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Beauvoir and Belle: A Black Feminist Critique of The Second Sex (Philosophy of Race)
by Kathryn Sophia BelleKathryn Sophia Belle centers feminist frameworks, discourses, and vocabularies of Black women and other Women of Color that existed prior to and have continued to exist after The Second Sex. She centers and amplifies the voices of Black women and other Women of Color, such as Lorraine Hansberry, Angela Davis, Chikwenye Ogunyemi, Deborah King, Oy?r?nk? Oyw?m?, Mariana Ortega, Kathy Glass, bell hooks, Kyoo Lee, Stephanie Rivera Berruz, Patricia Hill Collins, and Alia Al-Saji. Special attention is also given to Claudia Jones and Audre Lorde, both of whom implicitly and indirectly engage with The Second Sex. Beauvoir and Belle demonstrates the myriad ways in which these frameworks both expose and surpass the limits of The Second Sex. Belle argues against the frameworks of oppression used by Simone de Beauvoir in The Second Sex, a foundational text of white feminist philosophy. She frames Beauvoir's analogies as limitations, and shows how Beauvoir either does not engage with Black women and other Women of Color-or engages with them in problematic ways. Belle explores how Black and other Women of Color have critically written and talked about The Second Sex, and in so doing exposes the ways in which the existing Beauvoir scholarship has mostly ignored these engagements, thereby replicating Beauvoir's exclusions.
Beauvoir and Politics: A Toolkit
by Liesbeth Schoonheim Karen VintgesApproaching Simone de Beauvoir’s feminism and social commentary as a resource to understand our current crises, Beauvoir and Politics: A Toolkit brings together established and emerging scholars to apply her insights to gender studies, political philosophy, decolonisation, intellectual history, age theory, and critical phenomenology. The essays in this collection start from key concepts in Beauvoir’s oeuvre and relate them to contemporary debates, asking how her notion of ambiguity speaks to lived experiences that have been highly politicized in recent years, such as pregnancy, old age, sexual violence, and the exposure of black and brown bodies to police violence; how myths inform our notions of collective, national identities, as well as notions of masculinity and femininity; and how she provides conceptual tools that help to theorize the various political strategies that are used to challenge gendered and racialized systems of oppression. These and other issues are central to this critical appraisal of Beauvoir’s legacy, demonstrating the contemporary relevance of her thought as it diagnoses the present and looks toward change for a better future. This book will be of great interest to undergraduate and postgraduate students looking to engage with the political content of Simone de Beauvoir’s work and the timely application of her ideas.
Beauvoir and Politics: A Toolkit
Approaching Simone de Beauvoir’s feminism and social commentary as a resource to understand our current crises, Beauvoir and Politics: A Toolkit brings together established and emerging scholars to apply her insights to gender studies, political philosophy, decolonisation, intellectual history, age theory, and critical phenomenology. The essays in this collection start from key concepts in Beauvoir’s oeuvre and relate them to contemporary debates, asking how her notion of ambiguity speaks to lived experiences that have been highly politicized in recent years, such as pregnancy, old age, sexual violence, and the exposure of black and brown bodies to police violence; how myths inform our notions of collective, national identities, as well as notions of masculinity and femininity; and how she provides conceptual tools that help to theorize the various political strategies that are used to challenge gendered and racialized systems of oppression. These and other issues are central to this critical appraisal of Beauvoir’s legacy, demonstrating the contemporary relevance of her thought as it diagnoses the present and looks toward change for a better future. This book will be of great interest to undergraduate and postgraduate students looking to engage with the political content of Simone de Beauvoir’s work and the timely application of her ideas.
Because I Come from a Crazy Family: The Making of a Psychiatrist
by Edward M. HallowellFrom the bestselling author of the classic book on ADD, Driven to Distraction, a memoir of the strange upbringing that shaped Dr. Edward M. Hallowell's celebrated career. When Edward M. Hallowell was eleven, a voice out of nowhere told him he should become a psychiatrist. A mental health professional of the time would have called this psychosis. But young Edward (Ned) took it in stride, despite not quite knowing what "psychiatrist" meant. With a psychotic father, alcoholic mother, abusive stepfather, and two so-called learning disabilities of his own, Ned was accustomed to unpredictable behavior from those around him, and to a mind he felt he couldn't always control. The voice turned out to be right. Now, decades later, Hallowell is a leading expert on attention disorders and the author of twenty books, including Driven to Distraction, the work that introduced ADD to the world. In Because I Come from a Crazy Family, he tells the often strange story of a childhood marked by what he calls the "WASP triad" of alcoholism, mental illness, and politeness, and explores the wild wish, surging beneath his incredible ambition, that he could have saved his own family of drunk, crazy, and well-intentioned eccentrics, and himself. Because I Come from a Crazy Family is an affecting, at times harrowing, ultimately moving memoir about crazy families and where they can lead, about being called to the mental health profession, and about the unending joys and challenges that come with helping people celebrate who they are.A portion of the author's proceeds of this book will go to NAMI (National Alliance on Mental Illness).
