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The Poems of W. B. Yeats: Volume Two: 1890-1898 (Longman Annotated English Poets)

by Peter McDonald

In this multi-volume edition, the poetry of W.B. Yeats (1865–1939) is presented in full, with newly-established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats’s poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats’s poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. In this second volume, the poems of Yeats’s early maturity emerge in the contexts of his engagement with Irish history and myth, along with nationalist politics; his increasing involvement with ritual magic and esoteric lore; and his turbulent, often unhappy, personal life. The poems of The Countess Kathleen and Various Legends and Lyrics (1892) reveal a poet of intense narrative power and metaphorical resource, adept at transforming miscellaneous sources into haunting and original poems. A major revision of his earlier narrative, ‘The Wanderings of Oisin’, takes place in this decade when Yeats is also taken up with the composition of elaborate and uncanny symbolic lyrics, many of them resulting from his love for Maud Gonne, that are finally collected in The Wind Among the Reeds (1899). This edition makes it possible to trace in detail Yeats’s debts to folklore and magic, alongside his involved and often difficult private and public life, in poetry of exceptional complexity and power.

The Poems of W.B. Yeats: Volume One: 1882-1889 (Longman Annotated English Poets)

by Peter McDonald

In this multi-volume edition, the poetry of W.B. Yeats (1865–1939) is presented in full, with newly-established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats’s poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats’s poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. This first volume collects Yeats’s poetry of the 1880s, from his ambitious and extensive juvenilia (including hitherto little-noticed dramatic poems) to his earliest published pieces, leading to his first substantial book of verse. The pastoral romance of classically-inflected early work like ‘The Island of Statues’ is succeeded in these years by the Irish mythic material that finds its largest canvas in the mini-epic ‘The Wanderings of Oisin’. In Yeats’s work through the 1880s, an adolescent poet’s youthful absorption in Romantic poetry is replaced by a commitment to esoteric religious speculation and Irish political nationalism. This edition allows readers to see Yeats’s emergence as a poet step by step in compelling detail in relation to his literary influences – including, significantly, the Anglo-Irish poetry of the nineteenth century. The commentary provides an extensive view of Yeats’s developing personal, cultural, and historical worlds as the poems gain in maturity and depth. From the first attempts at verse of a teenage boy to the fully accomplished writings of an original poet standing on the verge of popular success with poems such as ‘The Lake Isle of Innisfree’, Yeats’s poetry is displayed here in unprecedented fullness and detail.

The Poems of W.B. Yeats: Volume One: 1882-1889 (Longman Annotated English Poets)

by Peter McDonald

In this multi-volume edition, the poetry of W.B. Yeats (1865–1939) is presented in full, with newly-established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats’s poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats’s poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. This first volume collects Yeats’s poetry of the 1880s, from his ambitious and extensive juvenilia (including hitherto little-noticed dramatic poems) to his earliest published pieces, leading to his first substantial book of verse. The pastoral romance of classically-inflected early work like ‘The Island of Statues’ is succeeded in these years by the Irish mythic material that finds its largest canvas in the mini-epic ‘The Wanderings of Oisin’. In Yeats’s work through the 1880s, an adolescent poet’s youthful absorption in Romantic poetry is replaced by a commitment to esoteric religious speculation and Irish political nationalism. This edition allows readers to see Yeats’s emergence as a poet step by step in compelling detail in relation to his literary influences – including, significantly, the Anglo-Irish poetry of the nineteenth century. The commentary provides an extensive view of Yeats’s developing personal, cultural, and historical worlds as the poems gain in maturity and depth. From the first attempts at verse of a teenage boy to the fully accomplished writings of an original poet standing on the verge of popular success with poems such as ‘The Lake Isle of Innisfree’, Yeats’s poetry is displayed here in unprecedented fullness and detail.

