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Empty Nest: Poems for Families
by Carol Ann Duffy‘Duffy is magnificent, grounded, heartfelt, dedicated to the notion that poetry can give us the music of life itself’ ScotsmanIn this stunning anthology Carol Ann Duffy has selected 99 poems exploring parenting.The special bond between parent and child is both powerful and unique. And yet there is a time when that bond must ease, where our grip on that dear one must loosen, when we must let them go whether we are ready to or not.In Empty Nest, a beautiful selection of modern and classic poems range along the tender line between parent and child, covering growing old, the deep love of a parent, the everyday of family life and leaving home to live an independent life, but also unthinkable grief, loss and estrangement. Some of our very favourite poets feature in the selection, such as Elizabeth Bishop, Jackie Kay, Simon Armitage, Shakespeare, Imtiaz Dharker, Seamus Heaney and Don Paterson.These poems are by turns wry, affecting, profound, melancholy and wise; they will console and comfort those suddenly facing a house that’s much cleaner but also much quieter than it was. There is something here for every reader to treasure.
The Empty Nesters
by Nina BellClover Jones and Laura Dangerfield have been best friends since their children were born. Along with Clover's stylish, powerful friend, Alice, they share holidays, sleepovers, school runs and childcare. They're like one big family.But all families have their secrets. When the children leave home, Clover and Laura's lives and marriages change forever, and the old rules on love and loyalty no longer apply. And when Alice decides she wants what they've got, Clover and Laura have to find out who they really are. Without the children, can their marriages - and friendship - survive?
Empty Nets and Promises: A Kinloch Novella
by Denzil Meyrick‘Absorbing . . . no run-of-the-mill tartan noir’-The Times‘You’ll have a blast with these’ - Ian Rankin‘A top talent, and one to be cherished' - Quintin Jardine‘Spellbinding . . . one of the UK’s most loved crime writers’ - The Sunday Post‘A compelling lead . . . satisfyingly twisted plot’ - Publishers Weekly‘Touches of dark humour, multi-layered and compelling’ - Daily Record‘Striking characters and shifting plots vibrate with energy’ - The Library Journal‘Daley is a character complete with depths, currents and sudden changes of the Atlantic ocean that crashes against Kinloch’s harbour walls. The remote peninsula and the claustrophobic nature of small-town life are perfectly painted.’ - Scotland on Sunday‘If you like Rankin, MacBride and Oswald, you’ll love Meyrick’ - The Sunday Mail‘Energetic, wry, and full of jolts' - Waterstones‘The right amount of authenticity . . . gritty writing . . . most memorable’ - The Herald‘All three books have a strong sense of place, of city cops trying to fit in to a small, tightly knit rural environment’ - Russell Leadbetter, Evening Times‘Meyrick has the ability to give even the least important person in the plot character and the skill to tell a good tale’ - Scots Magazine‘Following in the tradition of great Scottish crime writers, Denzil Meyrick has turned out a cracking, tenacious thriller of a read. If you favour the authentic and credible, you are in safe hands’ - Lovereading‘DCI Daley is shaping up to be the West Coast’s answer to Edinburgh’s Rebus’-Scottish Home and Country‘Well crafted and engrossing . . . Meyrick is well into his rhythm’ - Journal of the Law Society of ScotlandIt’s July 1968, and redoubtable fishing-boat skipper Sandy Hoynes has his daughter’s wedding to pay for – but where are all the fish? He and the crew of the Girl Maggie come to the conclusion that a new-fangled supersonic jet which is being tested in the skies over Kinloch is scaring off the herring.First mate Hamish, who we first met in the D.C.I. Daley novels, comes up with a cunning plan to bring the laws of nature back into balance. But as the wily crew go about their work, little do they know that they face the forces of law and order in the shape of a vindictive Fishery Officer, an Exciseman who suspects Hoynes of smuggling illicit whisky, and the local police sergeant who is about to become Hoynes’ new son-in-law.Meyrick takes us back to the halcyon days of light-hearted Scottish fiction, following in the footsteps of Compton Mackenzie and Neil Munro, with hilarious encounters involving ghostly pipers, the US Navy and even some Russian trawlermen.
