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The Penguin Book of Dutch Short Stories (Penguin Modern Classics)
by Joost Zwagerman'The stories here will provoke, delight and impress. Joost Zwagerman's selection forms a fascinating guidebook to a landscape you'll surely want to wander in again.' Clare Lowden, TLS'There is a lot of northern European melancholy in the collection, though often tinged with wry humour...an excellent book' Jonathan Gibbs, Minor Literatures'We were kids - but good kids. If I may say so myself. We're much smarter now, so smart it's pathetic. Except for Bavink, who went crazy'A husband forms gruesome plans for his new fridge; a government employee has a haunting experience on his commute home; prisoners serve as entertainment for wealthy party guests; an army officer suffers a monstrous tropical illness. These short stories contain some of the most groundbreaking and innovative writing in Dutch literature from 1915 to the present day, with most pieces appearing here in English for the first time. Blending unforgettable snapshots of the realities of everyday life with surrealism, fantasy and subversion, this collection shows Dutch writing to be an integral part of world literary history.Joost Zwagerman (1963-2015) was a novelist, poet, essayist and editor of several anthologies. He started his career as a writer with bestselling novels, describing the atmosphere of the 1980s and 1990s, such as Gimmick!(1988) and False Light (1991). In later years, he concentrated on writing essays - notably on pop culture and visual arts - and poetry. Suicide was the theme of the novel Six Stars (2002). He took his own life just after having published a new collection of essays on art, The Museum of Light.
The Book Thief: The life-affirming number one international bestseller
by Markus ZusakThis new edition features exclusive early chapter from Markus Zusak's brand new literary novel BRIDGE OF CLAY, out this October 2018.The New York Times and Sunday Times bestseller'A novel of breathtaking scope' Guardian1939. Nazi Germany. The country is holding its breath. Death has never been busier.Liesel, a nine-year-old girl, is living with a foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. This is her story and the story of the inhabitants of her street when the bombs begin to fall.SOME IMPORTANT INFORMATION - THIS NOVEL IS NARRATED BY DEATH
Bridge of Clay: From bestselling author of The Book Thief
by Markus ZusakTHE EPIC NEW NOVEL FROM THE BESTSELLING AUTHOR OF THE BOOK THIEF'If The Book Thief was a novel that allowed Death to steal the show... [its] brilliantly illuminated follow-up is affirmatively full of life.' Guardian'Warm and heartfelt... This is a tale of love, art and redemption; rowdy and joyous, with flashes of wit and insight, and ultimately moving.' Times'Bridge of Clay is one of those monumental books that can draw you across space and time' Washington PostHere is a story told inside out and back to frontFive Dunbar brothers are living – fighting, loving, grieving – in the perfect chaos of a house without grown-ups. Today, the father who left them has just walked right back in. He has a surprising request: Who will build a bridge with him?It is Clay, a boy tormented by a long-buried secret, who accepts. But why is Clay so broken? And why must he fulfil this extraordinary challenge?Bridge of Clay is about a boy caught in a current, a boy intent on destroying everything he has in order to become everything he needs to be. Ahead of him lies the bridge, the vision that will save both his family and himself. It will be a miracle and nothing less.At once an existential riddle and a search for redemption, this tale of five brothers coming of age in a house with no rules brims with energy, joy and pathos. Written in Markus Zusak's distinctive style, it is a tour de force from a master storyteller of the heart.
Fighting Ruben Wolfe (Underdogs #2)
by Markus ZusakI say, 'Don't lose your heart, Rube.' And very clearly, without moving, my brother answers me. He says, 'I'm not tryin' to lose it, Cam. I'm tryin' to find it.'The Wolfe brothers know how to fight. They've been fighting all their lives. Now there's something more at stake than just winning.A powerful, poignant novel from the author of the international bestseller, The Book Thief.
Getting the Girl (Underdogs #3)
by Markus ZusakRube never loved any of them. He never cared about any of them. He just wanted each one because she was next, and why not take the next thing if it was better than the last? Needless to say, Rube and I aren't too much alike when it comes to women.Cameron and Ruben have always been loyal brothers, but that loyalty is about to be tested to the limit when Cam falls for Octavia - Rube's latest girlfriend. Will he get the girl? Will his love for her tear their brotherly bond apart? And would Octavia ever go for a guy like him anyway?
