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"Something Dreadful and Grand": American Literature and The Irish-Jewish Unconscious
by Stephen WattElaborate analogies between Irish and Jewish history, between Irish and Jewish subjectivities, occur with surprising frequency throughout American literature. They recall James Joyce's Leopold Bloom and episodes of Ulysses, Douglas Hyde's analogies during the Celtic Revival between learning Hebrew and learning Irish, and a myriad of claims of an unusual relationship between these peoples that goes beyond comparisons of their respective diasporic histories. But how does one describe this uncanny relationship, one often marked by hostility, affinity, and ambivalence, without essentializing people whose origins, class affiliation, educations, life experiences, and so on are enormously different? "Something Dreadful and Grand": American Literature and the Irish-Jewish Unconscious describes a complex allosemitism and allohibernianism through a variety of cultural texts with which immigrant Irish and Jewish Americans were most engaged: popular music of the Tin Pan Alley era, tenement literature from Anzia Yezierska and James T. Farrell through the posthumous publication of Henry Roth's An American Type, and proletarian and socialist-inflected drama by Elmer Rice, Clifford Odets, Eugene O'Neill, and Arthur Miller as they engaged the Irish drama of such writers as Bernard Shaw and Sean O'Casey. In an effort to trace both the genealogy and more recent trajectory of immigrant drama and fiction, chapters explore both the post-Famine melodramatic stage of the nineteenth century and a host of more contemporary texts from newer generations of immigrants. Throughout, the book argues for a "circum-North Atlantic" culture in which texts from Ireland, Britain, Irish America, and Jewish America contribute substantially to both a modern American literature and to understandings of the terms "Irish" and "Jewish." How can we really know what these terms mean as they delimit or erase totally the differences inherent to them? Borrowing a term from psychoanalytic and political theory, "Something Dreadful and Grand" explores the larger dimensions of this Irish-Jewish unconscious underlying cultural production in America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.
Something in the Air
by Peter GillYou took relationships as if they were the next train.Alex and Colin's stories flow like mist down the Thames, roll under Hammersmith Bridge, and slip past the windows of forgotten Soho restaurants. As the old men's youth comes to life, two young men watch on - and nobody knows they are falling in love.The world premiere of this captivating and romantic portrait of London was co-directed by the author at the Jermyn Street Theatre, London, in October 2022.
Something Speaks to Me: Where Criticism Begins
by Michel ChaouliAn account of criticism as an urgent response to what moves us. Criticism begins when we put down a book to tell someone about it. It is what we do when we face a work or event that bowls us over and makes us scramble for a response. As Michel Chaouli argues, criticism involves three moments: Something speaks to me. I must tell you about it. But I don’t know how. The heart of criticism, no matter its form, lies in these surges of thoughts and feelings. Criticism arises from the fundamental need to share what overwhelms us. We tend to associate criticism with scholarship and journalism. But Chaouli is not describing professional criticism, but what he calls “poetic criticism”—a staging ground for surprise, dread, delight, comprehension, and incomprehension. Written in the mode of a philosophical essay, Something Speaks to Me draws on a wide range of writers, artists, and thinkers, from Kant and Schlegel to Merleau-Ponty, Bachelard, Barthes, and Cavell. Reflecting on these dimensions of poetic experience, Something Speaks to Me is less concerned with joining academic debates than communicating the urgency of criticism.
Something Speaks to Me: Where Criticism Begins
by Michel ChaouliAn account of criticism as an urgent response to what moves us. Criticism begins when we put down a book to tell someone about it. It is what we do when we face a work or event that bowls us over and makes us scramble for a response. As Michel Chaouli argues, criticism involves three moments: Something speaks to me. I must tell you about it. But I don’t know how. The heart of criticism, no matter its form, lies in these surges of thoughts and feelings. Criticism arises from the fundamental need to share what overwhelms us. We tend to associate criticism with scholarship and journalism. But Chaouli is not describing professional criticism, but what he calls “poetic criticism”—a staging ground for surprise, dread, delight, comprehension, and incomprehension. Written in the mode of a philosophical essay, Something Speaks to Me draws on a wide range of writers, artists, and thinkers, from Kant and Schlegel to Merleau-Ponty, Bachelard, Barthes, and Cavell. Reflecting on these dimensions of poetic experience, Something Speaks to Me is less concerned with joining academic debates than communicating the urgency of criticism.
