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Darling Days: A New York City Childhood
by iO Tillett WrightI WAS BORN, SEPTEMBER 1985, IN THE VORTEX OF THE LOWER EAST SIDE OF NEW YORK: THERE WERE FEW RULES OF LIFE AND ZERO CONTRAINTS ON BEHAVIOUR. IF YOU WERE NOT ECCENTRIC, YOU WERE WEIRD.It was a tenement building at the centre of the drug-addled, punk-edged, permanent riot that was iO's corner of the Lower East Side of New York City in the '80s and 90's. There iO grew up - or rather scrabbled up - under the broken wing of a fiercely protective, yet wildly negligent mother.Rhonna was a showgirl, actress, dancer, poet. A widow by police murder, she was also an addict. She doted and obsessed over iO, yet lacked an understanding that a child needs food and sleep and safety.Unfolding in animated, crystalline prose, an emotionally raw, devastatingly powerful memoir of one young person's extraordinary coming of age - a tale of gender and identity, freedom and addiction, rebellion and survival in the 1980s and 1990s, when punk poverty, heroin and art collided in the urban bohemia of New York's Lower East Side.Darling Days is also a provocative examination of culture and identity, of the instincts that shape us and the norms that deform us, and of the courage and resilience of a child listening closely to their deepest self. When a group of boys refuse to let the six-year-old play ball, iO instantly adopts a new persona, becoming a boy named Ricky, a choice the parents support and celebrate. It is the start of a profound exploration of gender and identity through the tenderest years, and the beginning of a life invented and reinvented at every step.Alternating between the harrowing and the hilarious, Darling Days is the candid, tough, and stirring memoir of a young person in search of an authentic self as family and home life devolve into chaos until iO escapes to Germany and then England to become an amazingly talented, exciting, edgy artist and wonderful writer.
Das Coming-out der Staaten: Europas sexuelle Minderheiten und die Politik der Sichtbarkeit (Queer Studies #15)
by Phillip M. AyoubIn den letzten zwei Jahrzehnten ist die LGBT-Bewegung (Lesbian, Gay, Bisexual and Transgender) in einer im Vergleich zu anderen Menschenrechtsbewegungen beispiellosen Geschwindigkeit gewachsen. Phillip M. Ayoub zeichnet die jüngere Geschichte dieser transnationalen Bewegung in Europa nach. Er zeigt, wie das »Coming-out« die marginalisierte Gesellschaftsgruppe ins Zentrum der politischen Debatte rückte und ihr zu längst fälligen Rechten verhalf. Neben der Analyse der von der Bewegung vertretenen Normen steht vor allem die Frage im Zentrum, warum die gesellschaftsrechtliche Anerkennung der LGBT-Minderheiten in den jeweiligen Staaten so unterschiedlich verläuft.
Das Selbstbestimmungsgesetz: Über die Diskurse um Transgeschlechtlichkeit und Identitätspolitik (Queer Studies #35)
by Annette Vanagas Waldemar VanagasIm Zuge der politischen und medialen Debatten um das geplante Selbstbestimmungsgesetz, welches das Transsexuellengesetz ablösen soll, findet ein Ringen um die Selbst- und Fremdbestimmung des Geschlechts statt. Dies kann exemplarisch für den Widerstreit von geschlechterbinären und geschlechterpluralen Lebensformen verstanden werden. Annette und Waldemar Vanagas zeigen anhand der nunmehr vier Jahre andauernden Diskurse auf, wie identitätspolitische Bestrebungen um das Geschlechterwissen und eine daraus abgeleitete gesellschaftliche Ordnung zu neuen Prekarisierungen führen. So wird der vermeintliche Konsens auf Ebene der Identitätspolitik dabei zumeist auf dem Rücken transgeschlechtlicher Menschen ausgetragen.
Date Me, Bryson Keller
by Kevin van Whye'Date me, Bryson Keller!'Everyone at Fairvale Academy knows Bryson Keller, the super-hot soccer captain who doesn't believe in high-school relationships. They also know about the dare Bryson accepted - each week he has to date the first person who asks him out.A single school week is all anyone gets. There have been no exceptions to this. None.Until me, that is.Because brilliant Bryson Keller forgot one thing. He never said it could only be girls . . .To All The Boys I've Loved Before meets Simon vs the Homo Sapiens Agenda in this irresistible LGBTQ+ rom com.
