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Project Dictator: or 'Why Democracy is Overrated and I Don't Miss It At All' (Modern Plays)
by Rhum + ClayIt's time you realised that your show is a thing of the past. It's dead. A fragment of history. This is the future and I need you to come on board.Their choice? To die onstage - or off it.Beautiful and bonkers - it's the clown show about totalitarianism you never knew you needed. Rhum + Clay's Project Dictator was informed and inspired by conversations with international artists living under authoritarian regimes. It returned for a UK tour after critically-acclaimed runs at New Diorama Theatre in April 2022, and at Edinburgh Fringe Festival in August 2022.Originally commissioned by New Diorama Theatre for its 10th Anniversary Season, Project Dictator was also supported using public funding from Arts Council England. This edition was published to coincide with the UK tour starting in September 2023.
Project Dictator: or 'Why Democracy is Overrated and I Don't Miss It At All' (Modern Plays)
by Rhum + ClayIt's time you realised that your show is a thing of the past. It's dead. A fragment of history. This is the future and I need you to come on board.Their choice? To die onstage - or off it.Beautiful and bonkers - it's the clown show about totalitarianism you never knew you needed. Rhum + Clay's Project Dictator was informed and inspired by conversations with international artists living under authoritarian regimes. It returned for a UK tour after critically-acclaimed runs at New Diorama Theatre in April 2022, and at Edinburgh Fringe Festival in August 2022.Originally commissioned by New Diorama Theatre for its 10th Anniversary Season, Project Dictator was also supported using public funding from Arts Council England. This edition was published to coincide with the UK tour starting in September 2023.
Romeo And Juliet (Young Reading Series 2 (PDF))
by Anna ClayborneAttractively presented retelling of the story with fabulous illustrations. Clear, engaging text to encourage independent reading with direct speech and speech bubbles. With Internet links via the Usborne Quicklinks Website where readers can find out more about Shakespeare and listen to famous passages from the play. Usborne Young Reading has been developed in consultation with Alison Kelly, Senior Lecturer at Roehampton University. Part of Young Reading Series 2 for readers growing in confidence.
The Comedy, History and Tragedy of William Shakespeare
by Anna ClaybourneAward-winning, beautifully illustrated introduction to William Shakespeare for children; celebrating his life, his most famous plays and the time in which he lived. Vividly brings to life Shakespeare's school days in Stratford-Upon-Avon, what it was like to live in Elizabethan London and the world of Tudor theatre in Shakespeare's Globe theatre. Fun, charming summaries of some of Shakespeare's best-loved plays help make the works of our greatest playwright accessible for children and introduces them to his most famous characters. Much more than a biography, this is an entertaining, informative look at our most celebrated playwright. The perfect guide to help children be part of the Shakespeare 400 celebrations in 2016 and to open up the magical world of the bard for them.Won the Judges Highly Commended Award at the 2015 SLA Information Book Awards and has been shortlisted for the English 4-11 Picture Book Awards. Can be used to support the teaching of Shakespeare in the classroom and ahead of taking children to the theatre to see one of his plays for the first time. Suitable for children aged 7+ . Fun activity sheets and other resources to accompany the book can be found at http://www.shakespeareforschool.uk/the-book.html
Hamlet (Short, Sharp Shakespeare Stories #6)
by Anna ClaybourneAlas, poor Yorick! I knew him, Horatio. A murdered king, his haunted son, a wicked stepfather and a doomed romance... Discover the sad tale at the heart of Hamlet, one of Shakespeare's most famous tragedies. The age-appropriate text in Short, Sharp Shakespeare Stories: Hamlet introduces readers to the play by re-telling the story in modern English. It's an ideal introduction to Shakespeare for young readers of 9 and above, and perfect for fans of the Tony Ross and Andrew Matthews series Shakespeare Stories.The book also contains notes about the background to Hamlet, its major themes, language, the Globe theatre, and Shakespeare's life during the time he was writing the play, so is a useful resource for project work, or for anyone studying the play itself. Madness, and how it was treated in 16th century England, are also examined.Anna Claybourne's concise, witty text really brings out the humour and the drama of the stories, rendering them as relevant today as they were in Shakespeare's time. Comparisons with themes in modern life: love, revenge, family relationships, political power struggles, etc., serve to reinforce this.The text is supported by Tom Morgan-Jones' fantastic artwork, giving the series real visual appeal. Short, Sharp Shakespeare Stories allow children today to be as enthralled by Shakespeare's tales as audiences were 400 years ago. Publishing to coincide with the 450th anniversary of Shakespeare's birth, they are the ideal resource for project work connected to this, or to Shakespeare Week 2015. Other titles in the series include Macbeth, A Midsummer Night's Dream, The Tempest, Romeo and Juliet and Much Ado About Nothing.
