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God of Night
by Tom LloydThe time for heroes has come, but all the Riven Kingdom has is bastards.With war between the Militant Orders looming, the entire continent may soon be on fire. The very nature of magic has changed and the horrors of the deepest black are rising, but an even greater danger threatens to eclipse it all. Turning the tide of history may require a gamble only a bunch of drunken lunatics are willing to take.The old ways need breaking and that's one thing the Cards are good at. Just be careful what you wish for.
The God of Rome: Jupiter in Augustan Poetry
by Julia HejdukInspiring reverence and blasphemy, combining paternal benignity with sexual violence, transcendent universality with tribal chauvinism, Jupiter represents both the best and the worst of ancient religion. Though often assimilated to Zeus, Jupiter differs from his Greek counterpart as much as Rome differs from Greece: "the god of Rome" conveys both Jupiter's sovereignty over Rome and his symbolic encapsulation of what Rome represents. Understanding this dizzyingly complex figure is crucial not only to the study of Roman religion, but also to the study of ancient Rome more generally. The God of Rome examines Jupiter in Latin poetry's most formative and fruitful period, the reign of the emperor Augustus. As Roman society was transformed from a republic or oligarchy to a de facto monarchy, Jupiter came to play a unique role as the celestial counterpart of the first earthly princeps. While studies of Augustan poetry may glance at Jupiter as an Augustus figure, or Augustus as a Jupiter figure, they rarely explore the poets' portrayal of the god as a character in his own right. This book fills that gap, exploring the god's manifestations in the five major Augustan poets (Virgil, Horace, Tibullus, Propertius, and Ovid). It provides a fascinating window on a transformative period of history, as well as a comprehensive view of the poets' individual personalities and shifting concerns.
The God of Small Things: Winner Of The Booker Prize (Perennial Fiction Promotion Ser.)
by Arundhati Roy‘They all broke the rules. They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved, and how. And how much.’
The God Of Small Things (PDF)
by Arundhati Roy'They all broke the rules. They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved, and how. And how much. ' This is the story of Rahel and Estha, twins growing up among the banana vats and peppercorns of their blind grandmother's factory, and amid scenes of political turbulence in Kerala. Armed only with the innocence of youth, they fashion a childhood in the shade of the wreck that is their family: their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist, bottom-pincher) and their sworn enemy, Baby Kochamma (ex-nun, incumbent grand-aunt). Arundhati Roy's Booker Prize-winning novel was the literary sensation of the 1990s: a story anchored to anguish but fuelled by wit and magic.
The God of that Summer
by Ralf RothmannAs the Second World War enters its final stages, millions in Germany are forced from their homes by bombing, compelled to seek shelter in the countryside where there are barely the resources to feed them.Twelve-year-old Luisa, her mother, and her older sister Billie have escaped the devastation of the city for the relative safety of a dairy farm. But even here the power struggles of the war play out: the family depend on the goodwill of Luisa’s brother-in-law, an SS officer, who in expectation of payment turns his attention away from his wife and towards Billie. Luisa immerses herself in books, but even she notices the Allied bombers flying east above them, the gauntness of the prisoners at the camp nearby, the disappearance of fresh-faced boys from the milk shed – hastily shipped off to a war that’s already lost.Living on the farm teaches Luisa about life and death, but it’s man’s capacity for violence that provides the ultimate lesson, that robs her of her innocent ignorance. When, at a birthday celebration, her worst fears are realized, Luisa collapses under the weight of the inexplicable.Ralf Rothmann’s previous novel, To Die in Spring, described the horror of war and the damage done on the battlefield. The God of that Summer tells the devastating story of civilians caught up in the chaos of defeat, of events that might lead a twelve-year-old child to justifiably say: ‘I have experienced everything.’
The God of the Hive: A thrilling mystery for Mary Russell and Sherlock Holmes (Mary Russell & Sherlock Holmes #Vol. 10)
by Laurie R. KingIt began as a problem in one of Holmes' beloved beehives, led to a murderous cult, and ended - or so they'd hoped - with a daring escape from a sacrificial altar. Instead, Mary Russell and her husband, Sherlock Holmes, have stirred the wrath and the limitless resources of those they've thwarted. Now they are separated and on the run, wanted by the police, and pursued across the Continent by a ruthless enemy with powerful connections.Unstoppable together, Russell and Holmes will have to survive this time apart, maintaining tenuous contact only by means of coded messages and cryptic notes. With Holmes' young granddaughter in her safekeeping, Russell will have to call on instincts she didn't know she had. But has the couple already made a fatal mistake by separating, making themselves easier targets for the shadowy government agents sent to silence them?From hidden rooms in London shops and rustic forest cabins to rickety planes over Scotland and boats on the frozen North Sea, Russell and Holmes work their way back to each other in the most complex, shocking, and deeply personal case of their career.
