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The Dead Travel Fast (Mills And Boon M&b Ser.)
by Deanna RaybournA husband, a family, a comfortable life: Theodora Lestrange lives in terror of it all.
Dead Tree Media: Manufacturing the Newspaper in Twentieth-Century North America (Hagley Library Studies in Business, Technology, and Politics)
by Michael StammPopular assessments of printed newspapers have become so grim that some have taken to calling them "dead tree media" as a way of invoking the medium;€™s imminent demise. There is a literal truth hidden in this dismissive expression: printed newspapers really are material goods made from trees. And, throughout the twentieth century, the overwhelming majority of trees cut down in the service of printing newspapers in the United States came from Canada. In Dead Tree Media, Michael Stamm reveals the international history of the commodity chains connecting Canadian trees and US readers. Drawing on newly available corporate documents and research in archives across North America, Stamm offers a sophisticated rethinking of the material history of the printed newspaper. Tracing its industrial production from the forest to the newsstand, he provides an account of the obscure and often hidden labor involved in this manufacturing process by showing how it was driven by not only publishers and journalists but also lumberjacks, paper mill workers, policymakers, chemists, and urban and regional planners. Stamm describes the 1911 shift in tariff policy that gave US publishers duty-free access to Canadian newsprint, providing a tremendous boost to Canadian paper manufacturers and a significant subsidy to American newspaper publishers. He also explains how Canada attracted massive American foreign investment in paper mills around the same time that US publishers were able to gain greater access to Canada;€™s vast spruce forests. Focusing particularly on the Chicago Tribune, Stamm provides a new history of the rise and fall of both the mass circulation printed newspaper and the particular kind of corporation in the newspaper business that had shaped many aspects of the cultural, political, and even physical landscape of North America. For those seeking to understand the travails of the contemporary newspaper business, Dead Tree Media is essential reading.
Dead Tree Media: Manufacturing the Newspaper in Twentieth-Century North America (Hagley Library Studies in Business, Technology, and Politics)
by Michael StammPopular assessments of printed newspapers have become so grim that some have taken to calling them "dead tree media" as a way of invoking the medium;€™s imminent demise. There is a literal truth hidden in this dismissive expression: printed newspapers really are material goods made from trees. And, throughout the twentieth century, the overwhelming majority of trees cut down in the service of printing newspapers in the United States came from Canada. In Dead Tree Media, Michael Stamm reveals the international history of the commodity chains connecting Canadian trees and US readers. Drawing on newly available corporate documents and research in archives across North America, Stamm offers a sophisticated rethinking of the material history of the printed newspaper. Tracing its industrial production from the forest to the newsstand, he provides an account of the obscure and often hidden labor involved in this manufacturing process by showing how it was driven by not only publishers and journalists but also lumberjacks, paper mill workers, policymakers, chemists, and urban and regional planners. Stamm describes the 1911 shift in tariff policy that gave US publishers duty-free access to Canadian newsprint, providing a tremendous boost to Canadian paper manufacturers and a significant subsidy to American newspaper publishers. He also explains how Canada attracted massive American foreign investment in paper mills around the same time that US publishers were able to gain greater access to Canada;€™s vast spruce forests. Focusing particularly on the Chicago Tribune, Stamm provides a new history of the rise and fall of both the mass circulation printed newspaper and the particular kind of corporation in the newspaper business that had shaped many aspects of the cultural, political, and even physical landscape of North America. For those seeking to understand the travails of the contemporary newspaper business, Dead Tree Media is essential reading.
Dead Wake: The Last Crossing of the Lusitania
by Erik LarsonOn 1st May 1915, the luxury ocean liner Lusitania sailed out of New York, bound for Liverpool. Her passengers were anxious. Germany had declared the seas around Britain to be a war zone and its submarines were bringing terror to the Atlantic. But the Lusitania’s captain, William Thomas Turner, had faith in the gentlemanly terms of warfare that had, for a century, kept civilian ships safe from attack. He also knew that his ship was the fastest then in service and could outrun any threat. Germany was, however, intent on changing the rules, and Walther Schwieger, the captain of Unterseeboot-20, was happy to oblige. For this would be the ill-fated Lusitania’s final crossing . . .
