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The Miner's Wife

by Diane Allen

Set in the Yorkshire Dales, The Miner's Wife by Diane Allen is a sweeping historical saga novel.Nineteen-year-old Meg Oversby often dreams of a more exciting life than the dull existence she faces at her family’s farm deep in the Yorkshire Dales. Growing up, she’s always sensed her father’s disappointment at not having a son to help with the farm work. So when Meg dances all night at the local market hall with Sam Alderson, a lead miner from Swaledale, a new light enters her life. Sam and his brother Jack show Meg a side to life she didn’t know existed. But when her parents find out, she’s forbidden from ever seeing them again. Although where there is love, there is often a way. When Meg’s uncle offers her the chance to help run the small village shop, she leaps at the opportunity, seeing it as a way to escape the oppressive family farm and see more of her beloved Sam. But as love blossoms, a darker truth emerges and Meg realizes that Sam may not be the man she thought he was . . .

Hashtag (Object Lessons)

by Elizabeth Losh

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Hashtags silence as well as shout. They originate in the quiet of the archive and the breathless suspense of the control room, as well as in the roar of rallies in the streets. The #hashtag is a composite creation, with two separate design histories: one involving the crosshatch symbol and one about the choice of letters after it.Celebration and criticism of hashtag activism rarely addresses the hashtag itself as an object or tries to locate its place in the history of writing for machines. Although hashtags tend to be associated with Silicon Valley invention myths or celebrity power users, the story of the hashtag is much more interesting and surprising, speaking to how we think about naming, identity, and ownership.Object Lessons is published in partnership with an essay series in The Atlantic.

Cloneliness: On the Reproduction of Loneliness

by Michael O'Sullivan

Recent posthuman philosophies, human-computer interface studies, and technology-inspired biopolitical discourses and practices are reinventing and reimagining loneliness in different communities. Cloneliness: The Reproduction of Loneliness takes a cross-cultural approach to loneliness by examining 20th-century artistic expressions and examinations of loneliness in the context of more recent global expressions grounded in social networks, virtual reality, the biopolitical commons, academic credentialization and such practices as Hikikomori. Newer forms of loneliness, pushed by the algorithms of biopolitical capitalism, result in what this books calls "cloneliness." Michael O'Sullivan plots the transformation in loneliness in literature and philosophy in readings that take us from Henry James and such classic works as Frank O'Connor's The Lonely Voice and Richard Yates's Eleven Kinds of Loneliness to more recent expressions in such writers as David Foster Wallace, Yiyun Li, and Sayaka Murata.Michael O'Sullivan argues that cloneliness as an institutional practice of reproduction in society nurtures, normalizes, and reproduces loneliness in order to create subjects who are more willing to accept ideologies of competition, “extreme individualism,” and the stresses of being "interconnected loners."

Kafka’s Stereoscopes: The Political Function of a Literary Style (New Directions in German Studies)

by Isak Winkel Holm

In 1911, Franz Kafka encountered the Kaiser Panorama: a stereoscopic peep show offering an illusion of three-dimensional depth. After the experience, he began to emulate the apparatus in his literary sketches, developing a style we might call "stereoscopic," juxtaposing, like the optical stereoscope, two images of the same object seen from slightly different perspectives.Isak Winkel Holm argues that Kafka's stereoscopic style is crucial to an understanding of the relation between literature and politics in Kafka's work. At the level of content, the stereoscopic style offers a representation of the basic order of a specific community. At the level of form, the stereoscopic style is structured as the juxtaposition of two dissimilar images of the same community. At the level of function, finally, the style provokes a reconsideration, and perhaps even a reconfiguration, of the social order itself. With insights from literary studies, philosophical aesthetics and political theory, Kafka's Stereoscopes offers a detailed but highly readable argument for the relevance of Kafka's literary works in today's political reality.

