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Milton's Complex Words: Essays on the Conceptual Structure of Paradise Lost

Every major poet or philosopher develops their own distinctive semantic field around those terms which matter most to them, or which contribute most profoundly to the imagined world of a particular work. This book explores the specific meanings which Milton develops around key words in Paradise Lost. Some of these are theological or philosophical terms (e.g. 'evil', 'grace', 'reason'); others are words which shape the imagined world of the poem (e.g. 'dark', 'fall', 'within'); yet others are small words or even prefixes which subtly move the argument in new directions (e.g. 'if', 'not', 're-'). Milton seems to expect his readers to be alert to the special semantic field which he creates around such words, often by infusing them with biblical and literary connotations, and activating their etymological roots; alert also to the patterns created by the repetitions of such words, and particularly to their diverse use (and often their blatant misuse) by different characters. To understand the migrations and malleability of key words is part of the education of Milton's reader.

Milton's Epics and the Book of Psalms

The Psalms were of intense interest to Milton, who read them not only as impassioned voices conveying significant moments in life's journey, but also as examples of various genres, each containing rhetorical and poetical conventions appropriate to the expressive intent of the speaker. In this book Mary Ann Radzinowicz describes the pervasive influence of these biblical works on Paradise Lost and Paradise Regained. She shows that the dramatic moments when Milton's characters respond to the numinous are shaped by his appreciation of the lyricism of the Psalms and by his studies of their thematic relationships.This book traces the density of poetic voices in the epicsvoices arising from the echoing of psalm kindsand the ironic paralleling of important episodes in them. At the same time, Radzinowicz's book relates to each other Milton's two remarkable poetic oeuvres derived from the Old and New Testaments: one an anonymous, powerful, ancient, worship-centered, lyric work, the other an individually determined, revolutionary, heroic work.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Milton's Latin Poems

In this collection, esteemed poet and translator David R. Slavitt brings to life John Milton’s Latin poetry with deft, imaginative modern English translations.While Milton is recognized as one of the most learned English poets in history, his Latin poetry is less well known. Slavitt’s careful rendering brings Milton’s Latin poems—many written in his late teens—into the present. He keeps true to the style of the originals, showing Milton’s maturing poetic voice and the freedom he found working in Latin. On the Gunpowder PlotO, sly Guy Fawkes, you plotted against your king and the British lords, but did you intend to be kindand make up for your malice in this thing with at least a show of piety? Do we findan intention, perhaps, of sending the members of court up to the sky in a chariot made of firethe way Elijah traveled. Or do I distort the simple wickedness of your desire?Featuring an introduction by Gordon Teskey, this comprehensive English-language collection of Milton’s Latin poems pays due respect to a master. Poetry lovers, Milton fans, and scholars of either will welcome, enjoy, and learn from this work.

Milton’s Paradise Lost: Moral Education

This book reads Milton's Paradise Lost as a poem that seeks to educate its readers by narrating the education of its main characters.

Milton's Poetical Thought: The Literary Agenda (The Literary Agenda)

A defence of the importance of poetry that studies one of the greatest poets of the English tradition: John Milton. The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. Why would anyone read John Milton today? To many, poetry in general is an irrelevant and even irresponsible luxury that we cannot afford in a time of environmental and social crisis. The work of a seventeenth-century 'Puritan' might seem especially obscure and out of touch with our needs. But this book argues that Milton offers us one of the most powerful arguments for the importance of poetry today, both representing in his poetry and demonstrating through his own life, the transformative and sustaining force of the human imagination even in times of greatest upheaval. Writing out of his own experience of loss and disappointment, he insists that poetry is a form of knowledge, a way of seeing and understanding the world around us, others, and indeed ourselves. He uses the resources of poetry—its language, imagery, and forms—to challenge and shake us up, making us think in unfamiliar ways and expanding our imagination and our sense of the possibilities in our lives. Milton insists that poetry gives us knowledge of truths we otherwise would never apprehend; it enriches the experience of both writers and readers and makes us creative and fully realized human beings.

Milton's Poetical Thought: The Literary Agenda (The Literary Agenda)

A defence of the importance of poetry that studies one of the greatest poets of the English tradition: John Milton. The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. Why would anyone read John Milton today? To many, poetry in general is an irrelevant and even irresponsible luxury that we cannot afford in a time of environmental and social crisis. The work of a seventeenth-century 'Puritan' might seem especially obscure and out of touch with our needs. But this book argues that Milton offers us one of the most powerful arguments for the importance of poetry today, both representing in his poetry and demonstrating through his own life, the transformative and sustaining force of the human imagination even in times of greatest upheaval. Writing out of his own experience of loss and disappointment, he insists that poetry is a form of knowledge, a way of seeing and understanding the world around us, others, and indeed ourselves. He uses the resources of poetry—its language, imagery, and forms—to challenge and shake us up, making us think in unfamiliar ways and expanding our imagination and our sense of the possibilities in our lives. Milton insists that poetry gives us knowledge of truths we otherwise would never apprehend; it enriches the experience of both writers and readers and makes us creative and fully realized human beings.