“Something that I read in a book”: vol. 2: Yeats Writings (Clemson University Press)
by Wayne ChapmanThis book is a resource to enable scholars and students in Yeats studies to explore the materials in his library, which, together with his unpublished papers and manuscripts, forms part of the writer’s archive in the National Library. Continuing from the first volume (Reading Notes), Volume II describes copies of books he wrote or edited solely in his name and subsequently revised or marked for other purposes, on occasion aided by his wife and others.This book could not have been written without the generous participation of the Yeats family over many years. Their legacy, now entrusted to the National Library, is robust and endless in potential. This book is about individual cases but also the building of an oeuvre.
“Something that I read in a book”: vol. 1: Reading Notes (Clemson University Press)
by Wayne ChapmanThis book is a resource to enable scholars and students in Yeats studies to explore the materials in his library, which, together with his unpublished papers and manuscripts, forms part of the writer’s archive in the National Library. Generally, this first volume describes the evidence that he and his wife, George, left in books by other authors, including extensive indications of close reading and thinking on a surprising range of subjects. This book could not have been written without the generous participation of the Yeats family over many years. Their legacy, now entrusted to the National Library, is robust and endless in potential. This book is about individual cases but also the building of an oeuvre. In short, this book enriches our understanding of Yeats’s accomplishment as a writer in over fifty years of creative effort and nearly seventy-four years of abundant life.
Something Torn and New: An African Renaissance
by Ngugi wa Thiong'oNovelist Ngugi wa Thiong'o has been a force in African literature for decades: Since the 1970s, when he gave up the English language to commit himself to writing in African languages, his foremost concern has been the critical importance of language to culture. In Something Torn and New, Ngugi explores Africa's historical, economic, and cultural fragmentation by slavery, colonialism, and globalization. Throughout this tragic history, a constant and irrepressible force was Europhonism: the replacement of native names, languages, and identities with European ones. The result was the dismemberment of African memory.Seeking to remember language in order to revitalize it, Ngugi's quest is for wholeness. Wide-ranging, erudite, and hopeful, Something Torn and New is a cri de coeur to save Africa's cultural future.
Something Torn and New: An African Renaissance
by Ngugi wa Thiong'oNovelist Ngugi wa Thiong'o has been a force in African literature for decades: Since the 1970s, when he gave up the English language to commit himself to writing in African languages, his foremost concern has been the critical importance of language to culture. In Something Torn and New, Ngugi explores Africa's historical, economic, and cultural fragmentation by slavery, colonialism, and globalization. Throughout this tragic history, a constant and irrepressible force was Europhonism: the replacement of native names, languages, and identities with European ones. The result was the dismemberment of African memory. Seeking to remember language in order to revitalize it, Ngugi's quest is for wholeness. Wide-ranging, erudite, and hopeful, Something Torn and New is a cri de coeur to save Africa's cultural future.
Somewhere Becoming Rain: Collected Writings on Philip Larkin
by Clive JamesA love letter from one of the world’s best living writers to one of its most cherished poets.Clive James is a life-long admirer of the work of Philip Larkin. Somewhere Becoming Rain gathers all of James’s writing on this towering literary figure of the twentieth century, together with extra material now published for the first time.The greatness of Larkin’s poetry continues to be obscured by the opprobrium attaching to his personal life and his private opinions. James writes about Larkin’s poems, his novels, his jazz and literary criticism; he also considers the two major biographies, Larkin’s letters and even his portrayal on stage in order to chart the extreme and, he argues, largely misguided equivocations about Larkin’s reputation in the years since his death.Through this joyous and perceptive book, Larkin’s genius is delineated and celebrated. James argues that Larkin’s poems, adored by discriminating readers for over half a century, could only have been the product of his reticent, diffident, flawed, and all-too-human personality.Erudite and entertaining in equal measure, Somewhere Becoming Rain is a love letter from one of the world’s best living writers to one of its most cherished poets.
