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The Effect (Modern Plays)

Who I amIs notA side effect.Hearts and minds racing, Connie and Tristan are falling for each other fast. But is their sudden and intoxicating chemistry real, or a side effect of a new antidepressant?As two young volunteers in a clinical drug trial, their illicit romance poses startling dilemmas for the supervising doctors.Lucy Prebble's funny and intimate examination of love and ethics originally premiered in 2012, becoming an instant modern classic. This edition revised and updated edition is published to coincide with the production at the National Theatre, in August 2023.

Egghead: Or, You Can't Survive on Ideas Alone

Sometimes funny, sometimes serious, mostly absurd collection of poetry and essays from rising comedy star Bo Burnham.Bo Burnham was a teenager living in his parents' attic in Massachusetts when he started posting funny songs to YouTube. They immediately turned heads with their wise satire that belied his very young age. His videos have now been viewed over 209 million times, and he has amassed a gigantic online following that excitedly await each new video. Bo is revered in all comedy circles for being a wholly original, highly intelligent young voice. Judd Apatow was an early champion of the young comedian, and Bo taped his first Comedy Central special at age 18, the youngest in history. His comedy/song albums were huge critical and commercial successes. Written in his very distinctive comedic voice, EGGHEAD: OR, YOU CAN'T SURVIVE ON IDEAS ALONE brings Bo's award-winning brand of brainy word play to the page in the form of off-kilter writings, thoughts, and poems. Collaborating with longtime friend, artist and illustrator Chance Bone, Bo writes about everything from painful breakups to bald barbers, in a collection that makes the reader laugh, but like his stand-up and music, also displays surprisingly mature insights.With one text piece and one original black & white illustration per page, this book will appeal to Bo's already established fans as well as those new to his genius.

Egmont

Egmont is a play by Johann Wolfgang von Goethe, which he completed in 1788. Its dramaturgical structure, like that of his earlier 'Storm and Stress' play Götz von Berlichingen, is heavily influenced by Shakespearean tragedy.

The Ego Plays: Spain, I Heart Maths, Up (Oberon Modern Plays)

Includes the plays Spain, I Heart Maths and UpThe theme of self-indulgence unites the three plays in The Ego Plays collection. At the heart of each is a gay man asking a lot of questions… about himself. These questions range from scientific and philosophical musings to angst-ridden pleas for enlightenment. They come from men who have become so trapped in their own situations that they can no longer successfully connect with the outside world. Up is a play about despair, I Heart Maths is a play about love and Spain is a play about moving on. Together they present the cognitive processes of three men who have allowed personal problems to grow to monstrous proportions. In each of these plays excessive self analysis leads to the main characters taking desperate measures, though frequently also leading to humorous consequences. But while these plays are comedies, exploring the perils of taking oneself too seriously, they are not intended to be cruel. Instead they set their characters free by making their worst fears come true and then taking them somewhere new.

Eigengrau

Eigengrau / [ay-gen-gr-ow ] - noun. intrinsic light; the colour seen by the eye in perfect darkness Rose believes in true love and leprechauns. Her flatmate Cassie is engaged in a fervent struggle against patriarchal oppression. Across London, Mark believes in the power of marketing. His flatmate Tim Muffin is engaged in a fervent struggle against his own waistline. In a city where Gumtree can feel like your closest friend, looking for the right person can lead you all the wrong places.Penelope Skinner's Eigengrau premiered at the Bush Theatre, London, in March 2010 in a Strawberry Vale production.

Eight Hundred Leagues on the Amazon

South American rancher Joam Garral is wanted in Brazil for a crime he did not commit. The sinister Torres can prove him innocent--but Torres's price is to marry Joam's beautiful daughter, already promised to another. Verne's exotic 1881 adventure takes Joam's family by raft through danger, treachery, and vivid flora and fauna.