The Daughters of Izdihar (The Alamaxa Duology #1)
by Hadeer Elsbai'A gorgeous, clever feminist fantasy novel rich with magic, politics, hunger and fire. An absolute must-read' Tasha Suri, author of The Jasmine Throne Trapped in an arranged marriage to a man she does not love, Nehal dreams of attending the Weaving Academy. There, she can take control of her powers, bending any water to her will, and pursue a glorious future on the battlefield with the first all-female military regiment. Her husband, indifferent and secretive, is in love with another woman, a poor bookseller named Giorgina. Giorgina has her own secret. She is an earthweaver with dangerously uncontrollable powers. Her only solace comes from meetings with the Daughters of Izdihar, a women's rights group fighting for freedom. They come from very different means, yet Nehal and Giorgina have more in common than they think.Enticed by the group's enigmatic leader Malak Mamdouh, the two women are drawn into a web of politics, violence and threats of war as they find themselves fighting to earn - and keep - a lasting freedom.A powerful feminist fantasy set in an Egyptian-inspired world, with breathtaking elemental magic and sapphic romance, perfect for fans of The Jasmine Throne and The Once and Future Witches.Praise for The Daughters of Izdihar:'Hadeer Elsbai has written a powerful story of sisterhood, love, and struggle within a rich, vibrant world with complicated characters that leap from the page to smash the patriarchy!' P. Djèlí Clark, author of A Master of Djinn'A wondrously rich fantasy that highlights the true struggle to revolutionize a society. . . a debut not to be missed' Shannon Chakraborty, author of The City of Brass'Action-packed, magic-filled, and led by two fierce, vividly-rendered women, The Daughters of Izdihar is a compelling and empowering debut' Ava Reid, author of Juniper and Thorn'A thrilling tale of two women's fight for rights in their patriarchal society, peppered with elemental magic, politics, and a relentless desire for that which is wrongly forbidden.' Andrea Stewart, author of The Bone Shard Daughter'A powerful fantasy novel filled with clever magic, intriguing politics, and compelling characters who forge a path toward justice, no matter the obstacle' Chelsea Abdullah, author of The Stardust Thief'An absolutely enthralling tale of two women striving for a better world' Sarah Beth Durst, author of The Queen of Blood'Magnificent, complex, compelling' Davinia Evans, author of Notorious Sorcerer
David Bowie Outlaw: Essays on Difference, Authenticity, Ethics, Art & Love
by Alex SharpeThis book explores the relevance of David Bowie’s life and music for contemporary legal and cultural theory. Focusing on the artist and artworks of David Bowie, this book brings to life, in essay form, particular theoretical ideas, creative methodologies and ethical debates that have contemporary relevance within the fields of law, social theory, ethics and art. What unites the essays presented here is that they all point to a beyond law: to the fact that law is not enough, or to be more precise, too much, too much to bear. For those who, like Bowie, see art, creativity and love as what ought to be the central organising principles of life, law will not do. In the face of its certainties, its rigidities, and its conceits, these essays, through Bowie, call forth the monster who laughs at the law, celebrate inauthenticity as a deeper truth, explore the ethical limits of art, cut up the laws of writing and embrace that which is most antithetical to law, love. This original engagement with the limits of law will appeal to those working in legal theory, ethics and law and popular culture, as well as in art and cultural studies.
David Bowie Outlaw: Essays on Difference, Authenticity, Ethics, Art & Love
by Alex SharpeThis book explores the relevance of David Bowie’s life and music for contemporary legal and cultural theory. Focusing on the artist and artworks of David Bowie, this book brings to life, in essay form, particular theoretical ideas, creative methodologies and ethical debates that have contemporary relevance within the fields of law, social theory, ethics and art. What unites the essays presented here is that they all point to a beyond law: to the fact that law is not enough, or to be more precise, too much, too much to bear. For those who, like Bowie, see art, creativity and love as what ought to be the central organising principles of life, law will not do. In the face of its certainties, its rigidities, and its conceits, these essays, through Bowie, call forth the monster who laughs at the law, celebrate inauthenticity as a deeper truth, explore the ethical limits of art, cut up the laws of writing and embrace that which is most antithetical to law, love. This original engagement with the limits of law will appeal to those working in legal theory, ethics and law and popular culture, as well as in art and cultural studies.
