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Long and Winding Roads: The Evolving Artistry of the Beatles
by Kenneth WomackIn Long and Winding Roads: The Evolving Artistry of the Beatles, Kenneth Womack brings the band's story vividly to life-from their salad days as a Liverpool Skiffle group and their apprenticeship in the nightclubs and mean streets of Hamburg through their early triumphs at the legendary Cavern Club and the massive onslaught of Beatlemania itself. By mapping the group's development as an artistic fusion, Womack traces the Beatles' creative arc from their first, primitive recordings through Abbey Road and the twilight of their career.In order to communicate the nature and power of the band's remarkable achievement, Womack examines the Beatles' body of work as an evolving art object. He investigates the origins and creation of the group's compositions, as well as the songwriting and recording practices that brought them to fruition. Womack's analysis of the Beatles' albums transports readers on a journey through the Beatles' heyday as recording artists between 1962 and 1969, when the band enjoyed a staggering musical and lyrical leap that took them from their first album Please Please Me, which they recorded in the space of a single day, to Sgt. Pepper's Lonely Hearts Club Band, the White Album, and Abbey Road-albums that collectively required literally thousands of hours to produce. In addition to considering the band's increasing self-consciousness about the overall production, design, and presentation of their art, Womack explores the Beatles' albums as a collection of musical and lyrical impressions that finds them working towards a sense of aesthetic unity. In Long and Winding Roads, Womack reveals the ways in which the Beatles gave life to a musical synthesis that would change the world.
Long and Winding Roads: The Evolving Artistry of the Beatles
by Kenneth WomackIn Long and Winding Roads: The Evolving Artistry of the Beatles, Kenneth Womack brings the band's story vividly to life-from their salad days as a Liverpool Skiffle group and their apprenticeship in the nightclubs and mean streets of Hamburg through their early triumphs at the legendary Cavern Club and the massive onslaught of Beatlemania itself. By mapping the group's development as an artistic fusion, Womack traces the Beatles' creative arc from their first, primitive recordings through Abbey Road and the twilight of their career.In order to communicate the nature and power of the band's remarkable achievement, Womack examines the Beatles' body of work as an evolving art object. He investigates the origins and creation of the group's compositions, as well as the songwriting and recording practices that brought them to fruition. Womack's analysis of the Beatles' albums transports readers on a journey through the Beatles' heyday as recording artists between 1962 and 1969, when the band enjoyed a staggering musical and lyrical leap that took them from their first album Please Please Me, which they recorded in the space of a single day, to Sgt. Pepper's Lonely Hearts Club Band, the White Album, and Abbey Road-albums that collectively required literally thousands of hours to produce. In addition to considering the band's increasing self-consciousness about the overall production, design, and presentation of their art, Womack explores the Beatles' albums as a collection of musical and lyrical impressions that finds them working towards a sense of aesthetic unity. In Long and Winding Roads, Womack reveals the ways in which the Beatles gave life to a musical synthesis that would change the world.
Long and Winding Roads, Revised Edition: The Evolving Artistry of the Beatles
by Kenneth WomackIn Long and Winding Roads: The Evolving Artistry of the Beatles, Revised Edition, Kenneth Womack brings the band's story vividly to life-from their salad days as a Liverpool Skiffle group and their apprenticeship in the nightclubs and mean streets of Hamburg through their early triumphs at the legendary Cavern Club and the massive onslaught of Beatlemania itself. By mapping the group's development as an artistic fusion, Womack traces the Beatles' creative arc from their first, primitive recordings through Abbey Road and the twilight of their career. In this revised edition, Womack addresses new insights in Beatles-related scholarship since the original publication of Long and Winding Roads, along with hundreds of the group's outtakes released in the intervening years. The updated edition also affords attention to the Beatles' musical debt to Rhythm and Blues, as well as to key recent discoveries that vastly shift our understanding of formative events in the band's timeless story.
