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Baghdad: The City In Verse
by Reuven SnirBaghdad: The City in Verse captures the essence of life lived in one of the world's enduring metropolises. This unusual anthology offers original translations of 170 Arabic poems from Bedouin, Muslim, Christian, Kurdish, and Jewish poets--most for the first time in English--from Baghdad's founding in the eighth century to the present day.
Baghdad: The City In Verse
by Reuven SnirBaghdad: The City in Verse captures the essence of life lived in one of the world's enduring metropolises. This unusual anthology offers original translations of 170 Arabic poems from Bedouin, Muslim, Christian, Kurdish, and Jewish poets--most for the first time in English--from Baghdad's founding in the eighth century to the present day.
The Poet Edgar Allan Poe: Alien Angel
by Jerome McGannJerome McGann takes his readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics. In a bold reassessment, McGann argues that Poe belongs alongside Whitman and Dickinson as a foundational American poet and cultural presence.
The Ocean, the Bird, and the Scholar: Essays on Poets and Poetry
by Helen VendlerA Times Higher Education Book of the Week One of our foremost commentators on poetry examines the work of a broad range of nineteenth- and twentieth-century English, Irish, and American poets. The Ocean, the Bird, and the Scholar gathers two decades’ worth of Helen Vendler’s essays, book reviews, and occasional prose—including the 2004 Jefferson Lecture—in a single volume. “It’s one of [Vendler’s] finest books, an impressive summation of a long, distinguished career in which she revisits many of the poets she has venerated over a lifetime and written about previously. Reading it, one can feel her happiness in doing what she loves best. There is scarcely a page in the book where there isn’t a fresh insight about a poet or poetry.” —Charles Simic, New York Review of Books “Vendler has done perhaps more than any other living critic to shape—I might almost say ‘create’—our understanding of poetry in English.” —Joel Brouwer, New York Times Book Review “Poems are artifacts and [Vendler] shows us, often thrillingly, how those poems she considers the best specimens are made…A reader feels that she has thoroughly absorbed her subjects and conveys her understanding with candor, clarity, wit.” —John Greening, Times Literary Supplement
Emily Dickinson’s Poems: As She Preserved Them
by Emily DickinsonWidely considered the definitive edition of Emily Dickinson’s poems, this landmark collection presents her poems here for the first time “as she preserved them,” and in the order in which she wished them to appear. It is the only edition of Dickinson’s complete poems to distinguish clearly those she took pains to copy carefully onto folded sheets in fair hand—presumably to preserve them for posterity—from the ones she kept in rougher form. It is also unique among complete editions in presenting the alternate words and phrases Dickinson chose to use on the copies of the poems she kept, so that we can peer over her shoulder and see her composing and reworking her own poems.The world’s foremost scholar of Emily Dickinson, Cristanne Miller, guides us through these stunning poems with her deft and unobtrusive notes, helping us understand the poet’s quotations and allusions, and explaining how she composed, copied, and circulated her poems. Miller’s brilliant reordering of the poems transforms our experience of them.A true delight, this award-winning collection brings us closer than we have ever been to the writing practice of one of America’s greatest poets. With its clear, uncluttered page and beautiful production values, it is a gift for students of Emily Dickinson and for anyone who loves her poems.
The Poet Edgar Allan Poe: Alien Angel
by Jerome McGannJerome McGann takes his readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics. In a bold reassessment, McGann argues that Poe belongs alongside Whitman and Dickinson as a foundational American poet and cultural presence.
The Vocal Songs in the Plays of William Shakespeare: A Critical History (PDF)
by Peter J. SengThe Vocal Songs in the Plays of William Shakespeare: A Critical History
Lyric Shame: The "Lyric" Subject of Contemporary American Poetry
by Gillian WhiteGillian White argues that the poetry wars among critics and practitioners are shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. “Lyric” is less a specific genre than a way to project subjectivity onto poems—an idealized poem that is nowhere and yet everywhere.
Lyric Shame: The "Lyric" Subject of Contemporary American Poetry
by Gillian WhiteGillian White argues that the poetry wars among critics and practitioners are shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. “Lyric” is less a specific genre than a way to project subjectivity onto poems—an idealized poem that is nowhere and yet everywhere.
Emily Dickinson’s Poems: As She Preserved Them
by Emily DickinsonCristanne Miller’s major edition of Dickinson’s poems presents the 1,100 poems the poet retained during her lifetime, in the form she retained them. Dickinson took pains to copy these poems onto folded sheets in fair hand, arguably to preserve them for posterity. Included are Dickinson’s alternate phrases and the editor’s notes and Introduction.
The Lyric in the Age of the Brain
by Nikki SkillmanScience has transformed understandings of the mind, supplying physiological explanations for what once seemed transcendental. Nikki Skillman shows how lyric poets—caught between a reductive scientific view and naïve literary metaphors—struggled to articulate a vision of consciousness that was both scientifically informed and poetically truthful.
The Lyric in the Age of the Brain
by Nikki SkillmanScience has transformed understandings of the mind, supplying physiological explanations for what once seemed transcendental. Nikki Skillman shows how lyric poets—caught between a reductive scientific view and naïve literary metaphors—struggled to articulate a vision of consciousness that was both scientifically informed and poetically truthful.
The Poem Is You: Sixty Contemporary American Poems And How To Read Them
by Stephen BurtThe variety of contemporary American poetry leaves many readers overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, he presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture.
Elizabeth Bishop at Work
by Eleanor CookCritics and biographers praise Elizabeth Bishop’s poetry but have little to say about how it does its sublime work—in the ear and in the mind’s eye. Eleanor Cook examines in detail Bishop’s diction, syntax, rhythm, and meter, her acute sense of place, and her attention to the natural world. Writers, readers, and teachers will all benefit.
