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Melancholie und Geselligkeit: Studien zu Mörike
by Wolfgang BraungartWenigen Dichtern der Moderne gelingt es so wie Mörike, Literatur aus dem sozialen Lebenszusammenhang hervorgehen zu lassen und auf ihn zu beziehen. Dabei steigern und intensivieren sich Kunst und Leben wechselseitig. Mit höchster poetischer Sensibilität macht Mörike seine Literatur durchlässig für das soziale Leben; ja, er macht es zu einem Formprinzip. Die durchgehende, poetisch so produktive Melancholie seines Werkes, von der Forschung oft beobachtet, zeigt aber, dass Freundschaft, Geselligkeit, soziale Zugehörigkeit die poetische Subjektivität nicht wirklich beheimaten können, so sehr sie sich genau danach sehnt. Der Band versammelt Studien zur Lyrik und zu den Erzählungen "Mozart auf der Reise nach Prag" und "Das Stuttgarter Hutzelmännlein".
Melancholy Experience in Literature of the Long Eighteenth Century: Before Depression, 1660-1800
by A. Ingram S. Sim C. Lawlor R. Terry J. Baker Leigh Wetherall DicksonArising from a research project on depression in the eighteenth century, this book discusses the experience of depressive states both in terms of existing modes of thought and expression, and of attempts to describe and live with suffering. It also asks what present-day society can learn about depression from the eighteenth-century experience.
Memo for Spring: 50th Anniversary Edition - Introduction by Ali Smith
by Liz LochheadLiz Lochhead is one of the leading poets writing in Britain today. This, her debut collection, published in 1972, was a landmark publication. Writing at a time when the landscape of Scottish poetry was male dominated, hers was a new voice, tackling subjects that resonated with readers – as it still does. Her poetry paved the way, and inspired, countless new voices including Ali Smith, Kathleen Jamie, Jackie Kay and Carol Ann Duffy. Still writing and performing today, fifty years on from her first book of poetry, Liz Lochhead has been awarded the Queen’s Gold Medal for Poetry and was Scotland’s second modern Makar, succeeding Edwin Morgan.Memo for Spring is accessible, vital and always as honest as it is hopeful. Driving through this collection are themes of pain, acceptance, loss and triumph.
Memorial: A Version Of Homer's Iliad
by Alice OswaldMatthew Arnold praised the Iliad for its 'nobility', as has everyone ever since -- but ancient critics praised it for its enargeia, its 'bright unbearable reality' (the word used when gods come to earth not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance. 'The Iliad is an oral poem. This translation presents it as an attempt - in the aftermath of the Trojan War - to remember people's names and lives without the use of writing. I hope it will have its own coherence as a series of memories and similes laid side by side: an antiphonal account of man in his world... compatible with the spirit of oral poetry, which was never stable but always adapting itself to a new audience, as if its language, unlike written language, was still alive and kicking.' - Alice Oswald
The Memorial Feast for Kökötöy Khan: A Kirghiz Epic Poem in the Manas Tradition
by Saghïmbay Orozbaq uuluThis great Central Asian epic, passed down through generations and now brought to life in a new translation, carries the reader into a world of nomads, warriors and horselords'I am a steel-fanged lion, a dragon ready to pounce, a mighty poplar with golden branches rising up to the sky'The bard Saghïmbay Orozbaq uulu composed his oral telling of the great Central Asian Manas epic in the early twentieth century, although it draws on far older sources. This vivid episode from his narrative tells the bravura story of an uncertain new khan, Boqmurun, who holds a great feast to commemorate his predecessor, Kökötöy. From east and west, warriors and their turbulent retinues come to compete in horse races, jousting and wrestling, and soon insults are hurled and scores settled violently. Yet none can beat the supreme hero, the mighty, truculent Manas. By turns earthy, stirring, bombastic and funny, Saghïmbay's work stands as a monument to the oral culture of a nomadic people.Daniel Prior's landmark translation includes a 'How to Read the Epic' section, commentary, maps and illustrations.Composed in oral performance by Saghïmbay Orozbaq uulu Translated by Daniel Prior
Memorializing Animals during the Romantic Period
by Chase PielakEarly nineteenth-century British literature is overpopulated with images of dead and deadly animals, as Chase Pielak observes in his study of animal encounters in the works of Charles and Mary Lamb, John Clare, Samuel Taylor Coleridge, Lord Byron, and William Wordsworth. These encounters, Pielak suggests, coincide with anxieties over living alongside both animals and cemeteries in the late eighteenth and early nineteenth-centuries. Pielak traces the linguistic, physical, and psychological interruptions occasioned by animal encounters from the heart of communal life, the table, to the countryside, and finally into and beyond the wild cemetery. He argues that Romantic period writers use language that ultimately betrays itself in beastly disruptions exposing anxiety over what it means to be human, what happens at death, the consequences of living together, and the significance of being remembered. Extending his discussion past an emphasis on animal rights to an examination of animals in their social context, Pielak shows that these animal representations are both inherently important and a foreshadowing of the ways we continue to need images of dead and deadly Romantic beasts.