The Days of Anna Madrigal: Tales of the City 9 (Tales of the City #9)
by Armistead MaupinThe ninth novel in the beloved Tales of the City series, Armistead Maupin’s best-selling San Francisco saga.'Wonderful. . . . As compulsively readable and endearing as all the previous novels have been’ Booklist (starred review)____________________Now ninety-two, Mrs. Madrigal has seemingly found peace with her ‘logical family’ in San Francisco. Some members of that family are bound for the otherworldly landscape of Burning Man, the art community in Nevada’s Black Rock Desert but Anna has another destination in mind: a lonely stretch of road outside of Winnemucca where the 16-year-old boy she once was ran away from the whorehouse he called home. There she journeys into the dusty troubled heart of her Depression childhood to unearth a lifetime of secrets and dreams and attend to some unfinished business she has long avoided.Hurdling barriers both social and sexual, Maupin leads the eccentric tenants of Barbary Lane through heartbreak and triumph, through nail-biting terrors and gleeful coincidences in a sexually-liberated San Francisco. The result is a glittering and addictive comedy of manners that continues to beguile new generations of readers.
Days of Twilight, Nights of Frenzy: A Memoir
by Werner Schroeter Claudia LenssenWerner Schroeter was a leading figure of New German Cinema. In more than forty films made between 1967 and 2008, including features, documentaries, and shorts, he ignored conventional narrative, creating instead dense, evocative collages of image and sound. For years, his work was eclipsed by contemporaries such as Wim Wenders, Rainer Werner Fassbinder, Werner Herzog, and Alexander Kluge. Yet his work has become known to a wider audience through several recent retrospectives, including at the Museum of Modern Art, New York. Written in the last years of his life, Days of Twilight, Nights of Frenzy sees Schroeter looking back at his life with the help of film critic and friend Claudia Lenssen. Born in 1945, Schroeter grew up near Heidelberg and spent just a few weeks in film school before leaving to create his earliest works. Over the years, he would work with acclaimed artists, including Marianne Hopps, Isabelle Huppert, Candy Darling, and Christine Kaufmann. In the 1970s, Schroeter also embarked on prolific parallel careers in theater and opera, where he worked in close collaboration with the legendary diva Maria Callas. His childhood; his travels in Italy, France, and Latin America; his coming out and subsequent life as an gay man in Europe; and his run-ins with Hollywood are but a few of the subjects Schroeter recalls with insights and characteristic understated humor. A sharp, lively, even funny memoir, Days of Twilight, Nights of Frenzy captures Schroeter’s extravagant life vividly over a vast prolific career, including many stories that might have been lost were it not for this book. It is sure to fascinate cinephiles and anyone interested in the culture around film and the arts.
Days of Twilight, Nights of Frenzy: A Memoir
by Werner Schroeter Claudia LenssenWerner Schroeter was a leading figure of New German Cinema. In more than forty films made between 1967 and 2008, including features, documentaries, and shorts, he ignored conventional narrative, creating instead dense, evocative collages of image and sound. For years, his work was eclipsed by contemporaries such as Wim Wenders, Rainer Werner Fassbinder, Werner Herzog, and Alexander Kluge. Yet his work has become known to a wider audience through several recent retrospectives, including at the Museum of Modern Art, New York. Written in the last years of his life, Days of Twilight, Nights of Frenzy sees Schroeter looking back at his life with the help of film critic and friend Claudia Lenssen. Born in 1945, Schroeter grew up near Heidelberg and spent just a few weeks in film school before leaving to create his earliest works. Over the years, he would work with acclaimed artists, including Marianne Hopps, Isabelle Huppert, Candy Darling, and Christine Kaufmann. In the 1970s, Schroeter also embarked on prolific parallel careers in theater and opera, where he worked in close collaboration with the legendary diva Maria Callas. His childhood; his travels in Italy, France, and Latin America; his coming out and subsequent life as an gay man in Europe; and his run-ins with Hollywood are but a few of the subjects Schroeter recalls with insights and characteristic understated humor. A sharp, lively, even funny memoir, Days of Twilight, Nights of Frenzy captures Schroeter’s extravagant life vividly over a vast prolific career, including many stories that might have been lost were it not for this book. It is sure to fascinate cinephiles and anyone interested in the culture around film and the arts.
