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Out For Blood: A Cultural History of Carrie the Musical
by Chris AdamsFeaturing contributions from over eighty original cast members, creatives, crew and audience members, Out For Blood pieces together the surprising, hilarious and often-moving inside story of Carrie The Musical to discover how this 'horror of a Broadway musical' lived, died and was subsequently resurrected as a mainstream success story.In 1988, following the success of its production of Les Misérables and in the wake of the commercial success of mega-musicals such as Cats, Phantom of the Opera and Chess, the Royal Shakespeare Company agreed to co-produce a musical based on Stephen King's Carrie, written by the team behind Fame. The result was one of Broadway's most infamous disasters. Plagued by technical problems, on-stage chaos and a critical savaging, Carrie would soon become the by-word for musical theatre flops. But thanks to the efforts of a vocal army of fans and the impact of bootleg trading and emerging online communities, the show reinvented itself as a mainstream success story with thousands of productions worldwide.Patching together memories, archive material and contemporary reports, Out For Blood dives into the origins and development of this infamous show and examines how a promising entertainment product can swiftly gain a notorious reputation, what makes or breaks a Broadway show, and how even the most unlikely of musicals can find its place in the hearts of fans around the world.Based on the hit ten-part podcast, Out For Blood will delight theatregoers, flop aficionados and 'Friends of Carrie' alike.
Animals (Oberon Modern Plays)
by Emma Adams‘I want shocks! I’ve heard they are fun and a lot of blood rushes to your head.’ 77-year-old Norma is having a tricky day. She can’t finish the crossword and Joy keeps stealing her recliner. Not to mention Helen next door has twisted her ankle falling from a weather balloon, they’ve run out of Class A drugs and the Utility Inspector just popped round to see if it’s time for her involuntary euthanasia... Animals is a wicked satire set in a world where everyone over 60 is tossed on the scrapheap, children are hothoused, and being a ‘burden on society’ is the ultimate crime.
Ugly (Oberon Modern Plays)
by Emma AdamsIn a world ever more focused upon global warming, climate change and the increased scarcity of resources Ugly is a dark comedy set in a future where food and water are dangerously scarce. A tale of four people who may have to kill their angels and become more like their devils if they are going to survive. Emotional, intense and visceral, this play breaks rules. It will also break your heart…Ugly is not pretty, a timely reminder of what we are doing to our planet.....reading it might just change your life.
Sideshow U.S.A.: Freaks and the American Cultural Imagination
by Rachel AdamsA staple of American popular culture during the nineteenth and early twentieth centuries, the freak show seemed to vanish after the Second World War. But as Rachel Adams reveals in Sideshow U.S.A., images of the freak show, with its combination of the grotesque, the horrific, and the amusing, stubbornly reappeared in literature and the arts. Freak shows, she contends, have survived because of their capacity for reinvention. Empty of any inherent meaning, the freak's body becomes a stage for playing out some of the twentieth century's most pressing social and political concerns, from debates about race, empire, and immigration, to anxiety about gender, and controversies over taste and public standards of decency. Sideshow U.S.A. begins by revisiting the terror and fascination the original freak shows provided for their audiences, as well as exploring the motivations of those who sought fame and profit in the business of human exhibition. With this history in mind, Adams turns from live entertainment to more mediated forms of cultural expression: the films of Tod Browning, the photography of Diane Arbus, the criticism of Leslie Fiedler, and the fiction Carson McCullers, Toni Morrison, and Katherine Dunn. Taken up in these works of art and literature, the freak serves as a metaphor for fundamental questions about self and other, identity and difference, and provides a window onto a once vital form of popular culture. Adams's study concludes with a revealing look at the revival of the freak show as live performance in the late 1980s and the 1990s. Celebrated by some, the freak show's recent return is less welcome to those who have traditionally been its victims. At the beginning of a new century, Adams sees it as a form of living history, a testament to the vibrancy and inventiveness of American popular culture, as well as its capacity for cruelty and injustice. "Because of its subject matter, this interesting and complex study is provocative, as well as thought-provoking."—Virginia Quarterly Review
The Victorian in the Wall
by Will AdamsdaleLatte-land. Power-prams, Grand Design knock-throughs, organic everything. A work-shy writer discovers a Victorian man living in the wall of his flat. Everyone's pretty surprised. Adjustments need to be made. Can the strange visitor unlock his hopeless career? His flagging relationship? A story buried in these walls for over a century? (Doubt it. Maybe. Yes.) Contains jokes, songs, banging on recycling boxes, a talking fridge. Will Adamsdale's The Victorian in the Wall premiered at the Royal Court Theatre, London, in May 2013.
