- Table View
- List View
How Freakin’ Zeitgeist Are You?
by Murray Lachlan YoungHow Freakin’ Zeitgeist Are You? is the definitive collection of Murray Lachlan Young’s poems from 1994 to the present day.It tracks his career as a writer and performer, from his arrival as a wide-eyed, twenty-something in London, through his sideways look in and around the music, fashion and film businesses, as well as a few observational works from what he now refers to as his ‘Cornwall years’. From his humorous and witty take on social phenomena to dark commentary on today’s society, Murray covers a wide range of topics from the weather, hair and machines to the UK festival culture, sex, men’s issues, pop music and God.The book also contains sixteen of his original illustrations and several of the sketch poems he was commissioned to write through his hugely popular slots as poet-in-residence on BBC Radio 6 Music and Radio 4’s Saturday Live.Anyone who has watched or listened to Murray perform will recognise the range of his work, from whimsical comedy and several darker pieces through satire into cosmology, theology and metaphysics. Though primarily written for the ear, with a radio listener in mind, his incurable addiction to rhyme is evident from the first page and the whole collection is designed to be read out loud and shared with friends.So open it up, find the beat and enter the strange and marvellous world of Murray Lachlan Young.
The Art of Losing: Poems of Grief and Healing
by Kevin Young“Kevin Young has thoughtfully gathered many of these sorrowful perambulations and grievous plummets.” -Billy CollinsThe Art of Losing is the first anthology of its kind, delivering poetry with a purpose. Editor Kevin Young has introduced and selected 150 devastatingly beautiful poems that embrace the pain and heartbreak of mourning. Divided into five sections (Reckoning, Remembrance, Rituals, Recovery, and Redemption), with poems by some of our most beloved poets as well as the best of the current generation of poets, The Art of Losing is the ideal gift for a loved one in a time of need and for use by therapists, ministers, rabbis, and palliative care workers who tend to those who are experiencing loss. Among the poets included: Elizabeth Alexander, W. H. Auden, Amy Clampitt, Billy Collins, Emily Dickinson, Louise Gluck, Ted Hughes, Galway Kinnell, Kenneth Koch, Philip Larkin, Li-Young Lee, Philip Levine, Marianne Moore, Sharon Olds, Mary Oliver, Robert Pinsky, Adrienne Rich, Theodore Roethke, Anne Sexton, Wallace Stevens, Dylan Thomas, Derek Walcott, and James Wright.
The Hungry Ear: Poems of Food and Drink
by Kevin YoungFood and poetry: in so many ways, a natural pairing, from prayers over bread to street vendor songs. Poetry is said to feed the soul, each poem a delicious morsel. When read aloud, the best poems provide a particular joy for the mouth. Poems about food make these satisfactions explicit and complete.Of course, pages can and have been filled about food's elemental pleasures. And we all know food is more than food: it's identity and culture. Our days are marked by meals; our seasons are marked by celebrations. We plant in spring; harvest in fall. We labor over hot stoves; we treat ourselves to special meals out. Food is nurture; it's comfort; it's reward. While some of the poems here are explicitly about the food itself: the blackberries, the butter, the barbecue--all are evocative of the experience of eating. Many of the poems are also about the everything else that accompanies food: the memories, the company, even the politics. Kevin Young, distinguished poet, editor of this year's Best American Poetry, uses the lens of food - and his impeccable taste - to bring us some of the best poems, classic and current, period. Poets include: Elizabeth Alexander, Elizabeth Bishop, Billy Collins, Mark Doty, Robert Frost, Allen Ginsberg, Louise Gluck, Seamus Heaney, Tony Hoagland, Langston Hughes, Galway Kinnell, Frank O'Hara, Sharon Olds, Mary Oliver, Adrienne Rich, Theodore Roethke, Matthew Rohrer, Charles Simic, Tracy K. Smith, Gertrude Stein, Wallace Stevens, Mark Strand, Kevin Young
Stones
by Kevin Young**SHORTLISTED FOR THE T.S. ELIOT PRIZE 2021**A book of loss, looking back, and what binds us to life, by a towering poetic talent, 'one of the poetry stars of his generation' (Los Angeles Times).'We sleep long, / if not sound,' Kevin Young writes early on in this exquisite gathering of poems, 'Till the end / we sing / into the wind.' In scenes and settings that circle family and the generations in the American South - one poem, 'Kith', exploring that strange bedfellow of 'kin' - the speaker and his young son wander among the stones of their ancestors. 'Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead.' Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering, precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them - of us - poetry can save.