God of Thieves (A Goddess Series short story #7)
by Aimée Carter‘They needed a scapegoat – and I was convenient’ A pariah among the Greek Gods of Mount Olympus, James has been shunned by the council for helping a friend find freedom. Can he clear his name – and find a love of his own? ‘Our favourite author of the year,’ – Teen Now. A GODDESS SERIES STORY
God Of Thunder
by Alex ArcherArchaeologist Annja Creed narrowly escapes an attack by unknown figures when she tries to collect a package near her loft. She later learns that the sender–an old colleague named Fellini–has been brutally murdered.
God of Vengeance: (The Rise of Sigurd 1) (Sigurd #1)
by Giles KristianNorway 785 AD. It began with the betrayal of a lord by a king . . . King Gorm puts Jarl Harald’s family to the sword, but makes one fatal mistake – he fails to kill Harald’s youngest son, Sigurd. His kin slain, his village seized and its people taken as slaves, Sigurd wonders if the gods have forsaken him. Hunted by powerful men, he is unsure who to trust and yet he has a small band of loyal followers at his side. With them - and with the help of the All-Father, Odin - he determines to make a king pay in blood for his treachery. Using cunning and war-craft, Sigurd gathers together a fellowship of warriors – including his father's right-hand man Olaf, Bram (who men call Bear), Black Floki who wields death with a blade, and the shield maiden Valgerd, who fears no man – and convinces them to follow him. For, whether Ódin is with him or not, Sigurd will have vengeance. And neither men nor gods had best stand in his way . . .God of Vengeance is a must-read for all who enjoy thrilling, action-packed fiction - from Bernard Cornwell to George R R Martin's Game of Thrones.
God On The Rocks (Abacus Books)
by Jane Gardam'A meticulously observed modern classic' IndependentDuring one glorious summer between the wars, the realities of life and the sexual ritual dance of the adult world creep into the life of young Margaret Marsh. Her father, preaching the doctrine of the unsavoury Primal Saints; her mother, bitterly nostalgic for what might have been; Charles and Binkie, anchored in the past and a game of words; dying Mrs Frayling and Lydia the maid, given to the vulgar enjoyment of life; all contribute to Margaret's shattering moment of truth. And when the storm breaks, it is not only God who is on the rocks as the summer hurtles towards drama, tragedy, and a touch of farce.'Tantalising, funny, sharp' Daily Telegraph'So charming a novel that you don't want to give away a single one of the many twists of its plot' New York Times'Jane Gardam has a spectacular gift' Times Literary Supplement'Exact, piquant and comical' Observer
God Rest Ye, Royal Gentlemen
by Rhys BowenGeorgie is back and hanging the stockings with care when a murder interrupts her Christmas cheer in this all-new installment in the New York Times bestselling Royal Spyness series from Rhys Bowen.Georgie is excited for her first Christmas as a married woman in her lovely new home. She suggests to her dashing husband, Darcy, that they have a little house party, but when Darcy receives a letter from his aunt Ermintrude, there is an abrupt change in plans. She has moved to a house on the edge of the Sandringham estate, near the royal family, and wants to invite Darcy and his new bride for Christmas. Aunt Ermintrude hints that the queen would like Georgie nearby. Georgie had not known that Aunt Ermintrude was a former lady-in-waiting and close confidante of her royal highness. The letter is therefore almost a royal request, so Georgie, Darcy, and their Christmas guests: Mummy, Grandad, Fig, and Binky all head to Sandringham.Georgie soon learns that the notorious Mrs. Simpson, mistress to the Prince of Wales, will also be in attendance. It is now crystal clear to Georgie that the Queen expects her to do a bit of spying. There is tension in the air from the get-go, and when Georgie pays a visit to the queen, she learns that there is more to her request than just some simple eavesdropping. There have been a couple of strange accidents at the estate recently. Two gentlemen of the royal household have died in mysterious circumstances and another has been shot by mistake during a hunt. Georgie begins to suspect that a member of the royal family is the real target but her investigation will put her new husband and love of her life, Darcy, in the crosshairs of a killer.
God Rob Ye Merry Gentlemen: Belchester Chroniclette (Belchester Chronicle Ser.)
by Andrea FrazerA festive special, complete with Beauchamps Major and Minor.It's nearly Christmas in Belchester and the carol singers are out in full swing. So too are the thieves! A spate of burglaries is underway and the police are baffled. When Belchester Towers becomes a target, Lady Amanda Golightly is determined to get to the bottom of it all. None of the usual criminal types in the city seem to be involved, but after a bit of lateral thinking and old chum Hugo’s help, Lady Amanda is off, sniffing after a totally unsuspected scent...