The Poems of W.B. Yeats: Volume Three: 1899-1910 (Longman Annotated English Poets)

by Peter McDonald

In this multi-volume edition, the poetry of W.B. Yeats (1865–1939) is presented in full, with newly established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats’s poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats’s poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. In this third volume, Yeats’s poetry of the first decade of the twentieth century is brought into sharp focus, revealing the extent of his efforts to re-fashion a style that had already made him a well-known poet. All of the major modes in Yeats’s earlier work are subject to radical re-imagining in these years, from poetic narrative founded in Irish myth, in poems such as ‘Baile and Aillinn’ and ‘The Old Age of Queen Maeve’, to the symbolist drama-poetry of The Shadowy Waters, here edited in its two (completely different) versions of 1900 and 1906. In a decade when the theatre was one of Yeats’s principal concerns, his lyric poems, which were becoming increasingly explicit in personal terms, began to discover new intensities of conversational pitch and mythic resonance. Poems such as ‘The Folly of Being Comforted’, ‘Adam’s Curse’, ‘No Second Troy’, and ‘The Fascination of What’s Difficult’ are given close attention in this new edition, alongside topical and epigrammatic pieces that are often passed over in accounts of Yeats’s development. The evolving complexities of Yeats’s personal and political lives are crucial to his artistic growth in these years, and the commentary gives these generous attention, showing how the poetry both feeds upon and often transcends the circumstances of its composition. The volume offers strong evidence for this decade as a crucial one in Yeats’s poetic life, in which the poet created wholly new registers for his verse as well as new dimensions for his imaginative vision.

Poems of Thomas Hardy: A New Selection (Macmillan Collector's Library #90)

by Thomas Hardy

Thomas Hardy saw himself, first and foremost, as a poet, and he wrote poetry throughout his prolific and acclaimed novel-writing years before announcing in 1896 that he would no longer write novels, much to the astonishment of his worldwide readership. Instead he went on to publish eight masterful volumes of poetry - ranging from lyrics and ballads to dramatic monologues and satire - and is now regarded as one of the greatest twentieth-century poets.Choosing the best verse from each volume, the Poems of Thomas Hardy is the perfect introduction to Hardy's lyrical, soul-searching and profoundly sincere poetry, covering subjects ranging from his grief at the death of his first wife to his experiences of war.This beautiful Macmillan Collector's Library edition is edited and introduced by editor Ned Halley.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

Poems of Thomas Hardy

by Thomas Hardy Claire Tomalin

Thomas Hardy wrote some of the most moving and personal poems in his era and this collection brings together the best of his verse on life and love.Hardy's poems are by turn haunting, intense, songlike humerous and tender. From snatched lovers' meetings to the wreck of the Titanic from the death of a Dorest drummer boy in the Boer War to memories of his dead wife Emma, from ghosts, loss and longing to pleasure in landscape and weather, they tell the story of one of our best-loved writers, and the people and places that inspired him.

Poems of the Sea (Macmillan Collector's Library #302)

by Adam Nicolson and Gaby Morgan

Poems of the Sea is an anthology of classic poetry that celebrates the sea; from the power of a stormy ocean to ships and sailors and beaches strewn with shells. Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by author Adam Nicolson.For generations, poets have taken inspiration from ocean mists and rugged coastlines to conjure up adventures on the high seas and joyous days at the seaside. From Emily Dickinson’s morning dog walks by the shore, to the river running through Sara Teasdale’s sunny valley, and from Walt Whitman’s fish-filled forests, to the silent ships passing in Paul Laurence Dunbar’s dark ocean, there are poems here for every reader to enjoy.

Poems of the Past and the Present

by Thomas Hardy

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Poems of the Great War: An Anthology 1914-1918 (RP Minis)

by Edited by Christopher Navratil

This collection featuring nearly 50 memorable poems from some of the best writers of the time: Rupert Brooke, Siegried Sasson, Wilfred Owen, Ivan Gurney, Isaac Rosenberg, Richard Aldington, Edward Thomas, and many more. Vividly expressing the ravages of war fought on the front lines, their poems are some of the most powerful and poignant works of the twentieth century.

Poems of the Great War: 1914-1918

by Luigi Pirandello

Published to commemorate the eightieth anniversary of Armistice, this collection is intended to be an introduction to the great wealth of First World War Poetry. The sequence of poems is random - making it ideal for dipping into - and drawn from a number of sources, mixing both well-known and less familiar poetry.

