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Kindling the Spark: Recognizing and Developing Musical Talent

by Joanne Haroutounian

Gathering perspectives of musical talent from the psychological, musical, and educational fields, Kindling the Spark is the only single sourcebook that defines musical talent and provides practical strategies for identifying and nurturing it. Joanne Haroutounian uses her experience as teacher, researcher, and parent to clarify central issues concerning talent recognition and development in a way that will easily appeal to a wide audience. The book describes the different stages of development in musical training, including guidelines for finding a suitable teacher at different levels, social and psychological aspects that impact musical training, and research on talent development by ages and stages from infancy and preschool years through the teen years. An important feature of the book are "sparkler exercises" designed to provoke observable talent behavior in home, school, and studio settings. The book also includes an Appendix of Resources which lists books, media, organizations, and specialized schools that offer additional information on musical talent, identification, and development. For music educators in both public school and private studio settings--as well as for parents and their musically inclined children--Kindling the Spark provides an invaluable summary of the research on talent and a wealth of resources for developing it.

Kindling the Spark: Recognizing and Developing Musical Talent

by Joanne Haroutounian

Gathering perspectives of musical talent from the psychological, musical, and educational fields, Kindling the Spark is the only single sourcebook that defines musical talent and provides practical strategies for identifying and nurturing it. Joanne Haroutounian uses her experience as teacher, researcher, and parent to clarify central issues concerning talent recognition and development in a way that will easily appeal to a wide audience. The book describes the different stages of development in musical training, including guidelines for finding a suitable teacher at different levels, social and psychological aspects that impact musical training, and research on talent development by ages and stages from infancy and preschool years through the teen years. An important feature of the book are "sparkler exercises" designed to provoke observable talent behavior in home, school, and studio settings. The book also includes an Appendix of Resources which lists books, media, organizations, and specialized schools that offer additional information on musical talent, identification, and development. For music educators in both public school and private studio settings--as well as for parents and their musically inclined children--Kindling the Spark provides an invaluable summary of the research on talent and a wealth of resources for developing it.

The King and I: The Uncensored Tale of Luciano Pavarotti's Rise to Fame by his Manager, Friend and Sometime Adversary

by Anne Midgette Herbert Breslin

In 1967, Luciano Pavarotti was an up-and-coming young tenor with a voice far more impressive than his stage technique or presence. So Decca, his record company, told him, 'Luciano, you're a real nice guy. So you need a real bastard to do your publicity.' Enter Herbert Breslin. The two of them hit it off and thus began a professional association and a friendship that lasted over 36 years.The King and I is the story of that relationship, during which Breslin guided what he calls, justifiably, 'the greatest career in classical music', moving Pavarotti out of the opera house and into the arms of the mass public. He and Pavarotti changed the landscape of opera and Breslin relates the story of their journey in a candid, witty fashion that is often hysterically frank and profane. His portrait of his friend and client is full of hilarious details that could only come from a true insider. The King and I is the ultimate backstage book about the greatest opera star of the past century - and the last word comes from none other than Luciano Pavarotti himself.

King City: Adventures into Birmingham's Diverse Music Culture

by Stephen Pennell

Birmingham has a tradition of individualism and experimentation, giving rise to a fragmented but innovative culture. This applies to the city’s contemporary music scene just as it does to the rest of its cultural heritage, which explains why the Birmingham sound is hard to define. Whereas other cities are known for a certain sound, this city celebrates its diversity. In this new decade, the plethora of exciting indie bands, sick rappers and emotive singer-songwriters are surrounded by a collective of DJs, producers, promoters, venues, bloggers and vloggers who promote them. There’s an agglomeration building, coalescing around the Birmingham Music Awards, whose mission is to amplify this uprising to the world. In this book, Stephen Pennell’s reviews and musings shine a light on Birmingham’s finest up-and-coming performers playing the city’s most iconic venues, taking us on a unique journey around Birmingham’s music scene.