Days of Twilight, Nights of Frenzy: A Memoir
by Werner Schroeter Claudia LenssenWerner Schroeter was a leading figure of New German Cinema. In more than forty films made between 1967 and 2008, including features, documentaries, and shorts, he ignored conventional narrative, creating instead dense, evocative collages of image and sound. For years, his work was eclipsed by contemporaries such as Wim Wenders, Rainer Werner Fassbinder, Werner Herzog, and Alexander Kluge. Yet his work has become known to a wider audience through several recent retrospectives, including at the Museum of Modern Art, New York. Written in the last years of his life, Days of Twilight, Nights of Frenzy sees Schroeter looking back at his life with the help of film critic and friend Claudia Lenssen. Born in 1945, Schroeter grew up near Heidelberg and spent just a few weeks in film school before leaving to create his earliest works. Over the years, he would work with acclaimed artists, including Marianne Hopps, Isabelle Huppert, Candy Darling, and Christine Kaufmann. In the 1970s, Schroeter also embarked on prolific parallel careers in theater and opera, where he worked in close collaboration with the legendary diva Maria Callas. His childhood; his travels in Italy, France, and Latin America; his coming out and subsequent life as an gay man in Europe; and his run-ins with Hollywood are but a few of the subjects Schroeter recalls with insights and characteristic understated humor. A sharp, lively, even funny memoir, Days of Twilight, Nights of Frenzy captures Schroeter’s extravagant life vividly over a vast prolific career, including many stories that might have been lost were it not for this book. It is sure to fascinate cinephiles and anyone interested in the culture around film and the arts.
Days of Twilight, Nights of Frenzy: A Memoir
by Werner Schroeter Claudia LenssenWerner Schroeter was a leading figure of New German Cinema. In more than forty films made between 1967 and 2008, including features, documentaries, and shorts, he ignored conventional narrative, creating instead dense, evocative collages of image and sound. For years, his work was eclipsed by contemporaries such as Wim Wenders, Rainer Werner Fassbinder, Werner Herzog, and Alexander Kluge. Yet his work has become known to a wider audience through several recent retrospectives, including at the Museum of Modern Art, New York. Written in the last years of his life, Days of Twilight, Nights of Frenzy sees Schroeter looking back at his life with the help of film critic and friend Claudia Lenssen. Born in 1945, Schroeter grew up near Heidelberg and spent just a few weeks in film school before leaving to create his earliest works. Over the years, he would work with acclaimed artists, including Marianne Hopps, Isabelle Huppert, Candy Darling, and Christine Kaufmann. In the 1970s, Schroeter also embarked on prolific parallel careers in theater and opera, where he worked in close collaboration with the legendary diva Maria Callas. His childhood; his travels in Italy, France, and Latin America; his coming out and subsequent life as an gay man in Europe; and his run-ins with Hollywood are but a few of the subjects Schroeter recalls with insights and characteristic understated humor. A sharp, lively, even funny memoir, Days of Twilight, Nights of Frenzy captures Schroeter’s extravagant life vividly over a vast prolific career, including many stories that might have been lost were it not for this book. It is sure to fascinate cinephiles and anyone interested in the culture around film and the arts.
