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Scottish Set Text Guide: Poetry of Norman MacCaig for National 5 and Higher English (Scottish Set Text Guides)
by Jamie CrawfordUnderstand, analyse and evaluate the poetry of Norman MacCaig with this study and revision guide, written by experts who know how to prepare students for success in the National 5 and Higher English Critical Reading papers.
Allegory and Enchantment: An Early Modern Poetics
by Jason CrawfordWhat is modernity? Where are modernitys points of origin? Where are its boundaries? And what lies beyond those boundaries? Allegory and Enchantment explores these broad questions by considering the work of English writers at the threshold of modernity, and by considering,in particular, the cultural forms these writers want to leave behind. From the fourteenth to the seventeenth centuries, many English writers fashion themselves as engaged in breaking away from an array of old idols: magic, superstition, tradition, the sacramental, the medieval. Many of these writers persistently use metaphors of disenchantment, of awakening from a broken spell, to describe their self-consciously modern orientation toward a medieval past. And many of them associate that repudiated past with the dynamics and conventions of allegory. In the hands of the major English practitioners of allegorical narrativeWilliam Langland, John Skelton, Edmund Spenser, and John Bunyanallegory shows signs of strain and disintegration. The work of these writers seems to suggest a story of modern emergence in which medieval allegory, with its search for divine order in the material world, breaks down under the pressure of modern disenchantment. But these four early modern writers also make possible other understandings of modernity. Each of them turns to allegory as a central organizing principle for his most ambitious poetic projects. Each discovers in the ancient forms of allegory a vital, powerful instrument of disenchantment. Each of them, therefore, opens up surprising possibilities: that allegory and modernity are inescapably linked; that the story of modern emergence is much older than the early modern period; and that the things modernity has tried to repudiatethe old enchantmentsare not as alien, or as absent, as they seem.
Allegory and Enchantment: An Early Modern Poetics
by Jason CrawfordWhat is modernity? Where are modernitys points of origin? Where are its boundaries? And what lies beyond those boundaries? Allegory and Enchantment explores these broad questions by considering the work of English writers at the threshold of modernity, and by considering,in particular, the cultural forms these writers want to leave behind. From the fourteenth to the seventeenth centuries, many English writers fashion themselves as engaged in breaking away from an array of old idols: magic, superstition, tradition, the sacramental, the medieval. Many of these writers persistently use metaphors of disenchantment, of awakening from a broken spell, to describe their self-consciously modern orientation toward a medieval past. And many of them associate that repudiated past with the dynamics and conventions of allegory. In the hands of the major English practitioners of allegorical narrativeWilliam Langland, John Skelton, Edmund Spenser, and John Bunyanallegory shows signs of strain and disintegration. The work of these writers seems to suggest a story of modern emergence in which medieval allegory, with its search for divine order in the material world, breaks down under the pressure of modern disenchantment. But these four early modern writers also make possible other understandings of modernity. Each of them turns to allegory as a central organizing principle for his most ambitious poetic projects. Each discovers in the ancient forms of allegory a vital, powerful instrument of disenchantment. Each of them, therefore, opens up surprising possibilities: that allegory and modernity are inescapably linked; that the story of modern emergence is much older than the early modern period; and that the things modernity has tried to repudiatethe old enchantmentsare not as alien, or as absent, as they seem.
Gothic Fiction and the Invention of Terrorism: The Politics and Aesthetics of Fear in the Age of the Reign of Terror
by Joseph CrawfordChoice Outstanding Academic Title 2014This book examines the connections between the growth of'terror fiction' - the genre now known as 'Gothic' - in the late eighteenthcentury, and the simultaneous appearance of the conceptual origins of'terrorism' as a category of political action. In the 1790s, Crawford argues, fourinter-connected bodies of writing arose in Britain: the historical mythology ofthe French Revolution, the political rhetoric of 'terrorism', the genre ofpolitical conspiracy theory, and the literary genre of Gothic fiction, known atthe time as 'terrorist novel writing'. All four bodies of writing drew heavilyupon one another, in order to articulate their shared sense of the radical andmonstrous otherness of the extremes of human evil, a sense which was quite newto the eighteenth century, but has remained central to the ways in which wehave thought and written about evil and violence ever since.