Because Technology Discriminates: Anti-Racist Counter-Expertise (Synthesis Lectures on Engineers, Technology, & Society #27)
by Logan D. WilliamsEngineers designing technologies and systems produce problems when they do not account for existing biases in society. Designers have a mandate to make technologies efficiently, economically, and ethically. This textbook is written for both students and practicing designers, engineers, researchers, or artists who want to create more ethical designs; it aims to help readers understand how race is implicated in technology design. Learning from historical and contemporary case studies of engineering and architecture projects will help readers see clearly the power of design decisions to either perpetuate or contest racism. Chapter exercises will change engineers’ mental models to see the bias inherent to existing technological design. By incorporating the knowledge and insights of community-based experts into design projects, readers will begin to practice anti-racist leadership and counter-expertise.
Because We Say So (City Lights Open Media Ser.)
by Noam ChomskyBecause We Say So is Noam Chomsky's essential counter punch to American hegemony.In 1962, the eminent statesman Dean Acheson enunciated a principle that has dominated global politics ever since: that no legal issue arises when the United States responds to a challenge to its 'power, position, and prestige'. In short, whatever the world may think, U.S. actions are legitimate because they say so. Spanning the impact of Edward Snowden's whistleblowing and Palestinian-Israeli relations to deeper reflections on political philosophy and the importance of a commons to democracy, Because We Say So takes American imperialism head on.'Noam Chomsky is one of a small band of individuals fighting a whole industry. And that makes him not only brilliant, but heroic' Arundhati Roy'The world's greatest public intellectual' Observer
Because Without Cause: Non-Casual Explanations In Science and Mathematics (Oxford Studies in Philosophy of Science)
by Marc LangeNot all scientific explanations work by describing causal connections between events or the world's overall causal structure. Some mathematical proofs explain why the theorems being proved hold. In this book, Marc Lange proposes philosophical accounts of many kinds of non-causal explanations in science and mathematics. These topics have been unjustly neglected in the philosophy of science and mathematics. One important kind of non-causal scientific explanation is termed explanation by constraint. These explanations work by providing information about what makes certain facts especially inevitable - more necessary than the ordinary laws of nature connecting causes to their effects. Facts explained in this way transcend the hurly-burly of cause and effect. Many physicists have regarded the laws of kinematics, the great conservation laws, the coordinate transformations, and the parallelogram of forces as having explanations by constraint. This book presents an original account of explanations by constraint, concentrating on a variety of examples from classical physics and special relativity. This book also offers original accounts of several other varieties of non-causal scientific explanation. Dimensional explanations work by showing how some law of nature arises merely from the dimensional relations among the quantities involved. Really statistical explanations include explanations that appeal to regression toward the mean and other canonical manifestations of chance. Lange provides an original account of what makes certain mathematical proofs but not others explain what they prove. Mathematical explanation connects to a host of other important mathematical ideas, including coincidences in mathematics, the significance of giving multiple proofs of the same result, and natural properties in mathematics. Introducing many examples drawn from actual science and mathematics, with extended discussions of examples from Lagrange, Desargues, Thomson, Sylvester, Maxwell, Rayleigh, Einstein, and Feynman, Because Without Cause's proposals and examples should set the agenda for future work on non-causal explanation.
Beckett and Death (Continuum Literary Studies #179)
by Steven Barfield Matthew Feldman Philip TewDeath is indisputably central to Beckett's writing and reception. This collection of research considers a number of Beckett's poems, novels, plays and short stories through considerations of mortality and death. Chapters explore the theme of deathliness in relation to Beckett's work as a whole, through three main approaches. The first of these situates Beckett's thinking about death in his own writing and reading processes, particularly with respect to manuscript drafts and letters. The second on the death of the subject in Beckett links dominant 'poststructural' readings of Beckett's writing to the textual challenge exemplified by the The Unnamable. A final approach explores psychology and death, with emphasis on deathly states like catatonia and Cotard's Syndrome that recur in Beckett's work. Beckett and Death offers a range of cutting-edge approaches to the trope of mortality, and a unique insight into the relationship of this theme to all aspects of Beckett's literature.