Memorializing Animals during the Romantic Period
by Chase PielakEarly nineteenth-century British literature is overpopulated with images of dead and deadly animals, as Chase Pielak observes in his study of animal encounters in the works of Charles and Mary Lamb, John Clare, Samuel Taylor Coleridge, Lord Byron, and William Wordsworth. These encounters, Pielak suggests, coincide with anxieties over living alongside both animals and cemeteries in the late eighteenth and early nineteenth-centuries. Pielak traces the linguistic, physical, and psychological interruptions occasioned by animal encounters from the heart of communal life, the table, to the countryside, and finally into and beyond the wild cemetery. He argues that Romantic period writers use language that ultimately betrays itself in beastly disruptions exposing anxiety over what it means to be human, what happens at death, the consequences of living together, and the significance of being remembered. Extending his discussion past an emphasis on animal rights to an examination of animals in their social context, Pielak shows that these animal representations are both inherently important and a foreshadowing of the ways we continue to need images of dead and deadly Romantic beasts.
Memories of a Swedish Grandmother: Spotlight: Poetry (Spotlight)
by Sarah Windebank‘This dazzling series shows that if the barriers can be vaulted there is true beauty to be had from the lesser-walked streets of literature. These works are both nourishing and inspiring, and a gift to any reader.’ —Kerry HudsonFeminist, philosophical and linguistically playful poems on identity, motherhood and the family from the perspective of someone with a mixed cultural heritage.In her debut collection, Sarah Windebank explores her Swedish roots, and especially the influence of Mormor, her grandmother, who brought her up until she was fifteen. Growing up in a household where her mother and grandmother always spoke to each other in a foreign language, but never taught her, she picked up ‘glittering fragments, rather like a magpie’. With nods to Sylvia Plath and Elizabeth Bishop, this is an immersive collection of poetry full of accent and domestic detail, at once foreign and familiar.Spotlight Books is a collaboration between Creative Future, New Writing South and Myriad Editions to discover, guide and support writers who are under-represented due to mental or physical health issues, disability, race, class, gender identity or social circumstance.
Memories of War in Early Modern England: Armor and Militant Nostalgia in Marlowe, Sidney, and Shakespeare (Early Modern Cultural Studies 1500–1700)
by Susan HarlanThis book examines literary depictions of the construction and destruction of the armored male body in combat in relation to early modern English understandings of the past. Bringing together the fields of material culture and militarism, Susan Harlan argues that the notion of “spoiling” – or the sanctioned theft of the arms and armor of the vanquished in battle – provides a way of thinking about England’s relationship to its violent cultural inheritance. She demonstrates how writers reconstituted the spoils of antiquity and the Middle Ages in an imagined military struggle between male bodies. An analysis of scenes of arming and disarming across texts by Christopher Marlowe and William Shakespeare and tributes to Sir Philip Sidney reveals a pervasive militant nostalgia: a cultural fascination with moribund models and technologies of war. Readers will not only gain a better understanding of humanism but also a new way of thinking about violence and cultural production in Renaissance England.
