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The Queen of Spades and Selected Works: Dama Pikowa (Xist Classics Ser.)

The Queen of Spades and Selected Works is a brand new English translation of two of Alexander Pushkin's greatest short stories, 'The Queen of Spades' and 'The Stationmaster', together with the poem 'The Bronze Horseman', extracts from Yevgeny Onegin and Boris Godunov, and a selection of his poetic work. 'The Queen of Spades' ('Pikovaya dama'), originally published in Russian in 1834, is one of the most famous tales in Russian literature, and inspired the eponymous opera by Tchaikovsky; in 'The Stationmaster' ('Stantsionnyy smotritel'), originally published in Russian in The Tales of the Late Ivan Petrovich Belkin (Povesti pokoynogo Ivana Petrovicha Belkina) in 1830, he reworks the parable of the Prodigal Son; the hugely entertaining 'Tsar Nikita and his Forty Daughters' is a bawdier early poem; and the deeply moving narrative poem 'The Bronze Horseman', inspired by a St Petersburg statue of Peter the Great, is one of his most influential works. The volume also includes a selection of his best lyric poetry. Translated by Anthony Briggs, The Queen of Spades and Selected Works is the perfect introduction to Alexander Pushkin's finest work. Pushkin ranks as one of Russia's greatest writers. Born in 1799, he published his first poem when he was a teenager, and attained fame in 1820 with his first long poem, Ruslan and Lyudmila. In the late 1820s he found himself the target of government censors, unable to travel or publish at will; during this time, he wrote his most famous play, Boris Godunov, and Yevgeny Onegin (published 1825-1832). 'The Queen of Spades', his most famous prose work, was published in 1834; his best-known poem, 'The Bronze Horseman', appeared after his death (from a wound sustained in a duel) in 1837.Anthony Briggs is one of the world's leading authorities on the work of Pushkin, author of Alexander Pushkin: A Critical Study and editor of Alexander Pushkin: A Celebration of Russia's Best-Loved Writer. He is also an acclaimed translator from the Russian, whose translations include War and Peace, The Death of Ivan Ilyich and Resurrection by Leo Tolstoy.

Queer Blake

Numerous claims have been made for a sexual Blake, from post-lapsarian pessimist to free-loving hippie. Queer Blake raises a flag for the weird, perverse, camp and gay directions of the artist's life and work. The contributors occupy diverse positions, illustrating what fresh interpretations result when heterosexuality is ditched as an ideal.

Queer Lyrics: Difficulty and Closure in American Poetry

Queer Lyrics fills a gap in queer studies: the lyric, as poetic genre, has never been directly addressed by queer theory. Vincent uses formal concerns, difficulty and closure, to discuss innovations specific to queer American poets. He traces a genealogy based on these queer techniques from Whitman, through Crane and Moore, to Ashbery and Spicer. Queer Lyrics considers the place of form in queer theory, while opening new vistas on the poetry of these seminal figures.

Queer Optimism: Lyric Personhood And Other Felicitous Persuasions

Michael Snediker offers a much-needed counterpoint to queer theoretical discourse, which has long privileged melancholy, self-shattering, incoherence, shame, and the death drive. Recovering the forms of positive affect that queer theory has jettisoned, Snediker insists that optimism must itself be taken beyond conventional tropes of hope and futurity and reimagined as necessary for critical engagement. Through fresh, perceptive, and sensitive readings of the poetry of Emily Dickinson, Hart Crane, Jack Spicer, and Elizabeth Bishop, Snediker reveals that each of these poets demonstrated an interest in the durability of positive affects. Dickinson, Snediker argues, expresses joy and grace as much as pain and loss, and the myriad cryptic smiles in Hart Crane's White Building contradict prevailing narratives of Crane's apocryphal literary failures and eventual suicide. Snediker's ambitious and sophisticated study, informed by thinkers such as Winnicott, Deleuze, and de Man, both supplements and challenges the work of queer theory's leading figures, including Judith Butler, Leo Bersani, Eve Kosofsky Sedgwick, and Lee Edelman. Queer Optimism revises our understanding of queer love and affiliation, examining Spicer's serial collusion with matinee idol Billy the Kid as well as the critically neglected force of Bishop's epistolary and poetic reparations of the drowned figure of Hart Crane. In doing so, Snediker persuasively reconceives a theoretical field of optimism that was previously unavailable to scrupulous critical inquiry and provides a groundbreaking approach to modern American poetry and poetics.

