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The Blackwell History of the Latin Language

by James Clackson Geoffrey Horrocks

This text makes use of contemporary work in linguistics to provide up-to-date commentary on the development of Latin, from its prehistoric origins in the Indo-European language family, through the earliest texts, to the creation of the Classical Language of Cicero and Vergil, and examines the impact of the spread of spoken Latin through the Roman Empire. The first book in English in more than 50 years to provide comprehensive coverage of the history of the Latin language Gives a full account of the transformation of the language in the context of the rise and fall of Ancient Rome Presents up-to-date commentary on the key linguistic issues Makes use of carefully selected texts, many of which have only recently come to light Includes maps and glossary as well as fully translated and annotated sample texts that illustrate the different stages of the language Accessible to readers without a formal knowledge of Latin or linguistics

Blackwood's Magazine, 1817-25, Volume 1: Selections from Maga's Infancy

by Nicholas Mason John Strachan Anthony Jarrells Tom Mole Mark Parker

Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.

Blackwood's Magazine, 1817-25, Volume 1: Selections from Maga's Infancy

by Nicholas Mason John Strachan Anthony Jarrells Tom Mole Mark Parker

Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.

Blackwood's Magazine, 1817-25, Volume 2: Selections from Maga's Infancy

by Nicholas Mason John Strachan Anthony Jarrells Tom Mole Mark Parker

Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.

Blackwood's Magazine, 1817-25, Volume 2: Selections from Maga's Infancy

by Nicholas Mason John Strachan Anthony Jarrells Tom Mole Mark Parker

Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.

Blackwood's Magazine, 1817-25, Volume 3: Selections from Maga's Infancy

by Nicholas Mason John Strachan Anthony Jarrells Tom Mole Mark Parker

Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.

Blackwood's Magazine, 1817-25, Volume 4: Selections from Maga's Infancy

by Nicholas Mason John Strachan Anthony Jarrells Tom Mole Mark Parker

Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.

Blackwood's Magazine, 1817-25, Volume 5: Selections from Maga's Infancy

by Nicholas Mason John Strachan Anthony Jarrells Tom Mole Mark Parker

Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.

Blackwood's Magazine, 1817-25, Volume 5: Selections from Maga's Infancy

by Nicholas Mason John Strachan Anthony Jarrells Tom Mole Mark Parker

Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.

Blackwood's Magazine, 1817-25, Volume 6: Selections from Maga's Infancy

by Nicholas Mason John Strachan Anthony Jarrells Tom Mole Mark Parker

Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.

Blackwood's Magazine, 1817-25, Volume 6: Selections from Maga's Infancy

by Nicholas Mason John Strachan Anthony Jarrells Tom Mole Mark Parker

Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.

The Blair identity: Leadership and foreign policy (PDF)

by Stephen Dyson

Why did Tony Blair take Britain to war with Iraq? This book argues that he was following the core political beliefs and style - the Blair identity - manifest and consistent throughout his decade in power. It reconstructs Blair's wars, tracing his personal influence on British foreign policy and international politics during his tumultuous tenure.

The Blair identity: Leadership and foreign policy

by Stephen Dyson

Why did Tony Blair take Britain to war with Iraq? This book argues that he was following the core political beliefs and style - the Blair identity - manifest and consistent throughout his decade in power. It reconstructs Blair's wars, tracing his personal influence on British foreign policy and international politics during his tumultuous tenure.

Blake: The Complete Poems (Longman Annotated English Poets)

by W. H. Stevenson

William Blake (1757 - 1827) is one of the great figures in literature, by turns poet, artist and visonary. Profoundly libertarian in outlook, Blake's engagement with the issues of his day is well known and this - along with his own idiosynratic concerns - flows through his poetry and art. Like Milton before him, the prodigality of his allusions and references is little short of astonishing. Consquently, his longer viosnary poems can challege the modern reader, who will find in this avowedly open edition all they might need to interpret the poetry. W. H. Stevenson's Blake is a masterpiece of scrupulous scholarship. It is, as the editor makes clear in his introduction, 'designed to be widely, and fluently, read' and this Third Edition incorporates many changes to further that aim. Many of the headnotes have been rewritten and the footnotes updated. The full texts of the early prose tracts, All Religions are One and There is no Natural Religion, are included for the first time. In many instances, Blake's capitalisation has been restored, better to convey the expressive individuality of his writing. In addition, a full colour plate section contains a representation of Blake's most significant paintings and designs. As the 250th anniversary of his birth approaches, Blake has perhaps more readers than ever before; Blake: The Complete Poems will stand those readers, new and old, in good stead for many years to come.

Blake: The Complete Poems (Longman Annotated English Poets)

by W. H. Stevenson

William Blake (1757 - 1827) is one of the great figures in literature, by turns poet, artist and visonary. Profoundly libertarian in outlook, Blake's engagement with the issues of his day is well known and this - along with his own idiosynratic concerns - flows through his poetry and art. Like Milton before him, the prodigality of his allusions and references is little short of astonishing. Consquently, his longer viosnary poems can challege the modern reader, who will find in this avowedly open edition all they might need to interpret the poetry. W. H. Stevenson's Blake is a masterpiece of scrupulous scholarship. It is, as the editor makes clear in his introduction, 'designed to be widely, and fluently, read' and this Third Edition incorporates many changes to further that aim. Many of the headnotes have been rewritten and the footnotes updated. The full texts of the early prose tracts, All Religions are One and There is no Natural Religion, are included for the first time. In many instances, Blake's capitalisation has been restored, better to convey the expressive individuality of his writing. In addition, a full colour plate section contains a representation of Blake's most significant paintings and designs. As the 250th anniversary of his birth approaches, Blake has perhaps more readers than ever before; Blake: The Complete Poems will stand those readers, new and old, in good stead for many years to come.