National Theatre Connections 2011: Plays for Young People: Frank & Ferdinand; Gap; Cloud Busting; Those Legs; Shooting Truth; Bassett; Gargantua; Children of Killers; The Beauty Manifesto; Too Fast (Play Anthologies)
by Sam Adamson Alia Bano Helen Blakeman Noel Clarke Molly Davies James Graham Carl Grose Katori Hall Nell Leyshon Douglas MaxwellThis brilliant new collection of ten plays for young people will prove indispensable to schools, colleges and youth theatre groups. Specially commissioned by the National Theatre for the Connections Festival 2011 involving 200 schools and youth theatre groups across the UK and Ireland, each play is accompanied by production notes and exercises. The Pied Piper re-imagined, the aftermath of genocide in Rwanda, witches in seventeenth century Norfolk, a giant baby on the rampage, an extraordinary day in an ordinary school are just some of subjects covered in the thrilling and varied new plays created by talented writers for young actors to perform in National Theatre Connections 2011. The plays in this anthology offer a huge variety of stories and styles to ignite the imagination of young casts and creative teams. Themes are both teenage and universal - ambition, dashed hopes, fear and confidence, loyalty and betrayal. These new plays embrace a huge range for their inspiration: they plunder classics and imagine the future.
National Theatre Connections 2011: Plays for Young People: Frank & Ferdinand; Gap; Cloud Busting; Those Legs; Shooting Truth; Bassett; Gargantua; Children of Killers; The Beauty Manifesto; Too Fast (Play Anthologies)
by Sam Adamson Alia Bano Helen Blakeman Noel Clarke Molly Davies James Graham Carl Grose Katori Hall Nell Leyshon Douglas MaxwellThis brilliant new collection of ten plays for young people will prove indispensable to schools, colleges and youth theatre groups. Specially commissioned by the National Theatre for the Connections Festival 2011 involving 200 schools and youth theatre groups across the UK and Ireland, each play is accompanied by production notes and exercises. The Pied Piper re-imagined, the aftermath of genocide in Rwanda, witches in seventeenth century Norfolk, a giant baby on the rampage, an extraordinary day in an ordinary school are just some of subjects covered in the thrilling and varied new plays created by talented writers for young actors to perform in National Theatre Connections 2011. The plays in this anthology offer a huge variety of stories and styles to ignite the imagination of young casts and creative teams. Themes are both teenage and universal - ambition, dashed hopes, fear and confidence, loyalty and betrayal. These new plays embrace a huge range for their inspiration: they plunder classics and imagine the future.
Drink, Dance, Laugh and Lie
by Samuel AdamsonNo one has recognised Reade Collins in the street for over a decade. Suddenly everyone seems to know who he is again - things are looking up. But there's a flip side to second-hand fame - and Reade discovers that there's more than one way of getting shafted. Drink, Dance, Laugh and Lie is a wildly entertaining look at the nature of celebrity.Drink, Dance, Laugh and Lie premiered at the Bush Theatre, London, in 1999.
Gabriel
by Samuel AdamsonThis is noisily Protestant England - the England of William and Mary's Glorious Revolution at the end of a century of civil strife. This is London in the 1690s, the monster city tamed into awe by our only Orpheus: Henry Purcell.Monarchs, princes, prostitutes, wigmakers, composers, tapsters, musicians, transvestites and watermen jostle for attention in the teeming, unruly world of late seventeenth-century London, where enthralling stories both real and imagined merge and intersect.Samuel Adamson's Gabriel premiered at Shakespeare's Globe, London, in July 2013 with Alison Balsom, one of the world's finest trumpeters, performing the music of Purcell and Handel. Every day three trumpet calls from the theatres on the Bankside, then songs would float over the thatch and roll across the water and make my work sweet.
Mrs Affleck: from Ibsen's Little Eyolf
by Samuel AdamsonI know. No country matters. Not in the kitchen.Not on a Sunday. Not in England.After six lonely weeks with nobody but her disabled boy for company, Rita Affleck, wealthy, beautiful and consumed by jealous love, welcomes home her husband Alfred. But, far from the passionate reunion she so craves, there is only torment as Alfred's possessive half-sister arrives, and he announces his great revelation.I want things how they were ... My perfect poet ... 1945, one afternoon in London - on the floor,every last undiluted drop of you.Taking Ibsen's Little Eyolf as the inspiration for a passionate and tragic tale of obsessive love, set in 1950s England, Samuel Adamson's Mrs Affleck opened at the National Theatre, London, in January 2009.
