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Peter Shaffer: Theatre And Drama

by Madeleine MacMurraugh-Kavanagh

Peter Shaffer: Theatre and Drama is an accessible, informed survey of Peter Shaffer's work to date. Covering much ground, the book brings a fresh and original approach to this playwright's drama, incorporating discussion of every play in his canon. Suitable for readers ranging from 'A' level to undergraduate and postgraduate levels, this book introduces a variety of debates and interpretations to students, incorporating material that has not been published before. An engaging and authoritative contribution to the field.

Peter Weiss in seiner Zeit: Leben und Werk

by Robert Cohen

Peter Williamson, French and Indian Cruelty: A Modern Critical Edition

by Timothy Shannon

Presents an eighteenth-century Scotsman’s autobiographical account of his odyssey through North America as an indentured servant, Indian captive, and soldier Provides an introduction that explains Williamson’s origins, separates the fact from fiction in his North American adventures Places Williamson’s narrative within its wider cultural and social context Includes the complete appendices that appeared in Williamson’s narrative Describes Aberdeen’s servant trade from eyewitness accounts Includes suggestions for Further Readings to assist readers interested in learning more about Williamson and the topics covered in his narrative This book is the first scholarly edition of the most popular Native American captivity narrative published in eighteenth-century Britain. In this fully annotated modern version, Timothy J. Shannon re-acquaints modern readers with this popular North American captivity narrative, featuring a Scottish protagonist. He tells the story of Peter Williamson, a native of Aberdeen, who claimed he was kidnapped into indentured servitude in North America, lived as a captive among Indians there, and then fought as a soldier in the Seven Years’ War until he was taken prisoner by the French. After returning to Britain, Williamson peddled his tale while dressed in Indian costume, and he eventually settled in Edinburgh, where he became known as 'Indian Peter'.

Peter Williamson, French and Indian Cruelty: A Modern Critical Edition

by Timothy J. Shannon

Presents an eighteenth-century Scotsman’s autobiographical account of his odyssey through North America as an indentured servant, Indian captive, and soldier Provides an introduction that explains Williamson’s origins, separates the fact from fiction in his North American adventures Places Williamson’s narrative within its wider cultural and social context Includes the complete appendices that appeared in Williamson’s narrative Describes Aberdeen’s servant trade from eyewitness accounts Includes suggestions for Further Readings to assist readers interested in learning more about Williamson and the topics covered in his narrative This book is the first scholarly edition of the most popular Native American captivity narrative published in eighteenth-century Britain. In this fully annotated modern version, Timothy J. Shannon re-acquaints modern readers with this popular North American captivity narrative, featuring a Scottish protagonist. He tells the story of Peter Williamson, a native of Aberdeen, who claimed he was kidnapped into indentured servitude in North America, lived as a captive among Indians there, and then fought as a soldier in the Seven Years’ War until he was taken prisoner by the French. After returning to Britain, Williamson peddled his tale while dressed in Indian costume, and he eventually settled in Edinburgh, where he became known as 'Indian Peter'.

Petrarca (Sammlung Metzler)

by Gerhart Hoffmeister

Der lateinische Moralist und italienische Liebeslyriker Petrarca ist eine der faszinierendsten und einflussreichsten Gestalten der Weltliteratur. Gerhard Hoffmeister interpretiert Petrarcas Lebensstationen als Paradigma einer humanistischen Lebensführung und liefert eine Einführung in sein Werk.

Petrarch: A Critical Guide to the Complete Works

by Victoria Kirkham Armando Maggi

Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features. A sophisticated but accessible handbook that illuminates Petrarch’s love of classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.

Petrarch: A Critical Guide to the Complete Works

by Victoria Kirkham Armando Maggi

Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features. A sophisticated but accessible handbook that illuminates Petrarch’s love of classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.

Petrarch: A Critical Guide to the Complete Works

by Victoria Kirkham Armando Maggi

Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features. A sophisticated but accessible handbook that illuminates Petrarch’s love of classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.