Elizabeth Bishop at Work
by Eleanor CookCritics and biographers praise Elizabeth Bishop’s poetry but have little to say about how it does its sublime work—in the ear and in the mind’s eye. Eleanor Cook examines in detail Bishop’s diction, syntax, rhythm, and meter, her acute sense of place, and her attention to the natural world. Writers, readers, and teachers will all benefit.
Poet-Critics and the Administration of Culture
by Evan KindleyAfter the 1929 crash, Anglo-American poet-critics grappled with the task of legitimizing literature for public funding and consumption. Modernism, Evan Kindley shows, created a new form of labor for writers to perform and gave them unprecedented say over the administration of culture, with consequences for poetry’s role in society still felt today.
Poet-Critics and the Administration of Culture
by Evan KindleyAfter the 1929 crash, Anglo-American poet-critics grappled with the task of legitimizing literature for public funding and consumption. Modernism, Evan Kindley shows, created a new form of labor for writers to perform and gave them unprecedented say over the administration of culture, with consequences for poetry’s role in society still felt today.
Milton and the Making of Paradise Lost
by William PooleWilliam Poole recounts Milton's life as England’s self-elected national poet and explains how the greatest poem of the English language came to be written. How did a blind man compose this staggeringly complex, intensely visual work? Poole explores how Milton’s life and preoccupations inform the poem itself—its structure, content, and meaning.
Milton and the Making of Paradise Lost
by William PooleWilliam Poole recounts Milton's life as England’s self-elected national poet and explains how the greatest poem of the English language came to be written. How did a blind man compose this staggeringly complex, intensely visual work? Poole explores how Milton’s life and preoccupations inform the poem itself—its structure, content, and meaning.
The Letters of Emily Dickinson
by Emily DickinsonThe definitive edition of Emily Dickinson’s correspondence, expanded and revised for the first time in over sixty years.Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections—alternately humorous, provocative, affectionate, and philosophical—with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter.The Letters of Emily Dickinson is the first collected edition of the poet’s correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson’s writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time.Dickinson’s letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance.
Hearing Things: The Work of Sound in Literature
by Angela LeightonHearing Things is a meditation on sound’s work in literature. Drawing on critical works and the commentaries of many poets and novelists who have paid close attention to the role of the ear in writing and reading, Angela Leighton offers a reconsideration of literature itself as an exercise in hearing. An established critic and poet, Leighton explains how we listen to the printed word, while showing how writers use the expressivity of sound on the silent page. Although her focus is largely on poets—Alfred Tennyson, W. B. Yeats, Robert Frost, Walter de la Mare, Wallace Stevens, Elizabeth Bishop, Jorie Graham, and Alice Oswald—Leighton’s scope includes novels, letters, and philosophical writings as well. Her argument is grounded in the specificity of the text under discussion, but one important message emerges from the whole: literature by its very nature commands listening, and listening is a form of understanding that has often been overlooked. Hearing Things offers a renewed call for the kind of criticism that, avoiding the programmatic or purely ideological, remains alert to the work of sound in every literary text.
Hearing Things: The Work of Sound in Literature
by Angela LeightonHearing Things is a meditation on sound’s work in literature. Drawing on critical works and the commentaries of many poets and novelists who have paid close attention to the role of the ear in writing and reading, Angela Leighton offers a reconsideration of literature itself as an exercise in hearing. An established critic and poet, Leighton explains how we listen to the printed word, while showing how writers use the expressivity of sound on the silent page. Although her focus is largely on poets—Alfred Tennyson, W. B. Yeats, Robert Frost, Walter de la Mare, Wallace Stevens, Elizabeth Bishop, Jorie Graham, and Alice Oswald—Leighton’s scope includes novels, letters, and philosophical writings as well. Her argument is grounded in the specificity of the text under discussion, but one important message emerges from the whole: literature by its very nature commands listening, and listening is a form of understanding that has often been overlooked. Hearing Things offers a renewed call for the kind of criticism that, avoiding the programmatic or purely ideological, remains alert to the work of sound in every literary text.
Keats the Poet
by Stuart M. SperryKeats the Poet was first published in 1973, just as the crest of all the New-Critical exegeses had passed, leaving the critical literature with a wealth of fine readings, but without a real organizing program within which to view them. Stuart Sperry established such a frame of reference. Further, he did so with such prescience that even the most radical deconstructive or new historical approaches to Keats today must bear witness to their inception in Sperry's emphasis on, and subtle demonstration of, the centrality of "indeterminacy' in the poet. Now available in paperback for the first time, this work will enlighten a new generation of readers.
The Princeton Handbook of Multicultural Poetries
by Terry V.F. BroganDrawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the world. As with the parent volume, which has sold over 10,000 copies since it was first published in 1993, the intended audience is general readers, journalists, students, teachers, and researchers. The editor's principle of selection was balance, and his goal was to embrace in a structured and reasoned way the diversity of poetry as it is known across the globe today. In compiling material on 106 cultures in 92 national literatures, the book gives full coverage to Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, as well as other obscure ones such as Hittite), the ancient middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian), subcontinental Indian poetries (the widest linguistic diversity), Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, and half a dozen others), continental American poetries (all the modern Western cultures and native Indian in North, Central, and South American regions), and African poetries (ancient and emergent, oral and written).
Poetry at Stake: Lyric Aesthetics and the Challenge of Technology
by Carrie NolandTaking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day "mechanize" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high art and the world of things. Noland builds upon close readings to construct a tradition of diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and René Char to contemporary performance artists Laurie Anderson and Patti Smith--allied in their concern with the nature of subjectivity in an age of mechanical reproduction.