I Am the Messenger
by Markus ZusakFrom the author of The Book Thief comes this darkly funny and ultimately uplifting thriller which proves that anyone can be extraordinary.Ed Kennedy is just your less-than-average Joe who is hopelessly in love with his best friend, Audrey. But after he single-handedly manages to catch a bank robber, he receives a playing card in the mail: the Ace of Diamonds. This is the first message. Four more will follow. But before this particular card game can end, Ed will be changed forever . . .Will Audrey love the man he has become?
The Underdog (Underdogs #1)
by Markus ZusakMy name’s Cameron Wolfe. I have a little bit of sense. I don’t have much sense. My older brother Ruben gets me into plenty of trouble. I get Rube into as much trouble as he gets me into. I have a family, yes, that doesn’t really function without tomato sauce. That’s me.Cameron and Ruben Wolfe are brothers. They spend most of their time throwing one-handed boxing matches (they only have the one pair of gloves) and plotting to rob the local dentists. But what Cameron really wants is to meet a girl – a real girl, not like the ones in the lingerie magazines. But who could ever love an underdog like Cameron Wolfe?
The Petroleum Manga: A Project by Marina Zurkow
by Marina ZurkowThe Petroleum Manga, first conceived of and rendered as 10-foot banners printed on Tyvek for gallery installation is now reproduced in book form. Originally, manga was used in Japanese to refer to whimsical drawings or picture books. Long before manga was a multi-billion-dollar-a-year comic book industry, there was Hokusai’s thirteen-volume manga, depicting everything from trees to demons, from squirrels to shingles. This was the work that inspired the form for Marina Zurkow’s own crazy amalgam depicting a taxonomy of products derived from petroleum.
Edmund Spenser's 'The Faerie Queene': A Reading Guide
by Andrew ZurcherThis Guide will help new readers to understand and enjoy The Faerie Queene, drawing attention to its various ironies, its self-reflexive construction, its visual emphasis and the timeless ethical, political, and literary questions that it asks of all of us. The book includes key selections from the poem (each accompanied by a headnote, commentary and glosses), historical and critical discussions, teaching and learning plans and a guide to further resources in electronic and print media
Edmund Spenser's 'The Faerie Queene': A Reading Guide (Reading Guides to Long Poems)
by Andrew ZurcherIntroduces a Renaissance masterpiece to a modern audience.
The Giant's Almanac
by Andrew ZurcherFitz thinks he is an ordinary eleven-year-old and loves to turn simple things into mini-adventures, like sneaking next door and filching books from Mr Ahmadi's vast library of mysterious tomes, and goading the guard dog into giving breakneck chase. But one tranquil evening three sharp knocks on the front door change everything . . . 'I said I would come for him. He is my jewel. It is time. It is past time.'Now on the run from a threat that has been waiting his entire life, Fitz's only hope is to put his life in the hands of his enigmatic neighbour, Mr Ahmadi. Taken on as an apprentice in a secret society who keep all they really do cloaked in mystery, Fitz has to quickly learn the ropes within the most skilful, most powerful, most dangerous and wealthiest organisation in the world . . .
Shakespeare and Law (Arden Critical Companions)
by Andrew ZurcherReaders of Shakespeare's language, from the playhouse to the classroom, have long been aware of his peculiar interest in legal words and concepts - Richard II's two bodies, Hamlet's quiddities and quillets, Pandarus' peine forte et dure. In this new study, Andrew Zurcher takes a fresh, historically sensitive look at Shakespeare's meticulous resort to legal language, texts, concepts, and arguments in a range of plays and poems. Following a preface that situates Shakespeare's life within the various legal communities of his Stratford and London periods, Zurcher reconsiders the ways in which Shakespeare adapts legal language and concepts to figure problems about being, knowing, reading, interpretation, and action.In challenging new readings of plays from King John and Henry IV to As You Like It and Hamlet, Shakespeare and Law reveals the importance of early modern common legal thinking to Shakespeare's representations of inheritance, possession, gift-giving, oath-swearing, contract, sovereignty, judgment, and conscience - and, finally, to our own reception and interpretation of his works.