Petrarch: A Critical Guide to the Complete Works

by Victoria Kirkham and Armando Maggi

Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features. A sophisticated but accessible handbook that illuminates Petrarch’s love of classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.

Petrarch: A Critical Guide to the Complete Works

by Victoria Kirkham and Armando Maggi

Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features. A sophisticated but accessible handbook that illuminates Petrarch’s love of classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.

Petrarch: A Critical Guide to the Complete Works

by Victoria Kirkham and Armando Maggi

Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features. A sophisticated but accessible handbook that illuminates Petrarch’s love of classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.

Petrarch in Romantic England

by E. Zuccato

The Petrarchan revival in Romantic England was a unique phenomenon which involved an impressive number of scholars, translators and poets. This book analyses the way Petrarch was read and re-written by Romantic figures. The result is a history of the Romantic-era sonnet and a new lens for understanding English Romantic poetry.

Petrarchism at Work: Contextual Economies in the Age of Shakespeare

by William J. Kennedy

The Italian scholar and poet Francesco Petrarch (1304–1374) is best remembered today for vibrant and impassioned love poetry that helped to establish Italian as a literary language. Petrarch inspired later Renaissance writers, who produced an extraordinary body of work regarded today as perhaps the high-water mark of poetic productivity in the European West. These "Petrarchan" poets were self-consciously aware of themselves as poets—as craftsmen, revisers, and professionals. As William J. Kennedy shows in Petrarchism at Work, this commitment to professionalism and the mastery of poetic craft is essential to understanding Petrarch’s legacy.Petrarchism at Work contributes to recent scholarship that explores relationships between poetics and economic history in early-modern European literature. Kennedy traces the development of a Renaissance aesthetics from one based upon Platonic intuition and visionary furor to one grounded in Aristotelian craftsmanship and technique. Their polarities harbor economic consequences, the first privileging the poet’s divinely endowed talent, rewarded by the autocratic largess of patrons, the other emphasizing the poet’s acquired skill and hard work. Petrarch was the first to exploit the tensions between these polarities, followed by his poetic successors. These include Gaspara Stampa in the emergent salon society of Venice, Michelangelo Buonarroti in the "gift" economy of Medici Florence and papal Rome, Pierre de Ronsard and the poets of his Pléiade brigade in the fluctuant Valois court, and William Shakespeare and his contemporaries in the commercial world of Elizabethan and early Stuart London. As Kennedy shows, the poetic practices of revision and redaction by Petrarch and his successors exemplify the transition from a premodern economy of patronage to an early modern economy dominated by unstable market forces.

Petrarch's English Laurels, 1475–1700: A Compendium of Printed References and Allusions

by Jackson Campbell Boswell Gordon McMurry Braden

The powerful influence of Petrarch on the development of Renaissance vernacular poetry has long been recognized as one of the major factors in early modern cultural history; this work provides a far more comprehensive catalogue of the direct evidence for that influence in England than any yet available. Following the model of Boswell's Dante's Fame in England (1999), it offers an itemized presentation, year by year, of printed citations, translations, and allusions, with complete bibliographical information, quotations of the relevant passages, and brief commentary. The most fully studied aspect of Petrarch's influence, his love poetry as a model for imitation, remains paramount: a model by turns slavishly imitated, ruthlessly mocked, and searchingly reworked, sometimes all at the same time. But the significance of other aspects of his legacy are also documented, with new fullness: notably his Latin prose works-especially his encyclopedic moral treatise On the Remedies of Both Kinds of Fortune, popular throughout the period-and his polemics against the Avignon papacy, which earned him a strong reputation in England as an angry moral prophet and champion of what would become the Protestant cause. The picture here presented provides new texture and complexity for any further discussion of Petrarch in the English Renaissance.

