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Songs (Mountain West Poetry Series)
by Derek HendersonMountain West Poetry Series Published by the Center for Literary Publishing at Colorado State University The poems in Derek Henderson’s Songs are “translations” of a film cycle of the same name, shot by American filmmaker Stan Brakhage (1933–2003) to document his and his family’s life in Colorado in the mid-1960s. Where Brakhage’s films provide a subjective visual record of his experience bewildered by the eye, these poems let language bewilder the space a reader enters through the ear. Henderson tenders the visual experience of Brakhage’s films—films of the domestic and the wild, the private and political, the local and global—into language that insists on the ultimate incapacity of language—or of image—to fully document the comfort and the violence of intimacy. Songs expresses the ecstasy we so often experience in the company of family, but it just as urgently attests to ecstasy’s turbulent threat to family’s stability. Like Brakhage’s films, Henderson’s poems carry across into language and find family in every moment, even the broken ones, all of them abounding in hope.
Roguelike
by Mathew HendersonMathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.Mathew Henderson’s Roguelike, the much-anticipated follow-up to his acclaimed 2012 debut The Lease, melds the unique online vocabulary, culture, and logic of video games with family and addiction narratives, specifically the poet’s relationship with his mother and her struggle with narcotics. The resulting poems are arresting and fresh, mining game mythology, fantasy, and family history, while exploring the rich connection between video gaming and notions of addiction, repetition, storytelling, and escapism.Though the poems are largely narrative, ultimately Roguelike is less about stories themselves than it is about the psychological and emotional forces that define how and why we make them — how we’re all moved to shape the disparate and seemingly unconnected events of our lives into something meaningful, to make sense of the past and the present through storytelling.
Snowball
by Sue Hendra Paul LinnetCreated by award-winning, bestselling duo Sue Hendra and Paul Linnet, Snowball is a brilliantly funny picture book, with wonderfully comical images illustrating the hilarious rhyming story - perfect for Christmas!A lonely young snowball, stuck at the top of a mountain, decides to visit the local town for a bit of fun – but on his way he trips, falls, and starts to roll . . . and when a snowball rolls through snow, we all know what happens! This snowball picks up not only snow, but a myriad of other odd things on his way down – a sheep, a line of washing, a bicycling bear, ending up in the Zoo.
Syncopated Blue
by Ryan HennessyInfluenced by his father’s and grandfather’s poetry, Ryan Hennessy started writing poems as a young boy growing up in Co. Kildare. As lead singer of Picture This, Ryan’s songwriting reveals the unguarded spirit of a young man unafraid to wear his heart on his leopard-print sleeve. In his first book of poetry, Ryan reveals his natural gifts of self-expression to cover topics such as love, relationships, growing up and identity. At once defiantly romantic and nakedly vulnerable, he deftly chips away at the barriers many young men build in self-defence as he explores the euphoria of young love and its subsequent heartbreak. With striking illustrations by Irish illustrator Megan Luddy, Syncopated Blue features over ninety relatable yet deeply intimate poems, resulting in an extraordinary collection that reflects the free spirit of its creator.
The Mersey Sound: Restored 50th Anniversary Edition (Penguin Modern Classics)
by Adrian Henri Brian Patten Roger McGough'The Mersey Sound is an attempt to introduce contemporary poetry to the general reader by publishing representative work by each of three modern poets in a single volume, in each case the selection has been made to illustrate the poet's characteristics in style and form'. With this modest brief, The Mersey Sound was conceived and first published in 1967. An anthology which features Roger McGough's work, alongside that of Brian Patten and Adrian Henri (The Liverpool Poets), it went on to sell over half a million copies and to become the bestselling poetry anthology of all time.
