Browse Results

Select your format based upon: 1) how you want to read your book, and 2) compatibility with your reading tool. To learn more about using Bookshare with your device, visit the Help Center.

Here is an overview of the specialized formats that Bookshare offers its members with links that go to the Help Center for more information.

• Bookshare Web Reader - A customized reading tool for Bookshare members offering all the features of DAISY with a single click of the "Read Now" link.
• DAISY (Digital Accessible Information System) - A digital book file format. DAISY books from Bookshare are DAISY 3.0 text files that work with just about every type of access technology that reads text. Books that contain images will have the download option of ‘DAISY Text with Images’.
• BRF (Braille Refreshable Format) - Digital Braille for use with refreshable Braille devices and Braille embossers.
• MP3 (MPEG audio layer 3) - Provides audio only with no text. These books are created with a text-to-speech engine and spoken by Kendra, a high quality synthetic voice from Ivona. Any device that supports MP3 playback is compatible.
• DAISY Audio - Similar to the DAISY option above; however, this option uses MP3 files created with our text-to-speech engine that utilizes Ivonas Kendra voice. This format will work with Daisy Audio compatible players such as Victor Reader Stream and Read2Go.
• EPUB - A standard e-book format that can be read on many tools, such as iBooks, Readium or others.
• Word - Accessible Word output, which can be unzipped and opened in any tool that allows .docx files

Men, Women and Ghosts

Men’s Work: Gender, Class, and the Professionalization of Poetry, 1660–1784

This book examines how the concept of the poet as a male professional emerged during the Restoration and eighteenth century. Analyzing works by writers from Rochester to Johnson, Linda Zionkowski argues that the opportunities for publication created by the growth of a commercial market in texts profoundly challenged aristocratic conceptions of authorship and altered the status of professional poets on the hierarchies of class and gender. The book proposes that during this period, discourse about the poet's social role both revealed and produced a crucial shift in configurations of masculinity: the belief that commodifying their mental labor undermined writers' cultural authority gave way to a celebration of the market's function as the proving ground for both literary merit and bourgeois manhood.

Mental Fight

This epic poem by Booker Prize winner Ben Okri is an intimate song of rage and restoration. It speaks to each new moment and each person, like sunlight or like pain. It is an anthem to our ascending dreams, and a hymn of inspiration.

Mental Fight

An epic poem touching on issues of racism, intolerance and environmental destructions from Booker Prize-winning author Ben Okri. There is much to celebrate in the human journey so far – art in all its forms, advances made in the fields of technology and medicine and, for many of us, the miracle of freedom. But there is also much to regret – racism, intolerance, the destruction of our environment, the reality and the legacy of slavery.In this long, sustained consideration of the state we find ourselves in, Ben Okri invokes the past to explain the present, and sings out a message of hope. The future is still ours to make. This epic poem, an anthem for the twenty-first century, first appeared in The Times in January 1999. Its message could hardly be more relevant to our present condition.Discover this revised edition of an inspiring and extraordinarily tender work.'Ben Okri is that rare thing, a literary and social visionary, a writer for whom all three – literature, culture and vision – are profoundly interwoven' Ali Smith

The Merchant of Venice: Choice, Hazard and Consequence

The Merchant of Venice, Shakespeare's most frequently performed and currently most controversial comedy, continues to confront in its stage and critical history the ongoing debate over its artistic unity. Six chapters explore the degree of dramatic integrity Shakespeare achieves by unifying the play's many hard choices through a tightly-knit interplay of contrarieties and correspondences in structure, language, characters and ideas. Engaging the play's extensive body of criticism, this book contextualizes the most provocative questions raised by the play and provides considerable new evidence about Shakespeare's possible sources and his innovative use of them, especially usury and merchantry, Jew and Christian, biblical and classical allusion, stage law and verbal-visual symbols.