God Said This (Yale Drama Series)
by Leah Nanako WinklerThe 2018 winner of the Yale Drama Series competition is a riveting exploration of family and death Set in Kentucky, this compelling drama centers around a Japanese-American family reunited as their matriarch undergoes cancer treatment. The father, James, is a recovering alcoholic seeking redemption, and the two daughters are struggling to overcome their differences—Sophie is an ardent born-again Christian, while Hiro lives a single’s life in New York City. John, an old high school classmate of Hiro’s who is now a single dad, worries about leaving a legacy for his son. Wry and bittersweet, God Said This vividly captures the complexities of a familial reconciliation in the throes of crisis and looks deeply at the meaning of family—Japanese, Southern, and otherwise. This is the first Yale Drama Series winner chosen by Pulitzer prize–winning playwright Ayad Akhtar, who describes the play as conveying “a deeply felt sense of the universal—of the perfection of our parents’ flawed love for each other and for us; for the ways in which the approach of death can order the meaning of a human life.”
God Save the Child (Spenser Ser. #2)
by Robert B. ParkerWhen a fourteen-year-old boy disappears from a decent neighbourhood, everyone thinks he has run away. Everyone, that is, except private detective Spenser, who is hot on the trail of the missing boy; a trail that leads to corruption and a deadly partnership.
God Save the Queen: Book 1 of the Immortal Empire (Immortal Empire #1)
by Kate LockeThe Year is 2012 - and Queen Victoria still rules with an immortal fist. She's the undead matriarch of a Britain where the Aristocracy is made up of werewolves and vampires, where goblins live underground and mothers know better than to let their children out after dark. A world where technology lives side by side with magic, where being nobility means being infected with the Plague (side-effects include undeath) and Hysteria is the popular affliction of the day.Xandra Vardan is a member of the elite Royal Guard, and it's her duty to protect the Aristocracy. But things get complicated when her sister goes missing. Xandra will not only realise she's the prize in a dangerous power struggle - but she'll also uncover a conspiracy that threatens to topple the empire itself.
The God Tattoo: Untold Tales from the Twilight Reign (TWILIGHT REIGN)
by Tom LloydA collection of short stories set in the world of the Twilight Reign seriesEleven stories that add further colour and shape to the epic story of the Twilight Reign series - this is an essential volume for Tom Lloyd's many fans.The history of the Land may remember the slaughter at Moorview or the horror of Scree's fall, but there were other casualties of the secret war against Azaer - more tales surrounding those bloody years that went unrecorded. In the shadow of memorials to the glorious dead, these ghosts lie quiet and forgotten by all but a few.A companion collection to the Twilight Reign quintet, these eleven stories shine a rather different light on the Land. Look past the armies and politics of the Seven Tribes and you will find smaller moments that shaped the course of history in their own way. But even forgotten secrets can kill. Even shadows can have claws.
God & the Gothic: Religion, Romance, & Reality in the English Literary Tradition
by Alison MilbankGod and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part one interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part two traces the origins of the doppelgänger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In part three, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in part four nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restore the sacramental and psychical efficacy of objects.
God & the Gothic: Religion, Romance, & Reality in the English Literary Tradition
by Alison MilbankGod and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part one interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part two traces the origins of the doppelgänger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In part three, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in part four nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restore the sacramental and psychical efficacy of objects.
God War
by James AxlerThe Annunaki, a power-hungry and hate-driven alien race, have returned to take over Earth. This time, permanently.