De Profundis
by Rita Correia Isabel Robalinho Miguel Vale de Almeida Oscar WildeNo Verão de 1891, Wilde é apresentado ao jovem Lord Alfred Douglas, familiarmente conhecido como Bosie, estudante de Oxford com aspirações literárias, filho do Marquês de Queensberry. Inicia-se então a tempestuosa amizade que culminará no julgamento e condenação de Oscar Wilde a dois anos de trabalhos forçados, em 1895. A longa carta dirigida a Lord Alfred Douglas foi escrita durante os últimos meses que Wilde passou na prisão de Reading. Esta carta não foi enviada a Bosie da prisão, mas confiada a Robert Ross, amigo de Wilde, várias vezes mencionado ao longo do texto, que dela mandou fazer duas cópias, de acordo com a vontade de Oscar Wilde. Uma das cópias teria como destinatário Lord Alfred Douglas, que sempre negou tê-la recebido, a segunda foi deixada em testamento ao filho de Wilde, Vyvyan Holland.
De Profundis: The First And Second Series Complete - Nature, Self-reliance, Friendship, Compensation, Oversoul And Other Great Works In One Collection (hardcover) (Arcturus Classics)
by Oscar Wilde"I thought life was going to be a brilliant comedy, and you were to be one of the many graceful figures in it." While imprisoned in 1895-7 for "gross indecency", the brilliant poet and playwright Oscar Wilde wrote a long, impassioned letter to his estranged young lover, Lord Alfred Douglas. Later published as De Profundis, Wilde's letter describes the unbearable pains and blissful pleasures of his love, as well as his views on art, Christianity, and incarceration. Heavily abridged in most editions, De Profundis is here reproduced in full - a telling insight into this charismatic and sensitive author's life and times.
Dead End Girls
by Wendy HeardDetermined to escape menacing families, two desperate teens fake their own deaths in this queer contemporary thriller perfect for fans of Natasha Preston and Karen McManus. In one week Maude will be dead. At least, that&’s what she wants everyone to think. After years of research, Maude has decided to fake her own death. She&’s figured out the how, the when, the where, and who will help her unsuspectingly. The why is complex: revenge, partly. Her terrible parents deserve this. But there&’s also 'l&’appel du vide,' the call of the void, that beckons her toward a new life where she will be tied to no one, free and adrift. Then Frankie, a step-cousin she barely knows, figures out what she&’s plotting, and the plan seems like it&’s ruined. Except Frankie doesn&’t want to rat her out—Frankie wants in. The girls vault into the unknown, risking everything for a new and limitless life. But there are some things you can never run away from. What if the poison is not in the soil, but in the roots? This pulse-pounding thriller offers a nuanced exploration of identity, freedom, and falling in love while your world falls apart."A clever page-turner that I couldn&’t put down." —Natasha Preston, #1 New York Times Bestselling AuthorA Rainbow Book List Selection A YALSA Amazing Audiobook for Young Adults A YALSA Quick Pick for Reluctant Young Adult Readers
Dead Flip
by Sara FarizanIn this &“terrifyingly fun&” (New York Times) horror comedy two friends must solve the mystery of their long-missing former friend&’s supernatural reappearance—perfect for fans of Stranger Things. Growing up, Cori, Maz, and Sam were inseparable best friends, sharing their love for Halloween, arcade games, and one another. Now it&’s 1992, Sam has been missing for five years, and Cori and Maz aren&’t speaking anymore. How could they be, when Cori is sure Sam is dead and Maz thinks he may have been kidnapped by a supernatural pinball machine? These days, all Maz wants to do is party, buy CDs at Sam Goody, and run away from his past. Meanwhile, Cori is a homecoming queen, hiding her abiding love of horror movies and her queer self under the bubblegum veneer of a high school queen bee. But when Sam returns—still twelve years old while his best friends are now seventeen—Maz and Cori are thrown back together to solve the mystery of what really happened to Sam the night he went missing. Beneath the surface of that mystery lurk secrets the friends never told one another, then and now. And Sam&’s is the darkest of all . . . Award-winning author of If You Could Be Mine and Here to Stay Sara Farizan delivers edge-of-your-seat terror as well as her trademark referential humor, witty narration, and insightful characters.