Magnet (Object Lessons)

by Eva Barbarossa

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. For over two thousand years magnets have inspired tales of myth, magic, exploration, science, and art. From the physical to the metaphorical, our language is littered with magnetic allusions: magnetic personalities, animal magnetism, Mesmerism, and magnetic attraction. In Magnet, Eva Barbarossa weaves together stories of ancient and modern wonders, of discovery and creation, of madness and desire, of beauty and awe, taking us from the spectacle of the aurora borealis to the disastrous searches for the North Pole. With wit and scientific aplomb, Barbarossa explores how magnets are fundamental to the way we think, how we get home, and how we talk about fascination and love. We take them for granted yet magnets are essential to our existence--as important as gravity--and to our survival on this planet and in this universe. Object Lessons is published in partnership with an essay series in the The Atlantic.

Poetry's Knowing Ignorance

by Joseph Acquisto

What kind of knowledge, if any, does poetry provide? Poets make poems, but they also make meaning and craft a kind of learned and creative ignorance as they provide infinitely revisable answers to the question of what poetry is. That question of poetry's definition invites broader ones about the relationship of poetry to other lived experience. Poetry thus implies something like a way of life that is resistant to definitive statements and conclusions, and the creation of communities of readers and writers that live in ever-renewed questioning. To resist concluding is to embrace a kind of productive ignorance, a knowledge that is first and foremost aware of poetic knowledge's own limits. Poetry's Knowing Ignorance shows, through an examination of French poetry, how it is this dialogue in response to a constant questioning, to an answer-turned-question, that continues to blur the boundary between poetry and writing about poetry, between poetry and criticism, and between poetry and other kinds of experience.

Unfit: Jewish Degeneration and Modernism

by Marilyn Reizbaum

An obsession with “degeneration” was a central preoccupation of modernist culture at the start of the 20th century. Less attention has been paid to the fact that many of the key thinkers in “degeneration theory” – including Cesare Lombroso, Max Nordau, and Magnus Hirschfeld – were Jewish. Unfit: Jewish Degeneration and Modernism is the first in-depth study of the Jewish cultural roots of this strand of modernist thought and its legacies for modernist and contemporary culture. Marilyn Reizbaum explores how literary works from Bram Stoker's Dracula, through James Joyce's Ulysses to Pat Barker's Regeneration trilogy, the crime movies of Mervyn LeRoy, and the photography of Claude Cahun and Adi Nes manifest engagements with ideas of degeneration across the arts of the 20th century. This is a major new study that sheds new light on modernist thought, art and culture.

Unfit: Jewish Degeneration and Modernism

by Marilyn Reizbaum

An obsession with “degeneration” was a central preoccupation of modernist culture at the start of the 20th century. Less attention has been paid to the fact that many of the key thinkers in “degeneration theory” – including Cesare Lombroso, Max Nordau, and Magnus Hirschfeld – were Jewish. Unfit: Jewish Degeneration and Modernism is the first in-depth study of the Jewish cultural roots of this strand of modernist thought and its legacies for modernist and contemporary culture. Marilyn Reizbaum explores how literary works from Bram Stoker's Dracula, through James Joyce's Ulysses to Pat Barker's Regeneration trilogy, the crime movies of Mervyn LeRoy, and the photography of Claude Cahun and Adi Nes manifest engagements with ideas of degeneration across the arts of the 20th century. This is a major new study that sheds new light on modernist thought, art and culture.

Midnight Ninja

by Sam Lloyd

Meet this little boy and his pussycat called Ginger.He's got a bedtime secret. He's the mighty MIDNIGHT NINJA!Everyone is tucked up in bed, except for Midnight Ninja and his sidekick Ginger. The ninja emergency bell has rung and they're off on a secret mission. There's no time for these heroes to sleep until they've solved the mystery of the missing socks.Even reluctant sleepers will enjoy bedtime with this action-packed adventure showing that heroes need their sleep too. Bedtime reading fun from the bestselling author/illustrator of Calm Down, Boris, Mr Pusskins and First Day at Bug School.

Gaslands: Post-Apocalyptic Vehicular Mayhem (Gaslands)

by Mike Hutchinson

Shoot, ram, skid, and loot your way through the ruins of civilisation with Gaslands: Refuelled, the tabletop miniature wargame of post-apocalyptic vehicular mayhem. With all-new material including expanded and enhanced perks, sponsors, vehicle types, and weapons. Gaslands: Refuelled contains everything a budding wasteland warrior needs to build and customise their fleet of vehicles in this harsh post-apocalyptic future. With a host of options for scenarios, environmental effects, and campaigns, players can create their own anarchic futures.