Blake: Comprising Songs Of Innocence And Of Experience, Together With Poetical (Bloomsbury Master Guides)

by Alan Tomlinson

This ebook is now available from Bloomsbury Academic. Bloomsbury Academic publish acclaimed resources for undergraduate and postgraduate courses across a broad range of subjects including Art & Visual Culture, Biblical Studies, Business & Management, Drama & Performance Studies, Economics, Education, Film & Media, History, Linguistics, Literary Studies, Philosophy, Politics & International Relations, Religious Studies, Social Work & Social Welfare, Study Skills and Theology. Visit bloomsbury.com for more information.

Blake 2.0: William Blake in Twentieth-Century Art, Music and Culture

by Steve Clark, Tristanne Connolly and Jason Whittaker

Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.

Blake and Antiquity

by Kathleen Raine

Blake was a visionary like no other. To some, like William Wordsworth, the only explanation for the remarkable spiritual world Blake witnessed and brought to life in his books was 'insane genius'. Although such a view persisted well into the twentieth century, this is the pivotal work which challenged that perspective and changed forever our understanding of William Blake's genius, placing him in the esoteric tradition. For many this book will be a revelation; for lovers of Blake it is indispensable.

Blake and Antiquity

by Kathleen Raine

Blake was a visionary like no other. To some, like William Wordsworth, the only explanation for the remarkable spiritual world Blake witnessed and brought to life in his books was 'insane genius'. Although such a view persisted well into the twentieth century, this is the pivotal work which challenged that perspective and changed forever our understanding of William Blake's genius, placing him in the esoteric tradition. For many this book will be a revelation; for lovers of Blake it is indispensable.

Blake and Conflict

by S. Haggarty J. Mee

Famously, Blake believed that 'without contraries' there could be no 'progression'. Conflict was integral to his artistic vision, and his style, but it had more to do with critical engagement than any urge to victory. The essays in this volume look at conflict as it marked Blake's thinking on politics, religion and the visual arts.

Blake and Homosexuality

by C. Hobson

Against the backdrop of Britain's underground 18th and early-19th century homosexual culture, mob persecutions, and executions of homosexuals, Hobson shows how Blake's hatred of sexual and religious hypocrisy and state repression, and his revolutionary social vision, led him gradually to accept homosexuality as an integral part of human sexuality. In the process, Blake rejected the antihomosexual bias of British radical tradition, revised his idealization of aggressive male heterosexuality and his male-centered view of gender, and refined his conception of the cooperative commonwealth.

Blake and Kierkegaard: Creation and Anxiety (Continuum Literary Studies)

by James Rovira

This study applies Kierkegaardian anxiety to Blake's creation myths to explain how Romantic era creation narratives are a reaction to Enlightenment models of personality.

Blake and Lucretius: The Atomistic Materialism of the Selfhood (The New Antiquity)

by Joshua Schouten de Jel

This book demonstrates the way in which William Blake aligned his idiosyncratic concept of the Selfhood – the lens through which the despiritualised subject beholds the material world – with the atomistic materialism of the Epicurean school as it was transmitted through the first-century BC Roman poet and philosopher Lucretius’ De Rerum Natura. By addressing this philosophical debt, this study sets out a threefold re-evaluation of Blake’s work: to clarify the classical stream of Blake’s philosophical heritage through Lucretius; to return Blake to his historical moment, a thirty-year period from 1790 to 1820 which has been described as the second Lucretian moment in England; and to employ a new exegetical model for understanding the phenomenological parameters and epistemological frameworks of Blake’s mythopoeia. Accordingly, it is revealed that Blake was not only aware of classical atomistic cosmogony and sense-based epistemology but that he systematically mapped postlapsarian existence onto an Epicurean framework.

Blake and Modern Literature

by E. Larrissy

William Blake is one of the most important influences on twentieth-century literature. This study will ask why he is a figure central to the Modernist re-definition of past art. He also appears to be an acceptable sage for postmodernists, he can be associated with an opposition to authority without imposing one version of his own mythology.

Blake and the Failure of Prophecy

by Lucy Cogan

This monograph reorients discussion of Blake’s prophetic mode, revealing it to be not a system in any formal sense, but a dynamic, human response to an era of momentous historical change when the future Blake had foreseen and the reality he was faced with could not be reconciled. At every stage, Blake’s writing confronts the central problem of all politically minded literature: how texts can become action. Yet he presents us with no single or, indeed, conclusive answer to this question and in this sense it can be said that he fails. Blake, however, never stopped searching for a way that prophecy might be made to live up to its promise in the present. The twentieth-century hermeneuticist Paul Ricoeur shared with Blake a preoccupation with the relationship between time, text and action. Ricoeur’s hermeneutics thus provide a fresh theoretical framework through which to analyse Blake’s attempts to fulfil his prophetic purpose.

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