Shakespeare and Law (Arden Critical Companions)
by Andrew ZurcherReaders of Shakespeare's language, from the playhouse to the classroom, have long been aware of his peculiar interest in legal words and concepts - Richard II's two bodies, Hamlet's quiddities and quillets, Pandarus' peine forte et dure. In this new study, Andrew Zurcher takes a fresh, historically sensitive look at Shakespeare's meticulous resort to legal language, texts, concepts, and arguments in a range of plays and poems. Following a preface that situates Shakespeare's life within the various legal communities of his Stratford and London periods, Zurcher reconsiders the ways in which Shakespeare adapts legal language and concepts to figure problems about being, knowing, reading, interpretation, and action.In challenging new readings of plays from King John and Henry IV to As You Like It and Hamlet, Shakespeare and Law reveals the importance of early modern common legal thinking to Shakespeare's representations of inheritance, possession, gift-giving, oath-swearing, contract, sovereignty, judgment, and conscience - and, finally, to our own reception and interpretation of his works.
Twelve Nights
by Andrew ZurcherTwelve Nights is the perfect fantasy novel for fans of the magical worlds of Philip Pullman and Terry Pratchett. **********Kay felt everything change in the room around her. Everything. Kay's father is working late- as usual. Fed up, her mother bundles Kay and her sister into the car, and drives to his Cambridge college to collect him. But, the staff say nobody by his name has ever worked there. When they return home, Kay discovers a card left on her pillow: Will O. de Wisp, Gent. F.H.S.P. and Phillip R. T. Gibbet, Gent. F.H.S.P. K.Bith. REMOVALS.That night, Kay is woken by voices at her window: the voices of Will and Phillip, the Removers. But they are not human. And Kay shouldn't be able to see them. Except she can... **********Andrew Zurcher has created a world as captivating as Lyra's Oxford and Alice's Wonderland. Join Kay and the Removers on their incredible journey.
Judith Man: Printed Writings 1500–1640: Series I, Part Three, Volume 2 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1500-1640: Series I, Part Three)
by Amelia A. ZurcherAn Epitome of the History of Faire Argenis and Polyarchus is Judith Man's English translation of a 1623 French work by Nicolas Coeffeteau, Histoire de Poliarque et d'Argenis, which is itself an abridgement and translation of one of the most widely read fictional works of the seventeenth century, John Barclay's 1621 Latin romance Argenis. An extended political allegory of the rise to power of the French king Henri IV, Barclay's romance is peppered with numerous veiled anecdotes of politics at the English and other European courts and long disquisitions on statecraft and political ethics. It has been assumed that Barclay's work was strictly for a male audience, but Man's translation is evidence that women did in fact read Argenis, and might even suggest that allegorical romance offered women writers and readers an inroad into political discourse.
Judith Man: Printed Writings 1500–1640: Series I, Part Three, Volume 2 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1500-1640: Series I, Part Three)
by Amelia A. ZurcherAn Epitome of the History of Faire Argenis and Polyarchus is Judith Man's English translation of a 1623 French work by Nicolas Coeffeteau, Histoire de Poliarque et d'Argenis, which is itself an abridgement and translation of one of the most widely read fictional works of the seventeenth century, John Barclay's 1621 Latin romance Argenis. An extended political allegory of the rise to power of the French king Henri IV, Barclay's romance is peppered with numerous veiled anecdotes of politics at the English and other European courts and long disquisitions on statecraft and political ethics. It has been assumed that Barclay's work was strictly for a male audience, but Man's translation is evidence that women did in fact read Argenis, and might even suggest that allegorical romance offered women writers and readers an inroad into political discourse.
Seventeenth-Century English Romance: Allegory, Ethics, and Politics
by A. ZurcherOverturning the common characterization of Seventeenth Century English prose romance as an exhausted, imitative genre with little bearing on the evolution of the novel, this book argues that early modern romance was a central forum for exploring the newly pressing moral-philosophical and political problem of self-interest.