Gothic Fiction and the Invention of Terrorism: The Politics and Aesthetics of Fear in the Age of the Reign of Terror
by Joseph CrawfordChoice Outstanding Academic Title 2014This book examines the connections between the growth of'terror fiction' - the genre now known as 'Gothic' - in the late eighteenthcentury, and the simultaneous appearance of the conceptual origins of'terrorism' as a category of political action. In the 1790s, Crawford argues, fourinter-connected bodies of writing arose in Britain: the historical mythology ofthe French Revolution, the political rhetoric of 'terrorism', the genre ofpolitical conspiracy theory, and the literary genre of Gothic fiction, known atthe time as 'terrorist novel writing'. All four bodies of writing drew heavilyupon one another, in order to articulate their shared sense of the radical andmonstrous otherness of the extremes of human evil, a sense which was quite newto the eighteenth century, but has remained central to the ways in which wehave thought and written about evil and violence ever since.
Inspiration and Insanity in British Poetry: 1825–1855 (Palgrave Studies in Literature, Science and Medicine)
by Joseph CrawfordThis book explores the ways in which poetic inspiration came to be associated with madness in early nineteenth-century Britain. By examining the works of poets such as Barrett, Browning, Clare, Tennyson, Townshend, and the Spasmodics in relation to the burgeoning asylum system and shifting medical discourses of the period, it investigates the ways in which Britain’s post-Romantic poets understood their own poetic vocations within a cultural context that insistently linked poetic talent with illness and insanity. Joseph Crawford examines the popularity of mesmerism among the writers of the era, as an alternative system of medicine that provided a more sympathetic account of the nature of poetic genius, and investigates the persistent tension, found throughout the literary and medical writings of the period, between the Romantic ideal of the poet as a transcendent visionary genius and the ‘medico-psychological’ conception of poets as mere case studies in abnormal neurological development.
What is African American Literature? (Wiley-Blackwell Manifestos)
by Margo N. CrawfordAfter Kenneth W. Warren's What Was African American Literature?, Margo N. Crawford delivers What is African American Literature? The idea of African American literature may be much more than literature written by authors who identify as "Black". What is African American Literature? focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system. Crawford foregrounds the "idea" of African American literature and uncovers the "black feeling world" co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a "moodscape" that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the "idea" of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition. Part of the acclaimed Wiley Blackwell Manifestos series, What is African American Literature? is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.
What is African American Literature? (Wiley-Blackwell Manifestos)
by Margo N. CrawfordAfter Kenneth W. Warren's What Was African American Literature?, Margo N. Crawford delivers What is African American Literature? The idea of African American literature may be much more than literature written by authors who identify as "Black". What is African American Literature? focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system. Crawford foregrounds the "idea" of African American literature and uncovers the "black feeling world" co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a "moodscape" that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the "idea" of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition. Part of the acclaimed Wiley Blackwell Manifestos series, What is African American Literature? is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.
Carnal Punishment (Mills And Boon Spice Briefs Ser.)
by Mia CrawfordArchaeology grad student Tessa McAdams is supposed to be investigating the secrets of a pharaoh's tomb, but the real mystery is how to handle her unbridled lust for excavation leader Dr. Brody Jackson.
Poetry, Enclosure, And The Vernacular Landscape, 1700-1830 (PDF)
by Rachel CrawfordRachel Crawford examines the intriguing, often problematic, relationship between poetry and landscape in eighteenth- and early nineteenth-century Britain. Crawford focuses on the gradual change during this period when the British taste for open space gradually gave way to a preference for confined space, so that by the beginning of the Regency period contained sites, both topographical and poetic, were perceived to express authentic English qualities. In this context, Crawford discusses the highly fraught parliamentary enclosure movement, which closed off the last of England's open fields between 1760 and 1815. Crawford takes enclosure as a prevailing metaphor for a reconceptualisation of the aesthetics of space in which enclosed and confined sites became associated with productivity, and sets explicit images, such as the apple, the iron industry, and the kitchen garden within the context of georgic and minor lyric poetry.
