of war crimes.
War Crimes Trials and Investigations: A Multi-Disciplinary Introduction (St Antony's Series)
by Jonathan Waterlow Jacques SchuhmacherThis book represents the first multi-disciplinary introduction to the study of war crimes trials and investigations. It introduces readers to the numerous disciplines engaged with this complex subject, including: Forensic Anthropology, Economics and Anthropometrics, Legal History, Violence Studies, International Criminal Justice, International Relations, and Moral Philosophy. The contributors are experts in their respective fields and the chapters highlight each discipline’s major trends, debates, methods and approaches to mass atrocity, genocide, and crimes against humanity, as well as their interactions with adjacent disciplines. Case studies illustrate how the respective disciplines work in practice, including examples from the Allied Hunger Blockade, WWII, the Guatemalan and Spanish Civil Wars, the Former Yugoslavia, and Uganda. Including bibliographical essays to offer readers crucial orientation when approaching the specialist literature in each case, this edited collection equips readers with what they need to know in order to navigate a complex, and until now, deeply fragmented field. A diverse and interdisciplinary body of research, this book will be indispensable reading for scholars of war crimes.
War Crimes: Causes, Excuses, and Blame
by Matthew Talbert Jessica WolfendaleIn 2005, US Marines killed 24 unarmed Iraqi civilians in the town of Haditha, including several children. How should we assess the perpetrators of this and other war crimes? Is it unfair to blame the Marines because they were subject to situational pressures such as combat stress (and had lost one of their own in combat)? Or should they be held responsible for their actions, since they intentionally chose to kill civilians? In this book, Matthew Talbert and Jessica Wolfendale take up these moral questions and propose an original theory of the causes of war crimes and the responsibility of war crimes perpetrators. In the first half of the book, they challenge accounts that explain war crimes by reference to the situational pressures endured by military personnel, including peer pressure, combat stress, and propaganda. The authors propose an alternative theory that explains how military personnel make sense of their participation in war crimes through their self-conceptions, goals, and values. In the second half of the book, the authors consider and reject theories of responsibility that excuse perpetrators on the grounds that situational pressures often encourage them to believe that their behavior is permissible. Such theories of responsibility are unacceptably exculpatory, implying it is unreasonable for victims of war crimes to blame their attackers. By contrast, Talbert and Wolfendale argue that perpetrators of war crimes may be blameworthy if their actions express objectionable attitudes towards their victims, even if they sincerely believe that what they are doing is right.