Empty Nurseries, Queer Occupants: Reproduction and the Future in Ibsen’s Late Plays (Studies in Childhood, 1700 to the Present)
by Olivia Noble GunnWho is the proper occupant of the nursery? The obvious answer is the child, and not an archive, a seductive troll-princess, or poor fosterlings. Nevertheless, characters in Hedda Gabler, The Master Builder, and Little Eyolf intend to host these improper occupants in their children’s rooms. Dr. Gunn calls these dramas ‘the empty nursery plays’ because they all describe rooms intended for offspring, as well as characters’ plans for refilling that space. One might expect nurseries to provide an ideal setting for a realist playwright to dramatize contemporary problems. Rather than mattering to Ibsen in terms of naturalist detail or explicit social critique, however, they are reserved for the maintenance of characters’ fears and expectations concerning the future. Empty Nurseries, Queer Occupants intervenes in scholarly debates in child studies by arguing that the empty bourgeois nursery is a better symbol for innocence than the child. Here, ‘emptiness’ refers to the common construction of the child as blank and latent. In Ibsen, the child is also doomed or deceased, and thus essentially absent, but nurseries persist as spaces of memorialization and potential alike. Nurseries also gesture toward the domains of childhood and women’s labor, from birth to domestic service. ‘Bourgeois nursery’ points to the classed construction of innocence and to the more materialist aspects of this book, which inform our understanding of domesticity and family in the West and uncover a set of reproductive connotations broader than ‘the innocent child’ can convey.
Empty Nurseries, Queer Occupants: Reproduction and the Future in Ibsen’s Late Plays (Studies in Childhood, 1700 to the Present)
by Olivia Noble GunnWho is the proper occupant of the nursery? The obvious answer is the child, and not an archive, a seductive troll-princess, or poor fosterlings. Nevertheless, characters in Hedda Gabler, The Master Builder, and Little Eyolf intend to host these improper occupants in their children’s rooms. Dr. Gunn calls these dramas ‘the empty nursery plays’ because they all describe rooms intended for offspring, as well as characters’ plans for refilling that space. One might expect nurseries to provide an ideal setting for a realist playwright to dramatize contemporary problems. Rather than mattering to Ibsen in terms of naturalist detail or explicit social critique, however, they are reserved for the maintenance of characters’ fears and expectations concerning the future. Empty Nurseries, Queer Occupants intervenes in scholarly debates in child studies by arguing that the empty bourgeois nursery is a better symbol for innocence than the child. Here, ‘emptiness’ refers to the common construction of the child as blank and latent. In Ibsen, the child is also doomed or deceased, and thus essentially absent, but nurseries persist as spaces of memorialization and potential alike. Nurseries also gesture toward the domains of childhood and women’s labor, from birth to domestic service. ‘Bourgeois nursery’ points to the classed construction of innocence and to the more materialist aspects of this book, which inform our understanding of domesticity and family in the West and uncover a set of reproductive connotations broader than ‘the innocent child’ can convey.
The Empty People
by Barry N. MalzbergFirst there was Della, the woman who wanted . . . love? She did not - could not - know, for where love should have been was emptiness.Then came the Poet, who wanted only to please, but did not know how. His every effort was rejected - but he could not stop trying.Rogers was the completion, the part above all other parts that made the whole.And then there was Archer - and the thing in his brain . . .