A Midsummer Night's Dream (Short, Sharp Shakespeare Stories #2)
by Anna ClaybourneA fairy king, his queen and their servants cause chaos and confusion between four young people in Ancient Greece... Discover the hilarious story at the heart of A Midsummer Night's Dream, one of Shakespeare's best-loved plays. The age-appropriate text in Short, Sharp Shakespeare Stories: A Midsummer Night's Dream introduces readers to the play by re-telling the story in modern English, making it an ideal introduction to Shakespeare for children of 9 and above. The book also contains information about the background to A Midsummer Night's Dream, its major themes, language, and Shakespeare's life during the time he was writing the play, so is a useful resource for project work, or for anyone studying the play itself.Fairies and fairy folklore in 16th century England are also examined, to give the play a factual grounding.Anna Claybourne's concise, witty text really brings out the humour and the drama of the stories, rendering them as relevant today as they were in Shakespeare's time. Comparisons with themes in modern life: love, revenge, family relationships, political power struggles, etc., serve to reinforce this.The text is supported by Tom Morgan-Jones' fantastic artwork, giving the series real visual appeal. Short, Sharp Shakespeare Stories allows children today to be as enthralled by Shakespeare's tales as audiences were 400 years ago. Other titles in the series include Macbeth, Romeo and Juliet, Much Ado About Nothing, The Tempest and Hamlet.
Much Ado About Nothing (Short, Sharp Shakespeare Stories #5)
by Anna ClaybourneMistaken identities, deceipt, lovers' quarrels and a happy ending... discover the entertaining story at the heart of Much Ado About Nothing, one of Shakespeare's best-loved comedies. The age-appropriate text in Short, Sharp Shakespeare Stories: Much Ado About Nothing introduces readers to the play by re-telling the story in modern English, making it an ideal introduction to Shakespeare for children of 9 and above. The book also contains information about the background to Much Ado About Nothing, its major themes, language, and Shakespeare's life during the time he was writing the play, so is a useful resource for project work, or for anyone studying the play itself.Gossip, and its role in society in 16th century England, is also examined, to give the play a factual grounding.Anna Claybourne's concise, witty text really brings out the humour and the drama of the stories, rendering them as relevant today as they were in Shakespeare's time. Comparisons with themes in modern life: love, revenge, family relationships, political power struggles, etc., serve to reinforce this.The text is supported by Tom Morgan-Jones' fantastic artwork, giving the series real visual appeal. Short, Sharp Shakespeare Stories allow children today to be as enthralled by Shakespeare's tales as audiences were 400 years ago. Other titles in the series include Macbeth, A Midsummer Night's Dream, The Tempest, Romeo and Juliet and Hamlet.