Dead Water
by Simon IngsA conspiracy that dates from World War Two starts to unravel in the aftermath of an act of piracy: a genre-defying thriller from a critically acclaimed British author.Off the coast of Sri Lanka, a tramp steamer is seized by pirates. The captain has his wife and son aboard and knows that their survival depends on giving the pirates exactly what they want. But what can they possibly want with his worn-out ship and its cargo of junk? On the island of Bali a tsunami washes up a rusting container. Inside, the mummified remains of a shipping magnate missing for 30 years and a hand-written journal of his last days locked within his aluminum tomb. Through the dusty industrial towns of India's Great Trunk Road, a disgraced female detective tracks a criminal syndicate. Her life has been ruined, but she will have her revenge. In a backstreet Mayfair office, an automated distress signal is picked up on a private satellite network. A ship is missing. A Dead Water ship. Dead Water is the key to everything. A code name for a covert operation initiated during World War Two. But why is it unravelling now, and what will the consequences be?
The Dead will Arise: Nongqawuse and the great Xhosa cattle killing 1856-7
by Jeff PeiresThe Dead Will Arise tells the story of Nongqawuse, the young Xhosa girl whose prophecy of the resurrection of the dead lured an entire people to death by starvation. The Great Cattle-Killing of 1856-57, which she initiated, is one of the most extraordinary and misunderstood events in South Africa's history. Jeff Peires was the first historian to draw on all available sources, from oral tradition and obscure Xhosa texts to the private letters and secret reports of police informers and colonial officials, and the original edition of The Dead Will Arise won the 1989 Alan Paton Sunday Times award for non-fiction.
The Dead Woman of Deptford (Inspector Ben Ross mystery 6): A dark murder mystery set in the heart of Victorian London
by Ann GrangerOn a cold November night in a Deptford yard, dock worker Harry Parker stumbles upon the body of a dead woman. Inspector Ben Ross is summoned from Scotland Yard to this insalubrious part of town, but no witness to the murder of this well-dressed, middle-aged woman can be found. Even Jeb Fisher, the local rag-and-bone man, swears he's seen nothing.Meanwhile, Ben's wife Lizzie is trying to suppress a scandal: family friend Edgar Wellings has a gambling addiction and no means of repaying his debts. Reluctantly, Lizzie agrees to visit his debt collector's house in Deptford, but when she arrives she finds her husband is investigating the murder of the woman in question. Edgar was the last man to see Mrs Clifford alive and he has good reason to want her dead, but Ben and Lizzie both know that a case like this is rarely as simple as it appears...What readers are saying about The Dead Woman of Deptford:'A crime story coloured with social comment and observation, and provides a three-dimensional view, brilliantly researched and portrayed, of this Victorian world''Ann Granger's Victorian mystery series is one of the best around with a description of the period that I find one of the most evocative and literary of all the Victorian-based mysteries I've read so far''Up to the usual very high standard of writing and plotting. A real page-turner'
Dead Wood (Wired)
by Sean Longcroft Andy CroftHolly's family move to the old house so her dad can do his job: bulldozing the ancient trees to make way for a housing estate. But there's something haunting the old house. Something old, and angry, that doesn't want the trees cut down. Something alive...Highly readable, exciting books that take the struggle out of reading, Wired encourages and supports reading practice by providing gripping, age-appropriate stories for struggling and reluctant readers or those with English as an additional language aged 11+, at a manageable length (64 pages) and reading level (8+). Produced in association with reading experts at CatchUp, a charity which aims to address underachievement caused by literacy and numeracy difficulties.