Ballyhoo (Johns Hopkins: Poetry and Fiction)
by Hastings HenselThough at times whimsical and witty, the poems in Hastings Hensel's Ballyhoo inhabit the world beyond and between the punchline. In tightly controlled meditations on language's limits and its necessity, as well as on the many forms that humor takes;¢;‚¬;€?comedy, laughter, farce, clowning, parody, and more;¢;‚¬;€?Hensel navigates fine lines between joy and sadness, jokes and cruelty, reality and illusion, and irony and sincerity. Universal in scope, the 47 poems in Ballyhoo are richly idiomatic and evocative. They are also frequently grounded in the southern Atlantic coast with its particular ecology, characters, history, and myth. The pleasure in reading these poems comes from the original connections Hensel makes between the literary and the gritty: an elegy set in a bait shop, Twelfth Night's Feste delivering a monologue in a bar, a villanelle about a murder on a cruise ship. These intelligent, insightful poems remind us of the frail but important relationships between comedy, memory, and identity. Ballyhoo offers a sobering examination of the tragicomic nature of the world.
Ballyhoo (Johns Hopkins: Poetry and Fiction)
by Hastings HenselThough at times whimsical and witty, the poems in Hastings Hensel's Ballyhoo inhabit the world beyond and between the punchline. In tightly controlled meditations on language's limits and its necessity, as well as on the many forms that humor takes;¢;‚¬;€?comedy, laughter, farce, clowning, parody, and more;¢;‚¬;€?Hensel navigates fine lines between joy and sadness, jokes and cruelty, reality and illusion, and irony and sincerity. Universal in scope, the 47 poems in Ballyhoo are richly idiomatic and evocative. They are also frequently grounded in the southern Atlantic coast with its particular ecology, characters, history, and myth. The pleasure in reading these poems comes from the original connections Hensel makes between the literary and the gritty: an elegy set in a bait shop, Twelfth Night's Feste delivering a monologue in a bar, a villanelle about a murder on a cruise ship. These intelligent, insightful poems remind us of the frail but important relationships between comedy, memory, and identity. Ballyhoo offers a sobering examination of the tragicomic nature of the world.
The Temple: Sacred Poems And Private Ejaculations... (Penguin Clothbound Poetry)
by George HerbertA collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift editions for poetry lovers. On his deathbed George Herbert entrusted the manuscript of The Temple to his friend Nicholas Ferrar, asking him to publish it if he thought it was worthy. Herbert died in 1633 and the collection was published the same year to much acclaim. The Temple is an astounding collection of English verse poems with a central religious theme. The volume is a meditation on man's relationship to God and is characterised by Herbert's clarity and directness of style. This collection includes 'The Collar', a lyrical poem on submission to Divine Will and 'The Pearl', a manifestation of man's love for God.
The Complete Poetry
by George Herbert John Drury Victoria MoulA wonderful edition of Herbert's poetry, edited by his acclaimed biographer John Drury and including elegant new translations of his Latin verse by Victoria Moul.George Herbert wrote, but never published, some of the very greatest English poetry, recording in an astonishing variety of forms his inner experiences of grief, recovery, hope, despair, anger, fulfilment and - above all else - love. This volume, edited by John Drury, collects Herbert's complete poetry - including such classics of English devotional poetry as 'The Altar', Easter-Wings' and 'Love'. It also includes the verse Herbert wrote in Latin, newly translated into English by Victoria Moul.George Herbert was born in 1593 and died at the age of 39 in 1633, before the clouds of civil war gathered. He showed worldly ambition and seemed sure of high public office and a career at court, but then for a time 'lost himself in a humble way', devoting himself to the restoration of a church and then to his parish of Bemerton, three miles from Salisbury. When in the year of his death his friend Nicholas Ferrar published Herbert's poems under the title The Temple, his fame was quickly established.John Drury is Chaplain and Fellow of All Souls College, Oxford. His books include The Burning Bush (1990), Painting the Word (1999), and, most recently, Music at Midnight, the culmination of a lifetime's interest in Herbert.Victoria Moul is Lecturer in Latin Literature and Language at Kings College London. She is author of Jonson, Horace and the Classical Tradition (2010) and editor of Neo-Latin Literature (2014).
The Complete English Poems
by George Herbert John TobinGeorge Herbert combined the intellectual and the spiritual, the humble and the divine, to create some of the most moving devotional poetry in the English language. His deceptively simple verse uses the ingenious arguments typical of seventeenth-century 'metaphysical' poets, and unusual imagery drawn from musical structures, the natural world and domestic activity to explore a mosaic of Biblical themes. From the wit and wordplay of 'The Pulley' and the formal experimentation of 'Easter Wings' and 'Paradise', to the intense, highly personal relationship between man and God portrayed in 'The Collar' and 'Redemption', the works collected here show the transcendental power of divine love.
