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The Methodologies of Art: An Introduction

by Laurie Schneider Adams

Since the nineteenth century, when art history became an established academic discipline, works of art have been ?read? in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work's perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it's made of). The methodologies discussed here?formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender?reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism, and colonialism, and a new epilogue that analyzes a single painting to illustrate the different methodological viewpoints.

The Methodologies of Art: An Introduction

by Laurie Schneider Adams

Since the nineteenth century, when art history became an established academic discipline, works of art have been ?read? in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work's perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it's made of). The methodologies discussed here?formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender?reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism, and colonialism, and a new epilogue that analyzes a single painting to illustrate the different methodological viewpoints.

Methodology, Ideology and Pedagogy of African Art: Primitive to Metamodern

by Moyo Okediji

This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.

Methodology, Ideology and Pedagogy of African Art: Primitive to Metamodern


This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.

Methodology of Window Management: Proceedings of an Alvey Workshop at Cosener’s House, Abingdon, UK, April 1985 (Focus on Computer Graphics)

by Antony S. Williams F. Robert A. Hopgood David A. Duce Elizabeth V. C. Fielding Ken Robinson

This volume is a record of the Workshop on Window Management held at the Ruth­ erford Appleton Laboratory's Cosener's House between 29 April and 1 May 1985. The main impetus for the Workshop came from the Alvey Programme's Man­ Machine Interface Director who was concerned at the lack of a formal definition of window management and the lack of focus for research activities in this area. Win­ dow Management per se is not the complete problem in understanding interaction. However, the appearance of bitmap displays from a variety of vendors enabling an operator to work simultaneously with a number of applications on a single display has focussed attention on what the overall architecture for such a system should be and also on what the interfaces to both the application and operator should be. The format of the Workshop was to spend the first day with presentations from a number of invited speakers. The aim was to get the participants aware of the current state of the art and to highlight the main outstanding issues. The second day consisted of the Workshop participants splitting into three groups and discussing specific issues in depth. Plenary sessions helped to keep the individual groups work­ ing on similar lines. The third day concentrated on the individual groups presenting their results and interacting with the other groups to identify main areas of con­ sensus and also a framework for future work.

Methods and Applications for Modeling and Simulation of Complex Systems: 18th Asia Simulation Conference, AsiaSim 2018, Kyoto, Japan, October 27–29, 2018, Proceedings (Communications in Computer and Information Science #946)

by Liang Li Kyoko Hasegawa Satoshi Tanaka

This volume constitutes the proceedings of the 18th Asia Simulation Conference, AsiaSim 2018, held in Kyoto, Japan, in August 2018.The 45 revised full papers presented in this volume were carefully reviewed and selected from 90 submissions. The papers are organized in topical sections on modeling and simulation technology; soft computing and machine learning; high performance computing and cloud computing; simulation technology for industry; simulation technology for intelligent society; simulation of instrumentation and control application; computational mathematics and computational science; flow simulation; visualization and computer vision to support simulation.

Methods and Applications for Modeling and Simulation of Complex Systems: 19th Asia Simulation Conference, AsiaSim 2019, Singapore, October 30 – November 1, 2019, Proceedings (Communications in Computer and Information Science #1094)

by Gary Tan Axel Lehmann Yong Meng Teo Wentong Cai

This volume constitutes the proceedings of the 19th Asia Simulation Conference, AsiaSim 2019, held in Singapore, Singapore, in October 2019.The 19 revised full papers and 5 short papers presented in this volume were carefully reviewed and selected from 36 submissions. The papers are organized in topical sections on simulation and modeling methodology; numerical and Monte Carlo simulation; simulation applications: blockchain, deep learning and cloud; simulation and visualization; simulation applications; short papers.