Long and Winding Roads, Revised Edition: The Evolving Artistry of the Beatles
by Kenneth WomackIn Long and Winding Roads: The Evolving Artistry of the Beatles, Revised Edition, Kenneth Womack brings the band's story vividly to life-from their salad days as a Liverpool Skiffle group and their apprenticeship in the nightclubs and mean streets of Hamburg through their early triumphs at the legendary Cavern Club and the massive onslaught of Beatlemania itself. By mapping the group's development as an artistic fusion, Womack traces the Beatles' creative arc from their first, primitive recordings through Abbey Road and the twilight of their career. In this revised edition, Womack addresses new insights in Beatles-related scholarship since the original publication of Long and Winding Roads, along with hundreds of the group's outtakes released in the intervening years. The updated edition also affords attention to the Beatles' musical debt to Rhythm and Blues, as well as to key recent discoveries that vastly shift our understanding of formative events in the band's timeless story.
Long Narrative Songs from the Mongghul of Northeast Tibet: Texts in Mongghul, Chinese, and English (PDF)
by Limusishiden Gerald RocheContaining ballads of martial heroism, tales of tragic lovers and visions of the nature of the world, Long Narrative Songs from the Mongghul of Northeast Tibet: Texts in Mongghul, Chinese, and English is a rich repository of songs collected amongst the Mongghul of the Seven Valleys, on the northeast Tibetan Plateau in western China. These songs represent the apogee of Mongghul oral literature, and they provide valuable insights into the lives of Mongghul people—their hopes, dreams, and worries. They bear testimony to the impressive plurilingual repertoire commanded by some Mongghul singers: the original texts in Tibetan, Mongghul, and Chinese are here presented in Mongghul, Chinese, and English. The kaleidoscope of stories told in these songs include that of Marshall Qi, a chieftain from the Seven Valleys who travels to Luoyang with his Mongghul army to battle rebels; Laarimbu and Qiimunso, a pair of star-crossed lovers who take revenge from beyond the grave on the families that kept them apart; and the Crop-Planting Song and the Sheep Song, which map the physical and spiritual terrain of the Mongghul people, vividly describing the physical and cosmological world in which they exist. This collection of songs is supported by an Introduction by Gerald Roche that provides an understanding of their traditional context, and shows that these works offer insights into the practices of multilingualism in Tibet. Long Narrative Songs from the Mongghul of Northeast Tibet is vital reading for researchers and others working on oral literature, as well as those who study Inner Asia, Tibet, and China’s ethnic minorities. Finally, this book is of interest to linguistic anthropologists and sociolinguists, particularly those working on small-scale multilingualism and pre-colonial multilingualism.
The Long-Player Goodbye: The album from vinyl to iPod and back again
by Travis ElboroughFor nearly 60 years, since the arrival of the long-playing record in 1948, the album has provided the soundtrack to our lives. Our record collections, even if they're on CD, or these days, an iPod, are personal treasure, revealing our loves, errors of jugdement and lapses in taste. Self-confessed music obsessive, Travis Elborough, explores the way in which particular albums are deeply embedded in cultural history, revered as works of art or so ubiqitous as to be almost invisible. But in the age of the iPod, when we can download an infinite number of single tracks and need never listen to a whole album ever again, does the concept of an album still mean anything? THE LONG-PLAYER GOODBYE is a brilliant piece of popular history and a celebration of the joy of records. If you've ever had a favourite album, you'll love Travis Elborough's warm and witty take on how vinyl changed our world.