Running Wild: Based on the Novel (Collector's Edition Ser.)
by Samuel AdamsonFor Lilly and her mother, going to Indonesia isn't just another holiday. It's an escape and a new start. But when Will takes a gentle ride along the beach on an elephant called Oona, calamity strikes. As a tsunami comes crashing towards them, Oona charges deep into the jungle, her young rider desperately clinging on. Miles from civilisation, there's wonder, discovery and treetop adventures among the orang-utans. But then as Lilly's thoughts turn to his mother left behind on the beach, tigers prowl, hunger hits, and she must learn to survive the rainforest.Samuel Adamson's adaptation of Michael Morpurgo's novel Running Wild was premiered by the Chichester Festival Youth Theatre in 2015. It received its professional premiere in May 2016, in a Regent's Park Theatre and Chichester Festival Theatre co-production.Running Wild was winner of Best Show for Children and Young People at the 2015 UK Theatre Awards.
Some Kind of Bliss
by Samuel AdamsonToday - after I had the electric sex, got clobbered, killed the dog and parked the hijacked ice-cream van - I found the pop legend's house in Greenwich.Small-time hack and seeker of minor adventure, Rachel sets off down the Thames Path to Greenwich to interview Lulu for her tabloid's glossy supplement. But between London Bridge and the pop legend's mirrored hallway lies a series of unpredicted and comic events. Some Kind of Bliss is a play about how a walk on an everyday Wednesday can become an odyssey that turns your life upside down. Some Kind of Bliss opened at the Trafalgar Studios, London, in November 2007.
Southwark Fair
by Samuel AdamsonSimon is looking forward to lunch with Patrick Mulligan, the first man he slept with nearly twenty years previously, while playing Puck in a school production. It soon becomes apparent that Patrick is expecting to see not Simon, but the boy who played Lysander, and their lunch is cut short. When Simon is approached by Patrick's wife the situation becomes increasingly tortured and darkly comic.Southwark Fair premiered at the National Theatre, London, in February 2006.
Wife
by Samuel Adamson- And your husband forgave you. But what did you do? Decided that forgiveness was offensive and walked out on your marriage. With nothing. Into nothing.- Into everything, I think.It's 1959. Robert leaves Ibsen's A Doll's House outraged by its attack on the sanctity of marriage; his wife Daisy dashes round to the stage door, in love with both Nora and the actress who plays her, thrilled by their promise of escape.Daisy is at the crossroads. Her moral compass tells her to go one way, society the other. What she chooses to do next will have consequences not just for her and Robert, but for four couples who come after them over ninety years.The truth is we have to give up parts of ourselves if we want to be with someone. And what if, before you know this, you run away from the wrong person?Samuel Adamson's Wife premiered at the Kiln Theatre, London, in May 2019.
The Light Princess
by Samuel Adamson Tori AmosI'm done, Father,Keep your crown,I swear you'll never bring me down!I am not queen material!Once, in opposing kingdoms lived a princess and a prince who had lost their mothers. Althea, unable to cry, became light with grief and floated, and so was locked away. Digby, so heavy-hearted that he could never smile, one day declares war. Althea, forced out of hiding, escapes, only to encounter the solemn prince on contested land and the warring heirs begin a passionate affair. But for Althea to find real love, she must first face her own deepest fears.
Family Tree (Modern Plays)
by Mojisola AdebayoWinner of the 2021 Alfred Fagon AwardIt's a play, a performance, a ritual, about human farming, farming humans, soil and the soul, seeds and cells... nursing the nursery, curing creation, remedies and vaccinations against white supremacist racism; birthing revolution, raising redemption, finding yourself in the forest of futurity, the promise of immortality and the matter of Black lives.Henrietta Lacks is one of most remarkable people in medical history. Her cells were taken without her or her family's knowledge or permission. Meet Anarcha, Betsey, Lucy and three NHS nurses in the pandemic, each denied their place in history. Now is the time for their incredible legacy to undergo a transformation. To blossom and grow into something beautiful and new.Mojisola Adebayo's new Alfred Fagon award-winning play Family Tree is a beautifully poetic drama about race, health, the environment, and the incredible legacy of one of the most influential women of modern times. This edition was published to coincide with the Actors Touring Company co-production with the Belgrade Theatre, Coventry and Brixton House, in March 2023.