The Castle of Truth and Other Revolutionary Tales (Oddly Modern Fairy Tales #23)
by Hermynia Zur MühlenA collection of radical political fairy tales—some in English for the first time—from one of the great female practitioners of the genreHermynia Zur Mühlen (1883–1951), one of the twentieth century’s great political writers, was not seemingly destined for a revolutionary, unconventional literary career. Born in Vienna to an aristocratic Catholic family, Zur Mühlen married an Estonian count. But she rebelled, leaving her upper-class life to be with the Hungarian writer and Communist Stefan Klein, and supporting herself through translations and publications. Altogether, Zur Mühlen wrote thirty novels, mysteries, and story collections, and translated around 150 works, including those of Upton Sinclair, John Galsworthy, and Edna Ferber. A wonderful new addition to the Oddly Modern Fairy Tales series, The Castle of Truth and Other Revolutionary Tales presents English readers with a selection of Zur Mühlen’s best political fairy tales, some translated from German for the first time.In contrast to the classical tales of the Brothers Grimm and Hans Christian Andersen, Zur Mühlen’s candid, forthright stories focus on social justice and the plight of the working class, with innovative plots intended to raise the political consciousness of readers young and old. For example, in “The Glasses,” readers are encouraged to rip off the glasses that deceive them, while in “The Carriage Horse,” horses organize a union to resist their working and living conditions. In “The Broom,” a young worker learns how to sweep away injustice.With an informative introduction by Jack Zipes and period illustrations by George Grosz, John Heartfield, Heinrich Vogeler, and Karl Holtz, The Castle of Truth and Other Revolutionary Tales revives the legacy of a notable female artist whose literary and political work remains relevant in our own time.
Figuring Korean Futures: Children’s Literature in Modern Korea
by Dafna ZurThis book is the story of the emergence and development of writing for children in modern Korea. Starting in the 1920s, a narrator-adult voice began to speak directly to a child-reader. This child audience was perceived as unique because of a new concept: the child-heart, the perception that the child's body and mind were transparent and knowable, and that they rested on the threshold of culture. This privileged location enabled writers and illustrators, educators and psychologists, intellectual elite and laypersons to envision the child as a powerful antidote to the present and as an uplifting metaphor of colonial Korea's future. Reading children's periodicals against the political, educational, and psychological discourses of their time, Dafna Zur argues that the figure of the child was particularly favorable to the project of modernity and nation-building, as well as to the colonial and postcolonial projects of socialization and nationalization. She demonstrates the ways in which Korean children's literature builds on a trajectory that begins with the child as an organic part of nature, and ends, in the post-colonial era, with the child as the primary agent of control of nature. Figuring Korean Futures reveals the complex ways in which the figure of the child became a driving force of nostalgia that stood in for future aspirations for the individual, family, class, and nation.
The Ploughmen: A Novel
by Kim ZupanJohn Gload is a seventy-seven-year-old murderer. He has been killing for over half a century before he is caught for the first time.Valentine Millimaki is the young man in the Copper County sheriff's department who draws the overnight shift after Gload's arrest. He is tasked with getting the killer to confess to a string of unsolved murders.Gload and Millimaki sit across from each other in the dark, swapping stories and secrets. As sheriff and criminal talk through the bars night after night, Millimaki's safety is threatened within his own department. Then a brazen act of violence leads to a manhunt and a stunning revelation that ensures Gload's past and Millimaki's future are for ever entwined.Set against the extraordinary landscape of Montana, The Ploughmen is a tense, compelling and powerfully moving novel that announces the arrival of a major American talent.
Getting Inside Your Head: What Cognitive Science Can Tell Us about Popular Culture
by Lisa ZunshineWe live in other people's heads: avidly, reluctantly, consciously, unaware, mistakenly, and inescapably. Our social life is a constant negotiation among what we think we know about each other's thoughts and feelings, what we want each other to think we know, and what we would dearly love to know but don't.Cognitive scientists have a special term for the evolved cognitive adaptation that makes us attribute mental states to other people through observation of their body language; they call it theory of mind. Getting Inside Your Head uses research in theory of mind to look at movies, musicals, novels, classic Chinese opera, stand-up comedy, mock-documentaries, photography, and reality television. It follows Pride and Prejudice’s Mr. Darcy as he tries to conceal his anger, Tyler Durden as he lectures a stranger at gunpoint in Fight Club, and Ingrid Bergman as she fakes interest in horse races in Notorious.This engaging book exemplifies the new interdisciplinary field of cognitive cultural studies, demonstrating that collaboration between cognitive science and cultural studies is both exciting and productive.