Long Players: Writers on the Albums That Shaped Them
by Tom GattiOur favourite albums are our most faithful companions: we listen to them hundreds of times over decades, we know them far better than any novel or film. These records don't just soundtrack our lives but work their way deep inside us, shaping our outlook and identity, forging our friendships and charting our love affairs. They become part of our story. In Long Players, fifty of our finest authors write about the albums that changed their lives, from Deborah Levy on Bowie to Daisy Johnson on Lizzo, Ben Okri on Miles Davis to David Mitchell on Joni Mitchell, Sarah Perry on Rachmaninov to Bernardine Evaristo on Sweet Honey in the Rock. Part meditation on the album form and part candid self-portrait, each of these miniature essays reveals music's power to transport the listener to a particular time and place. REM's Automatic for the People sends Olivia Laing back to first love and heartbreak, Bjork's Post resolves a crisis of faith and sexuality for a young Marlon James, while Fragile by Yes instils in George Saunders the confidence to take his own creative path. This collection is an intoxicating mix of memoir and music writing, spanning the golden age of vinyl and the streaming era, and showing how a single LP can shape a writer's mind.Featuring writing from Ali Smith, Marlon James, Deborah Levy, George Saunders, Bernardine Evaristo, Ian Rankin, Tracey Thorn, Ben Okri, Sarah Perry, Neil Tennant, Rachel Kushner, Clive James, Eimear McBride, Neil Gaiman, Daisy Johnson, David Mitchell, Esi Edugyan, Patricia Lockwood, among many others.
Long Players: Writers on the Albums That Shaped Them
by Tom GattiOur favourite albums are our most faithful companions: we listen to them hundreds of times over decades, we know them far better than any novel or film. These records don't just soundtrack our lives but work their way deep inside us, shaping our outlook and identity, forging our friendships and charting our love affairs. They become part of our story. In Long Players, fifty of our finest authors write about the albums that changed their lives, from Deborah Levy on Bowie to Daisy Johnson on Lizzo, Ben Okri on Miles Davis to David Mitchell on Joni Mitchell, Sarah Perry on Rachmaninov to Bernardine Evaristo on Sweet Honey in the Rock. Part meditation on the album form and part candid self-portrait, each of these miniature essays reveals music's power to transport the listener to a particular time and place. REM's Automatic for the People sends Olivia Laing back to first love and heartbreak, Bjork's Post resolves a crisis of faith and sexuality for a young Marlon James, while Fragile by Yes instils in George Saunders the confidence to take his own creative path. This collection is an intoxicating mix of memoir and music writing, spanning the golden age of vinyl and the streaming era, and showing how a single LP can shape a writer's mind.Featuring writing from Ali Smith, Marlon James, Deborah Levy, George Saunders, Bernardine Evaristo, Ian Rankin, Tracey Thorn, Ben Okri, Sarah Perry, Neil Tennant, Rachel Kushner, Clive James, Eimear McBride, Neil Gaiman, Daisy Johnson, David Mitchell, Esi Edugyan, Patricia Lockwood, among many others.
Long Road: Pearl Jam and the Soundtrack of a Generation
by Steven HydenA leading music journalist&’s riveting chronicle of how beloved band Pearl Jam shaped the times, and how their legacy and longevity have transcended generations. Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack Of A Generation, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time. Long Road is structured like a mix tape, using 18 different Pearl Jam classics as starting points for telling a mix of personal and universal stories. Each chapter tells the tale of this great band — how they got to where they are, what drove them to greatness, and why it matters now. Much like the generation it emerged from, Pearl Jam is a mass of contradictions. They were an enormously successful mainstream rock band who felt deeply uncomfortable with the pursuit of capitalistic spoils. They were progressive activists who spoke in favor of abortion rights and against the Ticketmaster monopoly, and yet they epitomized the sound of traditional, male-dominated rock &‘n&’ roll. They were looked at as spokesmen for their generation, even though they ultimately projected profound confusion and alienation. They triumphed, and failed, in equal doses — the quintessential Gen-X tale. Impressive as their stats, accolades, and longevity may be, Hyden also argues that Pearl Jam&’s most definitive accomplishment lies in the impact their music had on Generation X as a whole. Pearl Jam&’s music helped an entire generation of listeners connect with the