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Roots, Shoots, Buckets & Boots: Gardening Together with Children
by Sharon LovejoyRoots, Shoots, Buckets & Boots features 12 spirited, easy-to-implement ideas for theme gardens that parents and kids can grow together.
Small Pleasures: Longlisted for the Women's Prize for Fiction
by Clare ChambersLONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021'A WORD-OF-MOUTH HIT' Evening Standard 'A very fine book... It's witty and sharp and reads like something by Barbara Pym or Anita Brookner, without ever feeling like a pastiche'David Nicholls'Perfect'India Knight 'Beautiful' Jessie Burton'Wonderful'Richard Osman 'Miraculous'Tracy Chevalier 'A wonderful novel. I loved it'Nina Stibbe 'Effortless to read, but every sentence lingers in the mind' Lissa Evans 'This is one of the most beautiful books I have ever read. I honestly don't want you to be without it'Lucy Mangan'Gorgeous... If you're looking for something escapist and bittersweet, I could not recommend more' Pandora Sykes'Remarkable... Small Pleasures is no small pleasure'The Times'An irresistible novel - wry, perceptive and quietly devastating'Mail on Sunday'Chambers' eye for undemonstrative details achieves a Larkin-esque lucidity' Guardian'An almost flawlessly written tale of genuine, grown-up romantic anguish' The Sunday Times 1957, the suburbs of South East London. Jean Swinney is a journalist on a local paper, trapped in a life of duty and disappointment from which there is no likelihood of escape. When a young woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. As the investigation turns her quiet life inside out, Jean is suddenly given an unexpected chance at friendship, love and - possibly - happiness. But there will, inevitably, be a price to pay.Book of the Year for: The Times, Daily Telegraph, Evening Standard, Daily Express, Metro, Spectator, Red Magazine and Good Housekeeping
Wood Finishing: Pergamon Series of Monographs on Furniture and Timber
by John W. CollierWood Finishing provides a comprehensive guide to wood finishing. The emphasis of the book is on tackling practical topics. The text first details the material components of wood finishing, such as strippers, revivers, stoppers, and varnishes. Next, the selection covers the various processes in wood finishing, which include waxing, filling, spraying, and flatting. The next chapter talks about supplementary topics, such as the chemistry of timber, hazards, workshop practices, and testing finishes. The title also tackles the various tools utilized in wood finishing, which include brushes, spray paints, coating machines, and tumbling barrels. The book will be of great use to anyone who wants to expand knowledge in woodworking.
Coping with Christmas: A Fabulously Festive Christmas Companion
by Fanny Cradock Johnnie CradockWith a new introduction by Felicity Cloake “Fanny Cradock is the Queen of Christmas cooking” – The Telegraph
Designed for Recreation: A Practical Handbook for All Concerned with Providing Leisure Facilities in the Countryside (Routledge Revivals)
by Elisabeth BeazleyOriginally published in 1969, at a time when there was an ever-increasing number of people going to the coast and countryside at weekends and on holiday, this book filled a gap by providing detail on the physical results of all that needed to be done for the leisure-seeking public. It discusses juggling the needs of the public whilst maintaining the quality of the natural environment – a balancing act which remains as relevant in the 21st Century as when the book was first published. The book is intended for all those making provision for public recreation and countryside protection. The passing of the Countryside Act in 1968 in the UK necessitated detailed work for local authorities: the design and siting of car parks; public lavatories; litter bins, camp and picnic sites; swimming pools and information centres to name but a few. Elisabeth Beazley discusses the principles involved and illustrates successful and cautionary examples from both sides of the Atlantic as well as Continental Europe
Designed for Recreation: A Practical Handbook for All Concerned with Providing Leisure Facilities in the Countryside (Routledge Revivals)
by Elisabeth BeazleyOriginally published in 1969, at a time when there was an ever-increasing number of people going to the coast and countryside at weekends and on holiday, this book filled a gap by providing detail on the physical results of all that needed to be done for the leisure-seeking public. It discusses juggling the needs of the public whilst maintaining the quality of the natural environment – a balancing act which remains as relevant in the 21st Century as when the book was first published. The book is intended for all those making provision for public recreation and countryside protection. The passing of the Countryside Act in 1968 in the UK necessitated detailed work for local authorities: the design and siting of car parks; public lavatories; litter bins, camp and picnic sites; swimming pools and information centres to name but a few. Elisabeth Beazley discusses the principles involved and illustrates successful and cautionary examples from both sides of the Atlantic as well as Continental Europe
A Short Dictionary of Furniture: Containing Over 2,600 Entries That Include Terms and Names Used in Britain and the USA
by John GloagOriginally published in 1952 but enlarged and revised in 1969, this dictionary became a standard authoritative work of reference. It contains 2,612 entries and over 1,000 illustrations, reproduced from contemporary sources and from drawings by Ronald Escott, Marcelle Barton and Maureen Stafford. The work is divided into 6 sections: the first and second concern the description and design of furniture, the third contains the entries, the fourth gives a list of furniture makers in Britain and North America, section five records books and periodicals on furniture and design and the concluding section sets out in tabular form the periods with the materials used, and types of craftsmen employed from 1100 to 1950.