The Empty Room
by Brian McGillowayWhat do you do when your child disappears?'A hugely compelling story of loss, grief and vengeance, The Empty Room is probably the best novel yet by one of our finest mystery writers. Unmissable.' John Connolly'The tension and heartbreak kept me turning the pages' Patricia Gibney'A searing, thrilling and heartbreaking look at life, loss and revenge, expertly handled by a hugely talented storyteller' Chris WhitakerPandora - Dora - Condron wakes one morning to discover her 17-year old daughter Ellie, has not come home after a party.The day Ellie disappears, Dora is alone as her husband Eamon has already left for the day in his job as a long-distance lorry driver. So Dora does the usual things: rings around Ellie's friends... but no one knows where she is. Her panic growing, Dora tries the local hospitals and art college where Ellie is a student - but then the police arrive on her doorstep with the news her daughter's handbag has been discovered dumped in a layby.So begins Dora's ordeal of waiting and not knowing what has become of her girl. Eamon's lack of empathy and concern, Dora realises, is indicative of the state of their marriage, and left on her own, Dora begins to reassess everything she thought she knew about her family and her life. Increasingly isolated and disillusioned with the police investigation, Dora feels her grip on reality slipping as she takes it upon herself to find her daughter - even if it means tearing apart everything and everybody she had ever loved, and taking justice into her own hands.Praise for The Empty Room 'The Empty Room has all the elements of great drama - murder, revenge, sacrifice - along with complex moral questions that will keep you engaged long after the final thrilling page' Martina Murphy'A compulsive, addictive, heart rending read, The Empty Room is a tale of grief and loss, and ultimately redemption, that puts Brian McGilloway at the very top of the game. I could not put it down' Sam Blake'Masterful, humane, compelling, beautifully written, utterly convincing - and without a wasted word' Catherine Kirwan'The Empty Room is a tense, and at times claustrophic, slow-burner which builds to a devastating conclusion' Claire Allan'A tense thriller' Irish Daily Mail'The Empty Room surely secures Brian's place as one of the best writers out there. . . a thoughtful exploration of a mother struggling with a changed world. . . exceptional' Chris MacDonald'High tension and high emotion make this story a page turner' Roisin Meaney Praise for Brian McGilloway'A compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today' Ann Cleeves'A clever, engaging and beautifully crafted police procedural' Irish Independent'Some of the very best crime fiction being written today' Lee Child '[A] dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian
The Empty Sleeve
by Leon Garfield'Him what's born on the chime . . . he's the one what'll have communications with the devil.'At the age of fourteen, 'chime-child' Peter Gannet is apprenticed to a locksmith in Covent Garden. But his desperate longing to escape from the insufferable adults around him and go to sea leads him into some dubious undertakings. Before long, the old ship's carpenter's dire prophecy comes true, for in the locksmith's workroom he meets a phantom with an empty sleeve.Tense and atmospheric, this is a gripping thriller about ghosts, a wall of hands, envy, dishonesty and finally murder!
Empty Space: A Haunting (Kefahuchi Tract Trilogy #3)
by M. John HarrisonEMPTY SPACE is a space adventure. We begin with the following dream:An alien research tool the size of a brown dwarf star hangs in the middle of nowhere, as a result of an attempt to place it equidistant from everything else in every possible universe. Somewhere in the fractal labyrinth beneath its surface, a woman lies on an allotropic carbon deck, a white paste of nanomachines oozing from the corner of her mouth. She is neither conscious nor unconscious, dead nor alive. There is something wrong with her cheekbones. At first you think she is changing from one thing into another - perhaps it's a cat, perhaps it's something that only looks like one - then you see that she is actually trying to be both things at once. She is waiting for you, she has been waiting for you for perhaps 10,000 years. She comes from the past, she comes from the future. She is about to speak...EMPTY SPACE is a sequel to LIGHT and NOVA SWING, three strands presented in alternating chapters which will work their way separately back to this image of frozen transformation.
Empty Spaces
by Jordan AbelA hypnotic and mystifying exploration of land and legacy, investigating what it means to be an intergenerational, Indigenous survivor of Residential Schools Jordan Abel’s new work grows out of the groundbreaking visual expression in his recently published NISHGA, a book that combined nonfiction with photography, concrete poetry, and literary inquiry. Whereas NISHGA integrated descriptions of the landscape from James Fenimore Cooper’s settler classic The Last of the Mohicans into visual pieces, Empty Spaces reinscribes those words on the page itself, and in doing so subjects them to bold rewritings. Reimagining the nineteenth-century text from the contemporary perspective of an urban Nisga’a person whose relationship to land and traditional knowledge and spiritual traditions was severed by colonial violence, Abel attempts to answer his research question of what it means to be Indigenous without access to familial territory. Engaging the land through fiction and metaphor, Abel creates an eerie, looping, and atmospheric rendering of place that evolves despite the violent and reckless histories of North America. The result is a bold and profound new vision of history that decenters human perception and forgoes Westernized ways of seeing. Rather than turning to characters and dialogue to explore truth, Abel invites us to instead understand that the land knows everything that can and will happen, even as the world lurches toward uncertainty.
The Empty Throne: The Last Kingdom, The Pale Horseman, The Lords Of The North, Sword Song, The Burning Land, Death Of Kings, The Pagan Lord, The Empty Throne (The Last Kingdom Series #8)
by Bernard CornwellThe eighth book in the epic and bestselling series that has gripped millions. A hero will be forged from this broken land. As seen on Netflix and BBC around the world.