Somewhere I Have Never Travelled: The Hero's Journey
by Thomas Van NortwickThe ancient hero's quest for glory offers metaphors for our own struggles to reach personal integrity and wholeness. In this compelling book, Van Nortwick traces the heroic journeys in three seminal works of ancient epic poetry, The Epic of Gilgamesh, Homer's Iliad, and Virgil's Aeneid. In particular, he focuses on the relationship of the hero to one or more second selves, or alter egos, showing how the poems address central truths about the cost of heroic self-assertion: that the pursuit of glory can lead to alienation from one's own deepest self, and that spiritual wholeness can only be achieved by confronting what appears, at first, to be the very negation of that self. With his unique combination of literary, psychological, and spiritual insights, Van Nortwick demonstrates the relevance of ancient literature to enduring human problems and to contemporary issues. Somewhere I Have never Travelled will interest anyone who wishes to explore the roots of human behavior and the relationship between life and art.
Somnium und verwandte Wörter in den romanischen Sprachen (Arbeitsgemeinschaft für Forschung des Landes Nordrhein-Westfalen #32)
by Fritz Schalk
A Son at the Front (Oxford World's Classics)
by Edith Wharton'The war went on; life went on; Paris went on.' In A Son at the Front, her only novel dealing with World War I, Edith Wharton offers a vivid portrait of American expatriate life in Paris, as well as a gripping portrayal of a complex modern family. The painter John Campton is divorced from the mother of his son, George, and although Julia's second husband, Anderson Brant, a wealthy banker, has been a devoted stepfather to George, Campton resents his presence in George's life. This family drama is ruptured by the outbreak of fighting, which requires George, born in France, to report for military service despite his parents' belief that he should be exempted. Reflecting Wharton's own experiences, A Son at the Front documents the shock of the outbreak of war, the early hope of a quick victory for the Allies, the terrible human cost of the war, and the relief when, belatedly, the United States enters the conflict. The novel's tone reflects the realities of life in Paris, and the profound disillusionment of the post-war period, standing as not only an important part of Wharton's oeuvre, but a landmark in the literature of the First World War.
A Son at the Front (Oxford World's Classics)
by Edith Wharton'The war went on; life went on; Paris went on.' In A Son at the Front, her only novel dealing with World War I, Edith Wharton offers a vivid portrait of American expatriate life in Paris, as well as a gripping portrayal of a complex modern family. The painter John Campton is divorced from the mother of his son, George, and although Julia's second husband, Anderson Brant, a wealthy banker, has been a devoted stepfather to George, Campton resents his presence in George's life. This family drama is ruptured by the outbreak of fighting, which requires George, born in France, to report for military service despite his parents' belief that he should be exempted. Reflecting Wharton's own experiences, A Son at the Front documents the shock of the outbreak of war, the early hope of a quick victory for the Allies, the terrible human cost of the war, and the relief when, belatedly, the United States enters the conflict. The novel's tone reflects the realities of life in Paris, and the profound disillusionment of the post-war period, standing as not only an important part of Wharton's oeuvre, but a landmark in the literature of the First World War.
Son of Classics and Comics (Classical Presences)
by George Kovacs C. W. MarshallWonder Woman. Asterix the Gaul. Watchmen. These popular comics, and many others, use classical sources, narrative patterns, and references to enrich their imaginative worlds and deepen the stories they present. This volume explores that rich interaction. Son of Classics and Comics presents thirteen original studies of representations of the ancient world in the medium of comics. Building on the foundation established by their groundbreaking Classics and Comics (2011), George Kovacs and C. W. Marshall have gathered a wide range of essays with a new, global perspective. Chapters are helpfully grouped to facilitate classroom use, with sections on receptions of Homer, on manga, on Asterix, and on the sense of a "classic" in the modern world. All Greek and Latin passages are translated. Lavishly illustrated, the volume significantly widens the range of available studies on the reception of the Greek and Roman worlds in comics, and deepens our understanding of comics as a literary medium. Son of Classics and Comics will appeal to students and scholars of classical reception as well as comics fans.