Translation as Muse: Poetic Translation in Catullus's Rome
by Elizabeth Marie YoungPoetry is often said to resist translation, its integration of form and meaning rendering even the best translations problematic. Elizabeth Marie Young disagrees, and with Translation as Muse, she uses the work of the celebrated Roman poet Catullus to mount a powerful argument that translation can be an engine of poetic invention. Catullus has long been admired as a poet, but his efforts as a translator have been largely ignored. Young reveals how essential translation is to his work: many poems by Catullus that we tend to label as lyric originals were in fact shaped by Roman translation practices entirely different from our own. By rereading Catullus through the lens of translation, Young exposes new layers of ingenuity in Latin poetry even as she illuminates the idiosyncrasies of Roman translation practice, reconfigures our understanding of translation history, and questions basic assumptions about lyric poetry itself.
Translation as Muse: Poetic Translation in Catullus's Rome
by Elizabeth Marie YoungPoetry is often said to resist translation, its integration of form and meaning rendering even the best translations problematic. Elizabeth Marie Young disagrees, and with Translation as Muse, she uses the work of the celebrated Roman poet Catullus to mount a powerful argument that translation can be an engine of poetic invention. Catullus has long been admired as a poet, but his efforts as a translator have been largely ignored. Young reveals how essential translation is to his work: many poems by Catullus that we tend to label as lyric originals were in fact shaped by Roman translation practices entirely different from our own. By rereading Catullus through the lens of translation, Young exposes new layers of ingenuity in Latin poetry even as she illuminates the idiosyncrasies of Roman translation practice, reconfigures our understanding of translation history, and questions basic assumptions about lyric poetry itself.
Translation as Muse: Poetic Translation in Catullus's Rome
by Elizabeth Marie YoungPoetry is often said to resist translation, its integration of form and meaning rendering even the best translations problematic. Elizabeth Marie Young disagrees, and with Translation as Muse, she uses the work of the celebrated Roman poet Catullus to mount a powerful argument that translation can be an engine of poetic invention. Catullus has long been admired as a poet, but his efforts as a translator have been largely ignored. Young reveals how essential translation is to his work: many poems by Catullus that we tend to label as lyric originals were in fact shaped by Roman translation practices entirely different from our own. By rereading Catullus through the lens of translation, Young exposes new layers of ingenuity in Latin poetry even as she illuminates the idiosyncrasies of Roman translation practice, reconfigures our understanding of translation history, and questions basic assumptions about lyric poetry itself.
Translation as Muse: Poetic Translation in Catullus's Rome
by Elizabeth Marie YoungPoetry is often said to resist translation, its integration of form and meaning rendering even the best translations problematic. Elizabeth Marie Young disagrees, and with Translation as Muse, she uses the work of the celebrated Roman poet Catullus to mount a powerful argument that translation can be an engine of poetic invention. Catullus has long been admired as a poet, but his efforts as a translator have been largely ignored. Young reveals how essential translation is to his work: many poems by Catullus that we tend to label as lyric originals were in fact shaped by Roman translation practices entirely different from our own. By rereading Catullus through the lens of translation, Young exposes new layers of ingenuity in Latin poetry even as she illuminates the idiosyncrasies of Roman translation practice, reconfigures our understanding of translation history, and questions basic assumptions about lyric poetry itself.