Poems of the Five Mountains: An Introduction to the Literature of the Zen Monasteries (Michigan Monograph Series in Japanese Studies #10)

by Marian Ury

This second, revised edition of a pioneering volume, long out of print, presents translations of Japanese Zen poems on sorrow, old age, homesickness, the seasons, the ravages of time, solitude, the scenic beauty of the landscape of Japan, and monastic life. Composed by Japanese Zen monks who lived from the last quarter of the thirteenth century to the middle of the fifteenth century, these poems represent a portion of the best of the writing called in Japanese gozan bungaku, “literature of the five mountains.” “Five mountains” or “five monasteries” refers to the system by which the Zen monasteries were hierarchically ordered and governed. For the monks in the monasteries, poetry functioned as a means not only of expressing religious convictions and personal feelings but also of communicating with others in a civilized and courteous fashion. Effacing barriers of time and space, the practice of Chinese poetry also made it possible for Japanese authors to feel at one with their Chinese counterparts and the great poets of antiquity. This was a time when Zen as an institution was being established and contact with the Chinese mainland becoming increasingly frequent—ten of the sixteen poets represented here visited China. Marian Ury has provided a short but substantial introduction to the Chinese poetry of Japanese gozan monasteries, and her translations of the poetry are masterful. Poems of the Five Mountains is an important work for anyone interested in Japanese literature, Chinese literature, East Asian Religion, and Zen Buddhism.

Poems of the First Buddhist Women: A Translation of the Therigatha (Murty classical library of India #3)

by Charles Hallisey

The Therīgāthā is one of the oldest surviving literatures by women, composed more than two millennia ago and originally collected as part of the Pali canon of Buddhist scripture. These poems were written by some of the first Buddhist women—therīs—honored for their religious achievements. Through imaginative verses about truth and freedom, the women recount their lives before ordination and their joy at attaining liberation from samsara. Poems of the First Buddhist Women offers startling insights into the experiences of women in ancient times that continue to resonate with modern readers. With a spare and elegant style, this powerful translation introduces us to a classic of world literature.

Poems of the Decade: An Anthology of the Forward Books of Poetry

by Forward Arts Foundation

Agbabi, Armitage, Burnside, Duffy, Dunmore, Fanthorpe, Heaney, Motion, Nagra, O'Brien and more Poems of the Decade brings together more than one hundred poems from the many thousands submitted to the Forward Prizes for Poetry in the first decade of the 21st century. The Forwards are among the world's most coveted poetry honours. They have been awarded annually since 1992 for the Best Collection, Best First Collection and Best Single Poem published in Britain and Ireland, and the roster of winning, shortlisted and highly commended poets regularly juxtaposes familiar canonical names with fresh voices. This anthology of anthologies draws on the ten Forward Books of Poetry published to accompany the prizes between 2001 and 2010. It is the perfect introduction to a wide range of contemporary poetry: works that speak of violence, danger and fear, of love and all that opposes love, in forms of language broken and reshaped by the need to communicate what it is to be alive now, here. 'These annual anthologies of the poems in the running for the Forward Prizes remain the best way of encountering the richness that new poetry has to offer. ' Daily Telegraph

Poems of the Decade: An Anthology of the Forward Books of Poetry (PDF)

by Forward Arts Foundation

Agbabi, Armitage, Burnside, Duffy, Dunmore, Fanthorpe, Heaney, Motion, Nagra, O'Brien and more Poems of the Decade brings together more than one hundred poems from the many thousands submitted to the Forward Prizes for Poetry in the first decade of the 21st century. The Forwards are among the world's most coveted poetry honours. They have been awarded annually since 1992 for the Best Collection, Best First Collection and Best Single Poem published in Britain and Ireland, and the roster of winning, shortlisted and highly commended poets regularly juxtaposes familiar canonical names with fresh voices. This anthology of anthologies draws on the ten Forward Books of Poetry published to accompany the prizes between 2001 and 2010. It is the perfect introduction to a wide range of contemporary poetry: works that speak of violence, danger and fear, of love and all that opposes love, in forms of language broken and reshaped by the need to communicate what it is to be alive now, here. 'These annual anthologies of the poems in the running for the Forward Prizes remain the best way of encountering the richness that new poetry has to offer. ' Daily Telegraph