Deadline: Populism and the Press in Venezuela (Chicago Studies in Practices of Meaning)
by Robert SametSince 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chávez, who died in 2013, downplayed the extent of violent crime and instead emphasized rehabilitation. His successor, President Nicolás Maduro, took the opposite approach, declaring an all-out war on crime (mano dura). What accounts for this drastic shift toward more punitive measures? In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela’s punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or exposé that channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.
Deadline: Populism and the Press in Venezuela (Chicago Studies in Practices of Meaning)
by Robert SametSince 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chávez, who died in 2013, downplayed the extent of violent crime and instead emphasized rehabilitation. His successor, President Nicolás Maduro, took the opposite approach, declaring an all-out war on crime (mano dura). What accounts for this drastic shift toward more punitive measures? In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela’s punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or exposé that channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.
Deadline: Populism and the Press in Venezuela (Chicago Studies in Practices of Meaning)
by Robert SametSince 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chávez, who died in 2013, downplayed the extent of violent crime and instead emphasized rehabilitation. His successor, President Nicolás Maduro, took the opposite approach, declaring an all-out war on crime (mano dura). What accounts for this drastic shift toward more punitive measures? In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela’s punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or exposé that channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.
Deadline: Populism and the Press in Venezuela (Chicago Studies in Practices of Meaning)
by Robert SametSince 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chávez, who died in 2013, downplayed the extent of violent crime and instead emphasized rehabilitation. His successor, President Nicolás Maduro, took the opposite approach, declaring an all-out war on crime (mano dura). What accounts for this drastic shift toward more punitive measures? In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela’s punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or exposé that channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.
Deadline: Populism and the Press in Venezuela (Chicago Studies in Practices of Meaning)
by Robert SametSince 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chávez, who died in 2013, downplayed the extent of violent crime and instead emphasized rehabilitation. His successor, President Nicolás Maduro, took the opposite approach, declaring an all-out war on crime (mano dura). What accounts for this drastic shift toward more punitive measures? In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela’s punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or exposé that channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.
Deadline: Populism and the Press in Venezuela (Chicago Studies in Practices of Meaning)
by Robert SametSince 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chávez, who died in 2013, downplayed the extent of violent crime and instead emphasized rehabilitation. His successor, President Nicolás Maduro, took the opposite approach, declaring an all-out war on crime (mano dura). What accounts for this drastic shift toward more punitive measures? In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela’s punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or exposé that channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.
Deadlock and Disillusionment: American Politics since 1968 (The American History Series)
by Gary W. ReichardDeadlock and Disillusionment: American Politics Since 1968 is an insightful consideration of the events people, and policy debates that have shaped and continue to influence, even control, the current political era. Rejects conventional wisdom that the dominant force shaping recent American politics in the last half century has been the “rise of the Right” Considers the achievements and frustrations of each administration, from Nixon to Obama, in its assessment of contemporary U.S. politics Features authorship by an expert scholar in the field who takes a thematic rather than a partisan approach to recent American politics Offers a concise, comprehensive, and thoroughly up-to-date synthesis of the literature in the field and concludes with a comprehensive bibliographical essay, an aid to student research
Deadlock and Disillusionment: American Politics since 1968 (The American History Series)