Eight Tragedies of Shakespeare

'This book rests on a lifetime's thinking about history. It helps us see Shakespeare in “a more realistic light”.'Times Literary SupplementThe seventeenth century saw the brief flowering of tragic drama across Western Europe. And in the plays of William Shakespeare, this form of drama found its greatest exponent. These Tragedies, Kiernan argues, represented the artistic expression of a new social and political consciousness which permeated every aspect of life in this period.In this book, Kiernan sets out to rescue the Tragedies from the reductionist interpretations of mainstream literary criticism, by uncovering the wider historical context which shaped Shakespeare's writings.Opening with an overview of contemporary England, the development of the theatre, and a portrait of Shakespeare as a writer, Kiernan goes on to provide an in-depth analysis of eight of his Tragedies – from Julius Caesar to Coriolanus – drawing out their contrasts and recurring themes, and exploring their attitudes to monarchy, war, religion, philosophy, and changing relations between men and women. Featuring a new introduction by Terry Eagleton, this is an invaluable resource for those looking for a new perspective on Shakespeare's writings.

Eight Tragedies of Shakespeare

'This book rests on a lifetime's thinking about history. It helps us see Shakespeare in “a more realistic light”.'Times Literary SupplementThe seventeenth century saw the brief flowering of tragic drama across Western Europe. And in the plays of William Shakespeare, this form of drama found its greatest exponent. These Tragedies, Kiernan argues, represented the artistic expression of a new social and political consciousness which permeated every aspect of life in this period.In this book, Kiernan sets out to rescue the Tragedies from the reductionist interpretations of mainstream literary criticism, by uncovering the wider historical context which shaped Shakespeare's writings.Opening with an overview of contemporary England, the development of the theatre, and a portrait of Shakespeare as a writer, Kiernan goes on to provide an in-depth analysis of eight of his Tragedies – from Julius Caesar to Coriolanus – drawing out their contrasts and recurring themes, and exploring their attitudes to monarchy, war, religion, philosophy, and changing relations between men and women. Featuring a new introduction by Terry Eagleton, this is an invaluable resource for those looking for a new perspective on Shakespeare's writings.

Ein Haus aus Sprache: Dramatikerinnen und das andere Theater

Mit "Ein Haus aus Sprache" legt Helga Kraft einen bislang fehlenden Überblick über Positionen und Kontroversen deutschsprachiger Dramatikerinnen vor, die ihre Geschlechterrollen auf der Bühne thematisiert haben - von Hrotsvit von Gandersheim über Charlotte Birch-Pfeiffer bis zu Elfriede Jelinek.

Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema

The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex, exciting subject with more depth and originality than any other practitioner, and this is an accessible and original exploration of his ideas. Winner of the Kraszna Krausz Foundation's And/Or Award for Best Moving Image Book of 2009, "Eisenstein on the Audiovisual" is essential reading for students and practitioners of the audiovisual in cinema and related audiovisual forms, including theatre, opera, dance and multimedia.

Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema (International Library of Cultural Studies #Vol. 5)

Eisenstein on the Audiovisual is winner of the Kraszna-Krausz Foundation's And/Or Award for the Best Moving Image Book of 2009. Chair of the judging panel Francine Stock commented: 'We had no hesitation in choosing the winner. Composer and filmmaker Robert Robertson achieves the near-impossible, shedding fresh light on Eisenstein without loading him with ideology. Like the work it describes, this book is symphonic; it draws together strong influences and forces around Eisenstein into a compelling and cogent narrative - at once enjoyable, provocative.'

Eisteddfod (Oberon Modern Plays)

‘We value truth in this family. Carpe Diem. Seize the day. We’re all just food for worms. So tell them you love them. Have fun, mount a donkey, whatever, just feel alive.’Charades is fun, right, with those people, yes, your family, the ones you try to get away from at Christmas. For the Pilgrims though it’s not simply a family affair, this is more than a game, this…. Is an Eisteddfod. This bawdy new play from acclaimed young playwright Luke Barnes is inspired by Suffolk folklore and explores the idea of family and identity, stories and how they are told.