King Death: A No Exit Ace Double (No Exit Ace Doubles Ser.)

by Nik Cohn

Eddie is a strange man with an extraordinary talent that makes him the 'performer' he is. Eddie administers Death. His subjects, he explains, are not afraid, but are thrilled and transported. To Eddie, Death is completion, and he finds fulfilment, satisfaction, and pride in each job he carries out.When Seaton Carew, America's most successful TV entrepreneur, chances to witness Eddie in action, Eddie's career is altered. Overcoming many obstacles, he and Seaton literally ride to glory on the Deliverance Special, a train carrying King Death and his huge entourage all over America. But then a disturbing change comes over Eddie and threatens to topple him from his grisly throne...Part nightmare, part modern fairytale, Nik Cohn has written a bizarre fable for our time. In a cool and highly original style Cohn captures its sickness and horror yet stays true to its grandeur and allure.

King of Ragtime: Scott Joplin and His Era

by Edward A. Berlin

When it was first published in 1994, King of Ragtime: Scott Joplin and his Era was widely heralded not only as the most thorough investigation of Scott Joplin's life and music, but also as a gripping read, almost a detective story. This new and expanded edition-more than a third larger than the first-goes far beyond the original publication in uncovering new details of the composer's life and insights into his music. It explores Joplin's early, pre-ragtime career as a quartet singer, a period of his life that was previously unknown. The book also surveys the nature of ragtime before Joplin entered the ragtime scene and how he changed the style. Author Edward A. Berlin offers insightful commentary on each of all of Joplin's works, showing his influence on other ragtime and non-ragtime composers. He traces too Joplin's continued music studies late in life, and how these reflect his dedication to education and probably account for the radical changes that occur in his last few rags. And he puts new emphasis on Joplin's efforts in musical theater, bringing in early versions of his Ragtime Dance and its precedents. Joplin's wife Freddie is shown to be a major inspiration to his opera Treemonisha, with her family background and values being reflected in that work. Joplin's reputation faded in the 1920s-30s, but interest in his music slowly re-emerged in the 1940s and gradually built toward a spectacular revival in the 1970s, when major battles ensued for possession of rights.

King of Ragtime: Scott Joplin and His Era

by Edward A. Berlin

When it was first published in 1994, King of Ragtime: Scott Joplin and his Era was widely heralded not only as the most thorough investigation of Scott Joplin's life and music, but also as a gripping read, almost a detective story. This new and expanded edition-more than a third larger than the first-goes far beyond the original publication in uncovering new details of the composer's life and insights into his music. It explores Joplin's early, pre-ragtime career as a quartet singer, a period of his life that was previously unknown. The book also surveys the nature of ragtime before Joplin entered the ragtime scene and how he changed the style. Author Edward A. Berlin offers insightful commentary on each of all of Joplin's works, showing his influence on other ragtime and non-ragtime composers. He traces too Joplin's continued music studies late in life, and how these reflect his dedication to education and probably account for the radical changes that occur in his last few rags. And he puts new emphasis on Joplin's efforts in musical theater, bringing in early versions of his Ragtime Dance and its precedents. Joplin's wife Freddie is shown to be a major inspiration to his opera Treemonisha, with her family background and values being reflected in that work. Joplin's reputation faded in the 1920s-30s, but interest in his music slowly re-emerged in the 1940s and gradually built toward a spectacular revival in the 1970s, when major battles ensued for possession of rights.

King of the Blues: The Rise and Reign of B. B. King

by Daniel de Visé

'Without a doubt the most important artist the blues has ever produced' Eric Clapton'No one did more to spread the gospel of the blues' President Barack Obama'One part of me says, "Yes, of course I can play." But the other part of me says, "Well, I wish I could just do it like B.B. King."' John LennonKing of the Blues is the story of the first and only superstar of American blues. But it is also a chronicle of the African-American experience. B.B. King grew up in the Deep South, a few generations after the end of slavery, imprisoned within a cruel system of wage slavery known as sharecropping. King of the Blues will also tell the larger story of the birth of modern popular music. B.B. King's boundless ambition and tireless toil gave him initial success, topping the charts in the 1950s and early '60s. But then his career hit a wall when his version of classic blues music could not break through to the mainstream.But then, after years of being out of the limelight, B.B.'s music was rediscovered by new listeners, who saw that he had inspired their guitar rock heroes. From the 1970s on, each time his popularity faded, his music was given new life: fronting for The Rolling Stones, acclaimed by Eric Clapton, praised by U2 and Bono. His last concert was performed in late 2014, six months before he died at age 89.