An Empty Throne: Perfect for fans of Simon Scarrow and Bernard Cornwell (Alexander's Legacy #3)
by Robert FabbriFROM THE BESTSELLING AUTHOR OF THE VESPASIAN SERIESThe third instalment in a huge, bloody and brutal new series from Robert Fabbri, set after the death of Alexander the Great. Who will win the fight to control the largest empire the world has ever seen? Let the battles begin...The cause of Alexander the Great's sudden death is no longer in doubt - it was murder. But by whom? As his former followers struggle for power, the bonds of family, friendship and political loyalties are tested to the limit. As is the strength of the formidable empire that Alexander had wrought.Never before has the Western world seen such turmoil, such a threat to civilisation. As battles rage, armies, cities and thousands of lives are destroyed by the ruthless scheming of those who would be King. Or Queen. Could a marriage be the one thing to bring the broken strands of the empire back together, preventing years of further warfare?Will a woman succeed where no man can?
The Empty Throne (Heirs of Chrior #2)
by Cayla KluverHow do you find the strength to save your kingdom when you've lost everything?
Empty Vessels: The Bartlett and Boase Mysteries (The Bartlett and Boase Mysteries #1)
by Marina Pascoe1921, Falmouth. Inspector George Bartlett is investigating the disappearance of a young girl, and events take a turn for the worse when a woman is found dead, badly mutilated, on a local beach. Bartlett and his assistant, Constable Archibald Boase, soon realise the woman was a local prostitute, Ivy Williams. The murder investigation leads the men to the wealthy inhabitants of Penvale Manor House A web of illegitimacy, inheritances, and secrecy is uncovered, and soon the hangman’s noose is swinging precariously over one of the suspects – but have they got the right person?The first instalment in the Bartlett and Boase Mysteries, a detective series set on the beautiful English Riviera during the 1920s. For fans of Agatha Christie and Golden Age crime fiction.
Empty Words
by Mario LevreroA writer fills a notebook with exercises to improve his writing believing that this will lead to improvements in his character. His determination and commitment despite interruptions, distractions, highly inventive procrastination and worries about his mental health make this book extremely relatable in our distraction-filled age. What appears to be merely a functional exercise transforms into reflections and anecdotes about life, coexistence, writing, sense and the senselessness of existence.Written with Kafkaesque lucidity, Empty Words reflects ‘the lost spirit’ of our time.
Emulation on the Shakespearean Stage (Studies in Performance and Early Modern Drama)
by Vernon Guy DicksonThe English Renaissance has long been considered a period with a particular focus on imitation; however, much related scholarship has misunderstood or simply marginalized the significance of emulative practices and theories in the period. This work uses the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics to analyze the conflicted uses of emulation in the period (including the theory and praxis of rhetorical imitatio, humanist notions of exemplarity, and the stage’s purported ability to move spectators to emulate depicted characters). This book emphasizes the need to see emulation not as a solely (or even primarily) literary practice, but rather as a significant aspect of Renaissance culture, giving insight into notions of self, society, and the epistemologies of the period and informed by the period’s own sense of theory and history. Among the individual texts examined here are Shakespeare’s Titus Andronicus and Hamlet, Jonson’s Catiline, and Massinger’s The Roman Actor (with its strong relation to Jonson’s Sejanus).
Emulation on the Shakespearean Stage (Studies in Performance and Early Modern Drama)
by Vernon Guy DicksonThe English Renaissance has long been considered a period with a particular focus on imitation; however, much related scholarship has misunderstood or simply marginalized the significance of emulative practices and theories in the period. This work uses the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics to analyze the conflicted uses of emulation in the period (including the theory and praxis of rhetorical imitatio, humanist notions of exemplarity, and the stage’s purported ability to move spectators to emulate depicted characters). This book emphasizes the need to see emulation not as a solely (or even primarily) literary practice, but rather as a significant aspect of Renaissance culture, giving insight into notions of self, society, and the epistemologies of the period and informed by the period’s own sense of theory and history. Among the individual texts examined here are Shakespeare’s Titus Andronicus and Hamlet, Jonson’s Catiline, and Massinger’s The Roman Actor (with its strong relation to Jonson’s Sejanus).