William Wordsworth and Modern Travel: Railways, Motorcars and the Lake District, 1830-1940 (Romantic Reconfigurations: Studies in Literature and Culture 1780-1850 #12)
by Saeko YoshikawaThis book explores Wordsworth’s extraordinary influence on the tourist landscapes of the Lake District throughout the age of railways, motorcars and the First World War. It reveals how Wordsworth’s response to railways was not a straightforward matter of opposition and protest; his ideas were taken up by both advocates and opponents of railways, and through their controversies had a surprising impact on the earliest motorists as they sought a language to describe the liberty and independence of their new mode of transport. Once the age of motoring was underway, the outbreak of the First World War encouraged British people to connect Wordsworth’s patriotic passion with his wish to protect the Lake District as a national heritage – a transition that would have momentous effects in the interwar period, when popular motoring paradoxically brought a vogue for open-air activities and a renewal of romantic pedestrianism. With the arrival of global tourism, preservation of the cultural landscape of the Lake District became an urgent national and international concern. This book explores how patterns of tourist behaviour and environmental awareness changed in the century of popular tourism, examining how Wordsworth’s vision and language shaped modern ideas of travel, self-reliance, landscape and environment, cultural heritage, preservation and accessibility.
Five Hundred Years of Chinese Poetry, 1150-1650: The Chin, Yuan, and Ming Dynasties
by Kojiro Yoshikawa John Timothy WixtedFive Hundred Years of Chinese Poetry offers the only historical survey, in any language, of this important span of Chinese poetry. Written by the foremost Japanese sinologist of this century, and translated here in a lucid analogue to his famous prose style, the work provides a brief but comprehensive review of the period's literary history, a sketch of its political and social history in relation to literature, and a rendering of more than one hundred and fifty poems.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
“‘Faith’ is a fine invention”: Dickinson’s Performance of Doubt and Belief
by Regina YoongThis book covers nineteenth-century American poet Emily Dickinson who captured the multifaceted nature of life in all of its uncertainties. Studies on her exploration of faith are ample, but in this book, the author uncovers Dickinson’s playful role-play in enacting solemn themes of religion, death, and the unknown. Dickinson’s creativity encompasses not only her use of language but also her poetic personae and self-created poetic stages inviting readers to question, contemplate deeply or even poke fun at life's absurdities. By using performative roles such as the rejected outcast, passive supplicant, and playful warrior, Dickinson unveils--through a paradoxical framework of belief and unbelief-- a line of inquiry that is multifocal and erratic to “tell all the truth and tell it slant.”
Epicurean Ethics in Horace: The Psychology of Satire
by Sergio YonaOver the centuries leading up to their composition many genres and authors have emerged as influences on Horace's Satires, which in turn has led to a wide variety of scholarly interpretations. This study aims to expand the existing dialogue by exploring further the intersection of ancient satire and ethics, focusing on the moral tradition of Epicureanism through the lens of one source in particular: Philodemus of Gadara. Philodemus was an Epicurean philosopher who wrote for a Roman audience and was one of Horace's contemporaries and neighbours in Italy. His works, which were preserved by the eruption of Vesuvius in AD 79 but have nevertheless not been widely read on account of their fragmentary nature, feature a range of ethical treatises on subjects including patronage, friendship, flattery, frankness, poverty, and wealth. Epicurean Ethics in Horace: The Psychology of Satire offers a serious consideration of the role of Philodemus' Epicurean teachings in Horace's Satires and argues that the central concerns of the philosopher's work not only lie at the heart of the poet's criticisms of Roman society and its shortcomings, but also lend to the collection a certain coherence and overall unity in its underlying convictions. The result is a ground-breaking study of the deep and pervasive influence of Epicurean ethical philosophy on Horace's Satires, which also reveals something of the poet behind the literary mask or persona by demonstrating the philosophical consistency of his position throughout the two books.