Queer Troublemakers: The Poetics of Flippancy (Bloomsbury Studies in Critical Poetics)

Irreverent and provoking, the figure of the 'queer troublemaker' is a disruptive force both poetically and politically. Tracing the genealogy of this figure in modern avant-garde American poetry, Prudence Bussey-Chamberlain develops innovative close readings of the works of Gertrude Stein, Frank O'Hara, Eileen Myles and Maggie Nelson. Exploring how these writers play with identity, gender, sexuality and genre, Bussey-Chamberlain constructs a queer poetics of flippancy that can subvert ideas of success and failure, affect and affectation, performance and performativity, poetry and being.

Queer Troublemakers: The Poetics of Flippancy (Bloomsbury Studies in Critical Poetics)

Irreverent and provoking, the figure of the 'queer troublemaker' is a disruptive force both poetically and politically. Tracing the genealogy of this figure in modern avant-garde American poetry, Prudence Bussey-Chamberlain develops innovative close readings of the works of Gertrude Stein, Frank O'Hara, Eileen Myles and Maggie Nelson. Exploring how these writers play with identity, gender, sexuality and genre, Bussey-Chamberlain constructs a queer poetics of flippancy that can subvert ideas of success and failure, affect and affectation, performance and performativity, poetry and being.

El Quemadero Cuentos: Reunidos

Questions of Possibility: Contemporary Poetry and Poetic Form

Questions of Possibility examines the particular forms that contemporary American poets favor and those they neglect. The poets' choices reveal both their ambitions and their limitations, the new possibilities they discover and the traditions they find unimaginable. By means of close attention to the sestina, ghazal, love sonnet, ballad, and heroic couplet, this study advances a new understanding of contemporary American poetry. Rather than pitting "closed" verse against "open" and "traditional" poetry against "experimental," Questions of Possibility explores how poets associated with different movements inspire and inform each other's work. Discussing a range of authors, from Charles Bernstein, Derek Walcott, and Marilyn Hacker to Agha Shahid Ali, David Caplan treats these poets as contemporaries who share the language, not as partisans assigned to rival camps. The most interesting contemporary poetry crosses the boundaries that literary criticism draws, synthesizing diverse influences and establishing surprising affinities. In a series of lively readings, Caplan charts the diverse characteristics and accomplishments of modern poetry, from the gay and lesbian love sonnet to the currently popular sestina.

Quick, Let's Get Out of Here (Puffin Bks.)

Shreddies in my hair.I looked at Eddie.Eddie's looking at me.Big grin on his face.I knew he had done it.Last week he put pepper in the raisins.The yucky things your borther does, the annoying things your parents say, the funny things you feel.Michael Rosen knows all about YOU! Look inside and see if he's spotted your deepest, darkest secrets.A much-loved classic of family life from the brilliant Michael Rosen & Quentin Blake.

QuickFire, Slow Burning (Pavilion Poetry)

Janette Ayachi’s second collection moves away from the personal and delves into the universal with poems often taking flight from the page to parachute into performance. Her hypnotic voice lifts from a keen observing stance to one that probes the chemical reactions in nature, and especially in the body. Fire is seen as an element; as something environmental, a natural disaster. But Ayachi also plays with fire as a fuel in relationships; a heat felt and subject to synergy within the cells and flesh, a cardiac pulse, a love that comes quickly and burns slowly, constantly rekindling hope for change, peace and renewal. There is a mystic undertow that exposes the materials, the lore of bones and anatomy, pilgrimages and prayers, superstitions and super galaxies that she explores with language. Lost landscapes and lost loves merge as she confronts loneliness at the same time as showing us new bloom is on the horizon - that nature will always will us another spark.

QuickFire, Slow Burning (Pavilion Poetry)

Janette Ayachi’s second collection moves away from the personal and delves into the universal with poems often taking flight from the page to parachute into performance. Her hypnotic voice lifts from a keen observing stance to one that probes the chemical reactions in nature, and especially in the body. Fire is seen as an element; as something environmental, a natural disaster. But Ayachi also plays with fire as a fuel in relationships; a heat felt and subject to synergy within the cells and flesh, a cardiac pulse, a love that comes quickly and burns slowly, constantly rekindling hope for change, peace and renewal. There is a mystic undertow that exposes the materials, the lore of bones and anatomy, pilgrimages and prayers, superstitions and super galaxies that she explores with language. Lost landscapes and lost loves merge as she confronts loneliness at the same time as showing us new bloom is on the horizon - that nature will always will us another spark.