Methods and Applications of Artificial Intelligence: Second Hellenic Conference on AI, SETN 2002 Thessaloniki, Greece, April 11–12, 2002 Proceedings (Lecture Notes in Computer Science #2308)

by Ioannis P. Vlahavas Constantine D. Spyropoulos

This book constitutes the refereed proceedings of the Second Hellenic Conference on Artificial Intelligence, SETN 2002, held in Thessaloniki, Greece, in April 2002.The 42 revised full papers presented together with two invited contributions were carefully reviewed and selected for inclusion in the book. The papers are organized in topical sections on knowledge representation and reasoning, logic programming and constraint satisfaction, planning and scheduling, natural language processing, human-computer interaction, machine learning, intelligent Internet and multiagent systems, and intelligent applications.

Methods and Applications of Artificial Intelligence: Third Helenic Conference on AI, SETN 2004, Samos, Greece, May 5-8, 2004, Proceedings (Lecture Notes in Computer Science #3025)

by George A. Vouros Themistoklis Panayiotopoulos

Arti?cial intelligence has attracted a renewed interest from distinguished sci- tists and has again raised new, more realistic this time, expectations for future advances regarding the development of theories, models and techniques and the use of them in applications pervading many areas of our daily life. The borders of human-level intelligence are still very far away and possibly unknown. Nev- theless, recent scienti?c work inspires us to work even harder in our exploration of the unknown lands of intelligence. This volume contains papers selected for presentation at the 3rd Hellenic Conference on Arti?cial Intelligence (SETN 2004), the o?cial meeting of the Hellenic Society for Arti?cial Intelligence (EETN). The ?rst meeting was held in the University of Piraeus, 1996 and the second in the Aristotle University of Thessaloniki (AUTH), 2002. SETN conferences play an important role in the dissemination of the in- vative and high-quality scienti?c results in arti?cial intelligence which are being produced mainly by Greek scientists in institutes all over the world. However, the most important e?ect of SETN conferences is that they provide the context in which people meet and get to know each other, as well as a very good opp- tunity for students to get closer to the results of innovative arti?cial intelligence research.

Methods and Models in Artificial and Natural Computation. A Homage to Professor Mira's Scientific Legacy: Third International Work-Conference on the Interplay Between Natural and Artificial Computation, IWINAC 2009, Santiago de Compostela, Spain, June 22-26, 2009, Proceedings, Part I (Lecture Notes in Computer Science #5601)

by Jose Mira José M. Ferrández Jose-Ramon Alvarez Sanchez Felix Paz Javier Toledo

The two-volume set LNCS 5601 and LNCS 5602 constitutes the refereed proceedings of the Third International Work-Conference on the Interplay between Natural and Artificial Computation, IWINAC 2009, held in Santiago de Compostela, Spain, in June 2009. The 108 revised papers presented are thematically divided into two volumes. The first volume includes papers relating the most recent collaborations with Professor Mira and contributions mainly related with theoretical, conceptual and methodological aspects linking AI and knowledge engineering with neurophysiology, clinics and cognition. The second volume contains all the contributions connected with biologically inspired methods and techniques for solving AI and knowledge engineering problems in different application domains.

Methods of Architectural Programming (Routledge Revivals)

by Henry Sanoff

First published in 1977, this volume was intended as a sourcebook for designers and attempts to specify the ingredients necessary to develop a design program rather than postulate a model program for which no consensus exists. As such it filled a void in the existing literature which seldom covered programming with much depth and provides technical aids to guide designers. The author attempts to integrate the pioneering contributions from others in order to identify the substance of programming for designers and represents a culling of the strategies and techniques from the social, behavioural and management sciences — building on the developing efforts of other disciplines.

Methods of Architectural Programming (Routledge Revivals)

by Henry Sanoff

First published in 1977, this volume was intended as a sourcebook for designers and attempts to specify the ingredients necessary to develop a design program rather than postulate a model program for which no consensus exists. As such it filled a void in the existing literature which seldom covered programming with much depth and provides technical aids to guide designers. The author attempts to integrate the pioneering contributions from others in order to identify the substance of programming for designers and represents a culling of the strategies and techniques from the social, behavioural and management sciences — building on the developing efforts of other disciplines.