Dead to Her: A Novel
by Sarah PinboroughFrom the No.1 Sunday Times bestselling author of Behind Her Eyes ‘An absolute rollercoaster of a ride: twist upon twist, expertly handled – I actually gasped out loud several times’ Lucy Foley, No. 1 bestselling author of The Hunting Party and The Guest List
Dead to Her
by Sarah PinboroughWhen Marcie met Jason Maddox, she couldn’t believe her luck. Becoming Jason’s second wife catapulted her into the elite world of high society. But underneath the polite, old money manners, she knows she’ll always be an outsider, and her hard-won life hangs by a thread. Something new… Then Jason’s widowed boss brings back a new wife from his trip to London. Young, beautiful, reckless – nobody can take their eyes off Keisha. Including Jason. Something you can never, ever undo… Marcie refuses to be replaced so easily. People would kill for her life of luxury. What will Marcie do to keep it?
Deadly Deceit (Kate Daniels #3)
by Mari HannahDeadly Deceit is Mari Hannah's third gripping crime novel featuring DCI Kate Daniels. Four a.m. on a wet stretch of the A1 and a driver skids out of control. Quick on the scene, Senior Investigating Officer Kate Daniels and partner DS Hank Gormley are presented with a horrifying image of carnage and mayhem that quickly becomes one of the worst road traffic accidents in Northumberland’s history. But as the casualties mount up, they soon realize that not all deaths were as a result of the accident . . . On the other side of town a house goes up in flames, turning its two inhabitants into charred corpses. Seemingly unconnected with the traffic accident, Kate sets about investigating both incidences separately. But it soon becomes apparent that all is not what it seems, and Kate and her colleagues are always one step behind a ruthless killer who will stop at nothing to get what they want.
Dear John, I Love Jane: Women Write About Leaving Men for Women
by Candace Walsh Laura AndréThe new buzzword in female sexuality is "sexual fluidity”-the idea that for many women, sexual identity can shift over time, often in the direction of same-sex relationships. Examples abound in popular culture, from actress Cynthia Nixon, who left her male partner of 15 years to be with a woman, to writer and comedienne Carol Leifer, who divorced her husband for the same reason.In a culture increasingly open to accepting this fluidity, Dear John, I Love Jane is a timely, fiercely candid exploration of female sexuality and personal choice. The book is comprised of essays written by a broad spectrum of women, including a number of well-known writers and personalities. Their stories are sometimes funny, sometimes painful-but always achingly honest-accounts of leaving a man for a woman, and the consequences of making such a choice.Arousing, inspiring, bawdy, bold, and heartfelt, Dear John, I Love Jane is an engrossing reflection of a new era of female sexuality.
Death Claims: Dave Brandstetter Investigation 2 (Dave Brandstetter)
by Joseph HansenAfter forty years, Hammett has a worthy successor' The TimesDave Brandstetter stands alongside Philip Marlowe, Sam Spade and Lew Archer as one of the best fictional PIs in the business. Like them, he was tough, determined, and ruthless when the case demanded it. Unlike them, he was gay. Joseph Hansen's groundbreaking novels follow Brandstetter as he investigates cases in which motives are murky, passions run high, and nothing is ever as simple as it looks. Set in 1970s and 80s California, the series is a fascinating portrait of a time and a place, with mysteries to match Chandler and Macdonald.John Oats is dead; drowned in the treacherous waves of the Pacific. But was it accident, suicide, or murder? Between the mysteriously absent son, the bitter ex-wife and the current lover, there are plenty of people with reason to lie to Dave about what really happened that night - and why.