Bannockburns: Scottish Independence and Literary Imagination, 1314-2014 (Edinburgh University Press)
by Robert CrawfordThis engagingly written volume begins with an English poet-in-residence at the 1314 battle. The book then traces how that famous victory has been interpreted and reinterpreted imaginatively. It moves from vivid medieval epics in several languages through the Romantic political imagination of Robert Burns to the striking part played by twenty-first-century poets, novelists, and dramatists in creative attempts to answer the 2014 question: ‘Should Scotland be an independent country?’
The Bard: Robert Burns, A Biography
by Robert CrawfordNo writer is more charismatic than Robert Burns. Wonderfully readable, The Bard catches Burns's energy, brilliance, and radicalism as never before. To his international admirers he was a genius, a hero, a warm-hearted friend; yet to the mother of one of his lovers he was a wastrel, to a fellow poet he was "sprung . . . from raking of dung," and to his political enemies a "traitor." Drawing on a surprising number of untapped sources--from rediscovered poetry by Burns to manuscript journals, correspondence, and oratory by his contemporaries--this new biography presents the remarkable life, loves, and struggles of the great poet. Inspired by the American and French Revolutions and molded by the Scottish Enlightenment, Burns was in several senses the first of the major Romantics. With a poet's insight and a shrewd sense of human drama, Robert Crawford outlines how Burns combined a childhood steeped in the peasant song-culture of rural Scotland with a consummate linguistic artistry to become not only the world's most popular love poet but also the controversial master poet of modern democracy. Written with accessible elan and nuanced attention to Burns's poems and letters, The Bard is the story of an extraordinary man fighting to maintain a sly sense of integrity in the face of overwhelming pressures. This incisive biography startlingly demonstrates why the life and work of Scotland's greatest poet still compel the attention of the world a quarter of a millennium after his birth.
The Book of Iona: An Anthology
by Robert CrawfordThe Book of Iona shows how novelists, poets, saints and sinners over the centuries have written about one of the world's most famous and best loved islands. Including many new, specially commissioned Iona stories and poems from writers including Meg Bateman, Jennie Erdal, Meaghan Delahunt, Candia McWilliam, Ruth Thomas and Alice Thompson, this anthology also contains a treasure trove of earlier material, from poems attributed to St Columba in modern translations by Edwin Morgan and Robert Crawford to amusing accounts of their visits to the island by Samuel Johnson, James Boswell and John Keats.In The Book of Iona, as on Iona itself, the sacred and the secular rub shoulders. Here is where a medieval Gaelic-speaking monk encounters Seamus Heaney, and where Robert Louis Stevenson sails past Queen Victoria. Full of surprises, this is an anthology that will delight every lover of Iona and all lovers of literature.
Eliot After The Waste Land (Eliot Biographies #2)
by Robert CrawfordThe second volume of Robert Crawford's magisterial biography of the revolutionary modernist, visionary poet and troubled man, drawing on extensive new sources.In this compelling and meticulous portrait of the twentieth century's most important poet, Robert Crawford completes the story he began in Young Eliot. Drawing on extensive new sources and letters, this is the first full-scale biography to make use of Eliot's most significant surviving correspondence, including the archive of letters (unsealed for the first time in 2020) detailing his decades-long love affair with Emily Hale. This long-awaited second volume, Eliot After 'The Waste Land', tells the story of the mature Eliot, his years as a world-renowned writer and intellectual, and his troubled interior life. From his time as an exhausted bank employee after the publication of The Waste Land, through the emotional turmoil of the 1920s and 1930s, and his years as a firewatcher in bombed wartime London, Crawford reveals the public and personal experiences that helped generate some of Eliot's masterpieces. He explores the poet's religious conversion, his editorship at Faber and Faber, his separation from Vivien Haigh-Wood and happy second marriage to Valerie Fletcher, and his great work Four Quartets. Robert Crawford presents this complex and remarkable man not as a literary monument but as a human being: as a husband, lover and widower, as a banker, editor, playwright and publisher, but most of all as an epoch-shaping poet struggling to make art among personal disasters.
Full Volume
by Robert CrawfordHolding in balance the ecological and the technological, ancient and modern, Full Volume sings languages and cultures, people and habitats burgeoning on the brink of extinction. From revved-up battle-cry to nervous whisper, these lyrical poems praise intricate abundance. Assured in its rhymes and cadences, Full Volume is often attentive to poetry in other tongues, not least Gaelic. As their tones and forms shift from the spiritual to the wry, from haiku to brosnachadh, the poems' resonance and music build into a sustained sounding of what it means to live, love, and listen in a world where 'Nothing is ever single'.