The Mimiambs of Herodas: Translated into an English ‘Choliambic’ Metre with Literary-Historical Introductions and Notes

The third-century BC Greek poet Herodas had been all but forgotten until a papyrus of eight of his Mimiambs (plus fragments) turned up in the Egyptian desert at the end of the 19th century. They have since been translated into various modern languages and supplied with scholarly commentaries. This book is the first to attempt to reproduce in English Herodas' 'choliambic' or 'limping' metre (sic) - distinctive for its signatory reversed final foot, a variant on the standard Greek iambic trimeter. The present volume provides an accessible introduction to Herodas and his Mimiambs requiring no knowledge of Greek. The translation steers a judicious course between literal accuracy and fidelity to this linguistically very demanding poet's spirit and intention. The contextual introductions and notes on the poems take into account the most recent scholarship, providing explanation of the context of the Mimiambs and guiding the reader to an appreciation of the poetry itself. The General Introduction places the author in his cultural world and context, namely urban society in the Ptolemaic Empire of the hellenistic period. This he conjures up in his Mimiambs with an often scathing vividness.

The Mimiambs of Herodas: Translated into an English ‘Choliambic’ Metre with Literary-Historical Introductions and Notes

The third-century BC Greek poet Herodas had been all but forgotten until a papyrus of eight of his Mimiambs (plus fragments) turned up in the Egyptian desert at the end of the 19th century. They have since been translated into various modern languages and supplied with scholarly commentaries. This book is the first to attempt to reproduce in English Herodas' 'choliambic' or 'limping' metre (sic) - distinctive for its signatory reversed final foot, a variant on the standard Greek iambic trimeter. The present volume provides an accessible introduction to Herodas and his Mimiambs requiring no knowledge of Greek. The translation steers a judicious course between literal accuracy and fidelity to this linguistically very demanding poet's spirit and intention. The contextual introductions and notes on the poems take into account the most recent scholarship, providing explanation of the context of the Mimiambs and guiding the reader to an appreciation of the poetry itself. The General Introduction places the author in his cultural world and context, namely urban society in the Ptolemaic Empire of the hellenistic period. This he conjures up in his Mimiambs with an often scathing vividness.

Mina Loy: Strangeness Is Inevitable

A richly illustrated exploration of Mina Loy’s art and writingsMina Loy (1882–1966) was one of the most iconoclastic figures in modernism. A groundbreaking poet, she also left an indelible mark in painting, drawing, prose, art criticism, and fashion. Mina Loy: Strangeness Is Inevitable is the first book to examine the full scope of her extraordinary career, demonstrating Loy’s transformative impact on the visual arts as well as the literary avant-garde of the twentieth century.Presenting dozens of Loy’s paintings, drawings, and constructions alongside selections of her poems and writings, this book gives a comprehensive overview of the complex images and objects Loy created and situates them in the larger context of her life and work. It explores Loy’s pursuit of truth and beauty, arguing that her engagement with the emphatically “unbeautiful” materials of the Bowery—such as rags and bottle caps—reflects her questioning of truth. The book positions Loy within the broader context of surrealist art; sheds light on her relationships with influential figures such as Gertrude Stein, Marcel Duchamp, and Wyndham Lewis; and addresses Loy’s enduring relevance today.Featuring rare and previously unpublished artworks, Mina Loy: Strangeness Is Inevitable reveals this visionary artist’s extraordinary contributions as an image-maker, writer, and cultural arbiter, introducing her work to a new generation of readers and charting new directions in art history, women’s studies, poetry, and modernist studies.Published in association with the Bowdoin College Museum of ArtExhibition ScheduleBowdoin College Museum of Art, Brunswick, MaineApril 6–September 17, 2023

Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets

In Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets, Linda A. Kinnahan explores the making of Mina Loy’s late modernist poetics in relation to photography’s ascendance, by the mid-twentieth century, as a distinctively modern force shaping representation and perception. As photography develops over the course of the century as an art form, social tool, and cultural force, Loy’s relationship to a range of photographic cultures emerging in the first half of the twentieth century suggests how we might understand not only the intriguing work of this poet, but also the shaping impact of photography and new technologies of vision upon modernist poetics. Framing Loy’s encounters with photography through intersections of portraiture, Surrealism, fashion, documentary, and photojournalism, Kinnahan draws correspondences between Loy’s late poetry and visual discourses of the body, urban poverty, and war, discerning how a visual rhetoric of gender often underlies these mappings and connections. In her final chapter, Kinnahan examines two contemporary poets who directly engage the camera’s modern impact –Kathleen Fraser and Caroline Bergvall – to explore the questions posed in their work about the particular relation of the camera, the photographic image, and the construction of gender in the late twentieth century.

Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets

In Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets, Linda A. Kinnahan explores the making of Mina Loy’s late modernist poetics in relation to photography’s ascendance, by the mid-twentieth century, as a distinctively modern force shaping representation and perception. As photography develops over the course of the century as an art form, social tool, and cultural force, Loy’s relationship to a range of photographic cultures emerging in the first half of the twentieth century suggests how we might understand not only the intriguing work of this poet, but also the shaping impact of photography and new technologies of vision upon modernist poetics. Framing Loy’s encounters with photography through intersections of portraiture, Surrealism, fashion, documentary, and photojournalism, Kinnahan draws correspondences between Loy’s late poetry and visual discourses of the body, urban poverty, and war, discerning how a visual rhetoric of gender often underlies these mappings and connections. In her final chapter, Kinnahan examines two contemporary poets who directly engage the camera’s modern impact –Kathleen Fraser and Caroline Bergvall – to explore the questions posed in their work about the particular relation of the camera, the photographic image, and the construction of gender in the late twentieth century.

Mind The Gap: Band 12/Copper (Collins Big Cat Ser.)

Minnesang: Sammlung Metzler, 244 (Sammlung Metzler)

Minnesang (Sammlung Metzler)

Minnesang in neuer Sicht - Günther Schweikle stellt den mittelhochdeutschen Minnesang bis 1300 in der thematischen und formalen Breite und Fülle vor, wie er in den Handschriften erscheint.

Minnesang in neuer Sicht

The Minuses (Mountain West Poetry Series)

Conjuring the literature of the desert, such as If There Were Anywhere But Desert by Edmond Jabès, Desert Solitaire by Edward Abbey, andLand of Little Rain by Mary Austin, Jami Macarty’s The Minuses beckons attention to ecological and feminist issues and the co-incidence of eating disorders, sexual harassment, family and intimate partner violence, homelessness, suicide, environmental destruction, and other forms of endangerment. Seeking escape from relationship, belief, and self, multi-perspective survivors claim voice as contemplators of natural splendors, and as seekers of incarnate desires. These voices amplify the precariousness that predicates women's lives and the natural world, laying bare the struggle and faith required to endure with integrity and spirit intact.

The Mirabelles

Annie Freud’s award-winning first collection, The Best Man That Ever Was, introduced readers to a remarkably versatile new voice; The Mirabelles delivers a similarly exhilarating cornucopia – the Mask of Temporary Madness, Marc Almond, mini-novels a sonnet long, Carottes Vichy, and the most gripping account of a billiard game you’ll ever read. However, in a new sequence derived from family letters, Freud has invented almost a new kind of writing: neither ‘found’ nor ‘made’ in the conventional sense, these poems are profoundly moving, and startling in their boldly unfashionable lack of irony. Elsewhere The Mirabelles is full of the world-stuff – the clothes and food, the art and social intrigues – with which we dress and conceal our deeper emotions and appetites. In the end, this is a book about reality and its representations, and the truth and lies we tell about ourselves.

The Mirror Diary: Selected Essays (Poets On Poetry)

A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation. The Mirror Diary tracks the emergence of an original poetic voice and a learned consciousness amid multiple and sometimes competing influences of complex literary traditions and regional and ethnic histories. Beginning with a literary inquiry into the history of Japanese Americans in Hawai`i and California, Garrett Hongo draws on his own history to consider the mosaic of American identities—personal, cultural, and poetic—in the context of a postmodern diaspora. Hongo’s essays attest to the breadth of what he considers his cultural inheritance and literary antecedents, ranging from the poets of China’s T’ang Dynasty to American poets such as Walt Whitman and Charles Olson. He explains free-verse prosody by way of John Coltrane’s jazz; praises his contemporaries, poets David Mura, Edward Hirsch, and Mark Jarman; and acknowledges his mentors, Bert Meyers and Charles Wright. In other pieces he engages with controversies and contestations in contemporary Asian American literature, confronts the politics of race and the legacy of Japanese American internment during World War II, offers paeans to the Hawaiian landscape, and addresses immigrants newly arrived in America with a warm welcome. The Mirror Diary is the work of a poet fully engaged with contemporary politics and poetics and committed to the study and celebration of diverse traditions.