Methods of Environmental and Social Impact Assessment (Natural and Built Environment Series)

by Peter Morris Riki Therivel Graham Wood

Environmental and social impact assessment (ESIA) is an important and often obligatory part of proposing or launching any development project. Delivering a successful ESIA needs not only an understanding of the theory but also a detailed knowledge of the methods for carrying out the processes required. Riki Therivel and Graham Wood bring together the latest advice on best practice from experienced practitioners to ensure an ESIA is carried out effectively and efficiently. This new edition: • explains how an ESIA works and how it should be carried out • demonstrates the links between socio-economic, cultural, environmental and ecological systems and assessments • incorporates the World Bank’s IFC performance standards, and best practice examples from developing as well as developed countries • includes new chapters on emerging ESIA topics such as climate change, ecosystem services, cultural impacts, resource efficiency, land acquisition and involuntary resettlement. Invaluable to undergraduate and MSc students of ESIA on planning, ecology, geography and environment courses, this internationally oriented fourth edition of Methods of Environmental and Social Impact Assessment is also of great use to planners, ESIA practitioners and professionals seeking to update their skills.

Methods of Environmental and Social Impact Assessment (Natural and Built Environment Series)

by Riki Therivel and Graham Wood

Environmental and social impact assessment (ESIA) is an important and often obligatory part of proposing or launching any development project. Delivering a successful ESIA needs not only an understanding of the theory but also a detailed knowledge of the methods for carrying out the processes required. Riki Therivel and Graham Wood bring together the latest advice on best practice from experienced practitioners to ensure an ESIA is carried out effectively and efficiently. This new edition: • explains how an ESIA works and how it should be carried out • demonstrates the links between socio-economic, cultural, environmental and ecological systems and assessments • incorporates the World Bank’s IFC performance standards, and best practice examples from developing as well as developed countries • includes new chapters on emerging ESIA topics such as climate change, ecosystem services, cultural impacts, resource efficiency, land acquisition and involuntary resettlement. Invaluable to undergraduate and MSc students of ESIA on planning, ecology, geography and environment courses, this internationally oriented fourth edition of Methods of Environmental and Social Impact Assessment is also of great use to planners, ESIA practitioners and professionals seeking to update their skills.

Methods & Theories of Art History Third Edition

by Anne D'Alleva Michael Cothren

This book is an accessible introduction to the critical theories used in analysing art. It covers a broad range of approaches, presenting individual arguments, controversies and divergent perspectives. This edition has been updated to reflect recent scholarship in contemporary art and has been broken down into smaller sections for greater accessibility. The book begins with a revised discussion of the difference between method and theory. The following chapters apply the varying approaches to works of art, some of them new to this edition. The book ends with a new conclusion that focuses on the way the study of art is informed by theory.

The Methuen Amateur Theatre Handbook (Performance Books)

by Keith Arrowsmith

Long overdue, The Methuen Amateur Theatre Handbook is the essential handbook for anyone involved in amateur dramatics. Keith Arrowsmith guides the reader through the potential pitfalls of putting on a production, from preliminary planning and choosing a play, through stage management, to first night. There are sections on staging a show, group organisation and special performances, covering legal rights and obligations, health and safety, budgeting, copyright law, choosing a venue, stage management and front-of-house, plus a comprehensive reference section. Using personal anecdotes, checklists and clear guidelines, this is a comprehensive and accessible handbook for all aspects of amateur production.

The Methuen Book of Shakespeare Anecdotes

by Ralph Berry

Few playwrights have been more slandered, abused or honoured in performance than William Shakespeare. First published in 1992, this collection of 300 stories focuses on Shakespeare’s plays on stage. Organised chronologically, it offers the reader the opportunity to witness the changes in theatrical approaches to Shakespeare from their own time to the present day. This book will be of interest to those studying theatre, but also to those fascinated by the Shakespeare tradition.

The Methuen Book of Shakespeare Anecdotes

by Ralph Berry

Few playwrights have been more slandered, abused or honoured in performance than William Shakespeare. First published in 1992, this collection of 300 stories focuses on Shakespeare’s plays on stage. Organised chronologically, it offers the reader the opportunity to witness the changes in theatrical approaches to Shakespeare from their own time to the present day. This book will be of interest to those studying theatre, but also to those fascinated by the Shakespeare tradition.