Masculinity (Cape Poetry Ser.)
by Robert CrawfordIn MASCULINITY, Robert Crawford elegantly explores many aspects of that troubling concept, from imperial militarism to his own experiences as father, husband, and son. By turn affectionate and amusing, painful and self-excoriating, Crawford wryly examines, sometimes in intimate detail, what it is to be male - from awkward, unsporty and even more awkward adolescent, to husband, father of a child and, apparently, New Man. Clever, accessible, very funny and chillingly accurate, MASCULINITY is a sparklingly original collection. Star Trek Epigrams Mr Sulu, set the controls To Economy Wash. We're about to venture Where no man has gone before. Kirk to enterprise: 'I'm going back to my cabin With a box of Kleenex. I want to experience the lonliness of Command. '
Scotland's Books: The Penguin History of Scottish Literature
by Robert CrawfordFrom Treasure Island to Trainspotting, Scotland's rich literary tradition has influenced writing across centuries and cultures far beyond its borders. Here, for the first time, is a single volume presenting the glories of fifteen centuries of Scottish literature. In Scotland's Books poet Robert Crawford tells the story of Scottish writing and its relationship to the country's history. Stretching from the medieval masterpiece of St Columba's Iona - the earliest surviving Scottish work - to the imaginative, thriving world of twenty-first-century writing with authors such as Ali Smith and James Kelman, this outstanding collection traces the development of literature in Scotland and explores the cultural, linguistic and literary heritage of the nation. It includes extracts from the writing discussed to give a flavour of the original work, full quotations in their own language, previously unpublished works by authors and plenty of new research. Informative and readable, this is the definitive guide to the marvellous legacy of Scottish literature.
The Scottish Ambassador
by Robert CrawfordOne of Scotland’s most celebrated poets, Robert Crawford has long been a passionate and articulate ambassador for his country and its culture, its people and its landscape. The Scottish Ambassador fuses individual and communal voices in poems that resonate far beyond their points of origin. Engaging with Zoroastrian, Chinese and Greek as well as with Scottish antecedents, Crawford’s poems have an arresting range and a lyrical energy. He negotiates with intensity and wit between a deep sense of human universals and a heartfelt fidelity to individual places. Ranging from Jerusalem to Iona, New York City to Shetland, this is a collection of international range that continually zeroes in on the particular – and the particularly Scottish. At the book’s centre is a series of intimate, funny, eloquent portraits of cities which are at once remarkable public poems and outpourings of love.
Selected Poems (Cape Poetry Ser.)
by Robert CrawfordTaken from his first six books, these poems confirm Robert Crawford as a poet of exhilarating energy wedded to a constantly refreshing delight in nuanced language. Richly nourished by his background, Crawford's work is both lyrical and wry. Its intelligent humour and attunement to our technological present are impressively fused with a deepening note of spirituality. Unpredictable yet recognisable, these are poems of beguiling vitality. While readers have praised Crawford's lovingly lyrical engagement with politics and science in such collections as A Scottish Assembly (1990) and Spirit Machines (1999), with gender in Masculinity (1996), or with environment and spirituality in The Tip of My Tongue (2003), what emerges in this Selected Poems is a clearly growing commitment to the protean delight of poetry itself: a belief in its uniqueness as a medium which can subtly sound out complex relationships with heartfelt intelligence. In Crawford's language there is a confidently contemporary Scottish music that celebrates a kinship between the cherished, minute detail, local or personal, and the magnificently universal, 'As a candle-flame believes in the speed of light'.
Spirit Machines
by Robert CrawfordSPIRIT MACHINES, Robert Crawford's fourth collection, attends imaginatively to the fusion of spiritual experience and the insistently material world. In several of the poems, emotional and religious insights merge lyrically with modern technologies of information. The title sequence deals with bereavement and memorializes the poet's father, who died in1997, while the serio-comical catechism of 'A Life-Exam' arises from the experience of hospitalisation. The imaginative, 360-line tour de force 'Impossibility' presents a swirling underwater world imaging the heroic struggle of the nineteenth-century writer and mother, Margaret Oliphant. While some of the poems communicate a sense of hurt and loss, others are insuperably comic, giving the collection an ambitious range and vitality. Throughout the book, Robert Crawford's alert sense of Scotland provides a source and sounding-board for poems -lyrics, ballads, verse narratives and prose poems - that are finely nuanced, moving, and excitingly resourceful.