Mercies: Selected Poems (Penguin Modern Classics)

The ground-breaking work of the poet who paved the way for generations of women writers, in a new selection by her daugher and literary executor, Linda Gray SextonWhen Anne Sexton took her own life in October 1974, she left behind a body of work which had already, in less than two decades of writing, won her the Pulitzer Prize for Poetry, established her as one of the foremost voices of her generation, and shocked America by breaking multiple taboos of subject matter, from insanity, depression and addiction to menstruation, adultery and the figure of the witch.Sexton's name is legendary. Her poetry is read around the world, translated into over thirty languages, and in her own country remains a touchstone for poets and readers looking for rawness of perception, vitality of expression, confessional frankness and fiery passion. Yet, incredibly, there has been no new UK edition of her work for decades. In Mercies, readers are provided with a resonant new selection from the writings of this natural phenomenon of a poet.

The Merry Muses of Caledonia: (original Edition) A Collection Of Favourite Scots Songs Ancient And Modern: Selected For Use Of The Crochallan Fencibles

The Merry Muses of Caledonia is among Burns' best known, but least read, work. This collection of bawdy poems, some written by and some collected by Burns, ranges from celebrations of spirited women in "Ellibanks", to misogyny in "There was twa wives" and male fantasy in "Nine Inch will please a lady". These engaging poems are not lewd or distasteful but possess a great wit and charm. This new edition updates the 1959 printing, which with engaging accompanying material by James Barke and preface by J. De Lancey Ferguson have made this the definitive version, until now. "The Merry Muses" was always intended to be accompanied by music but the 1959 edition was left incomplete due to Barke's premature death. For the first time the book is completed as it was always meant to be with notes to the tunes created with reference to Barke's unpublished papers. "The Luath Merry Muses" edition also includes bonus material with specially commissioned illustrations from top political satirist Bob Dewar and an introduction by Burns scholar Valentina Bold. Ferguson's work is brought up to date with commentary on the latest critical responses. This new edition will make this classic of Burns' literature more accessible to modern readers.

The Mersey Sound: Restored 50th Anniversary Edition (Penguin Modern Classics)

'The Mersey Sound is an attempt to introduce contemporary poetry to the general reader by publishing representative work by each of three modern poets in a single volume, in each case the selection has been made to illustrate the poet's characteristics in style and form'. With this modest brief, The Mersey Sound was conceived and first published in 1967. An anthology which features Roger McGough's work, alongside that of Brian Patten and Adrian Henri (The Liverpool Poets), it went on to sell over half a million copies and to become the bestselling poetry anthology of all time.

Messages: A National Poetry Day Book

A poetry book to celebrate National Poetry Day 2016 with poems on the theme of messages from Matt Goodfellow, Rachel McCrum, Deborah Alma, Brian Moses, Liz Brownlee, Michaela Morgan, Jan Dean, Paul Cookson, Roger Stevens, Joseph Coelho, Joshua Seigal, Rachel Rooney, Sophie Herxheimer and Sally Crabtree.National Poetry Day is the annual mass celebration of poetry and all things poetical, a special day on which all are invited to discover and share the enjoyment of poems. We hope that the poems in this book - all inspired by this year's National Poetry Day theme of messages - will kindle an enthusiasm for poetry that continues to grow long after the day itself, Thursday 6 October 2016, has passed.

Messing About in Boats (Clarendon Lectures in English)

Written by the eminent poet Michael Hofmann, this approachable and companionable book offers readings of four poems on the subject of boats. Based on Michael Hofmann's Clarendon lectures, this volume offers readings of four poems in German, French, Italian, and English, by Rainer Maria Rilke, Arthur Rimbaud, Eugenio Montale, and Karen Solie. All four poems are on the subject of boats: 'Emigrant Ship', the 'Bateau Ivre', 'Boats on the Marne', and 'The World'. The volume suggests an affinity between boats and poems, offers a partial lineage of boats in poems, and pursues four variant destinies: the boat that stays in port, the boat that gives itself to the world, the boat that is washed away down the river, and the one that goes manically and hubristically on forever. The volume retains the style of lectures and has an improvisational character, with the same fire and detail as the things it is about. It is written with a sense of fun, of revelation, and in a spirit of respect and attention.