by Gary W. ReichardDeadlock and Disillusionment: American Politics Since 1968 is an insightful consideration of the events people, and policy debates that have shaped and continue to influence, even control, the current political era. Rejects conventional wisdom that the dominant force shaping recent American politics in the last half century has been the “rise of the Right” Considers the achievements and frustrations of each administration, from Nixon to Obama, in its assessment of contemporary U.S. politics Features authorship by an expert scholar in the field who takes a thematic rather than a partisan approach to recent American politics Offers a concise, comprehensive, and thoroughly up-to-date synthesis of the literature in the field and concludes with a comprehensive bibliographical essay, an aid to student research
A Deadly Brew: The Fourth Matthew Bartholomew Chronicle (Chronicles of Matthew Bartholomew #4)
by Susanna GregoryThe fourth chronicle in the Matthew Bartholomew series. The winter of 1353 has been appallingly wet, there is a fever outbreak amongst the poorer townspeople and the country is not yet fully recovered from the aftermath of the plague. The increasing reputation and wealth of the Cambridge colleges are causing dangerous tensions between the town, Church and University. Matthew Bartholomew is called to look into the deaths of three members of the University of who died from drinking poisoned wine, and soon he stumbles upon criminal activities that implicate his relatives, friends and colleagues - so he must solve the case before matters in the town get out of hand...'A first-rate treat for mystery lovers' (Historical Novels Review)'Susanna Gregory has an extraordinary ability to conjure up a strong sense of time and place' (Choice)
Deadly Communion: (Liebermann Papers 5) (Liebermann Papers #5)
by Frank TallisA sexual predator is at large on the streets of Imperial Vienna. The killer is no ordinary 'lust murderer' but an entirely new phenomenon, his deviance revealing the darker preoccupations of the age. Detective Inspector Oskar Rheinhardt appeals to his friend, psychoanalyst Dr. Max Liebermann, for assistance. But to understand the killer's behaviour, Liebermann must make a journey into uncharted regions of the human mind, tracking a monster whose modus operandi combines both exquisite precision and savage cruelty.As the investigation continues, Liebermann and Rheinhardt find themselves drawn into the worlds of art and couture, worlds in which glamorous appearances mask the most sinister of secrets...
Deadly Cultures: Biological Weapons since 1945
by Lajos RózsaThe threat of biological weapons has never attracted as much public attention as in the past five years. Current concerns largely relate to the threat of weapons acquisition and use by rogue states or by terrorists. But the threat has deeper roots—it has been evident for fifty years that biological agents could be used to cause mass casualties and large-scale economic damage. Yet there has been little historical analysis of such weapons over the past half-century. Deadly Cultures sets out to fill this gap by analyzing the historical developments since 1945 and addressing three central issues: Why have states continued or begun programs for acquiring biological weapons? Why have states terminated biological weapons programs? How have states demonstrated that they have truly terminated their biological weapons programs? We now live in a world in which the basic knowledge needed to develop biological weapons is more widely available than ever before. Deadly Cultures provides the lessons from history that we urgently need in order to strengthen the long-standing prohibition of biological weapons.
Deadly Election: Flavia Albia 3 (Falco: The New Generation) (Flavia Albia)
by Lindsey DavisIn the blazing July heat of imperial Rome, Flavia Albia inspects a decomposing corpse. It has been discovered in lots to be auctioned by her family business, so she's determined to identify the dead man and learn how he met his gruesome end.The investigation will give her a chance to work with the magistrate, Manlius Faustus, the friend she sadly knows to be the last chaste man in Rome. But he's got other concerns than her anonymous corpse. It's election time and with democracy for sale at Domitian's court, tension has come to a head. Faustus is acting as an agent for a 'good husband and father', whose traditional family values are being called into question. Even more disreputable are his rivals, whom Faustus wants Albia to discredit.As Albia's and Faustus' professional and personal partnership deepens they have to accept that, for others, obsession can turn sour, and become a deadly strain that leads, tragically, to murder.
The Deadly Eurasian
by Alexander CordellMei Kayling, a member of the Chinese Red Guard and undercover agent, must lead a column of refugees across the mountains of China into Hong Kong, a perilous journey through villages blasted by an apparent nuclear explosion. It soon becomes clear that the blast was caused by a bomb from an American warship, carried out by a crewmember who has since disappeared; and so Mei must hunt for the missing man, a quest that takes her to the US in her efforts to determine if the explosion was an accident, or was ordered by the Pentagon...