The Poems of T. S. Eliot Volume II: Practical Cats and Further Verses

by T. S. Eliot

The Poems of T. S. Eliot is the authoritative edition of one of our greatest poets, scrupulously edited by Christopher Ricks and Jim McCue. It provides, for the first time, a fully scrutinized text of Eliot's poems, carefully restoring accidental omissions and removing textual errors that have crept in over the full century in which Eliot has been so frequently printed and reprinted. The edition also presents many poems from Eliot's youth which were published only decades later, as well as others that saw only private circulation in his lifetime, of which dozens are collected for the first time. To accompany Eliot's poems, Christopher Ricks and Jim McCue have provided a commentary that illuminates the creative activity that came to constitute each poem, calling upon drafts, correspondence and other original materials to provide a vivid account of the poet's working processes, his reading, his influences and his revisions. The first volume respects Eliot's decisions by opening with his Collected Poems 1909-1962 in the form in which he issued it, shortly before his death fifty years ago. There follow in this first volume the uncollected poems from his youth that he had chosen to publish, along with such other poems as could be considered suitable for publication. The second volume opens with the two books of poems of other kinds that he issued, Old Possum's Book of Practical Cats and his translation of Perse's Anabase, moving then to verses privately circulated as informal or improper or clubmanlike. Each of these sections is accompanied by its respective commentary, and then, pertaining to the entire edition, there is a comprehensive textual history recording variants both manuscript and published. The Poems of T. S. Eliot is a work of enlightening scholarship that will delight and inform all those who read Eliot for pleasure, as well as all those who read with pleasure and for study. Here are a new accuracy and an unparalleled insight into the marvels and landmarks from The Love Song of J. Alfred Prufrock and The Waste Land through to Four Quartets

The Poems of T. S. Eliot Volume I: Collected and Uncollected Poems

by T. S. Eliot

Here, for the first time, is a fully scrutinized text of Eliot's poems, carefully restoring accidental omissions and removing textual errors that have crept in over the full century in which Eliot has been so frequently printed and reprinted. The edition also presents many poems from Eliot's youth which were published only decades later, as well as others that saw only private circulation in his lifetime, of which dozens are collected for the first time. The first volume respects Eliot's decisions by opening with his Collected Poems 1909-1962 in the form in which he issued it, shortly before his death fifty years ago. There follow in this first volume the uncollected poems from his youth that he had chosen to publish, along with such other poems as could be considered suitable for publication. The Poems of T. S. Eliot is a work of enlightening scholarship that will delight and inform all those who read Eliot for pleasure, as well as all those who read with pleasure and for study. Here are a new accuracy and an unparalleled insight into the marvels and landmarks from The Love Song of J. Alfred Prufrock and The Waste Land through to Four Quartets.

The Poems of Sappho

by Sappho

Praised for their simplicity and sincerity, the poems of Sappho evoke powerful and memorable images through her focus on emotion and individualism that foreshadows modern poetry. This collection, translated by John Myers O’Hara, includes over 75 poems such as “Ode to Aphrodite,” “The Roses,” “Eros,” and “The Swallow.” Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.

Poems of Sappho: An Interpretative Rendition Into English...

by Sappho John Maxwell Edmonds

Plato hailed her as "the Tenth Muse," and 2,500 years later her voice remains dazzling as well as direct and honest. Sappho, a lyric poet from the Greek island of Lesbos, wrote verse that sings to both sexes of desire, rapture, and sorrow. Praised for their simplicity and sincerity, her poems nevertheless evoke powerful and memorable images as well as a sense of unreserved eroticism. Her focus on emotion and individualism sets her work apart from that of her contemporaries, lending it an intimacy that foreshadows modern poetry. Details about Sappho's life are largely unknown; she is thought to have lived sometime between 612–570 B.C.E., and her poetry was read and admired throughout the ancient world. Today her poems survive in fragmentary form, and she is best known as a symbol of female homosexuality, having inspired the terms "sapphic" and "lesbian." This concise collection of her surviving works features an informative Introduction by translator J. M. Edmonds.