Godber Plays: Our House; Crown Prince; Sold; Christmas Crackers (Contemporary Dramatists)
by John GodberGodber Plays: 4 brings together four recent plays by one ofBritain's most prolific, popular playwrights. The author is theartistic director of Hull Truck Theatre and the publication is timed tocoincide with the opening of Hull Truck's new theatre building in theheart of Hull.In Our House May, a widow, mother and grandmother, ispacking up her home of 45 years and heads for a life in the sun.However, trading neighbourhood hell for the Costa del Calm is no easytask as memories are harder to let go than possessions. First producedin 2007, the play was revived and toured the UK in 2008.In Crown Prince (2007) Godber finds comedy in a bowls club,and against the backdrop of the advancing years of its members, issuesof redundancy, bereavement and guilt emerge.Sold is the author's most politically charged play to date,exposing the misery of people-trafficking and women sold into thesex-trade in Britain.Christmas Crackers follows overworked A&E nurses Holly and Kath on a shopping and booze trip to Prague where things take an unexpected turn.'John Godber's work is unique; he is able to speak to a very broadaudience in a way that is thought-provoking, exciting and always veryfunny.' Hilary Strong, Executive Director of Greenwich Theatre
Godber Plays: Teechers; Happy Jack; September in the Rain; Salt of the Earth (Contemporary Dramatists)
by John Godber"John Godber is one of the unsung heroes of British theatre, reaching the giddy heights of number three in the most-performed playwrights league table, nestled in behind Shakespeare and Ayckbourn" - GuardianTeechers: "In a class of its own ... Godber takes a hard-hitting look at life in a modern comprehensive where class conflicts, teacher tantrums and cavorting chaos runs riot through the corridors" The ExpressHappy Jack: "Godber manages with an affectionate and unerringly accurate ear for the tongues of the pit village to turn these two into a Chaucerian kind of celebration of life. At the end of the line the play is a sad, bruised but richly comic love story" GuardianSeptember in the Rain: "The work of a genuinely talented playwright" Evening StandardSalt of the Earth: "John Godber has a special gift for capturing the lives and inner turmoil of the working class ... In the most subtle and incisive ways, he suggests how the combination of innate personality and a changing society determines individual destiny" Chicago Times
Godber Plays: April in Paris; up 'n' under; Perfect Pitch (Contemporary Dramatists)
by John GodberA third collection of plays by one of Britain's most popular and widely performed playwrightsUp 'n' Under (winner of the Laurence Olivier Comedy of the Year Award 1984): Five unfit lads strive for sporting glory against the local pub-rugby champions, Men Behaving Badly meets The Full Monty.Perfect Pitch: Ron & Yvonne are seasoned caravan holidaymakers. Every weekend they head for the coast to get away from it all. Snug in a prized four-berth, theirs is the perfect pitch, until Grant and Steph set up camp beside them... April in Paris (nominated for Laurence Olivier Comedy of the Year 1994): Al is a builder - well he was until he got laid off. Bet sells trainers. Al spends hours in his shed painting while Beth is addicted to entering competitions in magazines. Neither has any faith in the other. Until one day, Beth win "a romantic break in Paris for two"..."John Godber is one of the unsung heroes of British theatre, reaching the giddy heights of number three in the most-performed playwrights league table, nestled in behind Shakespeare and Ayckbourn" - Guardian
Godber Plays: Bouncers; Happy Families; Shakers (Contemporary Dramatists)
by John Godber"John Godber is one of the unsung heroes of British theatre, reaching the giddy heights of number three in the most-performed playwrights league table, nestled in behind Shakespeare and Ayckbourn" - GuardianBouncers, a play about nightlife: "A show that's worth braving any front of house, however formidable ... simply spellbinding" GuardianHappy Families: "The inseparable contradictions of family love and oppression are carefully held in this fine comedy ... superb characterisation ... the rhythms of Godber's dialogue are freshly funny, the pace precise" IndependentShakers, a play about party-goers: "This is one of those slices of life that everyone can recognise and laugh at" Liverpool Daily Post
Godber Plays: Teechers; Happy Jack; September in the Rain; Salt of the Earth (Contemporary Dramatists)
by John Godber"John Godber is one of the unsung heroes of British theatre, reaching the giddy heights of number three in the most-performed playwrights league table, nestled in behind Shakespeare and Ayckbourn" - GuardianTeechers: "In a class of its own ... Godber takes a hard-hitting look at life in a modern comprehensive where class conflicts, teacher tantrums and cavorting chaos runs riot through the corridors" The ExpressHappy Jack: "Godber manages with an affectionate and unerringly accurate ear for the tongues of the pit village to turn these two into a Chaucerian kind of celebration of life. At the end of the line the play is a sad, bruised but richly comic love story" GuardianSeptember in the Rain: "The work of a genuinely talented playwright" Evening StandardSalt of the Earth: "John Godber has a special gift for capturing the lives and inner turmoil of the working class ... In the most subtle and incisive ways, he suggests how the combination of innate personality and a changing society determines individual destiny" Chicago Times
Godber Plays: April in Paris; up 'n' under; Perfect Pitch (Contemporary Dramatists)
by John GodberA third collection of plays by one of Britain's most popular and widely performed playwrightsUp 'n' Under (winner of the Laurence Olivier Comedy of the Year Award 1984): Five unfit lads strive for sporting glory against the local pub-rugby champions, Men Behaving Badly meets The Full Monty.Perfect Pitch: Ron & Yvonne are seasoned caravan holidaymakers. Every weekend they head for the coast to get away from it all. Snug in a prized four-berth, theirs is the perfect pitch, until Grant and Steph set up camp beside them... April in Paris (nominated for Laurence Olivier Comedy of the Year 1994): Al is a builder - well he was until he got laid off. Bet sells trainers. Al spends hours in his shed painting while Beth is addicted to entering competitions in magazines. Neither has any faith in the other. Until one day, Beth win "a romantic break in Paris for two"..."John Godber is one of the unsung heroes of British theatre, reaching the giddy heights of number three in the most-performed playwrights league table, nestled in behind Shakespeare and Ayckbourn" - Guardian