SON OF CLASSICS AND COMICS CLPR C (Classical Presences)
by George Kovacs and C. W. MarshallWonder Woman. Asterix the Gaul. Watchmen. These popular comics, and many others, use classical sources, narrative patterns, and references to enrich their imaginative worlds and deepen the stories they present. This volume explores that rich interaction. Son of Classics and Comics presents thirteen original studies of representations of the ancient world in the medium of comics. Building on the foundation established by their groundbreaking Classics and Comics (2011), George Kovacs and C. W. Marshall have gathered a wide range of essays with a new, global perspective. Chapters are helpfully grouped to facilitate classroom use, with sections on receptions of Homer, on manga, on Asterix, and on the sense of a "classic" in the modern world. All Greek and Latin passages are translated. Lavishly illustrated, the volume significantly widens the range of available studies on the reception of the Greek and Roman worlds in comics, and deepens our understanding of comics as a literary medium. Son of Classics and Comics will appeal to students and scholars of classical reception as well as comics fans.
Song And Chants For Teaching Phonics 3 (Singing Phonics Ser. (PDF))
by Catherine Birt Helen Macgregor Emily SkinnerA songbook to support the teaching of phonics through songs, chants and games, ideal for use alongside Letters and Sounds phases 4, 5 and 6. Continues the work of the successful Singing Phonics and Singing Phonics 2. Singing Phonics 3 is the third in the successful Singing Phonics song collection designed to support phonics teaching and enrich young children's experience of language in a fun and interactive way. It follows Singing Phonics and Singing Phonics 2, and is ideal for use with phases 4, 5 and 6 of the 'Letters and Sounds' phonics programme, published by the Primary National Strategy. It is a highly useful addition to any phonics scheme. Each song or chant is accompanied by a set of activities (including photocopiable resources) and ideas for further development. The pack includes a CD with sample performances. Many songs have familiar tunes, making Singing Phonics 3 a highly user-friendly resource with no music reading required.
Song & Dance
by John FullerJealous curses and hate poems, love lyrics and erotic dances: John Fuller has always written light verse, and Song & Dance is a boisterous and engaging collection, fizzing with intelligence and wit. There are tributes, and there are celebrations. Jokes abound in 'The Spellchecker's Guide to Poetry' and the wine is poured for 'Florio Drinking Song'. Befitting Fuller's musical ear, a host of rhythms beat time. Fans will fall on pleasingly intricate riddles and admire the high-wire gymnastics of unusual verse forms, including the inverted rhopalics of 'The Trans-sexual Circus'.But behind the fun is some sharp criticism of literary attitudinising, and a climactic injunction, to dance while we can, preferably with each other.
A Song for China: How My Father Wrote Yellow River Cantata
by Ange ZhangPublished in celebration of the famous Yellow River Cantata’s 80th anniversary, this is the riveting history of how a young Chinese author and passionate militant fought using art to create a socially just China during the period of the struggle against the Japanese and during World War II.This is the fascinating story of how a young Chinese author, Guang Weiran, a passionate militant from the age of twelve, fought, using art, theater, poetry and song, especially the famous Yellow River Cantata — the anthem of Chinese national spirit — to create a socially just China. Set during the period of the struggle against the Japanese and the war against the Kuomintang in the 1920s and ’30s, this book, written and illustrated by Guang Weiran’s award-winning artist son, Ange Zhang, illuminates a key period in China’s history. The passion and commitment of the artists who were born under the repressive weight of the Japanese occupation, the remnants of the decaying imperial order and the times of colonial humiliation are inspiring.Zhang’s words and wood-block style of art tell us the story of his father’s extraordinary youth and very early rise to prominence due to his great talent with words. We see and hear the intensity of what it meant to be alive at such a significant moment in the history of China, a country that understands itself as the heir to one of the greatest civilizations the world has ever known. The humiliations and social injustice the Chinese people had endured in the colonial period were no longer bearable. And yet there were major factional differences between those who wanted to create a modern China. Ange’s words and art paint the picture for us through his father’s story, accompanied by sidebars that explain the historical context.The book ends in a burst of glorious color and song, with the words of Yellow River Cantata in Mandarin, as well as newly translated into English. This great song turns eighty years old in 2019, and will be sung and performed by huge orchestras and choirs around the world, as the Chinese diaspora has embraced the cantata as its own.Key Text Features historical context sidebars illustrations lyricsCorrelates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RI.6.2 Determine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.CCSS.ELA-LITERACY.RI.6.6 Determine an author's point of view or purpose in a text and explain how it is conveyed in the text.CCSS.ELA-LITERACY.RI.6.7 Integrate information presented in different media or formats (e.g., visually, quantitatively) as well as in words to develop a coherent understanding of a topic or issue.