Men In The Off Hours (Vintage Contemporaries Ser.)
by Anne CarsonFollowing her widely acclaimed Autobiography of Red ('a spellbinding achievement' - Susan Sontag): a new collection of poetry and prose that displays Anne Carson's intoxicating mixture of opposites - the classic and the modern, cinema and print, narrative and verse. In Men in the Off Hours, Carson re-invents figures as diverse as Oedipus, Emily Dickinson and Audubon. She views the writings of Sappho, St Augustine and Catullus through a modern lens. She sets up startling juxtapositions (Lazarus among video paraphernalia; Virginia Woolf and Thucydides discussing war). And, in a final prose poem, she meditates on the recent death of her mother. With its quiet, acute spirituality, its fearless wit and sensuality, and its joyful understanding that 'the fact of the matter for humans is imperfection', Men in the Off Hours is profound, provocative and unforgettable.
Men’s Work: Gender, Class, and the Professionalization of Poetry, 1660–1784
by L. ZionkowskiThis book examines how the concept of the poet as a male professional emerged during the Restoration and eighteenth century. Analyzing works by writers from Rochester to Johnson, Linda Zionkowski argues that the opportunities for publication created by the growth of a commercial market in texts profoundly challenged aristocratic conceptions of authorship and altered the status of professional poets on the hierarchies of class and gender. The book proposes that during this period, discourse about the poet's social role both revealed and produced a crucial shift in configurations of masculinity: the belief that commodifying their mental labor undermined writers' cultural authority gave way to a celebration of the market's function as the proving ground for both literary merit and bourgeois manhood.
Mental Fight
by Ben OkriThis epic poem by Booker Prize winner Ben Okri is an intimate song of rage and restoration. It speaks to each new moment and each person, like sunlight or like pain. It is an anthem to our ascending dreams, and a hymn of inspiration.
Mental Fight
by Ben OkriAn epic poem touching on issues of racism, intolerance and environmental destructions from Booker Prize-winning author Ben Okri. There is much to celebrate in the human journey so far – art in all its forms, advances made in the fields of technology and medicine and, for many of us, the miracle of freedom. But there is also much to regret – racism, intolerance, the destruction of our environment, the reality and the legacy of slavery.In this long, sustained consideration of the state we find ourselves in, Ben Okri invokes the past to explain the present, and sings out a message of hope. The future is still ours to make. This epic poem, an anthem for the twenty-first century, first appeared in The Times in January 1999. Its message could hardly be more relevant to our present condition.Discover this revised edition of an inspiring and extraordinarily tender work.'Ben Okri is that rare thing, a literary and social visionary, a writer for whom all three – literature, culture and vision – are profoundly interwoven' Ali Smith
The Merchant of Venice: Choice, Hazard and Consequence
by Joan Ozark HolmerThe Merchant of Venice, Shakespeare's most frequently performed and currently most controversial comedy, continues to confront in its stage and critical history the ongoing debate over its artistic unity. Six chapters explore the degree of dramatic integrity Shakespeare achieves by unifying the play's many hard choices through a tightly-knit interplay of contrarieties and correspondences in structure, language, characters and ideas. Engaging the play's extensive body of criticism, this book contextualizes the most provocative questions raised by the play and provides considerable new evidence about Shakespeare's possible sources and his innovative use of them, especially usury and merchantry, Jew and Christian, biblical and classical allusion, stage law and verbal-visual symbols.
Mercies: Selected Poems (Penguin Modern Classics)
by Anne SextonThe ground-breaking work of the poet who paved the way for generations of women writers, in a new selection by her daugher and literary executor, Linda Gray SextonWhen Anne Sexton took her own life in October 1974, she left behind a body of work which had already, in less than two decades of writing, won her the Pulitzer Prize for Poetry, established her as one of the foremost voices of her generation, and shocked America by breaking multiple taboos of subject matter, from insanity, depression and addiction to menstruation, adultery and the figure of the witch.Sexton's name is legendary. Her poetry is read around the world, translated into over thirty languages, and in her own country remains a touchstone for poets and readers looking for rawness of perception, vitality of expression, confessional frankness and fiery passion. Yet, incredibly, there has been no new UK edition of her work for decades. In Mercies, readers are provided with a resonant new selection from the writings of this natural phenomenon of a poet.