Gaslands: Post-Apocalyptic Vehicular Mayhem (Gaslands)

by Mike Hutchinson

Shoot, ram, skid, and loot your way through the ruins of civilisation with Gaslands: Refuelled, the tabletop miniature wargame of post-apocalyptic vehicular mayhem. With all-new material including expanded and enhanced perks, sponsors, vehicle types, and weapons. Gaslands: Refuelled contains everything a budding wasteland warrior needs to build and customise their fleet of vehicles in this harsh post-apocalyptic future. With a host of options for scenarios, environmental effects, and campaigns, players can create their own anarchic futures.

Last Days: Zombie Apocalypse: Seasons (Last Days: Zombie Apocalypse)

by Ash Barker

Last Days: Zombie Apocalypse: Seasons brings an all new campaign to the skirmish-scale miniatures game of survival horror, taking players through the changing seasons and the challenges this brings to their Groups of survivors. As well as rival gangs and mindless zombies, your Group will have to deal with hunger, thirst, warmth, and the many other problems that can't be stopped with a well-placed bullet. Featuring a host of new character types, scavenge tables, scenarios, and even rules for using bicycles, motorbikes, and snowmobiles, this expansion is essential for a survivor during the last days.

Last Days: A Game Of Survival Horror (Last Days: Zombie Apocalypse)

by Ash Barker

Last Days: Zombie Apocalypse: Seasons brings an all new campaign to the skirmish-scale miniatures game of survival horror, taking players through the changing seasons and the challenges this brings to their Groups of survivors. As well as rival gangs and mindless zombies, your Group will have to deal with hunger, thirst, warmth, and the many other problems that can't be stopped with a well-placed bullet. Featuring a host of new character types, scavenge tables, scenarios, and even rules for using bicycles, motorbikes, and snowmobiles, this expansion is essential for a survivor during the last days.

The Disabled Detective: Sleuthing Disability in Contemporary Crime Fiction

by Susannah B. Mintz

The first book of its kind, The Disabled Detective explores representations of disability in crime fiction, from the earliest days of the genre to contemporary television drama. Susannah B. Mintz examines detective heroes with such conditions as blindness, deafness, paralysis, Asperger's, obsessive compulsive disorder, addiction, war trauma and many other impairments. Examining a wide range of texts, from Arthur Conan Doyle's Sherlock Holmes stories and the works of Agatha Christie to contemporary crime writers such as Jeffrey Deaver and Michael Collins and television dramas such as Monk, this book highlights how often characters with disabilities have been the heroes of crime fiction and how rarely this has been discussed in contemporary criticism.

The Disabled Detective: Sleuthing Disability in Contemporary Crime Fiction

by Susannah B. Mintz

The first book of its kind, The Disabled Detective explores representations of disability in crime fiction, from the earliest days of the genre to contemporary television drama. Susannah B. Mintz examines detective heroes with such conditions as blindness, deafness, paralysis, Asperger's, obsessive compulsive disorder, addiction, war trauma and many other impairments. Examining a wide range of texts, from Arthur Conan Doyle's Sherlock Holmes stories and the works of Agatha Christie to contemporary crime writers such as Jeffrey Deaver and Michael Collins and television dramas such as Monk, this book highlights how often characters with disabilities have been the heroes of crime fiction and how rarely this has been discussed in contemporary criticism.

Ezra Pound's and Olga Rudge's The Blue Spill: A Manuscript Critical Edition (Modernist Archives)

by Ezra Pound Olga Rudge

Written during the Italian winter of 1930, The Blue Spill is an unfinished detective novel written by Ezra Pound – the leading figure of modernist poetry in the 20th century – and his long-time companion Olga Rudge. Published for the first time in this authoritative critical edition, the novel reflects both Rudge's and Pound's voracious reading of popular fiction as it echoes and parodies such writers as Agatha Christie, Dorothy L. Sayers and P.G. Wodehouse.Based on the original manuscripts of the novel, this critical edition includes annotation and textual commentary throughout. The book also includes critical essays exploring the contexts of the work, from the dynamics of artistic collaboration to the growing popularity of detective fiction at the beginning of the 20th century. Taken together, this unique publication sheds new light on the relationship between the literary avant-garde and popular culture in the modernist period.