Either

Love is just sex. And sex is just chance. And chance is just timing. And free will.Come onIt beats swiping right.When B spills coffee down A's shirt, an old spark is rekindled. But in a world of infinite possibilities, monogamy is tough. Straight, gay, casual, polyamorous, they find themselves irresistibly drawn both to the new and to each other. In a relationship of ever-changing boundaries, the couple question anything and everything as they attempt to navigate modern love.Funny, smart and sexy, Ruby Thomas' debut play probes contemporary ideas about sexuality, gender and the need to connect, before we die.

El muerto disimulado / Presumed Dead: Ângela de Azevedo (Aris & Phillips Hispanic Classics)

The Society for the Study of Early Modern Women and Gender awarded this work the Prize for the Best Translated Edition of a Work on Women and Gender, 2018.Valerie Hegstrom and Catherine Larson have created an annotated new edition and first-ever translation of Ângela de Azevedo’s vibrant comedy, El muerto disimulado / Presumed Dead, to promote the recuperation of early modern plays authored by women. The book contains a comprehensive introduction that describes Spanish theater in its Golden Age, what is known of the author’s life and times, contemporary stagings, and an extensive analysis of the text.Although the playwright penned her work in Spanish, the Portuguese Azevedo set the action in Lisbon, creating in the process an abundance of multicultural allusions that enrich the text’s baroque quality. The story unfolds as a cross between a jilted-lover scenario and a whodunit murder mystery. A woman laments her departed lover, a sister cross-dresses to avenge her murdered brother, a man duels with his cousin over lost honor, and before long, the dead man turns up as a ghost, or a bar maid, or a female peddler. Questions about identity abound in the witty El muerto disimulado / Presumed Dead. The transnational nature of this clever comedy complicates meanings, often producing bilingual wordplay that underscores the self-conscious, gender-bending, ludic character of the play and of theater in general. Azevedo highlights her ability to cross linguistic and geographic borders in the early modern period, as she simultaneously works within and offers a challenge to the dominant tradition of the Spanish Comedia.

The Elder Statesman

T. S. Eliot's last play, drafted originally in 1955 but not completed until three years later. Lord Claverton, an eminent former cabinet minister and banker, is helped to confront his past by the love of his daughter, his Antigone.The dialogue in The Elder Statesman, the love scenes in particular, contain some of Eliot's most tender and expressive writing for the theatre. The play was first performed at the Edinburgh Festival in 1958.

The Eldest Son

Eldorado (Oberon Modern Plays)

Anton’s got it made: dream house, artistic wife, baby on the way. And, as the smoke rises from another city saved by coalition bombs, there’s a fortune to be made rebuilding the wreckage. So what’s he doing forging his boss’s signature? And why has his wife crushed her hands under the piano lid? Painfully funny scenes of married bliss in meltdown and the insistent presence, on their screens and in their dreams, of the West's far-flung and half-forgotten wars – Eldorado asks what happens when the drive for success carries us past our coping point.

Eldridge Plays: Incomplete and Random Acts of Kindness, Market Boy, The Knot of the Heart, The Stock Da'Wa (Contemporary Dramatists)

This second collection of plays by David Eldridge showcases the development of one of the most impressive playwriting talents of recent years. His plays combine emotional impact with complexity, realistic characterisation with humour, and are among the most powerfully moving dramas of contemporary playwriting.Incomplete and Random Acts of Kindness moves between a dream story and real lives to tell an intricate, complex story of a young man dealing with the break up of his family and the legacy of race responsibility. Market Boy is a gloriously raucous rites-of-passage drama set in Romford Market in the 1980s. Bringing a market jungle to life with the decade's Thatcherite capitalist fervour, this spectacular, savage, and beautiful yarn is a tale looks at a boy's coming of age and loss of innocence.The Knot of the Heart has themes of love, family and addiction, and explores the creeping onset of self-destruction beneath a veneer of respectability. Full of David Eldridge's trademark lyricism within everyday family life and interaction, this is a play where emotions are high and relationships are sensitively written. The Stock Da'wa explodes the wafer thin bonhomie of a long-awaited reunion into a blackly funny maelstrom of pique and long repressed truth-telling - and with shocking consequences.Eldridge Plays 2 contains the definitive version of the four plays and an introduction by the author.