glory of bygone rock mythology, and made it relevant during a period in which tremendous American economic prosperity belied a darkness at the heart of American youth. More than just a chronicle of the band&’s career, this book is also a story about Gen- X itself, who like Pearl Jam came from angsty, outspoken roots and then evolved into an establishment institution, without ever fully shaking off their uncertain, outsider past. For so many Gen-Xers growing up at the time, Pearl Jam&’s music was a beacon that offered both solace and guidance. They taught an entire generation how to grow up without losing the purest and most essential parts of themselves. Written with his celebrated blend of personal memoir, criticism, and journalism, Hyden explores Pearl Jam&’s path from Ten to now. It's a chance for new fans and old fans alike to geek out over Pearl Jam minutia—the B-sides, the beloved deep cuts, the concert bootlegs—and explore the multitude of reasons why Pearl Jam&’s music resonated with so many people. As Hyden explains, &“Most songs pass through our lives and are swiftly forgotten. But Pearl Jam is forever.&”
Look, I Made a Hat: Collected Lyrics (1981-2011) with attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany
by Stephen SondheimAs he did in the acclaimed Finishing the Hat, Sondheim richly annotates his lyrics with personal and theatre history, discussions of his collaborations, and exacting, charming dissections of his work - both the successes and the failures. Picking up where he left off in Finishing the Hat, he gives us all the lyrics, along with cutouts and early drafts, to the Pulitzer Prize-winning Sunday in the Park with George, as well as Into the Woods, Assassins, and Passion. Here too is an in-depth look at Wise Guys, subsequently transformed into Bounce, and eventually into Road Show. And we are treated to chapters on his work for television and film and his "orphan songs," culled from parodies and special occasions over the years. Filled with behind-the-scenes photographs and illustrations from original manuscripts, and with the same elegant design as the earlier book, Look, I Made A Hat will be devoured by Sondheim's passionate fans today and for years to come.
Looking for a New England: Action, Time, Vision: Music, Film and TV 1975 - 1986
by Simon MatthewsWhat happened to UK cinema and TV when swinging London ended? Looking for a New England covers the period 1975 to 1986, from Slade in Flame to Absolute Beginners.A carefully researched exploration of transgressive films, the career of David Bowie, dystopias, the Joan Collins ouevre, black cinema, the origins and impact of punk music, political films, comedy, how Ireland and Scotland featured on our screens and the rise of Richard Branson and a new, commercial, mainstream. The sequel to Psychedelic Celluloid, it describes over 100 film and TV productions in detail, together with their literary, social and musical influences during a time when profound changes shrank the size of the UK cinema industry.Praise for Psychedelic Celluloid:'Addresses everything with a thoroughness and eye for detail that's hugely impressive' - Irish News'The ultimate catalogue of musical references in film and TV from the swinging sixties' - Glass Magazine'A must-purchase for fans of British films and pop music' - Goldmine
Looking To Get Lost: Adventures in Music and Writing
by Peter GuralnickBy the bestselling author of Sam Phillips: The Man Who Invented Rock &‘n&’ Roll and Last Train the Memphis: The Rise of Elvis Presley, this dazzling new book of profiles is not so much a summation as a culmination of Peter Guralnick&’s remarkable work, which from the start has encompassed the full sweep of blues, gospel, country, and rock 'n' roll. It covers old ground from new perspectives, offering deeply felt, masterful, and strikingly personal portraits of creative artists, both musicians and writers, at the height of their powers. &“You put the book down feeling that its sweep is vast, that you have read of giants who walked among us,&” rock critic Lester Bangs wrote of Guralnick&’s earlier work in words that could just as easily be applied to this new one. And yet, for all of the encomiums that Guralnick&’s books have earned for their remarkable insights and depth of feeling, Looking to Get Lost is his most personal book yet. For readers who have grown up on Guralnick&’s unique vision of the vast sweep of the American musical landscape, who have imbibed his loving and lively portraits and biographies of such titanic figures as Elvis Presley, Sam Cooke, and Sam Phillips, there are multiple surprises and delights here, carrying on and extending all the themes, fascinations, and passions of his groundbreaking earlier work.