Kinoorgeln und Kinomusik in Deutschland

by Karl Heinz Dettke

Kirche, Musik und ästhetische Bildung: Kirchenmusikpädagogik am Beispiel kirchlichen Singens

by Timm Siering

In diesem Buch wird Kirchenmusik in den Horizont musikpädagogischer Forschung gestellt. Ziel des hiesigen Nachdenkens über die Kirchenmusik und ihre Pädagogik ist die Konzeption einer Ausbildung für ehrenamtliche Kirchensänger*innen, wie sie in der Evangelischen Kirche von Kurhessen-Waldeck in die Praxis geführt werden soll. Insofern versteht sich die Publikation einerseits als Teil des akademischen Diskurses und andererseits als konstruktiver Beitrag zu einer Kirchenmusik, deren Praxis sich, wie andere kirchliche Handlungsfelder auch, unterschiedlichen Herausforderungen der Gegenwart stellen muss. Das Handlungsfeld Kirchenmusik wird aus der Perspektive der Musikpädagogik auf eine Weise erschlossen, die in dieser Art im Diskurs bislang kaum eine spielt. Die Wahrnehmung kirchenmusikalischen Handelns als musikpädagogischer Lernort schließt das Nachdenken über kirchentheoretische Fragestellungen ebenso ein wie das der ästhetischen Konsequenzen, die das Agieren in diesem spezifischen Feld für musikpädagogisches Nachdenken hat. Insofern verdankt sich das vorliegende Buch der Interdisziplinarität, die am Ort der Kirchenmusik zwischen Musikpädagogik, Musikwissenschaft und Praktischer Theologie aufgespannt wird.

Kiss and Make-Up

by Gene Simmons

KISS has released thirty-seven records and sold 80 million albums worldwide. Gene Simmons has also acted in films and on television, has written and produced albums for other recording artists, has managed the recording career of, among others, Liza Minelli, and was founder and president of his own recording label, Simmons Records/RCA. He also launched his film and TV producing career with Detroit Rock City for New Line Cinema. Gene Simmons lives in Beverley Hills, California, and was recently the rock star teacher on Channel 4's Rock School.Here for the first time Gene Simmons, the notorious mainman of the explosive rock and roll group KISS, tells his story. Delivered in Gene's own honest, outrageous and uncensored voice, he tells of his early beginnings in Israel, of his arrival in New York at the age of eight, his first taste of 1950s pop culture and his developing thirst for fame, fun and girls. Undoubtedly one of the most infamous rock and roll legends alive, Gene tells the never before revealed story of KISS's reign as the biggest and most popular band in the world. Finally, the real story of the man behind the make-up.

Klang – Ton – Wort: akustische Dimensionen im Schaffen Marcel Beyers

by Sven Lüder Alice Stašková

Marcel Beyer hat mit seinem vielfach ausgezeichneten Schaffen auf einzigartige Weise Grenzbereiche zwischen Literatur, Musik und Kulturtheorie erkundet. Sein Œuvre, das außer Romanen, Gedicht- und Essaybänden auch fünf Libretti umfasst, zeichnet sich durch eine spezifische Aufmerksamkeit für das Akustische aus, wobei Fragen der Darstellung, der Systematisierung und der Performanz stets mitbedacht werden. Auf vielfältige, bislang kaum angemessen ergründete Weise verschränken sich in seinem Schaffen Erfahrungen als Mitwirkender (Sprecher), als Autor von musikbezogenen Essays (v. a. Rezensionen) und als Co-Autor zumal im Musiktheater. Der Band, der auf ein 2019 in Jena veranstaltetes Symposium zurückgeht, enthält Beiträge, die in umfassend interdisziplinärer Weise die Dimensionen des Akustischen in Beyers Werken sowie Ausfaltungen des Dialogs zwischen Musik und Literatur, besonders auch in der Praxis des zeitgenössischen Musiktheaters, untersuchen.