A Short Dictionary of Furniture: Containing Over 2,600 Entries That Include Terms and Names Used in Britain and the USA
by John GloagOriginally published in 1952 but enlarged and revised in 1969, this dictionary became a standard authoritative work of reference. It contains 2,612 entries and over 1,000 illustrations, reproduced from contemporary sources and from drawings by Ronald Escott, Marcelle Barton and Maureen Stafford. The work is divided into 6 sections: the first and second concern the description and design of furniture, the third contains the entries, the fourth gives a list of furniture makers in Britain and North America, section five records books and periodicals on furniture and design and the concluding section sets out in tabular form the periods with the materials used, and types of craftsmen employed from 1100 to 1950.
100 Victorian Architectural Designs for Houses and Other Buildings (Dover Architecture)
by A. J. Bicknell Co.Originally published in 1878, this now-rare collection of designs supplies views of a remarkable variety of modestly priced structures: houses, villas, cottages, many others. Handsome drawings of perspective views and elevations, some of which include floor plans, plus suggestions for interior design. 98 black-and-white illustrations.
Birkenhead Park: The People's Garden and an English Masterpiece
by Robert LeeWhen it was officially opened on Easter Monday, 5th April 1847, Birkenhead park became the first municipally funded park in Britain. It was a pioneer in the development of urban public parks, designed for use by everyone, irrespective of social class, ethnicity or age. In terms of town planning, it demonstrated the importance of including green infrastructure in urban development as a vital contribution to public health and wellbeing. Paxton’s design for the park was heralded as ‘a masterpiece of human creative genius’ : it served as a vehicle for the global transmission of the English landscape school and led to the creation of numerous public parks everywhere, most famously Central Park, New York, incorporating of many of Paxton’s design features. This book addresses a long-standing gap in the Park’s historiography. Regarded as ‘one of the greatest wonders of the age’, it is an important contribution to nineteenth-century landscape history with a local focus, but of international significance. But it seeks to interpret the Park’s development until 1914 within a political and cultural context, drawing on economic and social history, as a means of explaining why it was not until the late-nineteenth century that it finally became a focal point for recreation and public health.
Chiswick House Gardens: 300 years of creation and re-creation
by David JacquesThe grounds at Chiswick House are amongst the most iconic of all the historic gardens of Europe. In the 1720s they reflected Lord Burlington’s innovative ideas on Palladianism and antique gardens, whilst the area transformed by William Kent to give a rustic appearance in the early 1730s has been recognised as one of, or perhaps the, birthplace of the landscape garden. The grounds were periodically brought to the forefront of taste, reaching another high point as the venue for spectacular garden parties under the 6th Duke of Devonshire. As a garden of many periods it has given rise to passionate national debates since World War II on the principles of restoration, and as a public park it has been an important project assisted by the National Lottery Heritage Fund. Its renewed high state of keeping and its tranquil beauty belies its ‘deep’ history of intellectual debate, social tensions and practical difficulties. The book concentrates on the four main periods when Chiswick gardens were in the national spotlight, two when being in the forefront of taste and two concerning the restorations, the first being in the 1950s when the whole question of garden restoration was entirely new. The second restoration, on and off since 1988 intersects with the development of a philosophical stance and national policy on the restoration of parks and gardens. There is much of interest for art and architectural historians, garden historians, social historians and those local and international visitors who enjoy the finest public park in West London.