The Collected Poems 1956 - 1998: 1956-1998
by Zbigniew HerbertZbigniew Herbert is one of the outstanding poets of the last century. This exceptional new translation brings together, for the first time in English in one volume, his entire poetic output - from his first book of poems, String of Light, in 1956, to his final volume, previously unpublished in English, Epilogue of the Storm. As Joseph Brodsky said of Herbert's Selected Poems, this definitive collection is 'bound for a much longer haul than any of us can anticipate'.
Posthumanist Shakespeares (Palgrave Shakespeare Studies)
by Stefan HerbrechterShakespeare scholars and cultural theorists critically investigate the relationship between early modern culture and contemporary political and technological changes concerning the idea of the 'human.' The volume covers the tragedies King Lear and Hamlet in particular, but also provides posthumanist readings of other Shakespearean plays.
Voice Without Restraint: Bob Dylan's Lyrics 1961 - 1979
by John HerdmanBob Dylan was awarded the Nobel Prize in Literature in June 2016, and seldom in recent years has it been more richly deserved.That a song writer’s lyrics should be regarded as literature was an idea at which many were surprised.Others have felt that to isolate the lyrics of a song from its musical context is unreal. Ultimately that is true: a song is an indefeasible whole, an inseparable marriage of words and music which achieves its overall emotional effect by that symbiosis and not otherwise.Yet it can also be said that the two components can be separately considered as two elements in the artist’s creative utterance, and discussed as such.The evidence of Dylan’s manuscripts supports the view that in writing his lyrics his way of going about things is not always widely different from that of a poet.Bob Dylan commented on the Nobel Prize in Literature which was awarded to him "for having created new poetic expressions within the great American song tradition": "When I first received this Nobel Prize for Literature, I got to wondering exactly how my songs related to literature. I wanted to reflect on it and see where the connection was."Voice Without Restraint, refers to and is from the song “I dreamed I saw St Augustine” on John Wesley Harding, and is a phrase chosen to evoke the full-blooded commitment to his artistic utterance which is the hallmark of Bob Dylan’s voice – in all senses.
Destabilizing Milton: "Paradise Lost" and the Poetics of Incertitude
by P. HermanDestabilizing Milton challenges the widely accepted view of Milton as a poet of absolute, unquestioning certainty. In Paradise Lost , Milton confronts the failure of the Revolution by creating a poem that refuses to grant the reader any interpretive stability or certainty. Doubts can no longer be contained and concepts once marked by a 'fundamental immobility' now seem unstable at best. Paradise Regained and Samson Agonistes equally reflect Milton's deep ambivalences after the collapse of the Republic. Far from confirming his earlier ideals, in his later poetry, Milton subjects his culture's most cherished beliefs, such as the goodness of God, to withering scrutiny, while refusing the comfort of orthodox answers.
Selected Poems of Calvin C. Hernton (Wesleyan Poetry Series)
by Calvin C. HerntonThis volume promises to be the definitive guide to Calvin C. Hernton's unparalleled poetic career, re-introducing readers to a major voice in American poetry. Hernton was a cofounder of the Umbra Poets Workshop; a participant in the Black Arts Movement, R. D. Laing's Kingsley Hall, and the Antiuniversity of London; and a teacher at Oberlin College who counted amongst his friends bell hooks, Toni Morrison, and Odetta. As a pioneer in the field of Black Studies, Hernton developed a theoretical and practical pedagogy with lasting impact on generations of students. He may be best known as an anti-sexist sociologist, following in the footsteps of W.E.B. Du Bois, but Hernton viewed himself, above all, as a poet. This volume includes a generous selection of Hernton's previously published poems, from classics like the often anthologized "The Distant Drum" to the visionary epic The Coming of Chronos to the House of Nightsong, reprinted in full for the first time since 1964, alongside uncollected and unpublished material from the Calvin C. Hernton papers at Ohio University, a new critical introduction, and detailed notes, chronology, and bibliography.[sample poem]The Distant DrumI am not a metaphor or symbol.This you hear is not the wind in the trees.Nor a cat being maimed in the street.I am being maimed in the streetIt is I who weep, laugh, feel pain or joy.Speak this because I exist.This is my voiceThese words are my words, my mouthSpeaks them, my hand writes.I am a poet.It is my fist you hear beatingAgainst your ear.