Quiet

Victoria Adukwei Bulley's debut collection, Quiet, circles around ideas of black interiority, intimacy and selfhood, playing at the the tensions between the impulse to guard one's 'inner life' and the knowledge that, as Audre Lorde writes, 'your silence will not protect you'. The poems teem with grace and dignity, are artful in their shapes, sharp in their intelligence, and possessing of a good ear, finely attuned to the sonics that fascinate and motivate the writing 'at the lower end of sound'.

Quines: Poems in tribute to women of Scotland

Singers, politicians, a fish-gutter, queens, a dancer, a marine engineer, a salt seller, sportswomen, scientists and many more – Quines celebrates and explores the richly diverse contribution women have made to Scottish history and society.

Quoof

'These poems delight in a wily, mischievous, nonchalant negotiation between the affections and attachments of Muldoon's own childhood, family and place, and the ironic discriminations of a cool literary sensibility and historical awareness.' Times Literary Supplement

Quotable Shakespeare (Quotable Ser.)

This entertaining collection gathers together William Shakespeare's wisest and wittiest quotations. Quotable Shakespeare proves that brevity is the soul of wit and is sure to delight all lovers of the Bard's uniquely perceptive and influential works.

Quoting Death in Early Modern England: The Poetics of Epitaphs Beyond the Tomb (Early Modern Literature in History)

An innovative study of the Renaissance practice of making epitaphic gestures within other English genres. A poetics of quotation uncovers the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts.

R.S. Thomas: Conceding an Absence Images of God Explored

R.S. Thomas's presentation of God has given rise to controversy and dissent. Exploring Thomas's techniques of creating his images of God, Elaine Shepherd addresses the problems surrounding the language of religion and of religious poetry. Refusing to limit herself to conventionally religious poems, and drawing on material from the earliest work to Counterpoint and beyond, she identifies the challenges with which Thomas confronts his readers. The sequence of close readings engages the reader in an exploration of language and image: from the image of woman as constructed by the Impressionist to the non-image of the mystical theologian.

R. S. Thomas: Everyman's Poetry (Everyman's Poetry #No. 7)

A best of R.S. Thomas's poems in a beautiful new gift editionR. S. Thomas (1913- 2000) was born in Cardiff. He studied classics, then theology and, after ordination, served six rural Welsh parishes for most of his life. His first book of poems was published in 1946. He won the Queen's Gold Medal for Poetry in 1964 and published regularly, Collected Poems 1945-90 marking his eightieth birthday.

R. S. Thomas: Meaning and Mediation in the Poetry of R. S. Thomas (Princeton Theological Monographs #No. 2)

Racine (Modern Judgements)

The Racing Tribe: Portrait of a British Subculture

It is generally assumed that anthropologists do their research in remote and uncomfortable parts of the world--places with monsoons, mud huts, and malaria. In this volume, social anthropologist Kate Fox has taken on an altogether more enjoyable assignment, the study of the arcane world of British horseracing. For Fox, field research meant wandering around racetracks in a pink hat and high heels (standard tribal costume) rather than braving killer insects and primitive sanitation. Instead of an amorphous racing crowd, the author finds a complete subculture with its own distinctive customs, rituals, language and etiquette. Among the spectators, she identifies Horseys, Addicts, Anoraks, Pair-Bonders, Day-Outers, Suits, and Be-Seens--all united by remarkable friendliness and courtesy. Among the racing professionals, the tribal structure includes Warriors (jockeys), Shamans (trainers), Scribes (journalists), Elders (officials and stewards) and Sin-Eaters (bookies). Fox includes witty and incisive descriptions of the many strange ceremonies and rituals observed by racegoers--the Circuit Ritual, Ritual Conversations ("What do you fancy in the next?") , Celebration Rituals, the Catwalk Ritual, and Post-Mortem Rituals (naturally, a horse never loses a race because it's too slow)--and their special codes of behavior such as the Modesty Rule, the Collective Amnesia Rule, and the Code of Chivalry. The Racing Tribe is also a refreshingly candid account of anthropological fieldwork, including all the embarrassing mistakes, hiccups, short-cuts and guesswork that most social scientists keep very quiet about.