Getting Inside Your Head: What Cognitive Science Can Tell Us about Popular Culture
by Lisa ZunshineWe live in other people's heads: avidly, reluctantly, consciously, unaware, mistakenly, and inescapably. Our social life is a constant negotiation among what we think we know about each other's thoughts and feelings, what we want each other to think we know, and what we would dearly love to know but don't.Cognitive scientists have a special term for the evolved cognitive adaptation that makes us attribute mental states to other people through observation of their body language; they call it theory of mind. Getting Inside Your Head uses research in theory of mind to look at movies, musicals, novels, classic Chinese opera, stand-up comedy, mock-documentaries, photography, and reality television. It follows Pride and Prejudice’s Mr. Darcy as he tries to conceal his anger, Tyler Durden as he lectures a stranger at gunpoint in Fight Club, and Ingrid Bergman as she fakes interest in horse races in Notorious.This engaging book exemplifies the new interdisciplinary field of cognitive cultural studies, demonstrating that collaboration between cognitive science and cultural studies is both exciting and productive.
Introduction to Cognitive Cultural Studies
by Lisa ZunshineDrawing on the explosion of academic and public interest in cognitive science in the past two decades, this volume features articles that combine literary and cultural analysis with insights from neuroscience, cognitive evolutionary psychology and anthropology, and cognitive linguistics. Lisa Zunshine’s introduction provides a broad overview of the field. The essays that follow are organized into four parts that explore developments in literary universals, cognitive historicism, cognitive narratology, and cognitive approaches in dialogue with other theoretical approaches, such as postcolonial studies, ecocriticism, aesthetics, and poststructuralism. Introduction to Cognitive Cultural Studies provides readers with grounding in several major areas of cognitive science, applies insights from cognitive science to cultural representations, and recognizes the cognitive approach’s commitment to seeking common ground with existing literary-theoretical paradigms. This book is ideal for graduate courses and seminars devoted to cognitive approaches to cultural studies and literary criticism.Contributors: Mary Thomas Crane, Nancy Easterlin, David Herman, Patrick Colm Hogan, Bruce McConachie, Alan Palmer, Alan Richardson, Ellen Spolsky, G. Gabrielle Starr, Blakey Vermeule, Lisa Zunshine
The Oxford Handbook of Cognitive Literary Studies (Oxford Handbooks)
by Lisa ZunshineThe Oxford Handbook of Cognitive Literary Studies considers, via a variety of methodologies and combinations of interdisciplinary approaches, how the architecture that enables human cognitive processing interacts with cultural and historical contexts. Organized into five parts (Narrative, History, Imagination; Emotions and Empathy; The New Unconscious; Empirical and Qualitative Studies of Literature; and Cognitive Theory and Literary Experience), the volume uses case studies from a wide range of historical periods (from the fourth century BCE to the twenty-first century) and national literary traditions (including South Asian, postcolonial anglophone and francophone, Chinese, Japanese, English, Iranian, Russian, Italian, French, German, and Spanish).
Strange Concepts and the Stories They Make Possible: Cognition, Culture, Narrative
by Lisa ZunshineIn this fresh and often playful interdisciplinary study, Lisa Zunshine presents a fluid discussion of how key concepts from cognitive science complicate our cultural interpretations of "strange" literary phenomena.From Short Circuit to I, Robot, from The Parent Trap to Big Business, fantastic tales of rebellious robots, animated artifacts, and twins mistaken for each other are a permanent fixture in popular culture and have been since antiquity. Why do these strange concepts captivate the human imagination so thoroughly? Zunshine explores how cognitive science, specifically its ideas of essentialism and functionalism, combined with historical and cultural analysis, can help us understand why we find such literary phenomena so fascinating.Drawing from research by such cognitive evolutionary anthropologists and psychologists as Scott Atran, Paul Bloom, Pascal Boyer, and Susan A. Gelman, Zunshine examines the cognitive origins of the distinction between essence and function and how unexpected tensions between these two concepts are brought into play in fictional narratives. Discussing motifs of confused identity and of twins in drama, science fiction’s use of robots, cyborgs, and androids, and nonsense poetry and surrealist art, she reveals the range and power of key concepts from science in literary interpretation and provides insight into how cognitive-evolutionary research on essentialism can be used to study fiction as well as everyday strange concepts.