A Selection from the Lyrical Poems of Robert Herrick
by Robert HerrickRobert Herrick was a 17th century English poet. Herrick began as an apprentice to a jeweler before attending college. In 1627 he took his orders and became chaplain to the Duke of Buckingham. He then became a vicar in Devon where he lived for 31 years writing some of his best poetry. When the English Civil War broke out he lost his position, since he refused to pledge to the Solemn League and Covenant. He returned to London living off the charity of his friends and spent his time preparing his lyric poems for publication. When Charles became king Herrick returned to his post. His poetry themes were English country life, village customs, complimentary poems to various ladies and his friends, themes taken from classical writings and Christian faith.
John Donne and Contemporary Poetry: Essays and Poems
by Judith Scherer HerzThis collection of poems and essays by both poets and scholars explores how John Donne’s writing has entered into the language, the imagination, and the navigation of erotic and spiritual desires and experiences of twentieth- and twenty-first-century writers. The chapters chart a winding path from a description of the Donne and Contemporary Poetry Project at Fordham University to an encounter with the Holy Sonnets to a set of modern holy sonnets and then through the work of a poet who used Donne’s Devotions on Emergent Occasions to chart his own dying. There are further poems on sickness and recovery, an essay on Donne and disease that brings in the work of an Australian poet, and several chapters of poems with various Donnean echoes. Of the final four chapters, one places Donne in relation to another poet and one to the Psalms, followed by two chapters on Donne’s speech figures and his poetics.
Theogony and Works and Days (PDF)
by HesiodThis new, fully-annotated translation by a leading expert on Hesiodic poems combines accuracy with readability and includes an introduction and explanatory notes on these two works by one of the oldest known Greek poets. The Theogony contains a systematic genealogy and account of the struggles of the gods, and the Works and Days offers a compendium of moral and practical advice for a life of honest husbandry.
Works of Hesiod and the Homeric Hymns: Works And Days - Theogony - The Homeric Hymns - The Battle Of The Frogs And The Mice
by HesiodWinner of the 2005 Harold Morton Landon Translation Award from the Academy of American Poets. In Works of Hesiod and the Homeric Hymns, highly acclaimed poet and translator Daryl Hine brings to life the words of Hesiod and the world of Archaic Greece. While most available versions of these early Greek writings are rendered in prose, Hine's illuminating translations represent these early classics as they originally appeared, in verse. Since prose was not invented as a literary medium until well after Hesiod's time, presenting these works as poems more closely approximates not only the mechanics but also the melody of the originals. This volume includes Hesiod's Works and Days and Theogony, two of the oldest non-Homeric poems to survive from antiquity. Works and Days is in part a farmer's almanac—filled with cautionary tales and advice for managing harvests and maintaining a good work ethic—and Theogony is the earliest comprehensive account of classical mythology—including the names and genealogies of the gods (and giants and monsters) of Olympus, the sea, and the underworld. Hine brings out Hesiod's unmistakable personality; Hesiod's tales of his escapades and his gritty and persuasive voice not only give us a sense of the author's own character but also offer up a rare glimpse of the everyday life of ordinary people in the eighth century BCE. In contrast, the Homeric Hymns are more distant in that they depict aristocratic life in a polished tone that reveals nothing of the narrators' personalities. These hymns (so named because they address the deities in short invocations at the beginning and end of each) are some of the earliest examples of epyllia, or short stories in the epic manner in Greek. This volume unites Hine's skillful translations of the Works of Hesiod and the Homeric Hymns—along with Hine's rendering of the mock-Homeric epic The Battle of the Frogs and the Mice—in a stunning pairing of these masterful classics.