Klang als Geschichtsmedium: Perspektiven für eine auditive Geschichtsschreibung (Musikgeschichte auf der Bühne #1)

by Anna Langenbruch

Konstruieren Klänge Geschichte? Die Beiträge dieses Bandes etablieren und reflektieren Klang als Kategorie der Geschichtsschreibung, indem sie historische Wissensproduktion als klangliche Praxis untersuchen. Es geht dabei weniger um eine Neubewertung des auditiven Ausschnitts vergangener Wirklichkeiten, sondern um einen Perspektivwechsel in der Geschichtsschreibung: Im Zentrum steht die Frage, wie Menschen Klänge wahrnehmen, benutzen, inszenieren, deuten, erinnern - und zu historischen Wissenskonzepten verknüpfen. Musikgeschichte als Geschichte einer Klangkunst dient dabei als ein Kristallisationspunkt, der die interdisziplinäre Diskussion in einem besonders prägnanten Beispiel bündelt.

Klang - Struktur - Metapher: Musikalische Analyse zwischen Phänomen und Begriff


Was leisten analytische Begriffe in der Musikbeschreibung, was erfassen sprachliche Metaphern? Wie verhält sich die im Bewusstsein repräsentierte musikalische Struktur zu ihrem Substrat?

Klang und Semantik in der Musik des 20. und 21. Jahrhunderts (Musik und Klangkultur #18)

by Jö-Peter Hiekel Wolfgang Mende

Der »Klang«-Begriff hat im neueren Kunstmusikdiskurs eine kategoriale Aufwertung erfahren. Der Aspekt der Bedeutung ist dabei vielfach aus dem Blickfeld geraten. Doch wie viele semantische Spuren sind im Klang klassisch-moderner und Neuer Musik tatsächlich haften geblieben? Welche neuartigen Weltbezüge von Klang können jüngere Konzeptästhetiken herstellen? Und was eröffnet ihre analytische Freilegung? Der Band nähert sich diesen Fragen aus musikhistorischen, kunstphilosophischen, gendertheoretischen und postkolonialen Perspektiven und versammelt Fallstudien zu Schönberg, Koechlin, Schulhoff, Schostakowitsch, Schaeffer, Boulez, Rihm sowie zur Konzeptkunst.

Klänge und Geräusche: Methoden und Ergebnisse der Klangforschung · Schallwahrnehmung Grundlegende Fragen der Klangübertragung

by NA Trendelenburg

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfängen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.

Klassik für Dummies (Für Dummies)

by David Pogue Scott Speck

Klassik ist altmodisch und langweilig - das sind nur zwei von vielen Vorurteilen über klassische Musik. David Pogue und Scott Speck zeigen Ihnen, dass das ganz und gar nicht der Fall ist. Sie bringen Ihnen unterhaltsam und informativ die Musikgeschichte vom Mittelalter bis heute nahe: die bedeutendsten Komponisten, ihre wichtigsten Stücke und die spannendsten Anekdoten. Darüber hinaus erfahren Sie alles über die verschiedenen Instrumente und ihre Rolle im Orchester. Ein wenig nützliche Musiktheorie und ein kleiner Konzert-Knigge runden das Buch ab. Ein Rundumwohlfühlbuch für Neulinge in der Welt der Klassik.

Klavier für Wiedereinsteiger für Dummies (Für Dummies)

by Mélanie Renaud

Haben Sie vor längerer Zeit Klavierspielen gelernt und möchten nun Ihre Kenntnisse wieder auffrischen? Dieses Buch bietet Ihnen ein gut durchdachtes Programm für zwei Monate. Gewinnen Sie mithilfe von Fingerübungen, Technik-Etüden und ersten kleinen Musikstücken Ihre Fingerfertigkeit zurück. Trainieren Sie gezielt schwierige Passagen und lernen Sie ganz nebenbei ein wenig mehr über Musik. Begleitend zum Buch gibt es Videos der Übungen zum Download, sodass Sie nicht nur hören, wie die Musikstücke klingen sollen, sondern auch sehen, wie die Finger gesetzt werden müssen.