Epicurean Ethics in Horace: The Psychology of Satire
by Sergio YonaOver the centuries leading up to their composition many genres and authors have emerged as influences on Horace's Satires, which in turn has led to a wide variety of scholarly interpretations. This study aims to expand the existing dialogue by exploring further the intersection of ancient satire and ethics, focusing on the moral tradition of Epicureanism through the lens of one source in particular: Philodemus of Gadara. Philodemus was an Epicurean philosopher who wrote for a Roman audience and was one of Horace's contemporaries and neighbours in Italy. His works, which were preserved by the eruption of Vesuvius in AD 79 but have nevertheless not been widely read on account of their fragmentary nature, feature a range of ethical treatises on subjects including patronage, friendship, flattery, frankness, poverty, and wealth. Epicurean Ethics in Horace: The Psychology of Satire offers a serious consideration of the role of Philodemus' Epicurean teachings in Horace's Satires and argues that the central concerns of the philosopher's work not only lie at the heart of the poet's criticisms of Roman society and its shortcomings, but also lend to the collection a certain coherence and overall unity in its underlying convictions. The result is a ground-breaking study of the deep and pervasive influence of Epicurean ethical philosophy on Horace's Satires, which also reveals something of the poet behind the literary mask or persona by demonstrating the philosophical consistency of his position throughout the two books.
Yevtushenko: Selected Poems
by Yevgeny Yevtushenko Peter Levi Robin Milner-GullandThis volume contains a selection of early works by Yevgeny Alexandrovich Yevtushenko who blazed a trail for a generation of Soviet poets with a confident poetic voice that moves effortlessly between social and personal themes. ‘Zima Junction’ vividly describes his idyllic childhood in Siberia and his impressions of home after a long absence in Moscow. Private moments are captured in ‘Waking’, on the joys of discovering the unexpected in a lover, and ‘Birthday’, on a mother’s concern for her son, while ‘Encounter’ depicts an unexpected meeting with Hemingway in Copenhagen. ‘The Companion’ and ‘Party Card’ show war from a child’s eye, whether playing while oblivious to German bombs falling nearby or discovering a fatally wounded soldier in the forest, while Yevtushenko’s famous poem, ‘Babiy Yar’, is an angry exposé of the Nazi massacre of the Jews of Kiev.
Spatial Engagement with Poetry (Geocriticism and Spatial Literary Studies)
by H. YeungDrawing from a broad range of contemporary British poets, including Thomas Kinsella, Kathleen Jamie, and Alice Oswald, this study examines the inherently spatial and affective nature of our engagement with poetry. Adding to the expanding field of geocritical studies, Yeung specifically discusses ideas of space and constructions of voice in poetry.
The Excursion and Wordsworth’s Iconography (Romantic Reconfigurations: Studies in Literature and Culture 1780-1850 #5)
by Brandon C. YenThis book considers William Wordsworth’s use of iconography in his long poem The Excursion. Through the iconographical approach, the author steers a middle course between The Excursion’s two very different interpretive traditions, one focusing upon the poem’s philosophical abstraction, the other upon its touristic realism. Fresh readings are also offered of Wordsworth’s other major works, including The Prelude.Yen explores Wordsworth’s iconography in The Excursion by tracing allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s prose and poetry. He analyses how the iconographical images in The Excursion contribute to, and impose limitations on, the overarching preoccupations of Wordsworth’s writings, particularly the themes of paradise lost and paradise regained in the post-revolutionary context. Shedding light on a vital aspect of Wordsworth’s poetic method, this study reveals the visual etymologies – together with the nuances and rhetorical capacities – of five categories of apparently ‘collateral’ images: envisioning, rooting, dwelling, flowing, and reflecting.
Thinking Design Through Literature (Routledge Research in Design Studies)
by Susan YelavichThis book deploys literature to explore the social lives of objects and places. The first book of its kind, it embraces things as diverse as escalators, coins, skyscrapers, pottery, radios, and robots, and encompasses places as various as home, country, cities, streets, and parks. Here, fiction, poetry, and literary non-fiction are mined for stories of design, which are paired with images of contemporary architecture and design. Through the work of authors such as César Aires, Nicholson Baker, Lydia Davis, Orhan Pamuk, and Virginia Woolf, this book shows the enormous influence that places and things exert in the world.