Romeo and Juliet: Romeo And Juliet (Short, Sharp Shakespeare Stories #3)
by Anna ClaybourneTwo families at war, and a pair of young, star-crossed lovers caught in the crossfire... Discover the tragic story at the heart of Romeo and Juliet, Shakespeare's most famous play. The age-appropriate text in Short, Sharp Shakespeare Stories: Romeo and Juliet introduces readers to the play by re-telling the story in modern English, making it an ideal introduction to Shakespeare for children of 9 and above. The book also contains information about the background to Romeo and Juliet, its major themes, language, and Shakespeare's life during the time he was writing the play, so is a useful resource for project work, or for anyone studying the play itself.Poisons, and their application in 16th century England, are also examined, to give the play a factual grounding.Anna Claybourne's concise, witty text really brings out the humour and the drama of the stories, rendering them as relevant today as they were in Shakespeare's time. Comparisons with themes in modern life: love, revenge, family relationships, political power struggles, etc., serve to reinforce this.The text is supported by Tom Morgan-Jones' fantastic artwork, giving the series real visual appeal. Short, Sharp Shakespeare Stories allow children today to be as enthralled by Shakespeare's tales as audiences were 400 years ago. Other titles in the series include Macbeth, A Midsummer Night's Dream, The Tempest, Much Ado About Nothing and Hamlet.
The Tempest: The Tempest (ebook) (Short, Sharp Shakespeare Stories #4)
by Anna ClaybourneA powerful storm, a dramatic shipwreck, an enchanted island, a sorcerer's daughter and a handsome prince... Discover the magical story at the heart of The Tempest, one of Shakespeare's best-loved plays. The age-appropriate text in Short, Sharp Shakespeare Stories: The Tempest introduces readers to the play by re-telling the story in modern English, making it an ideal introduction to Shakespeare for children of 9 and above. The book also contains information about the background to The Tempest, its major themes, language, and Shakespeare's life during the time he was writing the play, so is a useful resource for project work, or for anyone studying the play itself.Magic, and its meaning in 16th century England, are also examined, to give the play a factual grounding.Anna Claybourne's concise, witty text really brings out the humour and the drama of the stories, rendering them as relevant today as they were in Shakespeare's time. Comparisons with themes in modern life: love, revenge, family relationships, political power struggles, etc., serve to reinforce this.The text is supported by Tom Morgan-Jones' fantastic artwork, giving the series real visual appeal. Short, Sharp Shakespeare Stories allow children today to be as enthralled by Shakespeare's tales as audiences were 400 years ago. Other titles in the series include Macbeth, A Midsummer Night's Dream, Romeo and Juliet, Much Ado About Nothing and Hamlet.
Lives in Play: Autobiography and Biography on the Feminist Stage
by Ryan ClaycombLives in Play explores the centrality of life narratives to women’s drama and performance from the 1970s to the present moment. In the early days of second-wave feminism, the slogan was “The personal is the political.” These autobiographical and biographical “true stories” have the political impact of the real and have also helped a range of feminists tease out the more complicated aspects of gender, sex, and sexuality in a Western culture that now imagines itself as “postfeminist.” The book’s scope is broad, from performance artists like Karen Finley, Holly Hughes, and Bobby Baker to playwrights like Suzan-Lori Parks, Maria Irene Fornes, and Sarah Kane. The book links the narrative tactics and theatrical approaches of biography and autobiography and shows how theater artists use life writing strategies to advance women’s rights and remake women’s representations. Lives in Play will appeal to scholars in performance studies, women’s studies, and literature, including those in the growing field of auto/biography studies. “ A fresh perspective and wide-ranging analysis of changes in feminist theater for the past thirty years . . . a most welcome addition to the literature on theater, in particular scholarship on feminist practices.” —Choice “Helps sustain an important history by reviving works of feminist theater and performance and giving them a new and refreshing context and theorical underpinning . . . considering 1970s performance art alongside more conventional play production.” —Lesley Ferris, The Ohio State University
Irregular Unions: Clandestine Marriage in Early Modern English Literature
by Katharine ClelandKatharine Cleland's Irregular Unions provides the first sustained literary history of clandestine marriage in early modern England and reveals its controversial nature in the wake of the Elizabethan Religious Settlement, which standardized the marriage ritual for the first time. Cleland examines many examples of clandestine marriage across genres. Discussing such classic works as The Faerie Queene, Othello, and The Merchant of Venice, she argues that early modern authors used clandestine marriage to explore the intersection between the self and the marriage ritual in post-Reformation England.The ways in which authors grappled with the political and social complexities of clandestine marriage, Cleland finds, suggest that these narratives were far more than interesting plot devices or scandalous stories ripped from the headlines. Instead, after the Reformation, fictions of clandestine marriage allowed early modern authors to explore topics of identity formation in new and different ways.Thanks to generous funding from Virginia Tech and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellopen.org) and other repositories.