Petrarch's English Laurels, 1475–1700: A Compendium of Printed References and Allusions

by Jackson Campbell Boswell and Gordon Mcmurry Braden

The powerful influence of Petrarch on the development of Renaissance vernacular poetry has long been recognized as one of the major factors in early modern cultural history; this work provides a far more comprehensive catalogue of the direct evidence for that influence in England than any yet available. Following the model of Boswell's Dante's Fame in England (1999), it offers an itemized presentation, year by year, of printed citations, translations, and allusions, with complete bibliographical information, quotations of the relevant passages, and brief commentary. The most fully studied aspect of Petrarch's influence, his love poetry as a model for imitation, remains paramount: a model by turns slavishly imitated, ruthlessly mocked, and searchingly reworked, sometimes all at the same time. But the significance of other aspects of his legacy are also documented, with new fullness: notably his Latin prose works-especially his encyclopedic moral treatise On the Remedies of Both Kinds of Fortune, popular throughout the period-and his polemics against the Avignon papacy, which earned him a strong reputation in England as an angry moral prophet and champion of what would become the Protestant cause. The picture here presented provides new texture and complexity for any further discussion of Petrarch in the English Renaissance.

Petrification (Modern Plays)

by Zoe Cooper

The night before the funeral was when he told us that he was getting the lot and I said, I said only then in retaliation, you know, and I am not proud of this, but how Dad had, how he had smashed his glass and cried, cried for Simon when he rang home to tell him how he had failed his exams, how it broke his dad's heart.Simon and Sean's dad is dead. Returning home from London, Simon is shocked to find Sean in a relationship with a man called Aidan. Sean is irritated by Simon's new cosmopolitan ways. And Aidan? He just wants to be part of the family.This is a play for anyone who ever left home and comes back to find everything changed. And for anyone who never went away in the first place.Attempting to find common ground, they head out for a booze-fueled night in Gateshead. Before long they are arguing. What is it about the memory of a childhood trip to Whitby that sets them off? Darts, pints and fists fly across the room, as past and present collide with dizzying consequences.Petrification received its world premiere at Live Theatre, Newcastle, on 23 May 2016, before a UK tour, presented by Telltale in association with LittleMighty.

Petrification (Modern Plays)

by Zoe Cooper

The night before the funeral was when he told us that he was getting the lot and I said, I said only then in retaliation, you know, and I am not proud of this, but how Dad had, how he had smashed his glass and cried, cried for Simon when he rang home to tell him how he had failed his exams, how it broke his dad's heart.Simon and Sean's dad is dead. Returning home from London, Simon is shocked to find Sean in a relationship with a man called Aidan. Sean is irritated by Simon's new cosmopolitan ways. And Aidan? He just wants to be part of the family.This is a play for anyone who ever left home and comes back to find everything changed. And for anyone who never went away in the first place.Attempting to find common ground, they head out for a booze-fueled night in Gateshead. Before long they are arguing. What is it about the memory of a childhood trip to Whitby that sets them off? Darts, pints and fists fly across the room, as past and present collide with dizzying consequences.Petrification received its world premiere at Live Theatre, Newcastle, on 23 May 2016, before a UK tour, presented by Telltale in association with LittleMighty.

Petronius: A Handbook

by Jonathan Prag

Petronius: A Handbook unravels the mysteries of the Satyrica, one of the greatest literary works that antiquity has bequeathed to the modern world. Includes a dozen original essays by a team of leading Petronius and Roman history scholars Features the first multi-dimensional approach to Satyricon studies by exploring the novel's literary structure, social and historic contexts, and modern reception Supplemented by illustrations, plot outline, glossary, map, bibliography, and suggestions for further reading

Petronius: A Handbook

by Jonathan R. W. Prag Ian D. Repath

Petronius: A Handbook unravels the mysteries of the Satyrica, one of the greatest literary works that antiquity has bequeathed to the modern world. Includes a dozen original essays by a team of leading Petronius and Roman history scholars Features the first multi-dimensional approach to Satyricon studies by exploring the novel's literary structure, social and historic contexts, and modern reception Supplemented by illustrations, plot outline, glossary, map, bibliography, and suggestions for further reading