Loosely Based On A Made-Up Story: A Non-Memoir
by James BluntThis book is inspired by true events but is not a biography.The truth is My Truth is not The Truth, and that's as honest as I can be. It's partially true, rather than painfully true, and I have possibly been economical with the truth, Your Honour.Basically, I made this sh*t up . . .While James Blunt's crimes against music are well-documented, he also has some stories that are not. In Loosely Based On A Made-Up Story, James reveals his most riotous anecdotes to date for your amusement - and his parents' horror - in this highly anticipated non-memoir.From his questionable Norfolk roots, eccentric family, boarding school antics, misjudged military service, rise to music stardom and tour escapades, James delves into his (surprisingly) fascinating life to date. What do you do when your mother writes irate emails to the future prime minister defending your honour? What does it take to run a male escort agency? And why exactly should you refrain from crowd-surfing? Find out here, folks . . .Were the stories in this book grossly exaggerated in an attempt to impress? Maybe. But one thing is for certain: you won't want to miss it.
The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (American Musicspheres)
by Jeffrey A. SummitAcross the United States, Jews come together every week to sing and pray in a wide variety of worship communities. Through this music, made by and for ordinary folk, these worshippers define and re-define their relationship to the continuity of Jewish tradition and the realities of American life. Combining oral history with an analysis of recordings, The Lord's Song in a Strange Land examines this tradition incontemporary Jewish worship and explores the diverse links between the music and both spiritual and cultural identities. Alive with detail, the book focuses on metropolitan Boston and covers the full range of Jewish communities there, from Hasidim to Jewish college students in a transdenominational setting. It documents a remarkably fluid musical tradition, where melodies are often shared, where sources can be as diverse as Sufi chant, Christmas carols, rock and roll, and Israeli popular music, and where the meaning of a song can change from one block to the next.
Lorenz Hart: A Poet on Broadway
by Frederick NolanLorenz Hart singlehandedly changed the craft of lyric writing. When Larry Hart first met Dick Rodgers in 1919, the commercial song lyric consisted of tired cliches and cloying Victorian sentimentality. Hart changed all that, always avoiding the obvious, aiming for the unexpected phrase that would twang the nerve or touch the heart. Endowed with both a buoyant wit and a tender, almost raw sincerity, Hart brought a poetic complexity to his art, capturing the everyday way people talk and weaving it into his lyrics. Songs had never been written like that before, and afterwards it seemed impossible that songs would ever be written any other way. Lorenz Hart: A Poet on Broadway presents the public triumphs of a true genius of the American musical theatre, and the personal tragedies of a man his friend the singer Mabel Mercer described as "the saddest man I ever knew." Author Frederick Nolan began researching this definitive biography in 1968, tracking down and interviewing Hart's friends and collaborators one by one, including a remarkable conversation with Richard Rodgers himself. A veritable who's who of Broadway's golden age, including Joshua Logan, Gene Kelly, George Abbott and many more, recall their uncensored and often hilarious, sometimes poignant memories of the cigar-chomping wordsmith who composed some of the best lyrics ever concocted for the Broadway stage, but who remained forever lost and lonely in the crowds of hangers-on he attracted. A portrait of Hart emerges as a Renaissance and endearing bon vivant conflicted by his homosexuality and ultimately torn apart by alcoholism. Nolan skillfully pulls together the chaotic details of Hart's remarkable life, beginning with his bohemian upbringing in turn of the century Harlem. Here are his first ventures into show business, and the 24-year-old Hart's first meeting with the 16-year-old Richard Rodgers. "Neither of us mentioned it," Rodgers later recalled, "but we evidently knew we would work together, and I left Hart's house having acquired in one afternoon a career, a best friend, and a source of permanent irritation." Nolan captures it all: the team's early setbacks, the spectacular hour long standing ovation for their hit song, "Manhattan," the Hollywood years (which inspired Hart to utter the undying line, "Just because you're paranoid doesn't mean the bastards aren't out to get you"), and the unforgettable string of hit shows that included "On Your Toes," "The Boys from Syracuse," and their masterpiece, "Pal Joey." But while success made Rodgers more confident, more musically daring, and more disciplined, for Hart the rounds of parties, wisecracks, and most of all drinking began to take more and more of a toll on his work. When Hart's unreliability forced Rodgers to reluctantly seek out another lyricist, Oscar Hammerstein II, and their collaboration resulted in the unprecedented artistic and commercial success of "Oklahoma," Hart never truly recovered. Meticulously researched and rich with anecdotes that capture the excitement, the hilarity, the dizzying heights, and the crushing lows of a life on Broadway, Lorenz Hart is the story of an American original.