Theatre Work: Reimagining the Labor of Theatrical Production
by Brídín Clements Cotton Natalie RobinTheatre Work: Reimagining the Labor of Theatrical Production investigates both the history and current realities of life and work in professional theatrical production in the United States and explores labor practices that are equitable, accessible, and sustainable.In this book, Brídín Clements Cotton and Natalie Robin investigate the question of artmaking, specifically theatrical production, as work. When the art is the work, how do employers navigate the balance between creative freedom and these equitable, accessible, and sustainable personnel processes? Do theatrical production operations value the worker? Through data analyses, worker narratives, and analogues to the evolving gig economy, Theatre Work questions everything about theatrical production work – including our shared history, ways of operating, and assumptions about how theatre is made – and considers what might happen if the American Theatre was reborn in an entirely new form.Written for members of the theatrical production workplace, leaders of theatrical institutions and productions, labor organizers, and industry union leaders, Theatre Work: Reimagining the Labor of Theatrical Production speaks to the ways that employers and workers can reimagine how we work.
Theatre Work: Reimagining the Labor of Theatrical Production
by Brídín Clements Cotton Natalie RobinTheatre Work: Reimagining the Labor of Theatrical Production investigates both the history and current realities of life and work in professional theatrical production in the United States and explores labor practices that are equitable, accessible, and sustainable.In this book, Brídín Clements Cotton and Natalie Robin investigate the question of artmaking, specifically theatrical production, as work. When the art is the work, how do employers navigate the balance between creative freedom and these equitable, accessible, and sustainable personnel processes? Do theatrical production operations value the worker? Through data analyses, worker narratives, and analogues to the evolving gig economy, Theatre Work questions everything about theatrical production work – including our shared history, ways of operating, and assumptions about how theatre is made – and considers what might happen if the American Theatre was reborn in an entirely new form.Written for members of the theatrical production workplace, leaders of theatrical institutions and productions, labor organizers, and industry union leaders, Theatre Work: Reimagining the Labor of Theatrical Production speaks to the ways that employers and workers can reimagine how we work.
Tennessee Williams and Italy: A Transcultural Perspective
by Alessandro ClericuzioThis book reveals for the first time the import of a huge network of connections between Tennessee Williams and the country closest to his heart, Italy. America's most thought-provoking playwright loved Italy more than any other country outside the US and was deeply influenced by its culture for most of his life. Anna Magnani's film roles in the 1940s, Italian Neo-realist cinema, the theatre of Eduardo De Filippo, as well as the actual experience of Italian life and culture during his long stays in the country were some of the elements shaping his literary output. Through his lover Frank Merlo, he also had first-hand knowledge of Italian-American life in Brooklyn. Tracing the establishment of his reputation with the Italian intelligentsia, as well as with theatre practitioners and with generations of audiences, the book also tells the story of a momentous collaboration in the theatre, between Williams and Luchino Visconti, who had to defy the unceasing control Italian censorship exerted on Williams for decades.
Scottish Widows (Oberon Modern Plays)
by Grae CleughFull of fun, seriously dramatic too, this collection of monologues takes you on a wondrous journey through the lives of six Scots who lose their partners but come out the other end still fighting. These are their strange, marvellous stories of sex, drugs, crown green bowls, heartbreak and a Turkish adventure! Grae Cleugh’s first play F***ing Games was produced at the Royal Court Theatre and was directed by Dominic Cooke. It won him the Laurence Olivier Award for the UK’s Most Promising Playwright.