Messing About in Boats (Clarendon Lectures in English)

Written by the eminent poet Michael Hofmann, this approachable and companionable book offers readings of four poems on the subject of boats. Based on Michael Hofmann's Clarendon lectures, this volume offers readings of four poems in German, French, Italian, and English, by Rainer Maria Rilke, Arthur Rimbaud, Eugenio Montale, and Karen Solie. All four poems are on the subject of boats: 'Emigrant Ship', the 'Bateau Ivre', 'Boats on the Marne', and 'The World'. The volume suggests an affinity between boats and poems, offers a partial lineage of boats in poems, and pursues four variant destinies: the boat that stays in port, the boat that gives itself to the world, the boat that is washed away down the river, and the one that goes manically and hubristically on forever. The volume retains the style of lectures and has an improvisational character, with the same fire and detail as the things it is about. It is written with a sense of fun, of revelation, and in a spirit of respect and attention.

Las metamorfosis

Considerada una de las obras maestras de la literatura latina, Las metamorfosis es un vasto poema en quince libros, basados en la mitología y en la literatura helénicas. La obra contiene 246 leyendas mitológicas que explican las diversas formas externas que adoptaron los personajes y cosas de la antigüedad desde el comienzo del caos hasta la transformación de julio Cesar. La obra está escrita en verso heroico, en hexámetros.

Metamorphic Verse: The Elizabethan Minor Epic (Princeton Legacy Library #5393)

To Shakespeare, Spenser, Marlowe, and other Elizabethans, the minor epic was an important medium for poetic experimentation, but today, too often separated from the culture that bore it, it is not well understood. This author examines the form of the minor epic and its place in Elizabethan literary culture. Particularly, he explores the concept of metamorphosis as it shapes the minor epic at every level; in its subject matter, narrative technique, imagery, reworking of traditional materials, mixing of literary genres, and power to transform the poet.Combining close reading with literary theory, Professor Hulse approaches the minor epic as a mixed genre, exploring the idea of genre itself as well as the particular genres that contributed to the minor epics, including the sonnet, satire, Ovidian epic, pastoral, and primeval poetry.He also discusses wider issues, such as poetic inspiration, fictionality, and the nature of literary history; and takes up painting and historiography to show how they use the same narrative materials in different ways and to different ends. In the process he redefines Elizabethan literature as a fluid system, characterized by multiplicity of form and style and the poet's search for growth.Clark Hulse is Associate Professor of English at the University of Illinois at Chicago Circle.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Metamorphic Verse: The Elizabethan Minor Epic (Princeton Legacy Library #5391)

To Shakespeare, Spenser, Marlowe, and other Elizabethans, the minor epic was an important medium for poetic experimentation, but today, too often separated from the culture that bore it, it is not well understood. This author examines the form of the minor epic and its place in Elizabethan literary culture. Particularly, he explores the concept of metamorphosis as it shapes the minor epic at every level; in its subject matter, narrative technique, imagery, reworking of traditional materials, mixing of literary genres, and power to transform the poet.Combining close reading with literary theory, Professor Hulse approaches the minor epic as a mixed genre, exploring the idea of genre itself as well as the particular genres that contributed to the minor epics, including the sonnet, satire, Ovidian epic, pastoral, and primeval poetry.He also discusses wider issues, such as poetic inspiration, fictionality, and the nature of literary history; and takes up painting and historiography to show how they use the same narrative materials in different ways and to different ends. In the process he redefines Elizabethan literature as a fluid system, characterized by multiplicity of form and style and the poet's search for growth.Clark Hulse is Associate Professor of English at the University of Illinois at Chicago Circle.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Metamorphoses: Selected Stories in Verse (Dover Thrift Editions)