Song For A Whale
by Lynne KellyA stirring and heart-warming tale of a young deaf girl who is determined to make a difference, the perfect read for fans of Wonder. Iris was born deaf, but she's never let that define her; after all, it's the only life she's ever known. And until recently she wasn't even very lonely, because her grandparents are both deaf, too. But Grandpa has just died and Grandma's not the same without him. The only place Iris really feels at home anymore is in her electronics workshop where she loves taking apart antique radios. Then, during a science lesson about sound waves, Iris finds out about a whale who is unable to communicate with other whales. The lonely whale awakens something in Iris. She's determined to show him that someone in the world knows he's there. Iris works on a foolproof plan to help the whale but she soon realises that that is not enough: Iris wants to find the whale herself. One stolen credit card, two cruise ship tickets, and the adventure of a lifetime later, Iris and the whale each break through isolation to help one another be truly heard in ways that neither had ever expected.
Song from Far Away (Modern Plays)
by Simon StephensI drank three glasses of scotch and ginger ale before we'd even cleared Coney Island. I didn't want to come home. It was then that I decided to write you these letters.On a crisp winter day in New York, Willem gets the call. It's Mum. Pauli's died. Come back to Amsterdam.An unforgettable homecoming to an estranged family, a lost love, unsettling sex and an unexamined life.One of Stephens's most poetic plays to date, Song from Far Away received its UK premiere at the Young Vic, London, on 2 September 2015.
Song from Far Away (Modern Plays)
by Simon StephensI drank three glasses of scotch and ginger ale before we'd even cleared Coney Island. I didn't want to come home. It was then that I decided to write you these letters.On a crisp winter day in New York, Willem gets the call. It's Mum. Pauli's died. Come back to Amsterdam.An unforgettable homecoming to an estranged family, a lost love, unsettling sex and an unexamined life.One of Stephens's most poetic plays to date, Song from Far Away received its UK premiere at the Young Vic, London, on 2 September 2015.
The Song of BEOWULF: A New Transcreation
by J. D. WinterAn epic poem is a performance. The telling of Beowulf carries something of the days of its pre-literary composition, as it evolved as something memorised, half spoken and half sung, over many generations. The single manuscript we have, from about 1000 AD, is the end result of a great chain of poetic adaptation. Of all new versions Seamus Heaneys (1999) has made the most striking impact, in part for his willingness to experiment, to be a new scop or oral poet, to depart at times from the exact text and join the tradition when there was no such thing. The licence such an approach adopts can make for a riveting poem in itself, a work of wonder. But there is a different route to the flame of the original. J.D. Winters rendering of the Beowulf song accepts the text as historical fact, and by a gradual revelation of its deeper music, discovers an illumination from within. The voice is less his and more nearly of the time and world of the poem itself. But this is without recourse to an archaic register. It is the modern language and yet not the modern man speaking. The phrases of the text, like phrases of music with their crescendos and diminuendos, steadily and unhurriedly move towards the culmination of a powerfully fulfilling symphony. It is the expression of a simpler time than ours, and perhaps a more plain-speaking one. Yet its art was at least as sophisticated as the modern worlds. The clarity and concentration of meaning in the brilliantly alliterated half-lines can never be properly reconstructed. But a suggestion of that force and beauty, together with an underlying sense of the inexorable, may always be rediscovered. In the knock and flow of the lines, too, one can sense the poetry of a sea-faring nation. The nation is not England or Sweden or Denmark. It is an intermingled part of Northern Europe using the West Saxon dialect of the language in England to convey a mix of Scandinavian history and Teutonic legend. In this evocative transcreation the reader may come, no doubt as did the early listeners, to a simple truth behind the medley of international borders: the inevitable journey of the universal human.
The Song of Lunch
by Christopher ReidLunch in Soho with a former lover - but Zanzotti's is under new management, and as the wine takes effect fond memories give way to something closer to the bone. A mock-elegy for the heady joys of old-time Soho, The Song of Lunch displays the full range of Christopher Reid's wit, craft and human sympathy.
The Song of Middle-earth: J. R. R. Tolkienââeâ(tm)s Themes, Symbols And Myths
by David HarveyAvailable for the first time in paperback, this is the pre-eminent critical study, and exploration, of how myth and legend played such a significant role in the works of J.R.R. Tolkien.