Family Tree (Modern Plays)
by Mojisola AdebayoWinner of the 2021 Alfred Fagon AwardIt's a play, a performance, a ritual, about human farming, farming humans, soil and the soul, seeds and cells... nursing the nursery, curing creation, remedies and vaccinations against white supremacist racism; birthing revolution, raising redemption, finding yourself in the forest of futurity, the promise of immortality and the matter of Black lives.Henrietta Lacks is one of most remarkable people in medical history. Her cells were taken without her or her family's knowledge or permission. Meet Anarcha, Betsey, Lucy and three NHS nurses in the pandemic, each denied their place in history. Now is the time for their incredible legacy to undergo a transformation. To blossom and grow into something beautiful and new.Mojisola Adebayo's new Alfred Fagon award-winning play Family Tree is a beautifully poetic drama about race, health, the environment, and the incredible legacy of one of the most influential women of modern times. This edition was published to coincide with the Actors Touring Company co-production with the Belgrade Theatre, Coventry and Brixton House, in March 2023.
Mojisola Adebayo: Plays One (Oberon Modern Playwrights)
by Mojisola AdebayoIncludes the plays Moj of the Antarctic, Desert Boy, Matt Henson: North Star and Muhammad Ali and MeThis collection signals the emergence of a distinctive new voice on the British theatre landscape. Moj of the Antarctic is inspired by the true story of an African American woman who cross-dresses as a white man to escape slavery; taken on a fantastical odyssey to Antarctica. Time Out Critics’ Choice‘The language is rich and densely poetic. Reveling in the materiality and playfulness of words, cracking open complex ideas like eggshells.’ - Total Theatre MagazineMuhammad Ali and Me is a lyrical coming of age story, following the parallel struggles of a gay girl child growing up in foster care and the black Muslim boxing hero’s fight against racism and the Vietnam war.‘As a piece of stagecraft, an entertaining kaleidoscope of social and political history, only one description will do: this is a play that ‘floatslike a butterfly and stings like a bee.’ - WhatsOnStageDesert Boy, a time-travelling a capella musical, offers a sharp twist on the subject of knife crime, black youth and absent fathers.‘…a spiralling journey through colonial history not unlike Dante’s introduction to the Inferno. The juxtapositions are sometimes startling, and often quite comic.’ - Guardian Matt Henson, North Star is a biographical tale of Arctic betrayal, mixed with Greenlandic folk tales; all about love, climate and change.These plays queer the boundaries of sex and race, fact and fiction, history and geography, poetry and politics to illuminate contemporary themes through a dynamic African Diasporic theatrical aesthetic that leaps off the page.
Mojisola Adebayo: I Stand Corrected / Asara and the Sea-Monstress / Oranges and Stones / The Interrogation of Sandra Bland / STARS (Oberon Modern Playwrights)
by Mojisola Adebayo‘These five plays represent the diverse scope and content of Mojisola’s work, and demonstrate an ongoing commitment to an artistic practice that is both stylistically innovative and politically astute.’ – Lynette Goddard, from her introduction The plays collected here showcase Adebayo’s varied talents through her unflinching political writing about race, gender, sex and sexuality, feminist history and politics. With settings spanning from South Africa to the Middle East, the United States, a mythical kingdom, South London and outer space, the five plays included are: I Stand Corrected: a soulful artistic response to the phenomenon of ‘corrective’ hate rape and murder of lesbians and trans men in South Africa Asara and the Sea-Monstress: a play for young people about a left-handed girl growing up in a mythical right-handed Kingdom Oranges and Stones (previously 48 Minutes for Palestine): an exploration of one woman’s life under occupation in Palestine The Interrogation of Sandra Bland: a verbatim play transcribing the dash cam recording of Sandra Bland’s arrest into a choral performance by black women STARS: a space odyssey telling the story of a very old lady who goes into outer space in search of her own orgasm
STARS (Modern Plays)
by Mojisola AdebayoMy husband died and it's taken my whole life but Dr, I've never had one and I want one, before I die... My orgasm has got to be out there - somewhere! I know you all think I'm losing it, that I'm some kind of a space cadet and you might just be right about that! So one last job for your Dr: I'll be needing a medical certificate to prove I am fit for travel. I am going away...Meet Mrs: an old lady who goes into outer space… in search of her own orgasm. Isn't that where all orgasms go? Her quest is sparked by three encounters: a young neighbour who discloses a secret, an old friend who reveals she is intersex, and a would-be lesbian lover in a launderette who offers Mrs two drops of her own pressed lavender and a smile that says, 'I handle delicates with care'. Told through one woman, a live DJ, and creative captions, with animations by Candice Purwin: STARS is a moving and joyful, sensitive yet funny, Afrofuturist odyssey. A 'concept album on stage', the hugely original STARS is the latest jewel from internationally acclaimed theatre maker, Alfred Fagon award-winner and George Devine Award 2022 finalist, Mojisola Adebayo.This edition was published to coincide with the Tamasha and ICA co-production in April 2023.