Thinking Design Through Literature (Routledge Research in Design Studies)
by Susan YelavichThis book deploys literature to explore the social lives of objects and places. The first book of its kind, it embraces things as diverse as escalators, coins, skyscrapers, pottery, radios, and robots, and encompasses places as various as home, country, cities, streets, and parks. Here, fiction, poetry, and literary non-fiction are mined for stories of design, which are paired with images of contemporary architecture and design. Through the work of authors such as César Aires, Nicholson Baker, Lydia Davis, Orhan Pamuk, and Virginia Woolf, this book shows the enormous influence that places and things exert in the world.
Selected Poems: Selected Poems (Penguin Modern Classics)
by William Yeats Timothy WebbThis selection of the works of W B Yeats, includes the final book from the unfairly neglected narrative poem 'The Wanderings of Oisin' and a number of lyrics from Yeats's work as poetic dramatist. It breaks new ground by allowing the reader to engage with a dozen poems in alternative versions; in many other cases it provides significant variants, so that Yeats's struggle to revise his poetry can be experienced with unusual immediacy.
W. B. Yeats: An inspiring collection from one of Ireland’s greatest literary figures (The Great Poets)
by W.B. Yeats'Tread softly because you tread on my dreams' is one of the most well-known and repeated lines of poetry ever written. Less haunting, but still so relevant: 'Life is a long preparation for something that never happens.'W B Yeats was one of the foremost figures of 20th century literature. Winner of a Nobel prize, he was also a political figure, and, as is evident from his earlier work, fascinated by Irish folklore and the occult. He was also deeply affected by the First World War and the Anglo-Irish and Irish civil wars. It is a testament to the greatness of Yeats' poetry that he attempts to bear witness to these emotional and historical forces.This perfectly pitched collection includes some of the greatest poetry of the 20th century.
A Book of Irish Verse
by W. B. YeatsIn 1895 the thirty-year-old W.B. Yeats, already established as one of Ireland's leading poets and folklorists, published this outstanding collection of Irish verse as part of his campaign to establish a tradition of Irish poetry fit for the dawn of a new age in Ireland's history. This Routledge Classics edition, complete with a specially commissioned introduction by acclaimed writer and critic John Banville, is essential reading for all who appreciate good literature.
A Book of Irish Verse
by W. B. YeatsIn 1895 the thirty-year-old W.B. Yeats, already established as one of Ireland's leading poets and folklorists, published this outstanding collection of Irish verse as part of his campaign to establish a tradition of Irish poetry fit for the dawn of a new age in Ireland's history. This Routledge Classics edition, complete with a specially commissioned introduction by acclaimed writer and critic John Banville, is essential reading for all who appreciate good literature.
The Moon Spun Round: W. B. Yeats for Children
by W. B. YeatsBringing the spirit and beauty of Yeats’s writing to a whole new young audience! This sumptuously illustrated book complements the carefully selected works of W.B. Yeats, which include poems, stories, a letter from childhood, and an account of his daughter Anne’s memories of childhood. Including unpublished work, this gorgeous book draws on Yeats's preoccupation with magic, fairy lore, place, family and childhood. A mystical and magical tone that pervades the collection will enthral younger readers.
A Terrible Beauty Is Born (Penguin Little Black Classics)
by W. B. Yeats'But I, being poor, have only my dreams; / I have spread my dreams under your feet...'By turns joyful and despairing, some of the twentieth century's greatest verse on fleeting youth, fervent hopes and futile sacrifice.
The Tower: A Facsimile Edition (Penguin Clothbound Poetry)
by W. B. YeatsA collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift editions for poetry lovers. The Tower was W. B. Yeats's first major collection of poetry as Nobel Laureate after the receiving the Nobel Prize in 1923. It is considered to be one of his most influential collections. The title refers to Thoor Ballylee Castle, a Norman tower that Yeats purchased in 1917 and later restored. The Tower includes some of his greatest and most innovative poems including 'Sailing to Byzantium', a lyrical meditation on man's disillusionment with the physical world; 'Leda and the Swan', a violent and graphic take on the Greek myth of Leda and Zeus and 'Among School Children', a poetic contemplation of life, love and the creative process.