Poems of Robert Burns Selected by Ian Rankin

by Ian Rankin Robert Burns

The farmer’s boy from Ayrshire who went on to be the most acclaimed of all Scottish poets, celebrated around the world, Robert Burns is a greater and more varied artist than those that know him only through annual Burns’ Suppers and choruses of his ‘Auld Lang Syne’ at New Year could imagine. This new selection by Ian Rankin of verses and lyrics from Scotland’s national poet, the ‘Heaven-taught ploughman’, reveals a writer capable of evoking tremendous sympathetic power from his readers and with an easy, astonishing command of the sounds and rhythms of both standard English and the evocative Scots tongue. It also reveals an artist of incredible range. His ‘Tam O’ Shanter’, with its midnight pursuit of witches from a grisly graveyard dance, is gripping, fantastical and funny in equal measure, ‘Is there for honest poverty’ beautifully expresses the egalitarian spirit by which Burns became a political hero for so many, and sentiments both romantic (‘Ae Fond Kiss’) and bawdy (‘The Fornicator’) co-exist in this canny selection of the best of the Scottish Bard.

Poems of R.P. Blackmur

by Richard Palmer Blackmur

As one of the first and most eloquent spokesmen for the New Criticism, R. P. Blackmur achieved a place of rare distinction in American letters. He preferred to think of himself as a poet, however, and this volume shows that his poetry was in its own right an enduring contribution to literature. Included here are The Second World (1942) and The Good European (1947), as well as From Jordan's Delight (1937), described by Allen Tate as "one of the most distinguished volumes of verse in the first half of the century."Blackmur was a formalist and a master of traditional versification, a poet whose work did not show the influence of Pound and Eliot although he read them closely. His poetry impresses the reader with its strength, gravity, and musicality. During his career, Blackmur lectured widely in the United States and abroad. He was the first man of letters to hold the Pitt Professorship of American History and Institutions at Cambridge University, and he was Professor of English at Princeton University, where he conceived the Christian Gauss Seminars in Criticism. He was a Fellow in American Letters at the Library of Congress, a member of the American Academy of Arts and Sciences, and Vice President of the National Institute of Arts and Letters.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Poems of Progress and New Thought Pastels

by Ella Wheeler Wilcox

Excerpt from Poems of Progress: And New Thought Pastels Love's Language When silence flees before the voice of Love, Of what expression does that god approve? Is dulcet song or flowing verse his choice, Or stately prose, made regal by his voice? Speaks Love in couplets, or in epics grand? And is love humble, or does he command? There is no language that Love does not speak: To-day commanding and to-morrow meek, One hour laconic and the next verbose, With hope triumphant and with doubt morose, His varying moods all forms of speech employ. To give expression to his painful joy, To voice the phases of his joyful pain, He rings the changes on the poet's strain. Yet not in epic, epigram or verse Can Love the passion of his heart rehearse. All speech, all language, is inadequate, There are no words with Love commensurate. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www. forgottenbooks. com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Poems of Phillis Wheatley: With Letters and a Memoir

by Phillis Wheatley

Born in Africa in 1753, Phillis Wheatley was kidnapped at the age of seven and sold into slavery. At nineteen, she became the first black American poet to publish a book, Poems on Various Subjects: Religious and Moral, on which this volume is based. Wheatley's poetry created a sensation throughout the English-speaking world, and the young poet read her work in aristocratic drawing rooms on both sides of the Atlantic. The London Chronicle went so far as to declare her "perhaps one of the greatest instances of pure, unassisted genius that the world ever produced." Wheatley's elegies and odes offer fascinating glimpses into the origins of African-American literary traditions. Most of the poems express the effects of her religious and classical New England education, consisting of elegies for the departed and odes to Christian salvation. This edition of Wheatley's historic works includes letters and a biographical note written by one of the poet's descendants. Includes a selection from the Common Core State Standards Initiative: "On Being Brought from Africa to America."

The Poems of Patrick Branwell Brontë: A New Text and Commentary (Routledge Library Editions: The Brontës)

by Victor A. Neufeldt

The Poems of Patrick Branwell Brontë, first published in 1990, provides a collection of Branwell Brontë’s poetry, as well as a detailed history of the use and locations of his manuscripts, the story of their publication over the years, and a commentary of the poetry itself. This edition will be of interest to students of English Literature.

The Poems of Patrick Branwell Brontë: A New Text and Commentary (Routledge Library Editions: The Brontës)

by Victor A. Neufeldt

The Poems of Patrick Branwell Brontë, first published in 1990, provides a collection of Branwell Brontë’s poetry, as well as a detailed history of the use and locations of his manuscripts, the story of their publication over the years, and a commentary of the poetry itself. This edition will be of interest to students of English Literature.

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