Works of Hesiod and the Homeric Hymns
by HesiodWinner of the 2005 Harold Morton Landon Translation Award from the Academy of American Poets. In Works of Hesiod and the Homeric Hymns, highly acclaimed poet and translator Daryl Hine brings to life the words of Hesiod and the world of Archaic Greece. While most available versions of these early Greek writings are rendered in prose, Hine's illuminating translations represent these early classics as they originally appeared, in verse. Since prose was not invented as a literary medium until well after Hesiod's time, presenting these works as poems more closely approximates not only the mechanics but also the melody of the originals. This volume includes Hesiod's Works and Days and Theogony, two of the oldest non-Homeric poems to survive from antiquity. Works and Days is in part a farmer's almanac—filled with cautionary tales and advice for managing harvests and maintaining a good work ethic—and Theogony is the earliest comprehensive account of classical mythology—including the names and genealogies of the gods (and giants and monsters) of Olympus, the sea, and the underworld. Hine brings out Hesiod's unmistakable personality; Hesiod's tales of his escapades and his gritty and persuasive voice not only give us a sense of the author's own character but also offer up a rare glimpse of the everyday life of ordinary people in the eighth century BCE. In contrast, the Homeric Hymns are more distant in that they depict aristocratic life in a polished tone that reveals nothing of the narrators' personalities. These hymns (so named because they address the deities in short invocations at the beginning and end of each) are some of the earliest examples of epyllia, or short stories in the epic manner in Greek. This volume unites Hine's skillful translations of the Works of Hesiod and the Homeric Hymns—along with Hine's rendering of the mock-Homeric epic The Battle of the Frogs and the Mice—in a stunning pairing of these masterful classics.
Works of Hesiod and the Homeric Hymns
by HesiodWinner of the 2005 Harold Morton Landon Translation Award from the Academy of American Poets. In Works of Hesiod and the Homeric Hymns, highly acclaimed poet and translator Daryl Hine brings to life the words of Hesiod and the world of Archaic Greece. While most available versions of these early Greek writings are rendered in prose, Hine's illuminating translations represent these early classics as they originally appeared, in verse. Since prose was not invented as a literary medium until well after Hesiod's time, presenting these works as poems more closely approximates not only the mechanics but also the melody of the originals. This volume includes Hesiod's Works and Days and Theogony, two of the oldest non-Homeric poems to survive from antiquity. Works and Days is in part a farmer's almanac—filled with cautionary tales and advice for managing harvests and maintaining a good work ethic—and Theogony is the earliest comprehensive account of classical mythology—including the names and genealogies of the gods (and giants and monsters) of Olympus, the sea, and the underworld. Hine brings out Hesiod's unmistakable personality; Hesiod's tales of his escapades and his gritty and persuasive voice not only give us a sense of the author's own character but also offer up a rare glimpse of the everyday life of ordinary people in the eighth century BCE. In contrast, the Homeric Hymns are more distant in that they depict aristocratic life in a polished tone that reveals nothing of the narrators' personalities. These hymns (so named because they address the deities in short invocations at the beginning and end of each) are some of the earliest examples of epyllia, or short stories in the epic manner in Greek. This volume unites Hine's skillful translations of the Works of Hesiod and the Homeric Hymns—along with Hine's rendering of the mock-Homeric epic The Battle of the Frogs and the Mice—in a stunning pairing of these masterful classics.
Works of Hesiod and the Homeric Hymns: Works And Days - Theogony - The Homeric Hymns - The Battle Of The Frogs And The Mice
by HesiodWinner of the 2005 Harold Morton Landon Translation Award from the Academy of American Poets. In Works of Hesiod and the Homeric Hymns, highly acclaimed poet and translator Daryl Hine brings to life the words of Hesiod and the world of Archaic Greece. While most available versions of these early Greek writings are rendered in prose, Hine's illuminating translations represent these early classics as they originally appeared, in verse. Since prose was not invented as a literary medium until well after Hesiod's time, presenting these works as poems more closely approximates not only the mechanics but also the melody of the originals. This volume includes Hesiod's Works and Days and Theogony, two of the oldest non-Homeric poems to survive from antiquity. Works and Days is in part a farmer's almanac—filled with cautionary tales and advice for managing harvests and maintaining a good work ethic—and Theogony is the earliest comprehensive account of classical mythology—including the names and genealogies of the gods (and giants and monsters) of Olympus, the sea, and the underworld. Hine brings out Hesiod's unmistakable personality; Hesiod's tales of his escapades and his gritty and persuasive voice not only give us a sense of the author's own character but also offer up a rare glimpse of the everyday life of ordinary people in the eighth century BCE. In contrast, the Homeric Hymns are more distant in that they depict aristocratic life in a polished tone that reveals nothing of the narrators' personalities. These hymns (so named because they address the deities in short invocations at the beginning and end of each) are some of the earliest examples of epyllia, or short stories in the epic manner in Greek. This volume unites Hine's skillful translations of the Works of Hesiod and the Homeric Hymns—along with Hine's rendering of the mock-Homeric epic The Battle of the Frogs and the Mice—in a stunning pairing of these masterful classics.