Methuen Drama Anthology of American Women Playwrights: Gun, Spell #7, The Jacksonian, The Baltimore Waltz, In the Blood, Intimate Apparel

by Russell & Volkening Inc.

"In this exciting new anthology, Wesley Brown and Aimée K. Michel bring together six wonderfully teachable plays by some of the greatest American women dramatists of the past fifty years-- Ntozake Shange, Suzan-Lori Parks, Paula Vogel, Lynn Nottage, Beth Henley, and Susan Yankowitz. The editors provide a helpful Introduction to the last 100 years of theatrical activity, from suffrage and anti-lynching plays, through the explosive 1960s, to recent Broadway triumphs, highlighting women's struggle-a struggle that continues--to put their vision and voices on the American stage." Elin Diamond, Rutgers University, USAThis book celebrates the iconoclastic power of seven American women playwrights who pushed their work outside the box of conventional drama.To support student use, each play is accompanied by a short introduction. This provides the biographical background of the playwright as well as discussing the dramatic style of her writing, the extent to which her work is informed by and against the major playwrights of the period and how the specific work illustrates the overarching themes which her body of work addresses. Also covered are the historical and cultural context in which the play was presented, the feminist political context of the playwright and the performance practice of productions of the play.This anthology celebrates the iconoclastic power of seven American women playwrights who pushed their work outside the box of conventional drama. The plays and playwrights featured are: Susan Yankowitz's Gun; Ntozake Shange's Spell #7; Beth Henley's The Jacksonian; Paula Vogel's The Baltimore Waltz; Suzan-Lori Parks's In the Blood; and Lynn Nottage's Intimate Apparel. The volume celebrates fifty years of playwrights who have been continuously working in, and shaping, contemporary American theater.

Methuen Drama Anthology of American Women Playwrights: Gun, Spell #7, The Jacksonian, The Baltimore Waltz, In the Blood, Intimate Apparel (Berg New Media Ser.)

by Russell & Volkening Inc.

"In this exciting new anthology, Wesley Brown and Aimée K. Michel bring together six wonderfully teachable plays by some of the greatest American women dramatists of the past fifty years-- Ntozake Shange, Suzan-Lori Parks, Paula Vogel, Lynn Nottage, Beth Henley, and Susan Yankowitz. The editors provide a helpful Introduction to the last 100 years of theatrical activity, from suffrage and anti-lynching plays, through the explosive 1960s, to recent Broadway triumphs, highlighting women's struggle-a struggle that continues--to put their vision and voices on the American stage." Elin Diamond, Rutgers University, USAThis book celebrates the iconoclastic power of seven American women playwrights who pushed their work outside the box of conventional drama.To support student use, each play is accompanied by a short introduction. This provides the biographical background of the playwright as well as discussing the dramatic style of her writing, the extent to which her work is informed by and against the major playwrights of the period and how the specific work illustrates the overarching themes which her body of work addresses. Also covered are the historical and cultural context in which the play was presented, the feminist political context of the playwright and the performance practice of productions of the play.This anthology celebrates the iconoclastic power of seven American women playwrights who pushed their work outside the box of conventional drama. The plays and playwrights featured are: Susan Yankowitz's Gun; Ntozake Shange's Spell #7; Beth Henley's The Jacksonian; Paula Vogel's The Baltimore Waltz; Suzan-Lori Parks's In the Blood; and Lynn Nottage's Intimate Apparel. The volume celebrates fifty years of playwrights who have been continuously working in, and shaping, contemporary American theater.