One of ancient Rome's most celebrated poets, Ovid (43 B.C.–A.D. 18) wrote during the reign of Augustus. His works reflect a sentiment of art for pleasure's sake, without the ethical or moral overtones, which perhaps accounts for his enduring popularity. For more than two thousand years, readers have delighted in Ovid's playful eloquence; his influence on other writers has ranged from Dante and Chaucer to Shakespeare and Milton, and scenes from his stories have inspired many great works by Western artists.This selection of thirty stories from the verse translation by F. A. Wright of Ovid's famous work, The Metamorphoses, does full justice to the poet's elegance and wit. All of the tales involve a form of metamorphosis, or transformation, and are peopled by mythological gods, demigods, and mortals: Venus and Adonis, Pygmalion, Apollo and Daphne, Narcissus, Perseus, and Andromeda, Orpheus and Eurydice, the Cyclops, and Circe, among others.Although most of the stories did not originate with Ovid, it is quite possible that had he not written them down, these oral traditions would have been lost forever — and with them, a vast and valuable amount of Greco-Roman culture. This collection of the poet's best and most beloved narrative verses reflects the vitality of classical mythology. A selection of the Common Core State Standards Initiative.

The Metamorphoses: The Arthur Golding Translation Of 1567

Bringing together a series of ingeniously linked myths and legends, Ovid's deliciously witty and poignant Metamorphoses describes a magical world in which men and women are transformed - often by love - into flowers, trees, animals, stones and stars. First published in 1567, this landmark translation by Arthur Golding was the first major English edition of the epic, which includes such tales as the legend of Narcissus; the parable of Icarus; and the passion held by the witch-queen Circe for the great Aeneas. A compelling adaptation that used imagery familiar to English sixteenth-century society, it powerfully influenced Spenser, Shakespeare and the character of Elizabethan literature.

Metamorphoses: Cum Emendationis Summario (1883)

Ovid's deliciously witty and exuberant epic starts with the creation of the world and brings together a series of ingeniously linked Greek and Roman myths and legends in which men and women are transformed, often by love - into flowers, trees, stones and stars. This new verse translation, in simple and swift English hexameters, allows Ovid's narrative to flow - pulling the reader along with it.

Metamorphoses III: An Extract 511-733 (Latin Texts)

Metamorphoses is an epic poem but is very different from what we expect in an epic. Original, inventive and charming, the poem tells the stories of myths featuring transformations, from the creation of the universe to the death and deification of Julius Caesar. Book III concentrates on the House of Thebes, and this selection details the story of Pentheus and his tragic end after refusing to acknowledge the god Bacchus.This edition contains the Latin text as well as in-depth commentary notes which provide language support, explanation of difficult words and phrases, and analysis of literary features as well as information on the background to the story. The introduction presents an overview of Ovid in his historical and literary context, as well as a plot synopsis and a discussion of the literary genre and metre. All words in the text are given in a full vocabulary at the end and there are also suggestions for further reading. This is the prescribed edition of the verse set text for OCR's AS GCE Classics Latin qualification, for examination from 2015 to 2017 inclusive.

Metamorphoses III: An Extract 511-733 (Latin Texts)

Metamorphoses is an epic poem but is very different from what we expect in an epic. Original, inventive and charming, the poem tells the stories of myths featuring transformations, from the creation of the universe to the death and deification of Julius Caesar. Book III concentrates on the House of Thebes, and this selection details the story of Pentheus and his tragic end after refusing to acknowledge the god Bacchus.This edition contains the Latin text as well as in-depth commentary notes which provide language support, explanation of difficult words and phrases, and analysis of literary features as well as information on the background to the story. The introduction presents an overview of Ovid in his historical and literary context, as well as a plot synopsis and a discussion of the literary genre and metre. All words in the text are given in a full vocabulary at the end and there are also suggestions for further reading. This is the prescribed edition of the verse set text for OCR's AS GCE Classics Latin qualification, for examination from 2015 to 2017 inclusive.