The Merry Muses of Caledonia: (original Edition) A Collection Of Favourite Scots Songs Ancient And Modern: Selected For Use Of The Crochallan Fencibles
by Robert BurnsThe Merry Muses of Caledonia is among Burns' best known, but least read, work. This collection of bawdy poems, some written by and some collected by Burns, ranges from celebrations of spirited women in "Ellibanks", to misogyny in "There was twa wives" and male fantasy in "Nine Inch will please a lady". These engaging poems are not lewd or distasteful but possess a great wit and charm. This new edition updates the 1959 printing, which with engaging accompanying material by James Barke and preface by J. De Lancey Ferguson have made this the definitive version, until now. "The Merry Muses" was always intended to be accompanied by music but the 1959 edition was left incomplete due to Barke's premature death. For the first time the book is completed as it was always meant to be with notes to the tunes created with reference to Barke's unpublished papers. "The Luath Merry Muses" edition also includes bonus material with specially commissioned illustrations from top political satirist Bob Dewar and an introduction by Burns scholar Valentina Bold. Ferguson's work is brought up to date with commentary on the latest critical responses. This new edition will make this classic of Burns' literature more accessible to modern readers.
The Mersey Sound: Restored 50th Anniversary Edition (Penguin Modern Classics)
by Adrian Henri Brian Patten Roger McGough'The Mersey Sound is an attempt to introduce contemporary poetry to the general reader by publishing representative work by each of three modern poets in a single volume, in each case the selection has been made to illustrate the poet's characteristics in style and form'. With this modest brief, The Mersey Sound was conceived and first published in 1967. An anthology which features Roger McGough's work, alongside that of Brian Patten and Adrian Henri (The Liverpool Poets), it went on to sell over half a million copies and to become the bestselling poetry anthology of all time.
Messages: A National Poetry Day Book
by Gaby MorganA poetry book to celebrate National Poetry Day 2016 with poems on the theme of messages from Matt Goodfellow, Rachel McCrum, Deborah Alma, Brian Moses, Liz Brownlee, Michaela Morgan, Jan Dean, Paul Cookson, Roger Stevens, Joseph Coelho, Joshua Seigal, Rachel Rooney, Sophie Herxheimer and Sally Crabtree.National Poetry Day is the annual mass celebration of poetry and all things poetical, a special day on which all are invited to discover and share the enjoyment of poems. We hope that the poems in this book - all inspired by this year's National Poetry Day theme of messages - will kindle an enthusiasm for poetry that continues to grow long after the day itself, Thursday 6 October 2016, has passed.
Messing About in Boats (Clarendon Lectures in English)
by Michael HofmannWritten by the eminent poet Michael Hofmann, this approachable and companionable book offers readings of four poems on the subject of boats. Based on Michael Hofmann's Clarendon lectures, this volume offers readings of four poems in German, French, Italian, and English, by Rainer Maria Rilke, Arthur Rimbaud, Eugenio Montale, and Karen Solie. All four poems are on the subject of boats: 'Emigrant Ship', the 'Bateau Ivre', 'Boats on the Marne', and 'The World'. The volume suggests an affinity between boats and poems, offers a partial lineage of boats in poems, and pursues four variant destinies: the boat that stays in port, the boat that gives itself to the world, the boat that is washed away down the river, and the one that goes manically and hubristically on forever. The volume retains the style of lectures and has an improvisational character, with the same fire and detail as the things it is about. It is written with a sense of fun, of revelation, and in a spirit of respect and attention.
Messing About in Boats (Clarendon Lectures in English)
by Michael HofmannWritten by the eminent poet Michael Hofmann, this approachable and companionable book offers readings of four poems on the subject of boats. Based on Michael Hofmann's Clarendon lectures, this volume offers readings of four poems in German, French, Italian, and English, by Rainer Maria Rilke, Arthur Rimbaud, Eugenio Montale, and Karen Solie. All four poems are on the subject of boats: 'Emigrant Ship', the 'Bateau Ivre', 'Boats on the Marne', and 'The World'. The volume suggests an affinity between boats and poems, offers a partial lineage of boats in poems, and pursues four variant destinies: the boat that stays in port, the boat that gives itself to the world, the boat that is washed away down the river, and the one that goes manically and hubristically on forever. The volume retains the style of lectures and has an improvisational character, with the same fire and detail as the things it is about. It is written with a sense of fun, of revelation, and in a spirit of respect and attention.