STARS: Basin; Boy With Beer; Sin Dykes; Bashment; Nine Lives; Burgerz; The High Table; Stars (Modern Plays)
by Mojisola AdebayoMy husband died and it's taken my whole life but Dr, I've never had one and I want one, before I die... My orgasm has got to be out there - somewhere! I know you all think I'm losing it, that I'm some kind of a space cadet and you might just be right about that! So one last job for your Dr: I'll be needing a medical certificate to prove I am fit for travel. I am going away...Meet Mrs: an old lady who goes into outer space… in search of her own orgasm. Isn't that where all orgasms go? Her quest is sparked by three encounters: a young neighbour who discloses a secret, an old friend who reveals she is intersex, and a would-be lesbian lover in a launderette who offers Mrs two drops of her own pressed lavender and a smile that says, 'I handle delicates with care'. Told through one woman, a live DJ, and creative captions, with animations by Candice Purwin: STARS is a moving and joyful, sensitive yet funny, Afrofuturist odyssey. A 'concept album on stage', the hugely original STARS is the latest jewel from internationally acclaimed theatre maker, Alfred Fagon award-winner and George Devine Award 2022 finalist, Mojisola Adebayo.This edition was published to coincide with the Tamasha and ICA co-production in April 2023.
National Theatre Connections 2020: Plays for Young People (Modern Plays)
by Mojisola Adebayo Chris Bush Alison Carr John Donnelly Vivienne Franzmann Hattie Naylor Andrew Muir Frances Poet Silva Semerciyan Chris ThompsonNational Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year.This anthology brings together 9 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. Wind / Rush Generation(s) by Mojisola Adebayo This is a play about the British Isles, its past and its present. Set in a senior common room, in a prominent university, a group of 1st year undergraduates are troubled, not by the weight of their workload, but by a 'noisy' ghost. So they do what any group self-respecting and intelligent university students would do in such a situation – they get out the Ouija Board to confront their spiritual irritant and lay them to rest – only to be confronted by the full weight of Britain's colonial past – in all its gory glory. Fusing naturalism, with physical theatre, spoken-word, absurdism, poetry and direct address – this is event-theatre that whips along with the grace, pace and hypnotic magnetism of a hurricane. Tuesday by Alison Carr Tuesday is light, playful and nuanced in tone. And a little bit sci-fi. The play centres on an ordinary Tuesday that suddenly turns very weird indeed when a tear rips across the sky over the school yard. The play touches on themes of friendship, sibling love, family, identity, grief, bullying, loneliness and responsibility. And in the process we might just learn something about ourselves as well as some astronomical theories of the multiverse! A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly This satirical play is heightened in its naturalism, in its seriousness, in its parody and piercing in its interrogation of how our attempts to define ourselves in public are shaped by the fear of saying the wrong thing. Presented quite literally as a series of public apologies this play is spacious, flexible and welcoming of inventive and imaginative interpretation as each iteration spirals inevitably to its absurdist core. This is a play on words, on convention, on manners, on institutions, on order, online and on point. THE IT by Vivienne Franzmann THE IT is a play about a teenage girl who has something growing inside her. She doesn't know what it is, but she knows it's not a baby. It expands in her body. It starts in her stomach, but quickly outgrows that, until eventually ittakes over the entirety of her insides. It has claws. She feels them. Presented in the style of a direct to camera documentary, this is a darkly comic state of the nation play exploring adolescent mental health and the rage within, written very specifically for today. The Marxist in Heaven by Hattie Naylor The Marxist in Heaven is a play that does exactly what its title page says it's going to do. The eponymous protagonist 'wakes up' in paradise and once they get over the shock of this fundamental contradiction of everything they believe in…..they get straight back to work….and continue their lifelong struggle for equality and fairness for all….even in death. Funny, playful, provocative, pertinent and jam-packed with discourse, disputes, deities and disco dancing by the bucketful, this upbeat buoyant allegory shines its holy light on globalization and asks the salient questions – who are we and what are we doing to ourselves?.....and what conditioner do you use on your hair? Look Up by Andrew Muir <
National Theatre Connections 2020: Plays for Young People (Modern Plays)