Beckett and Dialectics: Be it Something or Nothing
by Eva RudaFor a long time, analysis of the work of Samuel Beckett has been dominated by existentialist and post-structuralist interpretations. This new volume instead raises the question of how to understand Beckett via the dialectics underpinning his work. The different chapters explore how Beckett exposes and challenges essential dialectical concepts such as objectivity, subjectivity, exteriority, interiority, immanence, transcendence, and most crucially: negativity. With contributions from prominent scholars such as Alain Badiou, Mladen Dolar, and Rebecca Comay, Beckett and Dialectics not only sheds new light on how Beckett investigates the shapes, types, and forms of negation – as in the all-pervasive figures of 'nothing', 'no', 'null', and 'not' – but also examines how several phenomena that occur throughout Beckett's work are structured in their use of negativity. These include the relationships between voice and silence, space and void, movement and stasis, the finite and the infinite and repetition and transformation. This original analysis lends an important new perspective to Beckett studies, and even more fundamentally, to dialectics itself.
Beckett and Dialectics: Be it Something or Nothing
For a long time, analysis of the work of Samuel Beckett has been dominated by existentialist and post-structuralist interpretations. This new volume instead raises the question of how to understand Beckett via the dialectics underpinning his work. The different chapters explore how Beckett exposes and challenges essential dialectical concepts such as objectivity, subjectivity, exteriority, interiority, immanence, transcendence, and most crucially: negativity. With contributions from prominent scholars such as Alain Badiou, Mladen Dolar, and Rebecca Comay, Beckett and Dialectics not only sheds new light on how Beckett investigates the shapes, types, and forms of negation – as in the all-pervasive figures of 'nothing', 'no', 'null', and 'not' – but also examines how several phenomena that occur throughout Beckett's work are structured in their use of negativity. These include the relationships between voice and silence, space and void, movement and stasis, the finite and the infinite and repetition and transformation. This original analysis lends an important new perspective to Beckett studies, and even more fundamentally, to dialectics itself.
Beckett and Ethics (Continuum Literary Studies)
by Russell SmithAt first glance, Samuel Beckett's writing-where scenes of violence and cruelty often provide the occasion for an unremittingly bleak comedy-would seem to offer the reader few examples of ethical conduct. However, following the recent "ethical turn" in critical theory, there has been growing interest in the ethicality of Beckett's work. Following Alain Badiou's highly influential claim for Beckett as essentially an ethical thinker, it is time to ask: What is the relation between Beckett's work and the ethical? Is Beckett's work profoundly ethical in its implications, as both humanist and deconstructionist readings have insisted in their different ways? Or does Beckett's work in some way call into question the entire notion of the ethical? This provocative collection of essays seeks to map out this emerging debate in Beckett criticism. It will be a landmark contribution to an exciting new field, not only in Beckett Studies, but in literary studies and critical theory more broadly.
Beckett and Phenomenology (Continuum Literary Studies)
by Ulrika Maude Matthew FeldmanExistentialism and poststructuralism have provided the two main theoretical approaches to Samuel Beckett's work. These influential philosophical movements, however, owe a great debt to the phenomenological tradition. This volume, with contributions by major international scholars, examines the phenomenal in Beckett's literary worlds, comparing and contrasting his writing with key figures including Edmund Husserl, Martin Heidegger, Jean-Paul Sartre and Maurice Merleau-Ponty. It advances an analysis of hitherto unexplored phenomenological themes, such as nausea, immaturity and sleep, in Beckett's work. Through an exploration of specific thinkers and Beckett's own artistic method, it offers the first sustained and comprehensive account of Beckettian phenomenology.
Beckett and Phenomenology (Continuum Literary Studies #182)
by Ulrika Maude Matthew FeldmanExistentialism and poststructuralism have provided the two main theoretical approaches to Samuel Beckett's work. These influential philosophical movements, however, owe a great debt to the phenomenological tradition. This volume, with contributions by major international scholars, examines the phenomenal in Beckett's literary worlds, comparing and contrasting his writing with key figures including Edmund Husserl, Martin Heidegger, Jean-Paul Sartre and Maurice Merleau-Ponty. It advances an analysis of hitherto unexplored phenomenological themes, such as nausea, immaturity and sleep, in Beckett's work. Through an exploration of specific thinkers and Beckett's own artistic method, it offers the first sustained and comprehensive account of Beckettian phenomenology.