Testament: The Old Testament ... - Scholar's Choice Edition
by Robert CrawfordTo make a testament is to attempt to pass on what matters most. In his seventh full-length collection of poems Robert Crawford writes of love, loss, belief, and commitment. Whether in intimate erotic lyrics or in a sustained engagement with the politics of Scottish independence he writes with passion, wit, and assurance about struggles to pass on values and treasures. The book opens with a sequence of love poems, and closes with ‘Testament’, a startlingly fresh gathering of deftly rhymed paraphrases based on the New Testament. Whether making versions of Cavafy or elegising fellow poet Mick Imlah, or writing how a father hands on a piece of marble to his son, Robert Crawford shows in Testament how poetry can communicate from generation to generation aspects of what makes us most vulnerably and engagingly human.
The Tip Of My Tongue
by Robert CrawfordRobert Crawford's new collection is an exhilarating celebration of the world he lives in: his family, his fellow Scots, his country and his country's languages. Beginning with a group of moving, renewing love poems to his wife, the book builds into a polyphonic hymn to life in all its aspects. There is a powerful sense of communion and connection in The Tip of My Tongue: while singing the Scottish part of the planet, Crawford also embraces the rhythms of the whole circumference - from Perth, Scotland, to Perth, Australia - catching 'how Kincardineshire's sky's/Transvaalish, Budapesty, Santa Barbaran,/Zurich on a perfect day'. These are poems that are convincingly earthed in the land and the language yet unafraid of spiritual, even religious notes; richly lyrical and passionate yet shot through with a humour and a vitality that is utterly engaging. As Liam McIlvanney wrote in the Sunday Herald, 'for intellectual range, emotional depth, and lexical shimmer, Crawford is unsurpassed among recent Scottish poets'.
The Other Widow: A Novel
by Susan CrawfordThe author of The Pocket Wife explores the dark side of love, marriage, and infidelity in this sizzling novel of psychological suspense.'We have to stop seeing each other . . . It isn't safe. For us.' He turns toward her, and even in the darkened car she sees his fear.The affair is over. Moments later, Joe's car skids off an icy road. Desperate to keep her life intact, Dorrie runs from the wreckage - but now someone is calling her from his phone.Joe's wife knew he was cheating. On her own in the wake of his death, Karen can't shake the feeling that someone is watching her.Investigator Maggie Brennan is immediately suspicious of the life insurance claim following the crash. The policy was a recent purchase, and she doesn't believe in coincidences.As the fates of these three women become more tightly entwined, they're brought closer to a terrifying truth.
The Pocket Wife: A Novel
by Susan CrawfordDana Catrell wakes from a drunken stupor in time to see an ambulance pull into her neighbour's house a few doors down. Celia Steinhauser has been murdered. But Dana was at her house only a few hours ago. Celia wanted to show her a photo - a photo of Dana's husband with another woman - and Dana has blank spots of what happened to the rest of the afternoon . . . This is a thriller that makes the reader question everything. Dana, we learn, has a history of mental illness and as she descends into another manic episode, the line between what actually happened and what she has imagined becomes blurred. A gripping domestic psychological thriller for fans of ASA Harrison's The Silent Wife and Sabine Durrant's Under Your Skin, The Pocket Wife will stay with you - as all good thrillers do - long after you've finished it.
Shakespeare in London (Arden Shakespeare)
by Hannah Crawforth Sarah Dustagheer Jennifer YoungShakespeare in London offers a lively and engaging new reading of some of Shakespeare's major work, informed by close attention to the language of his drama. The focus of the book is on Shakespeare's London, how it influenced his drama and how he represents it on stage. Taking readers on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and also geographically, traversing London from west to east. Each chapter focuses on one play and one key location, drawing out the thematic connections between that place and the drama it underwrites. Plays discussed in detail include Hamlet, Richard II, The Merchant of Venice, The Tempest, King Lear and Romeo and Juliet. Close textual readings accompany the wealth of contextual material, providing a fresh and exciting way into Shakespeare's work.