A Cultural History of Plants in Antiquity (The Cultural Histories Series)
A Cultural History of Plants in Antiquity covers the period from 10,000 BCE to 500 CE. This period witnessed the transition from hunter-gatherer subsistence to the practice of agriculture in Mesopotamia and elsewhere, and culminated in the fall of the Roman Empire, the end of the Han Dynasty in China, the rise of Byzantium, and the first flowering of Mayan civilization. Human uses for and understanding of plants drove cultural evolution and were inextricably bound to all aspects of cultural practice. The growth of botanical knowledge was fundamental to the development of agriculture, technology, medicine, and science, as well as to the birth of cities, the rise of religions and mythologies, and the creation of works of literature and art. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. Annette Giesecke is Professor of Classics at the University of Delaware, USA. Volume 1 in the Cultural History of Plants set.General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
A Cultural History of Plants in the Early Modern Era (The Cultural Histories Series)
A Cultural History of Plants in the Early Modern Era covers the period from 1400 to 1650, a time of discovery and rediscovery, of experiment and innovation. Renaissance learning brought ancient knowledge to modern European consciousness whilst exploration placed all the continents in contact with one another. The dissemination of knowledge was further speeded by the spread of printing. New staples and spices, new botanical medicines, and new garden plants all catalysed agriculture, trade, and science. The great medical botanists of the period attempted no less than what Marlowe's Dr Faustus demanded - a book “wherein I might see all plants, herbs, and trees that grow upon the earth.” Human impact on plants and our botanical knowledge had irrevocably changed. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. Andrew Dalby is an independent scholar and writer, based in France. Annette Giesecke is Professor of Classics at the University of Delaware, USA. Volume 3 in the Cultural History of Plants set.General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
A Cultural History of Plants in the Modern Era (The Cultural Histories Series)
A Cultural History of Plants in the Modern Era covers the period from 1920 to today - a time when population growth, industrialization, global trade, and consumerism have fundamentally reshaped our relationship with plants. Advances in agriculture, science, and technology have revolutionised the ways we feed ourselves, whilst urbanization and industrial processing have reduced our direct connection with living plants. At the same time, our understanding of both ecology and conservation have greatly increased and our appreciation of the meanings and aesthetics of plants continue to suffuse art and everyday culture. The modern era has witnessed a revolution in both the valuation and the destruction of the natural world - more than ever before, we understand that the vitality of our relationship with plants will shape our future. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants.Stephen Forbes is an independent scholar and writer, based in Australia. Volume 6 in the Cultural History of Plants set.General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
A Cultural History of Plants in the Nineteenth Century (The Cultural Histories Series)
A Cultural History of Plants in the Nineteenth Century covers the period from 1800 to 1920, a time of astonishing growth in industrialization, urbanization, migration, population growth, colonial possessions, and developments in scientific knowledge. As European modes of civilization and cultivation were exported worldwide, botanical study was revolutionized – through the work of Charles Darwin and many others – and the new science of biology was born, based on cells, nuclei and molecules. As Darwinism took hold, plants came to be seen as a way of thinking about the connectivity of nature and life itself. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. David Mabberley is Emeritus Fellow at Wadham College, University of Oxford, UK; Emeritus Professor at the University of Leiden, The Netherlands; and Adjunct Professor at Macquarie University, Australia. Volume 5 in the Cultural History of Plants set.General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
A Cultural History of Plants in the Post-Classical Era (The Cultural Histories Series)
A Cultural History of Plants in the Post-Classical Era covers the period from 500 to 1400, ranging across northern and central Europe to the Mediterranean, and from the Byzantine and Arabic Empires to the Persian World, India, and China. This was an age of empires and fluctuating borders, presenting a changing mosaic of environments, populations, and cultural practices. Many of the ancient uses and meanings of plants were preserved, but these were overlaid with new developments in agriculture, landscapes, medicine, eating habits, and art.The six-volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants.Alain Touwaide is Scientific Director at the Institute for the Preservation of Medical Traditions, Washington, D.C., USA.A Cultural History of Plants in the Post-Classical Era is the second volume in the six-volume set, A Cultural History of Plants, also available online as part of Bloomsbury Cultural History, a fully-searchable digital library (see www.bloomsburyculturalhistory.com).General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
A Cultural History of Plants in the Seventeenth and Eighteenth Centuries (The Cultural Histories Series)
A Cultural History of Plants in the Seventeenth and Eighteenth Centuries covers the period from 1650 to 1800,a time of global exploration and the discovery of new species of plants and their potential uses. Trade routes were established which brought Europeans into direct contact with the plants and people of Asia, Oceania, Africa and the Americas. Foreign and exotic plants become objects of cultivation, collection, and display, whilst the applications of plants became central not only to naturalists, landowners, and gardeners but also to philosophers, artists, merchants, scientists, and rulers. As the Enlightenment took hold, the natural world became something to be grasped through reasoned understanding. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. Jennifer Milam is Pro Vice-Chancellor and Professor of Art History, University of Newcastle, Australia. Volume 4 in the Cultural History of Plants set.General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
Cutlery and Plate (Large Print)
This is a picture of some cutlery and a plate. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. In the middle of the page is a round dinner plate. To the left of the plate is a fork with its pointy prongs. Above the plate there is a spoon with its handle on the right of the page. On the right of the plate is a knife - the top part is the blade with sharp teeth on it.
Cutlery and Plate (UEB Contracted)
This is a picture of some cutlery and a plate. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. In the middle of the page is a round dinner plate. To the left of the plate is a fork with its pointy prongs. Above the plate there is a spoon with its handle on the right of the page. On the right of the plate is a knife - the top part is the blade with sharp teeth on it.