Chinese Fairy Tales and Legends: A Gift Edition of 73 Enchanting Chinese Folk Stories and Fairy Tales

by Frederick H. Martens Richard Wilhelm Lucrezia Botti

Fearless heroes, feisty princesses, sly magicians, terrifying dragons, talking foxes and miniature dogs. They all feature in this enthralling compendium of Chinese fairy tales and legends, along with an array of equally colourful characters and captivating plots.Although largely unknown in the West, the 70-plus stories in this volume are just as beguiling as the more familiar Grimms' Fairy Tales or Arabian Nights. They were collected in the early 20th century by Richard Wilhelm and first translated into English by Frederick H Martens. This beautifully produced revised and edited new edition includes updated notes which not only provide background on the tales, but also offer a fascinating insight into ancient Chinese folk lore and culture.These are stories to return to time and time again. From awesome adventures to quirky allegories, from the exploits of the gods to fables about beggars who outwit their betters, Chinese Fairy Tales and Legends is extraordinarily diverse and endlessly engaging. These wonderful stories have enduring and universal appeal, and will intrigue both children and adults.

Subjectivity (The New Critical Idiom)

by Donald E. Hall

Explores the history of theories of selfhood, from the Classical era to the present, and demonstrates how those theories can be applied in literary and cultural criticism. Donald E. Hall: * examines all of the major methodologies and theoretical emphases of the twentieth and twenty-first centuries, including psychoanalytic criticism, materialism, feminism and queer theory* applies the theories discussed in detailed readings of literary and cultural texts, from novels and poetry to film and the visual arts* offers a unique perspective on our current obsession with perfecting our selves * looks to the future of selfhood given the new identity possibilities arising out of developing technologies. Examining some of the most exciting issues confronting cultural critics and readers today, Subjectivity is the essential introduction to a fraught but crucial critical term and a challenge to the way we define our selves.

Chinese Fairy Tales and Legends: A Gift Edition of 73 Enchanting Chinese Folk Stories and Fairy Tales

by Frederick H. Martens Richard Wilhelm Lucrezia Botti

Fearless heroes, feisty princesses, sly magicians, terrifying dragons, talking foxes and miniature dogs. They all feature in this enthralling compendium of Chinese fairy tales and legends, along with an array of equally colourful characters and captivating plots.Although largely unknown in the West, the 70-plus stories in this volume are just as beguiling as the more familiar Grimms' Fairy Tales or Arabian Nights. They were collected in the early 20th century by Richard Wilhelm and first translated into English by Frederick H Martens. This beautifully produced revised and edited new edition includes updated notes which not only provide background on the tales, but also offer a fascinating insight into ancient Chinese folk lore and culture.These are stories to return to time and time again. From awesome adventures to quirky allegories, from the exploits of the gods to fables about beggars who outwit their betters, Chinese Fairy Tales and Legends is extraordinarily diverse and endlessly engaging. These wonderful stories have enduring and universal appeal, and will intrigue both children and adults.

Subjectivity (The New Critical Idiom)

by Donald E. Hall

Explores the history of theories of selfhood, from the Classical era to the present, and demonstrates how those theories can be applied in literary and cultural criticism. Donald E. Hall: * examines all of the major methodologies and theoretical emphases of the twentieth and twenty-first centuries, including psychoanalytic criticism, materialism, feminism and queer theory* applies the theories discussed in detailed readings of literary and cultural texts, from novels and poetry to film and the visual arts* offers a unique perspective on our current obsession with perfecting our selves * looks to the future of selfhood given the new identity possibilities arising out of developing technologies. Examining some of the most exciting issues confronting cultural critics and readers today, Subjectivity is the essential introduction to a fraught but crucial critical term and a challenge to the way we define our selves.