Las metamorfosis
by OvidConsiderada una de las obras maestras de la literatura latina, Las metamorfosis es un vasto poema en quince libros, basados en la mitología y en la literatura helénicas. La obra contiene 246 leyendas mitológicas que explican las diversas formas externas que adoptaron los personajes y cosas de la antigüedad desde el comienzo del caos hasta la transformación de julio Cesar. La obra está escrita en verso heroico, en hexámetros.
Metamorphic Verse: The Elizabethan Minor Epic (Princeton Legacy Library #5393)
by Clark HulseTo Shakespeare, Spenser, Marlowe, and other Elizabethans, the minor epic was an important medium for poetic experimentation, but today, too often separated from the culture that bore it, it is not well understood. This author examines the form of the minor epic and its place in Elizabethan literary culture. Particularly, he explores the concept of metamorphosis as it shapes the minor epic at every level; in its subject matter, narrative technique, imagery, reworking of traditional materials, mixing of literary genres, and power to transform the poet.Combining close reading with literary theory, Professor Hulse approaches the minor epic as a mixed genre, exploring the idea of genre itself as well as the particular genres that contributed to the minor epics, including the sonnet, satire, Ovidian epic, pastoral, and primeval poetry.He also discusses wider issues, such as poetic inspiration, fictionality, and the nature of literary history; and takes up painting and historiography to show how they use the same narrative materials in different ways and to different ends. In the process he redefines Elizabethan literature as a fluid system, characterized by multiplicity of form and style and the poet's search for growth.Clark Hulse is Associate Professor of English at the University of Illinois at Chicago Circle.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Metamorphic Verse: The Elizabethan Minor Epic (Princeton Legacy Library #5391)
by Clark HulseTo Shakespeare, Spenser, Marlowe, and other Elizabethans, the minor epic was an important medium for poetic experimentation, but today, too often separated from the culture that bore it, it is not well understood. This author examines the form of the minor epic and its place in Elizabethan literary culture. Particularly, he explores the concept of metamorphosis as it shapes the minor epic at every level; in its subject matter, narrative technique, imagery, reworking of traditional materials, mixing of literary genres, and power to transform the poet.Combining close reading with literary theory, Professor Hulse approaches the minor epic as a mixed genre, exploring the idea of genre itself as well as the particular genres that contributed to the minor epics, including the sonnet, satire, Ovidian epic, pastoral, and primeval poetry.He also discusses wider issues, such as poetic inspiration, fictionality, and the nature of literary history; and takes up painting and historiography to show how they use the same narrative materials in different ways and to different ends. In the process he redefines Elizabethan literature as a fluid system, characterized by multiplicity of form and style and the poet's search for growth.Clark Hulse is Associate Professor of English at the University of Illinois at Chicago Circle.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Metamorphoses: Selected Stories in Verse (Dover Thrift Editions)
by OvidOne of ancient Rome's most celebrated poets, Ovid (43 B.C.–A.D. 18) wrote during the reign of Augustus. His works reflect a sentiment of art for pleasure's sake, without the ethical or moral overtones, which perhaps accounts for his enduring popularity. For more than two thousand years, readers have delighted in Ovid's playful eloquence; his influence on other writers has ranged from Dante and Chaucer to Shakespeare and Milton, and scenes from his stories have inspired many great works by Western artists.This selection of thirty stories from the verse translation by F. A. Wright of Ovid's famous work, The Metamorphoses, does full justice to the poet's elegance and wit. All of the tales involve a form of metamorphosis, or transformation, and are peopled by mythological gods, demigods, and mortals: Venus and Adonis, Pygmalion, Apollo and Daphne, Narcissus, Perseus, and Andromeda, Orpheus and Eurydice, the Cyclops, and Circe, among others.Although most of the stories did not originate with Ovid, it is quite possible that had he not written them down, these oral traditions would have been lost forever — and with them, a vast and valuable amount of Greco-Roman culture. This collection of the poet's best and most beloved narrative verses reflects the vitality of classical mythology. A selection of the Common Core State Standards Initiative.