Mirror of Obedience: The Poems and Selected Prose of Simone Weil

Simone Weil (1909-1943) was one of the foremost French philosophers of the 20th century; a mystic, activist, and writer whose profound work continues to intrigue and inspire today. Mirror of Obedience collects together Weil's poetry and autobiographical writings translated into English for the first time. It offers a rare glimpse into a more personal and introspective Weil than we usually encounter. She was writing and re-working her poems until the end of her life and in a letter from London to her parents, dated 22 January 1943, she expressed the wish for her verses to appear together in print in chronological order, a wish which this volume honours.Weil was a thinker who wrote with discipline and spareness and cherished the poetic form for its power to compress language and distill meaning. In these poems and literary writings, we see her own efforts to craft poems as essential expressions of thought, bringing into view another aspect of Weil's quest for beauty and truth.

Mirror of Obedience: The Poems and Selected Prose of Simone Weil

Simone Weil (1909-1943) was one of the foremost French philosophers of the 20th century; a mystic, activist, and writer whose profound work continues to intrigue and inspire today. Mirror of Obedience collects together Weil's poetry and autobiographical writings translated into English for the first time. It offers a rare glimpse into a more personal and introspective Weil than we usually encounter. She was writing and re-working her poems until the end of her life and in a letter from London to her parents, dated 22 January 1943, she expressed the wish for her verses to appear together in print in chronological order, a wish which this volume honours.Weil was a thinker who wrote with discipline and spareness and cherished the poetic form for its power to compress language and distill meaning. In these poems and literary writings, we see her own efforts to craft poems as essential expressions of thought, bringing into view another aspect of Weil's quest for beauty and truth.

Misadventure

Misadventure won the inaugural Picador Poetry Prize, and is Richard Meier’s first collection. Misadventure is a book about what we learn, and what we refuse to learn: although Meier’s poems are often deceptively quiet in their address, the reader will soon discover a poet capable of illuminating the darkest corners of our lives by the very lightest of touches, and an ear simultaneously attuned to the lyric poem and the cadence of real speech. The collection also contains some disarmingly tender poetry on the experience of fatherhood. Misadventure is about all the hope and hopelessness lurking just below the surface of things, in our rooms, tables, coats and gardens – and leaves them enriched and strange, under the transforming eye of a fine new talent.

Miscellanies, Poetry, and Authorship, 1680–1800 (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)

This book is a critical study of the ancestors of contemporary poetry anthologies: the poetic miscellanies of the late seventeenth and eighteenth centuries. It argues that miscellanies are a distinctive kind of literary collection and that their popularity in the period 1680–1800 had a far-reaching impact on authors, publishers, and readers of poetry.This study expands the definition of miscellanies to include single-author collections called miscellanies as well as the multiple-author collections that have traditionally been the focus of scholarly attention. It shows how multiple-author miscellanies fostered different kinds of literary community and explores the neglected role of single-author miscellanies in the self-fashioning of eighteenth-century writers. Later chapters examine miscellanies’ relationships with periodicals, their contribution to the formation of the literary canon, and their reception and transformation in the hands of readers. The book draws on newly available digital data as well as evidence from hundreds of printed miscellanies to shed new light on how poetry was written, published, and read in the long eighteenth century.

**Missing**: Essays on the Late Writings of Robert Duncan (Modern and Contemporary Poetry and Poetics)

This collection of essays focuses on the remarkable late writings of Robert Duncan. Although praised by reviewers, Duncan's last two books of poetry have yet to receive the critical attention they merit. Written by a cast of emerging and established scholars, these essays bring together a diverse set of approaches to reading Duncan's writing.

The Missing Months

Many of the poems in The Missing Months occupy the strange hiatus afforded by lockdown. They look forward as well as back, toying with possible futures, enthused by utopian dreams or fearing cultural and bodily entropy. They celebrate and mourn the lives of friends and relatives, captivated by carefully tended images from the past. Lockdown's 'missing months' in the world of a four-year-old granddaughter are laid down and remembered for her. Familiar objects - a park bench, stones, grass, stars, windows - are reanimated. This poetry of imaginative journeying 'stretches/Banks on a slope of air and turns' like the heron it watches. Between the crackle of radio signals and rain, the Russian poet Osip Mandelstam and the American singer Miranda Lambert, here is a poet in search of points of reference, the 'bright fresh leaves' of sunlight among the ruins.

The Missing Mountain: New and Selected Poems (Phoenix Poets)

A collection of poetry spanning the career of distinguished poet Michael Collier. Whether Michael Collier is writing about an airline disaster, a friendship with a disgraced Catholic bishop, his father’s encounter with Charles Lindbergh, Lebanese beekeepers, a mother’s sewing machine, or a piano in the woods, he does so with the syntactic verve, scrupulously observed detail, and a flawless ear that has made him one of America’s most distinguished poets. These poems cross expanses, connecting the fear of missing love and the bliss of holding it, the ways we speak to ourselves and language we use with others, and deep personal grief and shadows of world history. The Missing Mountain brings together a lifetime of work, chronicling Collier’s long and distinguished career as a poet and teacher. These selections, both of previously published and new poems, chart the development of Collier’s art and the cultivations of is passions and concerns.