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The Ethics of Criticism

Tobin Siebers asserts that literary criticism is essentially a form of ethics. The Ethics of Criticism investigates the moral character of contemporary literary theory, assessing a wide range of theoretical approaches in terms of both the ethical presuppositions underlying the critical claims and the attitudes fostered by the approaches. Building on analyses of the moral legacies of Plato, Kant, Nietzsche, and Freud, Siebers identifies the various fronts on which the concerns of critical theory impinge on those of ethics.

European Literature and Theology in the Twentieth Century: Ends of Time (Studies in Literature and Religion)

The central themes of this collection of essays are the mystery of time past, present and future, and the problem of redemption. They are concerned with modern literature, with the threat of meaninglessness in the postmodern condition, and with the possibility of salvation. In an age of deferral and difference, this book addresses itself to eschatology and apocalypse, and redemption in, through, but particularly of, time itself. Hell and madness are never far away, yet the refiguration of time and the breaking in of the transcendent continue to suggest theological possibilities beyond the wastelands of the twentieth century. To those possibilities we look in hope.

Faulkner’s Fables of Creativity: The Non-Yoknapatawpha Novels

In this study of the five novels set outside the fictional county, Yoknapatawpha, the author devotes a chapter to each novel and develops the theme that these texts present in fictional form Faulkner's reflections on his aesthetic development and on the mutual responsibilities of writer and reader.

The Fictional Encyclopaedia: Joyce, Pound, Sollers (Routledge Revivals)

First published in 1990, this work offers an analysis of the phenomenon of encyclopaedism in literature. Hilary Clark develops the theory of an encyclopaedic form in the interests of making clear distinctions between the realist narrative form and that of the encyclopaedic-parodic or fictional encyclopaedia. She makes clear the special links that non-realist, parodic fictions have with the forms of essay, Menippean satire and epic, and indeed with the encyclopaedia itself. The study pays particular attention to the way in which literary encyclopaedism has flourished in the twentieth century, with special reference to the works of James Joyce, Ezra Pound and Philippe Sollers.

The Fictional Encyclopaedia: Joyce, Pound, Sollers (Routledge Revivals)

First published in 1990, this work offers an analysis of the phenomenon of encyclopaedism in literature. Hilary Clark develops the theory of an encyclopaedic form in the interests of making clear distinctions between the realist narrative form and that of the encyclopaedic-parodic or fictional encyclopaedia. She makes clear the special links that non-realist, parodic fictions have with the forms of essay, Menippean satire and epic, and indeed with the encyclopaedia itself. The study pays particular attention to the way in which literary encyclopaedism has flourished in the twentieth century, with special reference to the works of James Joyce, Ezra Pound and Philippe Sollers.

File On Wilde (Plays and Playwrights)

Writer Files is an important series documenting the work of major dramatists of the last hundred yearsOscar Wilde was born in Dublin in 1856. In the years following his graduation from Oxford in 1878 he published poems and stories which included The Picture of Dorian Gray. Lady Windermere's Fan was produced in 1892, A Woman of No Importance in 1893 and An Ideal Husband and The Importance of Being Earnest in 1895. Later work included De Profundis and The Ballad of Reading Gaol. He died in 1900.Each volume contains a comprehensive checklist of all the writer's plays, with a detailed performance history, excerpted reviews and a selection of the writers' own comments on their work.

The First German Theatre (Routledge Revivals): Schiller, Goethe, Kleist and Büchner in Performance

First published in 1990. The book surveys of the development of German theatre from a market sideshow into an important element of cultural life and political expression. It examines Schiller as ‘theatre poet’ at Mannheim, Goethe’s work as director of the court theatre at Weimar, and then traces the rapid commercial decline that made it difficult for Kleist and impossible for Büchner to see their plays staged in their own lifetime. Four representative texts are analysed: Schiller’s The Robbers, Goethe’s Iphigenia on Tauris, Kleist’s The Prince of Homburg, and Büchner’s Woyzeck. This title will be of interest to students of theatre and German literature.

The First German Theatre (Routledge Revivals): Schiller, Goethe, Kleist and Büchner in Performance

First published in 1990. The book surveys of the development of German theatre from a market sideshow into an important element of cultural life and political expression. It examines Schiller as ‘theatre poet’ at Mannheim, Goethe’s work as director of the court theatre at Weimar, and then traces the rapid commercial decline that made it difficult for Kleist and impossible for Büchner to see their plays staged in their own lifetime. Four representative texts are analysed: Schiller’s The Robbers, Goethe’s Iphigenia on Tauris, Kleist’s The Prince of Homburg, and Büchner’s Woyzeck. This title will be of interest to students of theatre and German literature.

The First World War (Context and Commentary)

The Great War was the first in British history to involve virtually the entire population of Britain. A vast quantity of poems, fiction, essays, speeches, letters, memoirs and other written material was produced during 1914 and 1918 and Hibberd chooses both famous passages and excerpts which have never before been reprinted, from both the imaginative poetry and prose of the period, and documents such as newspapers and politicians' speeches. The linking commentary illuminates the very close relationship between the literature and history of this time, which is further highlighted by the chronological table, plates section and further reading sections.

Frank O’Connor at Work (Studies in Anglo-Irish Literature)

Frank O'Connor was a most painstaking writer, sometimes taking up to ten years to revise and polish a story. This book attempts to examine the process and tries to reveal something about O'Connor's perception of his craft and the environment from which his art emerged.