Pets and Domesticity in Victorian Literature and Culture: Animality, Queer Relations, and the Victorian Family (Routledge Studies in Nineteenth Century Literature)

by Monica Flegel

Addressing the significance of the pet in the Victorian period, this book examines the role played by the domestic pet in delineating relations for each member of the "natural" family home. Flegel explores the pet in relation to the couple at the head of the house, to the children who make up the family’s dependents, and to the common familial "outcasts" who populate Victorian literature and culture: the orphan, the spinster, the bachelor, and the same-sex couple. Drawing upon both animal studies and queer theory, this study stresses the importance of the domestic pet in elucidating normative sexuality and (re)productivity within the familial home, and reveals how the family pet operates as a means of identifying aberrant, failed, or perverse familial and gender performances. The family pet, that is, was an important signifier in Victorian familial ideology of the individual family unit’s ability to support or threaten the health and morality of the nation in the Victorian period. Texts by authors such as Clara Balfour, Juliana Horatia Ewing, E. Burrows, Bessie Rayner Parkes, Anne Brontë, George Eliot, Frederick Marryat, and Charles Dickens speak to the centrality of the domestic pet to negotiations of gender, power, and sexuality within the home that both reify and challenge the imaginary structure known as the natural family in the Victorian period. This book highlights the possibilities for a familial elsewhere outside of normative and restrictive models of heterosexuality, reproduction, and the natural family, and will be of interest to those studying Victorian literature and culture, animal studies, queer studies, and beyond.

Pets and Domesticity in Victorian Literature and Culture: Animality, Queer Relations, and the Victorian Family (Routledge Studies in Nineteenth Century Literature)

by Monica Flegel

Addressing the significance of the pet in the Victorian period, this book examines the role played by the domestic pet in delineating relations for each member of the "natural" family home. Flegel explores the pet in relation to the couple at the head of the house, to the children who make up the family’s dependents, and to the common familial "outcasts" who populate Victorian literature and culture: the orphan, the spinster, the bachelor, and the same-sex couple. Drawing upon both animal studies and queer theory, this study stresses the importance of the domestic pet in elucidating normative sexuality and (re)productivity within the familial home, and reveals how the family pet operates as a means of identifying aberrant, failed, or perverse familial and gender performances. The family pet, that is, was an important signifier in Victorian familial ideology of the individual family unit’s ability to support or threaten the health and morality of the nation in the Victorian period. Texts by authors such as Clara Balfour, Juliana Horatia Ewing, E. Burrows, Bessie Rayner Parkes, Anne Brontë, George Eliot, Frederick Marryat, and Charles Dickens speak to the centrality of the domestic pet to negotiations of gender, power, and sexuality within the home that both reify and challenge the imaginary structure known as the natural family in the Victorian period. This book highlights the possibilities for a familial elsewhere outside of normative and restrictive models of heterosexuality, reproduction, and the natural family, and will be of interest to those studying Victorian literature and culture, animal studies, queer studies, and beyond.

Phaenomena (Johns Hopkins New Translations from Antiquity)

by Aratus

After the Iliad and the Odyssey, the Phaenomena was the most widely read poem in the ancient world. Its fame was immediate. It was translated into Latin by Ovid and Cicero and quoted by St. Paul in the New Testament, and it was one of the few Greek poems translated into Arabic. Aratus’ Phaenomena is a didactic poem—a practical manual in verse that teaches the reader to identify constellations and predict weather. The poem also explains the relationship between celestial phenomena and such human affairs as agriculture and navigation. Despite the historical and pedagogical importance of the poem, no English edition suitable for students and general readers has been available for decades. Aaron Poochigian’s lively translation makes accessible one of the most influential poets of antiquity. Poochigian's interpretation of the Phaenomena reestablishes the ancient link between poetry and science and demonstrates that verse is an effective medium for instruction. Featuring references to Classical mythology and science, star charts of the northern and southern skies, extensive notes, and an introduction to the work’s stylistic features and literary reception, this dynamic work will appeal to students of Ancient Greece who want to deepen their understanding of the Classical world.

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