by Mojisola Adebayo Chris Bush Alison Carr John Donnelly Vivienne Franzmann Hattie Naylor Andrew Muir Frances Poet Silva Semerciyan Chris ThompsonNational Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year.This anthology brings together 9 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. Wind / Rush Generation(s) by Mojisola Adebayo This is a play about the British Isles, its past and its present. Set in a senior common room, in a prominent university, a group of 1st year undergraduates are troubled, not by the weight of their workload, but by a 'noisy' ghost. So they do what any group self-respecting and intelligent university students would do in such a situation – they get out the Ouija Board to confront their spiritual irritant and lay them to rest – only to be confronted by the full weight of Britain's colonial past – in all its gory glory. Fusing naturalism, with physical theatre, spoken-word, absurdism, poetry and direct address – this is event-theatre that whips along with the grace, pace and hypnotic magnetism of a hurricane. Tuesday by Alison Carr Tuesday is light, playful and nuanced in tone. And a little bit sci-fi. The play centres on an ordinary Tuesday that suddenly turns very weird indeed when a tear rips across the sky over the school yard. The play touches on themes of friendship, sibling love, family, identity, grief, bullying, loneliness and responsibility. And in the process we might just learn something about ourselves as well as some astronomical theories of the multiverse! A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly This satirical play is heightened in its naturalism, in its seriousness, in its parody and piercing in its interrogation of how our attempts to define ourselves in public are shaped by the fear of saying the wrong thing. Presented quite literally as a series of public apologies this play is spacious, flexible and welcoming of inventive and imaginative interpretation as each iteration spirals inevitably to its absurdist core. This is a play on words, on convention, on manners, on institutions, on order, online and on point. THE IT by Vivienne Franzmann THE IT is a play about a teenage girl who has something growing inside her. She doesn't know what it is, but she knows it's not a baby. It expands in her body. It starts in her stomach, but quickly outgrows that, until eventually ittakes over the entirety of her insides. It has claws. She feels them. Presented in the style of a direct to camera documentary, this is a darkly comic state of the nation play exploring adolescent mental health and the rage within, written very specifically for today. The Marxist in Heaven by Hattie Naylor The Marxist in Heaven is a play that does exactly what its title page says it's going to do. The eponymous protagonist 'wakes up' in paradise and once they get over the shock of this fundamental contradiction of everything they believe in…..they get straight back to work….and continue their lifelong struggle for equality and fairness for all….even in death. Funny, playful, provocative, pertinent and jam-packed with discourse, disputes, deities and disco dancing by the bucketful, this upbeat buoyant allegory shines its holy light on globalization and asks the salient questions – who are we and what are we doing to ourselves?.....and what conditioner do you use on your hair? Look Up by Andrew Muir <
Beyond The Canon’s Plays for Young Activists: Three Plays by Women from the Global Majority (Plays for Young People)
by Mojisola Adebayo Hannah Khalil Amy NgA first-of-its-kind anthology, Beyond The Canon's Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK's most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice. Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations and use the anthology to evolve into the ultimate activist. The plays include: Muhammad Ali and Me by Mojisola Adebayo A Museum in Baghdad by Hannah Khalil Acceptance by Amy Ng With resources like top tips on creating a safe space, practical drama challenges and games, interviews with the writers, research guides and activism test sheets, Beyond The Canon's Plays for Young Activists will spark the imagination of any and all readers, likely inspiring the next Mojisola Adebayo, Hannah Khalil and Amy Ng.
Beyond The Canon’s Plays for Young Activists: Three Plays by Women from the Global Majority (Plays for Young People)
by Mojisola Adebayo Hannah Khalil Amy NgA first-of-its-kind anthology, Beyond The Canon's Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK's most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice. Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations and use the anthology to evolve into the ultimate activist. The plays include: Muhammad Ali and Me by Mojisola Adebayo A Museum in Baghdad by Hannah Khalil Acceptance by Amy Ng With resources like top tips on creating a safe space, practical drama challenges and games, interviews with the writers, research guides and activism test sheets, Beyond The Canon's Plays for Young Activists will spark the imagination of any and all readers, likely inspiring the next Mojisola Adebayo, Hannah Khalil and Amy Ng.