Lorenzo da Ponte: The Extraordinary Adventures of the Man Behind Mozart
by Rodney BoltBy the time he was forty, Lorenzo Da Ponte had been a poet, priest, lover and libertine, a friend of Casanova, collaborator then enemy of Salieri, and ultimately the librettist for three of Mozart's most sublime operas - The Marriage of Figaro, Così fan tutte and Don Giovanni. After losing all his money and the woman he loved he started afresh in New York, and by the end of his life he had founded its first opera house and become a university professor. Lorenzo Da Ponte is a fascinating and entertaining biography of a larger-than-life character, and a vibrant portrait of four cities and four changing eras of history.
Los Rodríguez's Sin Documentos (33 1/3 Europe)
by Héctor Fouce Fernán del ValSin Documentos is a landmark album in Spanish popular culture and continues to maintain considerable popularity more than two decades after its release. The characteristic guitar riff of the title song, a kind of rumba-rock, still occupies a place at every party in Spain. Los Rodríguez's success came after a decadecharacterized by the rise and fall of local-language punk and new wave bands. By the time Sin Documentos appeared, however, rock journalism was fascinated by the thriving indie scene, where the bands were singing in English and had turned to grunge and noise rock.This book evaluates the influence of Latin American pop-rock in the modernization of Spanish popular music from the 1950s, despite the Anglophilia of Spanish rock scenes, especially in the 1990s. Through interviews with members of the band and members of the record label DRO, analysis of the media coverage of the album anda cultural analysis of its meanings, it delves into the cultural trends of Spain throughout the 1990s and beyond.
Los Rodríguez's Sin Documentos (33 1/3 Europe)
by Héctor Fouce Fernán del ValSin Documentos is a landmark album in Spanish popular culture and continues to maintain considerable popularity more than two decades after its release. The characteristic guitar riff of the title song, a kind of rumba-rock, still occupies a place at every party in Spain. Los Rodríguez's success came after a decadecharacterized by the rise and fall of local-language punk and new wave bands. By the time Sin Documentos appeared, however, rock journalism was fascinated by the thriving indie scene, where the bands were singing in English and had turned to grunge and noise rock.This book evaluates the influence of Latin American pop-rock in the modernization of Spanish popular music from the 1950s, despite the Anglophilia of Spanish rock scenes, especially in the 1990s. Through interviews with members of the band and members of the record label DRO, analysis of the media coverage of the album anda cultural analysis of its meanings, it delves into the cultural trends of Spain throughout the 1990s and beyond.
The Losers at the Center of the Galaxy
by Mary Winn HeiderA tuba player without a tuba and his jellyfish-imitating sister cope with their father's disappearance in this hilarious and moving novel by the author of The Mortification of Fovea Munson. When Lenny Volpe, former quarterback of the worst professional football team in the nation, leaves his family and disappears, the Chicago Horribles win their first game in a long time. Fans are thrilled. The world seems to go back to normal. Except for the Volpe kids.Winston throws himself into playing the tuba, and Louise starts secret experiments to find a cure for brain injuries, and they're each fine, just fine, coping in their own way. That is, until the investigation of some eccentric teacher behavior and the discovery of a real live bear paraded as the Horribles' new mascot make it clear that things are very much Not Fine. The siblings may just need each other, after all.
Lost Genius: The Curious and Tragic Story of an Extraordinary Musical Prodigy
by Kevin BazzanaBorn in 1903, pianist Ervin Nyiregyházi was the subject of the first book devoted to the scientific study of a single prodigy. By twenty-five he had all but disappeared. Mismanaged, exploited, and unfashionably romantic, his career floundered in adulthood. He drank heavily, married ten times, and was reduced to penury, sometimes living on the subway. He settled in Los Angeles where he performed sporadically, counting many of Holly-wood's elite among his friends, including Gloria Swanson, a likely lover. Rediscovered in the 1970s, he enjoyed a sensational and controversial renaissance, before slipping back into obscurity.