Franz Kafka: The Necessity of Form

In Stanley Corngold’s view, the themes and strategies of Kafka’s fiction are generated by a tension between his concern for writing and his growing sense of its arbitrary character. Analyzing Kafka’s work in light of "the necessity of form," which is also a merely formal necessity, Corngold uncovers the fundamental paradox of Kafka’s art and life. The first section of the book shows how Kafka’s rhetoric may be understood as the daring project of a man compelled to live his life as literature. In the central part of the book, Corngold reflects on the place of Kafka within the modern tradition, discussing such influential precursors of Cervantes, Flaubert, and Nietzsche, whose works display a comparable narrative disruption. Kafka’s distinctive narrative strategies, Corngold points out, demand interpretation at the same time they resist it. Critics of Kafka, he says, must be aware that their approaches are guided by the principles that Kafka’s fiction identifies, dramatizes, and rejects.

Franz Kafka (Sammlung Metzler)

Eine kritische Einführung in das immer unübersichtlicher werdende Studium des Lebens und der Werke Franz Kafkas.

French Drama of the Revolutionary Years (Routledge Revivals)

French Drama of the Revolutionary Years (1990) examines the years following the Revolution which saw an explosion both in the number of theatres and in the number of dramatic representations written and performed. It describes this turbulent period of theatre history, placing it firmly within the context of French social and political life, and illustrating the discussion with examinations of contemporary texts. It focuses on the political and philosophical themes of the plays, and the light they throw on events of the time.

French Drama of the Revolutionary Years (Routledge Revivals)

French Drama of the Revolutionary Years (1990) examines the years following the Revolution which saw an explosion both in the number of theatres and in the number of dramatic representations written and performed. It describes this turbulent period of theatre history, placing it firmly within the context of French social and political life, and illustrating the discussion with examinations of contemporary texts. It focuses on the political and philosophical themes of the plays, and the light they throw on events of the time.

French for Management and Business (Contemporary Language Studies)

Aimed at those who wish to gain sufficient proficiency in French in order to carry on business, this book attempts to equip students with a text which will consolidate their basic language skills while establishing the intellectual foundation for advanced language work.

Friedrich Engels: His Life and Thought

The intellectual and political legacy of Engels is explored, by looking at his character, associates and times. This leads to a review of Marx, who was so greatly influenced by Engels, and to the history and current state of Marxism and contemporary politics.

Friedrich Nietzsche: Die Zerstörung der Humanität durch ‚Mutterliebe‘ (Kulturwissenschaftliche Studien zur Deutschen Literatur)

From Homer to Tragedy: The Art of Allusion in Greek Poetry (Routledge Library Editions: Homer)

The role of poetic allusion in classical Greek poetry, to Homer especially, has often largely been neglected or even almost totally ignored. This book, first published in 1990, clarifies the place of Homer in Greek education, as well as adding to the interpretation of many important tragedies. Focussing on the dramatic masterpieces of Aeschylus, Sophocles, and Euripides, and how these writers imitated and alluded to other poetry, the author reveals the immense dependence on Homer which can be seen throughout the corpus of Attic tragedy. It is argued that the practice of the art of allusion indicates certain conventions in fifth-century Athenian education, and perhaps also suggests something in the way of public, political, and historical self-awareness. Invaluable to anyone interested in the reception of Homer in the classical age, and to students of comparative literature and linguistic theory.

From Homer to Tragedy: The Art of Allusion in Greek Poetry (Routledge Library Editions: Homer)

The role of poetic allusion in classical Greek poetry, to Homer especially, has often largely been neglected or even almost totally ignored. This book, first published in 1990, clarifies the place of Homer in Greek education, as well as adding to the interpretation of many important tragedies. Focussing on the dramatic masterpieces of Aeschylus, Sophocles, and Euripides, and how these writers imitated and alluded to other poetry, the author reveals the immense dependence on Homer which can be seen throughout the corpus of Attic tragedy. It is argued that the practice of the art of allusion indicates certain conventions in fifth-century Athenian education, and perhaps also suggests something in the way of public, political, and historical self-awareness. Invaluable to anyone interested in the reception of Homer in the classical age, and to students of comparative literature and linguistic theory.

From Pushkin to Palisandriia: Essays on the Russian Novel in Honor of Richard Freeborn

Frühmoderne Höflichkeit: Komplimentierkunst und Gesellschaftsrituale im altdeutschen Sprachraum. Germanistische Abhandlungen, Band 67

Geisteswissenschaften: Vorträge · G303 (Rheinisch-Westfälische Akademie der Wissenschaften #303)

Generative and Non-Linear Phonology

Generative phonology is a developing field of linguistics, and is producing both rival interpretations and models. This book provides a clear and accessible evaluation of the debate. It provides a detailed overview of the main models, revealing that they are often complimentary rather than contradictory, and how these can be interconnect and be used together to explore the subject.

Generative and Non-Linear Phonology

Generative phonology is a developing field of linguistics, and is producing both rival interpretations and models. This book provides a clear and accessible evaluation of the debate. It provides a detailed overview of the main models, revealing that they are often complimentary rather than contradictory, and how these can be interconnect and be used together to explore the subject.

George Eliot: An Intellectual Life

There have been several biographies of George Eliot but this is the first study to focus on her intellectual development. The book provides an analysis of the biographical and intellectual factors which encouraged George Eliot to decide upon fiction as her chosen mode of expression, and demonstrates how that decision was influenced by, and an echoing of, J.S.Mill's and Carlyle's critiques of philosophy.