Cutlery and Plate (UEB Uncontracted)
This is a picture of some cutlery and a plate. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. In the middle of the page is a round dinner plate. To the left of the plate is a fork with its pointy prongs. Above the plate there is a spoon with its handle on the right of the page. On the right of the plate is a knife - the top part is the blade with sharp teeth on it.
Decorative Art of the Southwestern Indians
by Dorothy S. SidesThe decorative art of the Indians of the American Southwest has long been recognized as one of the most beautiful art traditions in the primitive world. It demonstrates a technical skill with simple materials, a symbolic richness, and a faculty for creating rich effects by the imaginative use of ornament that are all almost unique. Museums use Pueblo ceramics for display pieces, and modern artists and crafters have turned eagerly to the handwork of prehistoric Indian women for inspiration and working ideas.Mrs. Dorothy Sides, a noted artist and collector, has gathered together and redrawn in black and white nearly 300 examples of the finest authentic Southwestern Indian decoration that she has seen in a lifetime of study. She has not limited her selection to one period or style, however; to make her book as useful as possible, she has selected material ranging from the thirteenth century great geometric art of the Pueblos to the handcrafts carried on by the nomadic and Pueblo peoples of the present.The main emphasis of this volume is on ceramic decoration, and Mrs. Sides includes pieces from the rich archeological sites of Pecos, Sikyatki, the Mimbres, and modern Pueblo pottery from Acoma, Zuni, Cochiti, and the Hopi. She also includes designs and motifs from the basketry of the Apache, Pima, and Papago; beadwork from the Mohave; authentic Zuni masks; Hopi kachina dolls; and sand paintings and blanket designs from the Navajo. This broad coverage of beautiful ornament illustrates many different art styles to fit every situation: geometric designs based upon balanced mirror fields of design, symbolic figures of the thunderbird, and modern stylizations. All is beautiful and imaginative.Any crafter working with ceramics will find this book indispensable as a source of rich, easily used, powerful design; workers in wood, weavers, metal workers, and leather workers will find that it will enlarge their decorative resources considerably. It also offers unusual and eye-catching designs for commercial artists who wish to do work suggesting travel, handcrafts, the Southwest, or the social sciences. Individual drawings are royalty-free and may be reproduced without fee or permission.
Decorative Sketches: Architecture and Design Influenced by Nature in Early 20th-Century Paris
by René BinetAt the turn of the 20th century, artists and craftsmen throughout Europe and America were profoundly affected by a new art style that took its inspiration from nature. Generally referred to as Art Nouveau, the trend influenced all manner of creative types, from painters, illustrators, and architects to ironworkers, interior decorators, and designers of furniture and jewelry. Although broad and varied, the style is almost uniformly characterized by abstract, asymmetrical, curvilinear design. This "new art" both elevated the status of crafts to fine arts and brought objects into a harmonious relationship with their environment through the use of lines that were natural, vital, and, most importantly, organic.The decorative images in this volume, reproduced from a rare 1902 portfolio, reflect the era's exotic and imaginative approach to architecture and applied design. Sixty plates, 12 in full color and many with partial and varied color, exhibit the influence of the artwork of naturalist Ernst Haeckel on artist René Binet's designs, especially as related to Binet's "Monumental Door," prepared for the 1900 World's Fair in Paris. Illustrations reflecting the styles of Art Nouveau include a wealth of examples that range from doorbells and keys to stairways, fountains, jewelry, ceramics, and other items. Graphic designers, illustrators, architects, artists, and crafters will find this volume a rich source of ornamental ideas, authentic motifs, and design inspiration.
Detached house with garage (Large Print)
This image shows a front view of a detached house with attached garage. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. The pointed tiled roof of the house fills the upper part of the page, with a chimney sticking up towards the right. Down from the roof the upstairs windows are shown: a large one towards the right and a smaller one to its left. Just to the left of the smaller window, the tiled garage roof slopes down above the wide garage door which has a handle towards its lower centre. The door to the house itself is towards the centre at the bottom of the image. The door is glazed at the top, and the letterbox and door knob are shown. There is a narrow window adjoining the door on the garage side. A large window is shown in the lower right of the image, and all the windows have sills.
Detached house with garage (UEB Contracted)
This image shows a front view of a detached house with attached garage. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. The pointed tiled roof of the house fills the upper part of the page, with a chimney sticking up towards the right. Down from the roof the upstairs windows are shown: a large one towards the right and a smaller one to its left. Just to the left of the smaller window, the tiled garage roof slopes down above the wide garage door which has a handle towards its lower centre. The door to the house itself is towards the centre at the bottom of the image. The door is glazed at the top, and the letterbox and door knob are shown. There is a narrow window adjoining the door on the garage side. A large window is shown in the lower right of the image, and all the windows have sills.