Beckett, Deleuze and Performance: A Thousand Failures and A Thousand Inventions (Performance Philosophy)
by Daniel KoczyThis book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett’s theatrical practice and a range of concepts drawn from Deleuze’s philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practice as an ongoing struggle to think with immanence.
Beckett, Deleuze and Performance: A Thousand Failures and A Thousand Inventions (Performance Philosophy)
by Daniel KoczyThis book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett’s theatrical practice and a range of concepts drawn from Deleuze’s philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practice as an ongoing struggle to think with immanence.
Beckett, Deleuze and the Televisual Event: Peephole Art
by C. GardnerAn expressive dialogue between Deleuze's philosophical writings on cinema and Beckett's innovative film and television work, the book explores the relationship between the birth of the event – itself a simultaneous invention and erasure - and Beckett's attempts to create an incommensurable space within the interstices of language as a (W)hole.
Beckett, Lacan and the Mathematical Writing of the Real
by Arka ChattopadhyayBeckett, Lacan and the Mathematical Writing of the Real proposes writing as a mathematical and logical operation to build a bridge between Lacanian psychoanalysis and Samuel Beckett's prose works. Arka Chattopadhyay studies aspects such as the fundamental operational logic of a text, use of mathematical forms like geometry and arithmetic, the human obsession with counting, the moving body as an act of writing and love, and sexuality as a challenge to the limits of what can be written through logic and mathematics. Chattopadhyay reads Beckett's prose works, including How It Is, Company, Worstward Ho, Malone Dies and Enough to highlight this terminal writing, which halts endless meanings with the material body of the word and gives Beckett a medium to inscribe what cannot be written otherwise.
Beckett, Lacan and the Mathematical Writing of the Real (PDF)
by Arka ChattopadhyayBeckett, Lacan and the Mathematical Writing of the Real proposes writing as a mathematical and logical operation to build a bridge between Lacanian psychoanalysis and Samuel Beckett's prose works. Arka Chattopadhyay studies aspects such as the fundamental operational logic of a text, use of mathematical forms like geometry and arithmetic, the human obsession with counting, the moving body as an act of writing and love, and sexuality as a challenge to the limits of what can be written through logic and mathematics. Chattopadhyay reads Beckett's prose works, including How It Is, Company, Worstward Ho, Malone Dies and Enough to highlight this terminal writing, which halts endless meanings with the material body of the word and gives Beckett a medium to inscribe what cannot be written otherwise.
Beckett, Literature and the Ethics of Alterity
by S. WellerIn Beckett, Literature and the Ethics of Alterity Weller argues through an analysis of the interrelated topics of translation, comedy, and gender that to read Beckett in this way is to miss the strangely 'anethical' nature of his work, as opposed to the notion that the literary event constitutes the affirmation of an alterity.
Beckett Ongoing: Aesthetics, Ethics, Politics (New Interpretations of Beckett in the Twenty-First Century)
by Michael Krimper Gabriel Quigley“You must go on. I can’t go on. I’ll go on.” These are some of the most quoted lines written by Samuel Beckett, which speak to the impulse of persevering in times of crisis and impossibility. Yet few readers of Beckett agree about what this paradoxical formula could mean, let alone what mode of engagement it would seem to indicate, be it committed, autonomous, or something else entirely. This volume of essays explores what that mode of engagement could be, all the while elucidating the ethical and political stakes of the “ongoing” in both Beckett’s life and work. Across multiple disciplines in the humanities, the authors delve into questions of political subjectivity and representation, the ethics of powerlessness and refusal, the aesthetics of syncopation and destitution, multimedia experiments between genre, as well as Beckett’s wider impact on transnational itineraries of modernism and philosophy up to the contemporary.
Beckett's Art of Mismaking
by Leland de la DurantayeLeland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.
Beckett's Art of Mismaking
by Leland de la DurantayeLeland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.
Beckett's Proust/Deleuze's Proust
by M. Bryden M. ToppingAn encounter between Deleuze the philosopher, Proust the novelist, and Beckett the writer creating interdisciplinary and inter-aesthetic bridges between them, covering textual, visual, sonic and performative phenomena, including provocative speculation about how Proust might have responded to Deleuze and Beckett.
Beckett's Words: The Promise of Happiness in a Time of Mourning
by David Kleinberg-LevinAt stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.
Beckett's Words: The Promise of Happiness in a Time of Mourning
by David Kleinberg-LevinAt stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.