Electoral Guerrilla Theatre: Radical Ridicule and Social Movements

Praise for the First Edition: 'A major contribution to performance studies. If cynicism and political quietism have quelled your impulse to rage against this sorry state of affairs, Bogad demonstrates, with wit and verve, that it is possible to expose the sham and, through a variety of performative tactics, make a meaningful contribution to democracy.' Modern Drama 'A compelling and urgent read. Bogad’s passion for the topic reminds the reader of the exhilaration of live performance and the importance of engagement in democratic life.' Theatre Journal 'Delightfully written and wonderfully provocative ... Valuable reading for any scholar of social movements.' Mobilization 'As a guide to both theory and action, it is insightful, entertaining and indispensable.' Andrew Boyd, Wrangler-in-Chief, Beautiful Trouble 'Beautifully contextualized within social movement theory, this book enlivens the debate about performative interventions into power.'Jan Cohen-Cruz, Editor, Public, A Journal of Imagining America 'Electoral Guerrilla Theatre deals a refreshing wild card in the repertoire of resistance.' Baz Kershaw, Emeritus Professor, University of Warwick, and author of The Radical In Performance. In liberal democracies across the globe, where the right to vote is framed as both civil right and civic duty, disillusioned creative activists run for public office on satiric, ironic and iconoclastic platforms. With little intention of "winning" in the conventional sense, they use drag, camp and stand-up comedy to undermine the legitimacy of their opponents and sometimes the electoral system itself. This revised and updated edition of Electoral Guerrilla Theatre explores the phenomenon of the satirical election campaign, and questions the purpose of such public political performances. Drawing on extensive archival and ethnographic research, this is an entertaining and illuminating read that will be invaluable to students and scholars working across a variety of disciplines, including performance studies, the social sciences, cultural studies and politics. New case studies for this edition include: Reverend Billy’s run for Mayor of New York City in 2009; Stephen Colbert’s run for President in 2012; Candidates including Superbarrio, the Best Party, Antanas Mockus, and Einstein the Dog.

Electoral Guerrilla Theatre: Radical Ridicule and Social Movements

Praise for the First Edition: 'A major contribution to performance studies. If cynicism and political quietism have quelled your impulse to rage against this sorry state of affairs, Bogad demonstrates, with wit and verve, that it is possible to expose the sham and, through a variety of performative tactics, make a meaningful contribution to democracy.' Modern Drama 'A compelling and urgent read. Bogad’s passion for the topic reminds the reader of the exhilaration of live performance and the importance of engagement in democratic life.' Theatre Journal 'Delightfully written and wonderfully provocative ... Valuable reading for any scholar of social movements.' Mobilization 'As a guide to both theory and action, it is insightful, entertaining and indispensable.' Andrew Boyd, Wrangler-in-Chief, Beautiful Trouble 'Beautifully contextualized within social movement theory, this book enlivens the debate about performative interventions into power.'Jan Cohen-Cruz, Editor, Public, A Journal of Imagining America 'Electoral Guerrilla Theatre deals a refreshing wild card in the repertoire of resistance.' Baz Kershaw, Emeritus Professor, University of Warwick, and author of The Radical In Performance. In liberal democracies across the globe, where the right to vote is framed as both civil right and civic duty, disillusioned creative activists run for public office on satiric, ironic and iconoclastic platforms. With little intention of "winning" in the conventional sense, they use drag, camp and stand-up comedy to undermine the legitimacy of their opponents and sometimes the electoral system itself. This revised and updated edition of Electoral Guerrilla Theatre explores the phenomenon of the satirical election campaign, and questions the purpose of such public political performances. Drawing on extensive archival and ethnographic research, this is an entertaining and illuminating read that will be invaluable to students and scholars working across a variety of disciplines, including performance studies, the social sciences, cultural studies and politics. New case studies for this edition include: Reverend Billy’s run for Mayor of New York City in 2009; Stephen Colbert’s run for President in 2012; Candidates including Superbarrio, the Best Party, Antanas Mockus, and Einstein the Dog.