The Methuen Drama Book of Contemporary Japanese Plays: Bacchae-Holstein Milk Cows; One Night; Isn't Anyone Alive?; The Sun; Carcass

by Yuko Kuwabara Takuya Yokoyama Shiro Maeda Satoko Ichihara Tomohiro Maekawa

Published alongside Japan Foundation, this collection features five creative and bold plays by some of Japan's most prolific writers of contemporary theatre. Translated into English for the first time, these texts explore a wide-range of themes from dystopian ideas of the future to touching domestic tragedies. Brought together in one volume, introduced by the authors and Japan Foundation, this collection offers English language readers an unprecedented look at some of Japan's finest works of contemporary drama by writers from across the country. The plays include:Bacchae Holstein Milk Cows by Satoko Ichihara,This play takes themes of the ancient Greek tragedy Bacchae by Euripides to examine various aspects of contemporary society, from love and sex, man and woman, intermixture of different species, discrimination and abuse, to artificial insemination, criticism of anthropocentricism and more. It was the winner of the 64th Kishida Drama Award. One Night (hitoyo) by Yuko KuwabaraThe setting is a small taxi company run out of the home of its owner in a country town. One night the mother, KoharuInamura, decides to leave the home in order to protect her children from her husband's domestic violence,promising them that she will come back in 15 years. The play depicts the family's reunion after having to live withthe burden of that one night's (hitoyo) incident and how they restarted their lives after it. Isn't Anyone Alive? by Shiro MaedaThis laid back, absurdist work examines death through a goofy lens. In the play, strange urban legends abound ina university hospital where young people die one after another, all with mobile phones in their hands.The Sun by Tomohiro MaekawaDepicts young people torn apart in a near future setting where humanity has split into two forms: Nox humans who can only go out at night, and Curios, the original type of humans that can live under the sun.Carcass by Takuya YokoyamaThis play takes its name from the Japanese word for dressed carcasses of beef and pork that have been halved along the backbone for meat . It deals with the dignity of being alive as seen through the lives of workers in the meat industry based on interviews and research. It won the Japan Playwrights Association's 15th New Playwright Award in 2009.

The Methuen Drama Book of Contemporary Japanese Plays: Bacchae-Holstein Milk Cows; One Night; Isn't Anyone Alive?; The Sun; Carcass

by Yuko Kuwabara Takuya Yokoyama Shiro Maeda Satoko Ichihara Tomohiro Maekawa

Published alongside Japan Foundation, this collection features five creative and bold plays by some of Japan's most prolific writers of contemporary theatre. Translated into English for the first time, these texts explore a wide-range of themes from dystopian ideas of the future to touching domestic tragedies. Brought together in one volume, introduced by the authors and Japan Foundation, this collection offers English language readers an unprecedented look at some of Japan's finest works of contemporary drama by writers from across the country. The plays include:Bacchae Holstein Milk Cows by Satoko Ichihara,This play takes themes of the ancient Greek tragedy Bacchae by Euripides to examine various aspects of contemporary society, from love and sex, man and woman, intermixture of different species, discrimination and abuse, to artificial insemination, criticism of anthropocentricism and more. It was the winner of the 64th Kishida Drama Award. One Night (hitoyo) by Yuko KuwabaraThe setting is a small taxi company run out of the home of its owner in a country town. One night the mother, KoharuInamura, decides to leave the home in order to protect her children from her husband's domestic violence,promising them that she will come back in 15 years. The play depicts the family's reunion after having to live withthe burden of that one night's (hitoyo) incident and how they restarted their lives after it. Isn't Anyone Alive? by Shiro MaedaThis laid back, absurdist work examines death through a goofy lens. In the play, strange urban legends abound ina university hospital where young people die one after another, all with mobile phones in their hands.The Sun by Tomohiro MaekawaDepicts young people torn apart in a near future setting where humanity has split into two forms: Nox humans who can only go out at night, and Curios, the original type of humans that can live under the sun.Carcass by Takuya YokoyamaThis play takes its name from the Japanese word for dressed carcasses of beef and pork that have been halved along the backbone for meat . It deals with the dignity of being alive as seen through the lives of workers in the meat industry based on interviews and research. It won the Japan Playwrights Association's 15th New Playwright Award in 2009.