Deadly Grace (Mira Ser.)
by Taylor SmithOn a cold winter night in a small Minnesota town in 1979, someone comes looking for Grace Meade. She is killed and her house is set ablaze. Incredibly, the prime suspect is her own daughter, Jillian.
Deadly Hall (Murder Room)
by John Dickson CarrIt's 1927 and New Orleans-born novelist Jeff Caldwell is called back to that most colourful of American cities by a frantic letter from Dave Hobart, a boyhood friend.Dave owns a fabulous and foreboding 16th-century English manor house moved from England to New Orleans at the whim of his eccentric grandfather. But Delys Hall has been nicknamed Deadly Hall. Some terrible things have happened there - including murder - and there are rumours of hidden treasure and a ghost.'The plot's the thing ... it is a sort of gleeful game' New York Times Book Review
Deadly Justice: A Statistical Portrait of the Death Penalty
by Frank Baumgartner Marty Davidson Kaneesha Johnson Arvind Krishnamurthy Colin WilsonIn 1976, the US Supreme Court ruled in Gregg v. Georgia that the death penalty was constitutional if it complied with certain specific provisions designed to ensure that it was reserved for the 'worst of the worst.' The same court had rejected the death penalty just four years before in the Furman decision because it found that the penalty had been applied in a capricious and arbitrary manner. The 1976 decision ushered in the 'modern' period of the US death penalty, setting the country on a course to execute over 1,400 inmates in the ensuing years, with over 8,000 individuals currently sentenced to die. Now, forty years after the decision, the eminent political scientist Frank Baumgartner along with a team of younger scholars (Marty Davidson, Kaneesha Johnson, Arvind Krishnamurthy, and Colin Wilson) have collaborated to assess the empirical record and provide a definitive account of how the death penalty has been implemented. Each chapter addresses a precise empirical question and provides evidence, not opinion, about whether how the modern death penalty has functioned. They decided to write the book after Justice Breyer issued a dissent in a 2015 death penalty case in which he asked for a full briefing on the constitutionality of the death penalty. In particular, they assess the extent to which the modern death penalty has met the aspirations of Gregg or continues to suffer from the flaws that caused its rejection in Furman. To answer this question, they provide the most comprehensive statistical account yet of the workings of the capital punishment system. Authoritative and pithy, the book is intended for both students in a wide variety of fields, researchers studying the topic, and--not least--the Supreme Court itself.
Deadly Justice: A Statistical Portrait of the Death Penalty
by Colin Wilson Marty Davidson Arvind Krishnamurthy Frank Baumgartner Kaneesha JohnsonIn 1976, the US Supreme Court ruled in Gregg v. Georgia that the death penalty was constitutional if it complied with certain specific provisions designed to ensure that it was reserved for the 'worst of the worst.' The same court had rejected the death penalty just four years before in the Furman decision because it found that the penalty had been applied in a capricious and arbitrary manner. The 1976 decision ushered in the 'modern' period of the US death penalty, setting the country on a course to execute over 1,400 inmates in the ensuing years, with over 8,000 individuals currently sentenced to die. Now, forty years after the decision, the eminent political scientist Frank Baumgartner along with a team of younger scholars (Marty Davidson, Kaneesha Johnson, Arvind Krishnamurthy, and Colin Wilson) have collaborated to assess the empirical record and provide a definitive account of how the death penalty has been implemented. Each chapter addresses a precise empirical question and provides evidence, not opinion, about whether how the modern death penalty has functioned. They decided to write the book after Justice Breyer issued a dissent in a 2015 death penalty case in which he asked for a full briefing on the constitutionality of the death penalty. In particular, they assess the extent to which the modern death penalty has met the aspirations of Gregg or continues to suffer from the flaws that caused its rejection in Furman. To answer this question, they provide the most comprehensive statistical account yet of the workings of the capital punishment system. Authoritative and pithy, the book is intended for both students in a wide variety of fields, researchers studying the topic, and--not least--the Supreme Court itself.