Electra: Graece Et Latine Recensuit Prosper Petronius (Dian Classical Texts Ser. #Vol. 5)

When a young Electra’s father is murdered by her mother, her world changes irrevocably. Ten years on, bound by grief and unwilling to forgive, Electra surrenders to an all-consuming desire for revenge that propels her towards a bloody and terrifying conclusion. This is a haunting new version by Nick Payne of Sophocles’ tragic masterpiece, Electra.‘Nick Payne’s urgent new version of Sophocles' Electra is another in a long line of boundary breaking offerings…. Payne [is] one of our brightest new playwrights… Electra-fying’ - The Evening Standard ‘Poised and punchy’ – The Arts Desk

Electra

Masterpiece of drama concerns the revenge Electra takes on her mother for the murder of her father. One of the best-known heroines of all drama and a towering figure of Greek tragedy.

Electra (Faber Plays Ser.)

Locked into a bloody cycle of murder and reprisal, Electra, haunted by her father's assassination, is consumed by grief and a thirst for vengeance. When her brother Orestes at last returns, she urges him to a savage and terrifying conclusion. Frank McGuinness's charged adaptation of Sophocles' powerful tragedy was first performed at the Chichester Festival Theatre in 1997 and was revived at the Old Vic, London, in 2014.

Electra (Greek Tragedy in New Translations)

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play. Although it has been at times overshadowed by his more famous Oedipus Tyrannus and Antigone, Sophocles' Electra is remarkable for its extreme emotions and taut drama. Electra recounts the murders of Clytemnestra and Aegisthus by Clytemnestra's son Orestes, to avenge their murder of his father Agamemnon, commander of the Greeks at Troy, upon his return home. Sophocles' version is presented from the viewpoint of Electra, Orestes' sister, who laments her father, bears witness to her mother's crime, and for years endures her mother's scorn. Despite her overwhelming passion for just revenge, Electra admits that her own actions are shameful. When Orestes arrives at last, her mood shifts from grief to joy, as Orestes carries out the bloody vengeance. Sophocles presents this story as a savage though necessary act of vengeance, vividly depicting Electra's grief, anger, and exultation. This translation equals the original in ferocity of expression, and leaves intact the inarticulate cries of suffering and joy that fill the play.

Electra (Greek Tragedy in New Translations)

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play. Although it has been at times overshadowed by his more famous Oedipus Tyrannus and Antigone, Sophocles' Electra is remarkable for its extreme emotions and taut drama. Electra recounts the murders of Clytemnestra and Aegisthus by Clytemnestra's son Orestes, to avenge their murder of his father Agamemnon, commander of the Greeks at Troy, upon his return home. Sophocles' version is presented from the viewpoint of Electra, Orestes' sister, who laments her father, bears witness to her mother's crime, and for years endures her mother's scorn. Despite her overwhelming passion for just revenge, Electra admits that her own actions are shameful. When Orestes arrives at last, her mood shifts from grief to joy, as Orestes carries out the bloody vengeance. Sophocles presents this story as a savage though necessary act of vengeance, vividly depicting Electra's grief, anger, and exultation. This translation equals the original in ferocity of expression, and leaves intact the inarticulate cries of suffering and joy that fill the play.