Works of Hesiod and the Homeric Hymns: Works And Days - Theogony - The Homeric Hymns - The Battle Of The Frogs And The Mice
by HesiodWinner of the 2005 Harold Morton Landon Translation Award from the Academy of American Poets. In Works of Hesiod and the Homeric Hymns, highly acclaimed poet and translator Daryl Hine brings to life the words of Hesiod and the world of Archaic Greece. While most available versions of these early Greek writings are rendered in prose, Hine's illuminating translations represent these early classics as they originally appeared, in verse. Since prose was not invented as a literary medium until well after Hesiod's time, presenting these works as poems more closely approximates not only the mechanics but also the melody of the originals. This volume includes Hesiod's Works and Days and Theogony, two of the oldest non-Homeric poems to survive from antiquity. Works and Days is in part a farmer's almanac—filled with cautionary tales and advice for managing harvests and maintaining a good work ethic—and Theogony is the earliest comprehensive account of classical mythology—including the names and genealogies of the gods (and giants and monsters) of Olympus, the sea, and the underworld. Hine brings out Hesiod's unmistakable personality; Hesiod's tales of his escapades and his gritty and persuasive voice not only give us a sense of the author's own character but also offer up a rare glimpse of the everyday life of ordinary people in the eighth century BCE. In contrast, the Homeric Hymns are more distant in that they depict aristocratic life in a polished tone that reveals nothing of the narrators' personalities. These hymns (so named because they address the deities in short invocations at the beginning and end of each) are some of the earliest examples of epyllia, or short stories in the epic manner in Greek. This volume unites Hine's skillful translations of the Works of Hesiod and the Homeric Hymns—along with Hine's rendering of the mock-Homeric epic The Battle of the Frogs and the Mice—in a stunning pairing of these masterful classics.
Works of Hesiod and the Homeric Hymns
by HesiodWinner of the 2005 Harold Morton Landon Translation Award from the Academy of American Poets. In Works of Hesiod and the Homeric Hymns, highly acclaimed poet and translator Daryl Hine brings to life the words of Hesiod and the world of Archaic Greece. While most available versions of these early Greek writings are rendered in prose, Hine's illuminating translations represent these early classics as they originally appeared, in verse. Since prose was not invented as a literary medium until well after Hesiod's time, presenting these works as poems more closely approximates not only the mechanics but also the melody of the originals. This volume includes Hesiod's Works and Days and Theogony, two of the oldest non-Homeric poems to survive from antiquity. Works and Days is in part a farmer's almanac—filled with cautionary tales and advice for managing harvests and maintaining a good work ethic—and Theogony is the earliest comprehensive account of classical mythology—including the names and genealogies of the gods (and giants and monsters) of Olympus, the sea, and the underworld. Hine brings out Hesiod's unmistakable personality; Hesiod's tales of his escapades and his gritty and persuasive voice not only give us a sense of the author's own character but also offer up a rare glimpse of the everyday life of ordinary people in the eighth century BCE. In contrast, the Homeric Hymns are more distant in that they depict aristocratic life in a polished tone that reveals nothing of the narrators' personalities. These hymns (so named because they address the deities in short invocations at the beginning and end of each) are some of the earliest examples of epyllia, or short stories in the epic manner in Greek. This volume unites Hine's skillful translations of the Works of Hesiod and the Homeric Hymns—along with Hine's rendering of the mock-Homeric epic The Battle of the Frogs and the Mice—in a stunning pairing of these masterful classics.