Death Goes on Skis: Introduced by Sandi Toksvig - 'Her detective novels are hilarious' (Virago Modern Classics)
by Nancy Spain'Her detective novels are hilarious - less about detecting than delighting, with absurd farce and a wonderful turn of phrase . . . Nancy Spain was bold, she was brave, she was funny, she was feisty. I owe her a great deal' Sandi ToksvigMiriam Birdseye is daring, brilliant - and a long way from The Ivy. Our dashing heroine, a famous revue artist, takes to the slopes with her coterie of admirers. Champagne flows and wherever Miriam goes she leaves a trail of gossip in her wake.Fellow ski-resort guests include the celebrated Russian ex-ballerina, Natasha Nevkorina, whose beauty is matched only by her languor, Natasha's burly husband, nightclub owner Johnny DuVivien, and the wealthy Flahertés, a family who have made their money importing scents: handsome playboy Barney, his wife Regan, their two obnoxious children and the governess, Rosalie. Unbeknownst to Regan, Barney's mistress, a film star, is also there with her husband.When secrets start to unravel, tensions rise, and soon amateur sleuths Miriam and Natasha have not one but two murders to solve. In the hands of Nancy Spain, for whom farce and humour are a lot more fun than a conventional detective novel, the result is a deliciously wild ride.'An either intense or sombre approach to crime is to Miss Spain foreign: in her world an inspired craziness rules . . . Her wit, her zest, her outrageousness, and the colloquial stylishness of her writing are quite her own' Elizabeth Bowen
A Death in the Parish: The sequel to Murder Before Evensong (Canon Clement Mystery)
by Reverend Richard ColesTHE SEQUEL TO THE NO. 1 SUNDAY TIMES BESTSELLER MURDER BEFORE EVENSONGCANON DANIEL CLEMENT IS BACK...'Champton joins St Mary Mead and Midsomer in the great atlas of fictional English villages where the crimes are as dastardly as the residents delightful' - DAMIAN BARRIt's been a few months since murder tore apart the community of Champton apart. As Canon Daniel Clement tries to steady his flock, the parish is joined with Upper and Lower Badsaddle, bringing a new tide of unwanted change. But church politics soon become the least of Daniel's problems. His mother - headstrong, fearless Audrey - is obviously up to something, something she is determined to keep from him. And she is not the only one. And then all hell breaks loose when murder returns to Champton in the form of a shocking ritualistic killing...
Death of a Mermaid
by Lesley Thomson'Lesley Thomson gets better and better' Ian RankinWhen Freddy Power was eighteen, her father threw her out. Her sin had been to fall in love with a woman. Freddy waited for two decades to be invited back into the family. The summons never came.But now, in the wake of her parents' death, Freddy feels the call of home like a siren's song. The trawlers emerging out of the mist. Fishermen unloading their catch down at the harbour. Her best friend, Mags, exploring the cliffs at sunset.But when she arrives at Newhaven, after twenty-two years of silence, her brothers and her friends act like strangers. Then Mags goes missing, and old secrets – and old passions – are reignited. Freddy is determined to lead the hunt for Mags – even if it means confronting her past, and facing the truth about her family...Reviews for Death of a Mermaid:'Catholic guilt, monstrous hypocrisy and all kinds of fishy business are explored in an atmosphere of creeping dread' The Times'A truly brilliant book, full of atmosphere and a creeping sense of menace. Lesley Thomson lures you in with meticulously drawn characters and a matchless sense of place, and then you are caught in the jaws of a remorseless thriller' Elly Griffiths'A strong sense of place, wonderfully woven with a cast of memorable characters' Mari Hannah'Death of a Mermaid is a tense, beautifully written novel, with characters so well-crafted you expect them to walk off the page' Rachael Blok'A powerful tale of dark secrets that fester in a small seaside town' William Shaw
Death Sets Sail: A Murder Most Unladylike Mystery (Murder Most Unladylike Mystery #9)
by Robin StevensThe final novel in the number-one bestselling, award-winning Murder Most Unladylike series.Daisy Wells and Hazel Wong are in Egypt, where they are taking a cruise along the Nile. They are hoping to see some ancient temples and a mummy or two; what they get, instead, is murder. Also travelling on the SS Hatshepsut is a mysterious society called the Breath of Life: a group of genteel English ladies and gentlemen, who believe themselves to be reincarnations of the ancient pharaohs. Three days into the cruise their leader, Theodora Miller, is found dead in her cabin, stabbed during the night. It soon becomes clear to Daisy and Hazel that Theodora's timid daughter Hephzibah, who is prone to sleepwalking, is being framed. And within the society, everyone has a reason to want Theodora dead...Daisy and Hazel leap into action and begin to investigate their most difficult case yet. But there is danger all around, and only one of the Detective Society will make it home alive...