Narrative: A Critical Linguistic Introduction (The New Critical Idiom)

by Paul Cobley

Human beings have constantly told stories, presented events and placed the world into narrative form. This activity suggests a very basic way of looking at the world, yet, this book argues, even the most seemingly simple of stories is embedded in a complex network of relations. Paul Cobley traces these relations, considering the ways in which humans have employed narrative over the centuries to ‘re-present’ time, space and identity. This second, revised and fully updated edition of the successful guidebook to narrative covers a range of narrative forms and their historical development from early oral and literate forms through to contemporary digital media, encompassing Hellenic and Hebraic foundations, the rise of the novel, realist representations, narratives of imperialism, modernism, cinema, postmodernism and new technologies. A final chapter reviews the way that narrative theory in the last decade has re-orientated definitions of narrative. Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to the history and theory of narrative.

Narrative (The New Critical Idiom)

by Paul Cobley

Human beings have constantly told stories, presented events and placed the world into narrative form. This activity suggests a very basic way of looking at the world, yet, this book argues, even the most seemingly simple of stories is embedded in a complex network of relations. Paul Cobley traces these relations, considering the ways in which humans have employed narrative over the centuries to ‘re-present’ time, space and identity. This second, revised and fully updated edition of the successful guidebook to narrative covers a range of narrative forms and their historical development from early oral and literate forms through to contemporary digital media, encompassing Hellenic and Hebraic foundations, the rise of the novel, realist representations, narratives of imperialism, modernism, cinema, postmodernism and new technologies. A final chapter reviews the way that narrative theory in the last decade has re-orientated definitions of narrative. Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to the history and theory of narrative.

The New Mountaineer in Late Victorian Britain: Materiality, Modernity, and the Haptic Sublime (Palgrave Studies in Nineteenth-Century Writing and Culture)

by Alan McNee

This book is about the rise of a new ethos in British mountaineering during the late nineteenth century. It traces how British attitudes to mountains were transformed by developments both within the new sport of mountaineering and in the wider fin-de-siècle culture. The emergence of the new genre of mountaineering literature, which helped to create a self-conscious community of climbers with broadly shared values, coincided with a range of cultural and scientific trends that also influenced the direction of mountaineering. The author discusses the growing preoccupation with the physical basis of aesthetic sensations, and with physicality and materiality in general; the new interest in the physiology of effort and fatigue; and the characteristically Victorian drive to enumerate, codify, and classify. Examining a wide range of texts, from memoirs and climbing club journals to hotel visitors’ books, he argues that the figure known as the ‘New Mountaineer’ was seen to embody a distinctly modern approach to mountain climbing and mountain aesthetics.

Queering Agatha Christie: Revisiting the Golden Age of Detective Fiction (Crime Files)

by J.C Bernthal

This book is the first fully theorized queer reading of a Golden Age British crime writer. Agatha Christie was the most commercially successful novelist of the twentieth century, and her fiction remains popular. She created such memorable characters as Hercule Poirot and Jane Marple, and has become synonymous with a nostalgic, conservative tradition of crime fiction. J.C. Bernthal reads Christie through the lens of queer theory, uncovering a playful, alert, and subversive social commentary. After considering Christie’s emergence in a commercial market hostile to her sex, in Queering Agatha Christie Bernthal explores homophobic stereotypes, gender performativity, queer children, and masquerade in key texts published between 1920 and 1952. Christie engaged with debates around human identity in a unique historical period affected by two world wars. The final chapter considers twenty-first century Poirot and Marple adaptations, with visible LGBT characters, and poses the question: might the books be queerer?

Tracing Paradigms: One Hundred Years of Neophilologus

by Rolf H. Bremmer Jr Thijs Porck Frans Ruiter Usha Wilbers

This volume brings together a selection of pivotal articles published in the hundred years since the launch of the journal Neophilologus. Each article is accompanied by an up-to-date commentary written by former and current editors of the journal. The commentaries position the articles within the history of the journal in particular and within the field of Modern Language Studies in general. As such, this book not only outlines the history of a scholarly journal, but also the history of an entire field. Over the course of its first one hundred years, 1916 to 2016, Neophilologus: An International Journal of Modern and Mediaeval Language and Literature has developed from a modest quarterly set up by a group of young and ambitious Dutch professors as a platform for their own publications to one of the leading international journals in Modern Language Studies. Although Neophilologus has remained broad in scope, multilingual and multidisciplinary, it has witnessed dramatic changes in its long-standing history: paradigm shifts, the rise and fall of literary theories, methods and sub-disciplines, as has the field of Modern Language Studies itself.

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