The Methuen Drama Book of Trans Plays: Sagittarius Ponderosa; The Betterment Society; how to clean your room; She He Me; The Devils Between Us; Doctor Voynich and Her Children; Firebird Tattoo; Crooked Parts

by Azure D. Osborne-Lee Ty Defoe MJ Kaufman Raphaël Amahl Khouri J. Chavez Sharifa Yasmin Mashuq Mushtaq Deen

The Methuen Drama Book of Trans Plays for the Stage is the first play anthology to offer eight new plays by trans playwrights featuring trans characters. This edited collection establishes a canon of contemporary American trans theatre which represents a variety of performance modes and genres. From groundbreaking new work from across America's stages to unpublished work by new voices, these plays address themes such as gender identity and expression to racial and religious attitudes toward love and sex.Edited by Lindsey Mantoan, Angela Farr Schiller and Leanna Keyes, the plays selected explicitly call for trans characters as central protagonists in order to promote opportunities for trans performers, making this an original and necessary publication for both practical use and academic study. Sagittarius Ponderosa by MJ KaufmanArcher's not out to his family but when his father falls ill he has to move back to his childhood home in central Oregon. At night under the oldest Ponderosa Pine, he meets a stranger who knows the history of the forests and the sadness of losing endangered things. As Archer accepts big changes in his family, he discovers the power of names and the histories they make and mask. Sagittarius Ponderosa is a play about changing names, love potions, and tilling up the soil to make room for new growth.The Betterment Society by Mashuq Mushtaq DeenThree women on a godforsaken mountain wrestle with the elements, with each other, and with a world that does not value their way of life. As their resources dwindle, Gertie, Lynette, and Doreen try to redefine what it means to be civilized-a mission that forces them to confront what they value and what they're willing to sacrifice.how to clean your room by j. chavezSpencer begins to clean their room and reflect on their relationships with the people around them. Who can and can't we control in our lives, does caring mean anything beyond words, and does infatuation go both ways? A play in two cycles with anxiety, depression, and puppets. She He Me by Raphaël Amahl KhouriShe He Me follows the lives of three Arab characters who challenge gender. Randa is an Algerian male-to-female who is expelled under the threat of death from her homeland because of her LGBT activism there. Omar is a Jordanian gay man who rather than body dysphoria, suffers social dysphoria when it comes to the strict codes of masculinity imposed and expected of him by both the heterosexual and gay people around him. Rok is Lebanese and female-to-male. Through humor and horror, the three characters come up against the state, society, the family, but also themselves.The Devils Between Us by Sharifa YasminIn a small town in the boonies of South Carolina, a closeted young man named George is trying to figure out how to keep his late father's business running, only to be faced with a ghost from his youth. A young Muslim, whom he knew as his boyhood lover Latif, has returned as Latifa to take care of her estranged father's funeral. Forced to confront devils both have been avoiding, they find that their only way out of the past is through each other.Doctor Voynich and Her Children by Leanna KeyesThis “prediction” is set in America years after reproductive healthcare has been made illegal. Doctor Voynich and her apprentice Fade travel the countryside in a converted ambulance dispensing harmless herbs by day and providing family planning services by night. Fade tries to help local youth Hannah complete her abortion, using forbidden knowledge from an ancient manuscript, before her mother and the sheriff can nail them for the “attempted murder of an unborn person.” This play about mothers and daughters is poetic, sexy, vulgar, queer, and a little too real.Firebird Tattoo by Ty DefoeSky Red Rope goes on a quest to find her father, ulti

The Methuen Drama Book of Trans Plays: Sagittarius Ponderosa; The Betterment Society; how to clean your room; She He Me; The Devils Between Us; Doctor Voynich and Her Children; Firebird Tattoo; Crooked Parts

by Azure D. Osborne-Lee Ty Defoe MJ Kaufman Raphaël Amahl Khouri J. Chavez Sharifa Yasmin Mashuq Mushtaq Deen