Klavier, Orgel und Harmonium: Das Wesen der Tasteninstrumente (Aus Natur und Geisteswelt #325)

by Oscar Bie

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfängen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.

Klavierakkorde für Dummies (Für Dummies)

by Maxime Pawlak Renaud Pawlak

Ob Klassik, Rock oder Pop, ob in der Band, im Orchester oder als Solist: Die Beherrschung der Akkorde ist beim Klavierspielen das A und O. "Pianoakkorde für Dummies" stellt Ihnen über 600 Akkorde vor und zeigt mithilfe von Fotos und Grafiken, wie Sie sie spielen. Die Autoren geben zu vielen auch hilfreiche Tipps. So können Sie selbst neue Varianten in Songs einbauen und einem schon häufig gehörten Lied neuen Schwung verleihen. In der Einleitung erfahren Sie, wie Akkorde aufgebaut sind und welche Spieltechniken es gibt. So werden Sie schon bald immer mehr Akkorde beherrschen.

Klezmer: Music, History, and Memory

by Walter Zev Feldman

Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major written sources--principally in Russian, Yiddish, Hebrew, and Romanian--from the 16th to the 20th centuries. He draws upon the foundational notated collections of the late Tsarist and early Soviet periods, as well as rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. He has conducted interviews with authoritative European-born klezmorim over a period of more than thirty years, in America, Europe, and Israel. Thus, his analysis reveals both the musical and cultural systems underlying the klezmer music of Eastern Europe.

Klezmer: Music, History, and Memory

by Walter Zev Feldman

Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major written sources--principally in Russian, Yiddish, Hebrew, and Romanian--from the 16th to the 20th centuries. He draws upon the foundational notated collections of the late Tsarist and early Soviet periods, as well as rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. He has conducted interviews with authoritative European-born klezmorim over a period of more than thirty years, in America, Europe, and Israel. Thus, his analysis reveals both the musical and cultural systems underlying the klezmer music of Eastern Europe.

Klezmer's Afterlife: An Ethnography of the Jewish Music Revival in Poland and Germany

by Magdalena Waligorska

Klezmer in Europe has been a controversial topic ever since this traditional Jewish wedding music made it to the concert halls and discos of Berlin, Warsaw, Budapest and Prague. Played mostly by non-Jews and for non-Jews, it was hailed as "fakelore," "Jewish Disneyland" and even "cultural necrophilia." Klezmer's Afterlife is the first book to investigate this fascinating music scene in Central Europe, giving voice to the musicians, producers and consumers of the resuscitated klezmer. Contesting common hypotheses about the klezmer revival in Germany and Poland stemming merely from feelings of guilt which emerged in the years following the Holocaust, author Magdalena Waligorska investigates the consequences of the klezmer boom on the people who staged it and places where it occurred. Offering not only a documentation of the klezmer revival in two of its European headquarters (Kraków and Berlin), but also an analysis of the Jewish / non-Jewish encounter it generates, Waligorska demonstrates how the klezmer revival replicates and reinvents the image of the Jew in Polish and German popular culture, how it becomes a soundtrack to Holocaust commemoration and how it is used as a shining example of successful cultural policy by local officials. Drawing on a variety of fields including musicology, ethnomusicology, history, sociology, and cultural studies, Klezmer's Afterlife will appeal to a wide range scholars and students studying Jewish culture, and cultural relations in post-Holocaust central Europe, as well as general readers interested in klezmer music and music revivals more generally.

The KLF: Chaos, Magic and the Band who Burned a Million Pounds

by John Higgs

'By far the best book this year, brilliant, discursive and wise' BEN GOLDACRE. The strange tale of the death, life and legacy of the hugely successful band.They were the bestselling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why.This is not just the story of The KLF. It is a book about Carl Jung, Alan Moore, Robert Anton Wilson, Ken Campbell, Dada, Situationism, Discordianism, magic, chaos, punk, rave, the alchemical symbolism of Doctor Who and the special power of the number 23.Wildly unauthorised and unlike any other music biography, THE KLF is a trawl through chaos on the trail of a beautiful, accidental mythology.

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