The Pina Bausch Sourcebook: The Making of Tanztheater
by Royd ClimenhagaPina Bausch's work has had tremendous impact across the spectrum of late twentieth-century performance practice, helping to redefine the possibilities of what both dance and theater can be. This edited collection presents a compendium of source material and contextual essays that examine Pina Bausch's history, practice and legacy, and the development of Tanztheater as a new form, with sections including: Dance and theatre roots and connections Bausch's developmental process The creation of Tanztheater Bausch's reception Critical perspectives Interviews, reviews and major essays chart the evolution of Bausch's pioneering approach and explore this evocative new mode of performance.nbsp;
Australian Metatheatre on Page and Stage: An Exploration of Metatheatrical Techniques (Routledge Advances in Theatre & Performance Studies)
by Rebecca ClodeThis book offers the first major discussion of metatheatre in Australian drama of the late twentieth and early twenty-first centuries. It highlights metatheatre’s capacity to illuminate the wider social, cultural, and artistic contexts in which plays have been produced. Drawing from existing scholarly arguments about the value of considering metatheatre holistically, this book deploys a range of critical approaches, combining textual and production analysis, archival research, interviews, and reflections gained from observing rehearsals. Focusing on four plays and their Australian productions, the book uses these examples to showcase how metatheatre has been utilised to generate powerful elements of critique, particularly of Indigenous/non-Indigenous relations. It highlights metatheatre’s vital place in Australian dramatic and theatrical history and connects this Australian tradition to wider concepts in the development of contemporary theatre. This illuminating text will be of interest to students and scholars of Australian theatre (historic and contemporary) as well as those researching and studying drama and theatre studies more broadly.
Australian Metatheatre on Page and Stage: An Exploration of Metatheatrical Techniques (Routledge Advances in Theatre & Performance Studies)
by Rebecca ClodeThis book offers the first major discussion of metatheatre in Australian drama of the late twentieth and early twenty-first centuries. It highlights metatheatre’s capacity to illuminate the wider social, cultural, and artistic contexts in which plays have been produced. Drawing from existing scholarly arguments about the value of considering metatheatre holistically, this book deploys a range of critical approaches, combining textual and production analysis, archival research, interviews, and reflections gained from observing rehearsals. Focusing on four plays and their Australian productions, the book uses these examples to showcase how metatheatre has been utilised to generate powerful elements of critique, particularly of Indigenous/non-Indigenous relations. It highlights metatheatre’s vital place in Australian dramatic and theatrical history and connects this Australian tradition to wider concepts in the development of contemporary theatre. This illuminating text will be of interest to students and scholars of Australian theatre (historic and contemporary) as well as those researching and studying drama and theatre studies more broadly.
Giambattista Della Porta, Dramatist
by Louise George ClubbAlthough Renaissance scholars generally agree that Della Porta was the finest comic playwright of his generation in Italy, no detailed analysis of these plays and of their considerable influence outside Italy has previously appeared. One of the most famous men of his time in the field of scientific investigation, Della Porta wrote plays for relaxation and, on occasion, to camouflage controversial aspects of his scientific research from the Inquisitions. Today his works in science are largely forgotten and his right to fame rests on the plays. This book brings together the available facts of Della Porta's rich and often mysterious life and closely examines his dramatic works as part of the Italian literary scene in late Renaissance.Originally published in 1965.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Pollastra and the Origins of Twelfth Night: Parthenio, commedia (1516) with an English Translation (Anglo-Italian Renaissance Studies)
by Louise George ClubbPollastra and the Origins of Twelfth Night addresses two closely linked and increasingly studied issues: the nature of the relation of Shakespeare's plays to Italian culture, and the technology of modern theater invented in Renaissance Italy. The discovery of forgotten works by Giovanni Lappoli, known as Pollastra, led to publication in Italy in 1993 in a limited edition of the Italian texts with supplemental scholarship by the authors, entitled Romance and Aretine Humanism in Sienese Comedy. One of those texts, the comedy Parthenio, has escaped the attention of theater bibliographers, because it was quickly sold out in its time and only a handful of copies are known to exist today. Yet it played an important part in the birth of Italian Renaissance drama and of modern comedy in general, in that it was the immediate predecessor and source of Gl'Ingannati, arguably the most famous comedy of the Italian Renaissance and certainly the most imitated, translated, adapted all over Europe. The best known of its progeny is Shakespeare's Twelfth Night. Much has been written in Italy and England about Gl'Ingannati and Shakespeare's debt to it, but nothing at all about Parthenio. This volume provides the first English translation (with the original Italian on facing pages); and presents for an international audience the theatrical scholarship from the 1993 book Romance and Aretine Humanism in Sienese Comedy, augmented with new findings.