The Racing Tribe: Portrait of a British Subculture

It is generally assumed that anthropologists do their research in remote and uncomfortable parts of the world--places with monsoons, mud huts, and malaria. In this volume, social anthropologist Kate Fox has taken on an altogether more enjoyable assignment, the study of the arcane world of British horseracing. For Fox, field research meant wandering around racetracks in a pink hat and high heels (standard tribal costume) rather than braving killer insects and primitive sanitation. Instead of an amorphous racing crowd, the author finds a complete subculture with its own distinctive customs, rituals, language and etiquette. Among the spectators, she identifies Horseys, Addicts, Anoraks, Pair-Bonders, Day-Outers, Suits, and Be-Seens--all united by remarkable friendliness and courtesy. Among the racing professionals, the tribal structure includes Warriors (jockeys), Shamans (trainers), Scribes (journalists), Elders (officials and stewards) and Sin-Eaters (bookies). Fox includes witty and incisive descriptions of the many strange ceremonies and rituals observed by racegoers--the Circuit Ritual, Ritual Conversations ("What do you fancy in the next?") , Celebration Rituals, the Catwalk Ritual, and Post-Mortem Rituals (naturally, a horse never loses a race because it's too slow)--and their special codes of behavior such as the Modesty Rule, the Collective Amnesia Rule, and the Code of Chivalry. The Racing Tribe is also a refreshingly candid account of anthropological fieldwork, including all the embarrassing mistakes, hiccups, short-cuts and guesswork that most social scientists keep very quiet about.

Radical as Reality: Form and Freedom in American Poetry

What do American poets mean when they talk about freedom? How can form help us understand questions about what shapes we want to give our poetic lives, and how much power we have to choose those shapes? For that matter, what do we even mean by we? In this collection of essays, Peter Campion gathers his thoughts on these questions and more to form an evolutionary history of the past century of American poetry. Through close readings of the great modernists, midcentury objectivists, late twentieth-century poets, his contemporaries, and more, Campion unearths an American poetic landscape that is subtler and more varied than most critics have allowed. He discovers commonalities among poets considered opposites, dramatizes how form and history are mutually entailing, and explores how the conventions of poetry, its inheritance, and its inventions sprang from the tensions of ordinary life. At its core, this is a book about poetic making, one that reveals how the best poets not only receive but understand and adapt what comes before them, reinterpreting the history of their art to create work that is, indeed, radical as reality.

Radical as Reality: Form and Freedom in American Poetry

What do American poets mean when they talk about freedom? How can form help us understand questions about what shapes we want to give our poetic lives, and how much power we have to choose those shapes? For that matter, what do we even mean by we? In this collection of essays, Peter Campion gathers his thoughts on these questions and more to form an evolutionary history of the past century of American poetry. Through close readings of the great modernists, midcentury objectivists, late twentieth-century poets, his contemporaries, and more, Campion unearths an American poetic landscape that is subtler and more varied than most critics have allowed. He discovers commonalities among poets considered opposites, dramatizes how form and history are mutually entailing, and explores how the conventions of poetry, its inheritance, and its inventions sprang from the tensions of ordinary life. At its core, this is a book about poetic making, one that reveals how the best poets not only receive but understand and adapt what comes before them, reinterpreting the history of their art to create work that is, indeed, radical as reality.

Radical as Reality: Form and Freedom in American Poetry

What do American poets mean when they talk about freedom? How can form help us understand questions about what shapes we want to give our poetic lives, and how much power we have to choose those shapes? For that matter, what do we even mean by we? In this collection of essays, Peter Campion gathers his thoughts on these questions and more to form an evolutionary history of the past century of American poetry. Through close readings of the great modernists, midcentury objectivists, late twentieth-century poets, his contemporaries, and more, Campion unearths an American poetic landscape that is subtler and more varied than most critics have allowed. He discovers commonalities among poets considered opposites, dramatizes how form and history are mutually entailing, and explores how the conventions of poetry, its inheritance, and its inventions sprang from the tensions of ordinary life. At its core, this is a book about poetic making, one that reveals how the best poets not only receive but understand and adapt what comes before them, reinterpreting the history of their art to create work that is, indeed, radical as reality.