Lost in Music: The classic laugh-out-loud memoir
by Giles Smith'In the Spring of 1989, shortly after my twenty-seventh birthday, as I stood in the sleet at a bus stop in Colchester, it dawned on me that I had probably, all things considered, failed in my mission to become Sting. At least, for the time being.'Lost in Music is about growing up with pop music - about hearing it, buying it, loving it, and attempting to play it in public for money. A brilliant combination of the confessional and the unapologetic, this is a book for anyone who has ever treasured vinyl, or sung into a roll-on deodorant in front of the bedroom mirror and dreamed of playing Wembley.Praise for Lost in Music'Very, very funny . . . Giles Smith is a wonderful writer' Nick Hornby'A wonderfully funny pop-music memoir . . . You don't have to know who Nik Kershaw is to laugh out loud at the chapter about him' Sebastian Faulks, Spectator'One of the best books about music that you will ever read . . . It is impossible to read Lost in Music without laughing out loud' Daily Telegraph
Lost in Music: Culture, Style and the Musical Event (Routledge Library Editions: Popular Music)
by Avron Levine WhiteThis collection of essays, first published in 1987, provides a sociological treatment of many musical forms – rock, jazz, classical – with special emphasis on the perspective of the practising musician. Among the topics covered are the legal structures governing musical production and the question of copyright; recording and production technology; the social character of musical style; and the impact of lyrical content, considered socially and historically.
Lost in Music: Culture, Style and the Musical Event (Routledge Library Editions: Popular Music)
by Avron Levine WhiteThis collection of essays, first published in 1987, provides a sociological treatment of many musical forms – rock, jazz, classical – with special emphasis on the perspective of the practising musician. Among the topics covered are the legal structures governing musical production and the question of copyright; recording and production technology; the social character of musical style; and the impact of lyrical content, considered socially and historically.
The Lost Paradise: Andalusi Music in Urban North Africa (Chicago Studies in Ethnomusicology)
by Jonathan GlasserFor more than a century, urban North Africans have sought to protect and revive Andalusi music, a prestigious Arabic-language performance tradition said to originate in the “lost paradise” of medieval Islamic Spain. Yet despite the Andalusi repertoire’s enshrinement as the national classical music of postcolonial North Africa, its devotees continue to describe it as being in danger of disappearance. In The Lost Paradise, Jonathan Glasser explores the close connection between the paradox of patrimony and the questions of embodiment, genealogy, secrecy, and social class that have long been central to Andalusi musical practice. Through a historical and ethnographic account of the Andalusi music of Algiers, Tlemcen, and their Algerian and Moroccan borderlands since the end of the nineteenth century, Glasser shows how anxiety about Andalusi music’s disappearance has emerged from within the practice itself and come to be central to its ethos. The result is a sophisticated examination of musical survival and transformation that is also a meditation on temporality, labor, colonialism and nationalism, and the relationship of the living to the dead.
The Lost Paradise: Andalusi Music in Urban North Africa (Chicago Studies in Ethnomusicology)
by Jonathan GlasserFor more than a century, urban North Africans have sought to protect and revive Andalusi music, a prestigious Arabic-language performance tradition said to originate in the “lost paradise” of medieval Islamic Spain. Yet despite the Andalusi repertoire’s enshrinement as the national classical music of postcolonial North Africa, its devotees continue to describe it as being in danger of disappearance. In The Lost Paradise, Jonathan Glasser explores the close connection between the paradox of patrimony and the questions of embodiment, genealogy, secrecy, and social class that have long been central to Andalusi musical practice. Through a historical and ethnographic account of the Andalusi music of Algiers, Tlemcen, and their Algerian and Moroccan borderlands since the end of the nineteenth century, Glasser shows how anxiety about Andalusi music’s disappearance has emerged from within the practice itself and come to be central to its ethos. The result is a sophisticated examination of musical survival and transformation that is also a meditation on temporality, labor, colonialism and nationalism, and the relationship of the living to the dead.