Pollastra and the Origins of Twelfth Night: Parthenio, commedia (1516) with an English Translation (Anglo-Italian Renaissance Studies)
by Louise George ClubbPollastra and the Origins of Twelfth Night addresses two closely linked and increasingly studied issues: the nature of the relation of Shakespeare's plays to Italian culture, and the technology of modern theater invented in Renaissance Italy. The discovery of forgotten works by Giovanni Lappoli, known as Pollastra, led to publication in Italy in 1993 in a limited edition of the Italian texts with supplemental scholarship by the authors, entitled Romance and Aretine Humanism in Sienese Comedy. One of those texts, the comedy Parthenio, has escaped the attention of theater bibliographers, because it was quickly sold out in its time and only a handful of copies are known to exist today. Yet it played an important part in the birth of Italian Renaissance drama and of modern comedy in general, in that it was the immediate predecessor and source of Gl'Ingannati, arguably the most famous comedy of the Italian Renaissance and certainly the most imitated, translated, adapted all over Europe. The best known of its progeny is Shakespeare's Twelfth Night. Much has been written in Italy and England about Gl'Ingannati and Shakespeare's debt to it, but nothing at all about Parthenio. This volume provides the first English translation (with the original Italian on facing pages); and presents for an international audience the theatrical scholarship from the 1993 book Romance and Aretine Humanism in Sienese Comedy, augmented with new findings.
The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present (Palgrave Studies in Theatre and Performance History)
by J. ClumIn studying performances of marriage in modern and contemporary British and American drama, Clum highlights the fact that - paradoxically - at a time when theatre was both popular entertainment and high culture, many of the most commercially and artistically successful plays about marriage were written by homosexual men. Beginning with Oscar Wilde and focusing on some of the most successful British and American playwrights of the past century, including Somerset Maugham, Noël Coward, Terence Rattigan, and Emlyn Williams in England and Clyde Fitch, George Kelly, Tennessee Williams, William Inge, and Edward Albee in the US, The Drama of Marriagelooks at how the plays they wrote about heterosexual marriage continue to impact contemporary gay playwrights and the depiction of marriage today.
Pocket Plays (Oberon Modern Plays)
by Play Theatre Co.PLAY is an award-winning theatre company with a unique way of doing things. Championing a collaborative approach, PLAY brings together the brightest and best emerging creatives to make new writing that is perceptive, provocative and above all PLAYful.
Callisto: A Queer Epic (Oberon Modern Plays)
by Hal CoaseCallisto is a swirling constellation of remarkable queer stories. Hurtle across time and space with this scintillating and extraordinary new play.In London, 1680, opera star Arabella Hunt has secretly entered into the first recorded gay marriage in UK history. In Worcester, 1936, Alan Turing pays one final visit to Isobel Morcom, mother of his lost first love, Christopher. In the San Fernando Valley, 1979, Tammy Frazer arrives at Callisto Pornographic Studios, searching for the love of her life. And on the Moon, 2223, Lorn is building a paradise to sleep in, but his A.I. companion Cal is determined to keep him awake.
Mrs Dalloway (Oberon Modern Plays)
by Hal CoaseOn a single day in 1920s London, we delve deep into the life of Clarissa Dalloway, as she prepares to throw a party for her high-society friends and members of the Government. In the same city, a very different story unfolds, as first world war veteran Septimus Warren Smith seeks help from the ruling class that Clarissa entertains.A fast-paced, dynamic take on Virginia Woolf‘s classic tale Mrs Dalloway, in a bold new free version by Hal Coase.