The Methuen Drama Book of Trans Plays for the Stage is the first play anthology to offer eight new plays by trans playwrights featuring trans characters. This edited collection establishes a canon of contemporary American trans theatre which represents a variety of performance modes and genres. From groundbreaking new work from across America's stages to unpublished work by new voices, these plays address themes such as gender identity and expression to racial and religious attitudes toward love and sex.Edited by Lindsey Mantoan, Angela Farr Schiller and Leanna Keyes, the plays selected explicitly call for trans characters as central protagonists in order to promote opportunities for trans performers, making this an original and necessary publication for both practical use and academic study. Sagittarius Ponderosa by MJ KaufmanArcher's not out to his family but when his father falls ill he has to move back to his childhood home in central Oregon. At night under the oldest Ponderosa Pine, he meets a stranger who knows the history of the forests and the sadness of losing endangered things. As Archer accepts big changes in his family, he discovers the power of names and the histories they make and mask. Sagittarius Ponderosa is a play about changing names, love potions, and tilling up the soil to make room for new growth.The Betterment Society by Mashuq Mushtaq DeenThree women on a godforsaken mountain wrestle with the elements, with each other, and with a world that does not value their way of life. As their resources dwindle, Gertie, Lynette, and Doreen try to redefine what it means to be civilized-a mission that forces them to confront what they value and what they're willing to sacrifice.how to clean your room by j. chavezSpencer begins to clean their room and reflect on their relationships with the people around them. Who can and can't we control in our lives, does caring mean anything beyond words, and does infatuation go both ways? A play in two cycles with anxiety, depression, and puppets. She He Me by Raphaël Amahl KhouriShe He Me follows the lives of three Arab characters who challenge gender. Randa is an Algerian male-to-female who is expelled under the threat of death from her homeland because of her LGBT activism there. Omar is a Jordanian gay man who rather than body dysphoria, suffers social dysphoria when it comes to the strict codes of masculinity imposed and expected of him by both the heterosexual and gay people around him. Rok is Lebanese and female-to-male. Through humor and horror, the three characters come up against the state, society, the family, but also themselves.The Devils Between Us by Sharifa YasminIn a small town in the boonies of South Carolina, a closeted young man named George is trying to figure out how to keep his late father's business running, only to be faced with a ghost from his youth. A young Muslim, whom he knew as his boyhood lover Latif, has returned as Latifa to take care of her estranged father's funeral. Forced to confront devils both have been avoiding, they find that their only way out of the past is through each other.Doctor Voynich and Her Children by Leanna KeyesThis “prediction” is set in America years after reproductive healthcare has been made illegal. Doctor Voynich and her apprentice Fade travel the countryside in a converted ambulance dispensing harmless herbs by day and providing family planning services by night. Fade tries to help local youth Hannah complete her abortion, using forbidden knowledge from an ancient manuscript, before her mother and the sheriff can nail them for the “attempted murder of an unborn person.” This play about mothers and daughters is poetic, sexy, vulgar, queer, and a little too real.Firebird Tattoo by Ty DefoeSky Red Rope goes on a quest to find her father, ulti

The Methuen Drama Companion to Performance Art (Methuen Drama Handbooks)

by Bertie Ferdman Jovana Stokic

The Methuen Drama Companion to Performance Art offers a comprehensive guide to the major issues and interdisciplinary debates concerning performance in art contexts that have developed over the last decade. It understands performance art as an institutional, cultural, and economic phenomenon rather than as a label or object. Following the ever-increasing institutionalization and mainstreaming of performance, the book's chapters identify a marked change in the economies and labor practices surrounding performance art, and explore how this development is reflective of capitalist approaches to art and event production. Embracing what we perceive to be the 'oxymoronic status' of performance art-where it is simultaneously precarious and highly profitable-the essays in this book map the myriad gestures and radical possibilities of this extreme contradiction.This Companion adopts an interdisciplinary perspective to present performance art's legacies and its current practices. It brings together specially commissioned essays from leading innovative scholars from a wide range of approaches including art history, visual and performance studies, dance and theatre scholarship in order to provide a comprehensive and multifocal overview of the emerging research trends and methodologies devoted to performance art.

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