En Folkefiende: An Enemy of the People (Modern Plays)
by Brad BirchYou don't want to go to war on this, Tom. I mean, not now. Not after everything. You don't want to lose more than you can afford.Brad Birch (Pinter Commission winner, 2016) takes Ibsen's An Enemy of the People into the centre of a very modern scandal. How does Tom Stockmann keep both people and press on side when he makes a discovery about the town's prestigious new Spa?A taut and rigorous adaptation of Ibsen's classic play, En Folkfiende examines the faultlines of municipal power as media, politics and the public good come head to head in a thrilling drama of the conflict between the personal and the public. En Folkefiende premiered at Royal Welsh College of Music and Drama in May 2016 ahead of a production at the Pleasance, Edinburgh, in August 2016.
En Folkefiende: An Enemy of the People (Modern Plays)
by Brad BirchYou don't want to go to war on this, Tom. I mean, not now. Not after everything. You don't want to lose more than you can afford.Brad Birch (Pinter Commission winner, 2016) takes Ibsen's An Enemy of the People into the centre of a very modern scandal. How does Tom Stockmann keep both people and press on side when he makes a discovery about the town's prestigious new Spa?A taut and rigorous adaptation of Ibsen's classic play, En Folkfiende examines the faultlines of municipal power as media, politics and the public good come head to head in a thrilling drama of the conflict between the personal and the public. En Folkefiende premiered at Royal Welsh College of Music and Drama in May 2016 ahead of a production at the Pleasance, Edinburgh, in August 2016.
En Garde (On Series)
by Sarah Hanson-YoungWhen Sarah Hanson-Young called out the abuse she received from male parliamentarians as slut-shaming, she sparked a national conversation about the rampant sexism in politics. Placing the responsibility on women to defend themselves is the same cheap trick as asking, why didn't she just fight back? After witnessing the relentless verbal abuse levelled at female parliamentarians and public figures, Hanson-Young is convinced that now is the time to name it and not retreat.'A riveting insider's view of bullying and sexism in federal parliament.' GILLIAN TRIGGS
En Route (On Series)
by Juliana EngbergIt's almost impossible to get lost these days; the fastest and most direct route arrives with the press of a few keys. But what of the joys of the unexpected discovered off the grid?En Route is an ode to wandering through time and place, meeting personalities with no fixed addresses. Juliana Engberg takes you along on her adventures. Who knows where you will end up? You could bump into Greta Garbo, Casanova, the Virgin Mary, or even the Dog on the Tuckerbox.Real journeys are not always about the destination.
Enacting the Bible in medieval and early modern drama (Manchester Medieval Literature and Culture)
by Chanita Goodblatt Eva Von ContzenThe thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture. Aspects under scrutiny include dramatic traditions, confessional and religious rites, dogmas and debates, conceptualisations of performance, and audience response. The contributors stress the co-presence of biblical and contemporary concerns in the periods under discussion, conceiving of biblical drama as a central participant in the dynamic struggle to both interpret and translate the Bible.
Enacting the Bible in medieval and early modern drama (Manchester Medieval Literature and Culture)
by David MatthewsThe thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture. Aspects under scrutiny include dramatic traditions, confessional and religious rites, dogmas and debates, conceptualisations of performance, and audience response. The contributors stress the co-presence of biblical and contemporary concerns in the periods under discussion, conceiving of biblical drama as a central participant in the dynamic struggle to both interpret and translate the Bible.
Enamored: Soldier Of Fortune / Tender Stranger / Enamored / Mystery Man / Rawhide And Lace / Unlikely Lover (Mills And Boon M&b Ser. #Bk. 3)
by Diana PalmerDiego Laremos had never forgotten the last night he'd spent with Melissa Sterling five years before. She'd fled their home after a bitter dispute, hoping to escape their unhappy marriage.
Enbury Heath
by Stella Gibbons'Don't show proper feelin', does it, not turnin' up for 'is dad's funeral?'Siblings Sophia, Harry and Francis have lost both their parents in the last six months. Attending the funeral for their estranged father, they wonder what will become of them now that the last connection to their difficult childhood has been severed. What have they inherited - financially and emotionally - to guide them to adulthood, and build a new home together? Enbury Heath is a semi-autobiographical account of the years which Gibbons and her brothers spent living in a cottage in Hampstead Heath: a wonderfully astute, bittersweet novel about family, grief, money, and the pleasures of London.