Metamorphoses (PDF)

Ovid drew on Greek mythology, Latin folklore and legend from ever further afield to create a series of narrative poems, ingeniously linked by the common theme of transformation. Here a chaotic universe is subdued into harmonious order: animals turn to stone; men and women become trees and stars. Ovid himself transformed the art of storytelling, infusing these stories with new life through his subtley, humour and understanding of human nature, and elegantly tailoring tone and pace to fit a variety of subjects. The result is a lasting treasure-house of myth and legend.

Metaphor and Belief in The Faerie Queene

Rufus Wood contextualizes his study of The Faerie Queene through an initial discussion of attitudes towards metaphor expressed in Elizabethan poetry. He reveals how Elizabethan writers voice a commitment to metaphor as a means of discovering and exploring their world and shows how the concept of a metaphoric principle of structure underlying Elizabethan poetics generates an exciting interpretation of The Faerie Queene. The debate which emerges concerning the use and abuse of metaphor in allegorical poetry provides a valuable contribution to the field of Spenser studies in particular and Renaissance literature in general.

Metaphor and Iconicity: A Cognitive Approach to Analyzing Texts

Metaphor and Iconicity attempts to clarify the interplay of metaphor and iconicity in the creation and interpretation of spoken and written texts from a cognitive perspective. There are various degrees in which metaphor and iconicity manifest themselves, ranging from sound symbolism and parallelism in poetic discourse to word order, inflectional forms, and other grammatical structures in ordinary discourse. The book makes unique contributions to the study of the relationship of form and meaning.

Metaphor and Shakespearean Drama: Unchaste Signification (Early Modern Literature in History)

Metaphor and Shakespearean Drama explores the fruitful and potentially unruly nature of metaphorical utterances in Shakespearean drama, with analyses of Othello , Titus Andronicus , King Henry IV Part 1 , Macbeth , Hamlet , and The Tempest.

Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy (Law and Literature)

Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy offers a historical survey of imaginings of the prison as expressed in carceral metaphors in a range of texts about imprisonment from Antiquity to the present as well as non-penal situations described as confining or restrictive. These imaginings coalesce into a 'carceral imaginary' that determines the way we think about prisons, just as social debates about punishment and criminals feed into the way carceral imaginary develops over time. Examining not only English-language prose fiction but also poetry and drama from the Middle Ages to postcolonial, particularly African, literature, the book juxtaposes literary and non-literary contexts and contrasts fictional and nonfictional representations of (im)prison(ment) and discussions about the prison as institution and experiential reality. It comments on present-day trends of punitivity and foregrounds the ethical dimensions of penal punishment. The main argument concerns the continuity of carceral metaphors through the centuries despite historical developments that included major shifts in policy (such as the invention of the penitentiary). The study looks at selected carceral metaphors, often from two complementary perspectives, such as the home as prison or the prison as home, or the factory as prison and the prison as factory. The case studies present particularly relevant genres and texts that employ these metaphors, often from a historical perspective that analyses development through different periods.

Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy (Law and Literature)

Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy offers a historical survey of imaginings of the prison as expressed in carceral metaphors in a range of texts about imprisonment from Antiquity to the present as well as non-penal situations described as confining or restrictive. These imaginings coalesce into a 'carceral imaginary' that determines the way we think about prisons, just as social debates about punishment and criminals feed into the way carceral imaginary develops over time. Examining not only English-language prose fiction but also poetry and drama from the Middle Ages to postcolonial, particularly African, literature, the book juxtaposes literary and non-literary contexts and contrasts fictional and nonfictional representations of (im)prison(ment) and discussions about the prison as institution and experiential reality. It comments on present-day trends of punitivity and foregrounds the ethical dimensions of penal punishment. The main argument concerns the continuity of carceral metaphors through the centuries despite historical developments that included major shifts in policy (such as the invention of the penitentiary). The study looks at selected carceral metaphors, often from two complementary perspectives, such as the home as prison or the prison as home, or the factory as prison and the prison as factory. The case studies present particularly relevant genres and texts that employ these metaphors, often from a historical perspective that analyses development through different periods.